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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork October 15, 2012 by Jeffrey A. Wakolbinger On October 9, 2012, Judge Grady, in the United States District Court for the Northern District of Illinois, dismissed a copyright-infringement action against rock band Mötley Crüe for lack of personal jurisdiction.1 The suit was brought by Ron Toma, who owns copyrights in certain photographs of band members Vince Neil, Nikki Sixx, Mick Mars, and Tommy Lee. One of those photographs was a close up of singer Vince Neil’s waist area, featuring a prominent studded belt buckle (the “Belt Buckle Image”). The photograph was taken by Michael Pinter in 1981 and used as the cover artwork for Mötley Crüe’s debut album, “Too Fast for Love.” Toma acquired the copyright in that image in 2008 through assignment. In September 2011, he filed a complaint in the Northern District of Illinois 1 Toma v. Motley Crue, Inc., No. 11 C 6766 (N.D. Ill. Oct. 9, 2012). These materials have been prepared by Pattishall, McAuliffe, Newbury, Hilliard & Geraldson LLP for general informational purposes only. They are not legal advice. They are not intended to create, and their receipt by you does not create, an attorney-client relationship. against Motley Crue, Inc., alleging that the defendants infringed his copyright in the Belt Buckle Image by projecting it on screen during live performances. He later amended the complaint to add the band’s touring company, Red White & Crue, Inc, as a defendant. The only specific example of alleged infringement in the complaint is a link to a YouTube video showing live footage from a concert in Las Vegas, during which the Belt Buckle Image was displayed on a screen while the band performed the title track of the album. -
JROCK Houston - [email protected]
Magazine Staf Credits Interviews JROCK Houston - [email protected] KATZ – [email protected] Graphics: Leith Taylor - [email protected] Text Editor: Leith Taylor Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 2 Warrant’s Jani Lane Tribute …….6 Phil Soussan……8 WARRANT DRUMMER James Kottak……10 Counterfeit Molly……19 The Influence……20 Be The Ant……22 Live Wire – David Grant……24 Head Cat……28 Wings In Motion CD Review……33 Don Jamieson……34 Jaison In LA……40 Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 3 Talkback By JRock Houston Jani Lane is just the latest of many Rockers to leave the world way too young. I thought in light of this that this month's TALKBACK SECTON would take a look back at some other Rockers who checked out way too young. Let's take a trip down memory lane: 12/1/93 - Singer: Ray Gillian dies from Aids related complications. While he never appeared on record with Black Sabbath he was briefly a member of Black Sabbath's touring band when he briefly replaced legendary Singer: Glenn Hughes in the band. Following his gig with Sabbath Gillen briefly worked w/Ex Thin Lizzy/Whitesnake Guitarist: John Sykes in Blue Murder but eventually Gillen left Blue Murder and formed BadLands w/Ex Ozzy Osbourne/Ratt Guitarist: Jake E. Lee. Badlands released two albums before Gillen decided to leave because of friction that developed between Lee and Gillen. After Ray Gillen's death BADLANDS released a 3rd and final album called DUSK which was an album's worth of material of unreleased studio outakes. -
Dodge Rocks Gas Monkey’ Car Show and Concert Set for Saturday, Nov
Contact: Eileen Wunderlich Stellantis Jamie Roberts 10th Street Entertainment/ The Eleven Seven Music Group (212) 334-3160 (office) [email protected] Jordyn K. Palos Persona PR (310) 358-3090 (office) (805) 208-7988 (cell) [email protected] Dodge, Gas Monkey Garage’s Richard Rawlings and Mötley Crüe Call All Charger, Challenger and Viper Owners to ‘Rock the House’ at a Car Show and Exclusive Concert Featuring Iconic Rock Band Mötley Crüe ‘Dodge Rocks Gas Monkey’ car show and concert set for Saturday, Nov. 1, at Gas Monkey Live, Rawling’s new restaurant and concert venue in Dallas Register your Dodge vehicle at www.dodgerocksgasmonkey.com and receive up to two passes to exclusive evening concert by legendary rock band Mötley Crüe Hear the roar of the new 707-horsepower 2015 Dodge Charger SRT Hellcat and 2015 Dodge Challenger SRT Hellcat, the most powerful and fastest sedan and muscle cars ever Activities include Viper drift cars, Dodge Hellcat thrill rides, Dodge Charger and Challenger simulators and additional fun and games Free event, as $100 vehicle registration fee will be refunded at gate September 22, 2014, Auburn Hills, Mich. - Dodge, Gas Monkey Garage owner Richard Rawlings and Mötley Crüe are inviting all Charger, Challenger and Viper owners to the ultimate party and owners’ experience, the “Dodge Rocks Gas Monkey” car show and concert. The Nov. 1 event at Gas Monkey Live, a new state-of-the-art second Gas Monkey music venue in Dallas, culminates in an exclusive performance by the iconic rock band Mötley Crüe, mid-way through their All Bad Things Must End “Final Tour” of large arenas across North America. -
The Leather Diaries: the Rise and Fall of Rocket Queen
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories THE LEATHER DIARIES: THE RISE AND FALL OF ROCKET QUEEN By Erin Tysowski BFA University of Calgary, 1999 B.Ed. University of Calgary, 1999 A THESIS SUPPORT PAPER SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS IN APPLIED ARTS in Visual Arts EMILY CARR UNIVERSITY OF ART + DESIGN 2016 ©Erin Tysowski, 2016 ABSTRACT In the midst of doing my Master’s degree, I created an alternate persona for myself. She belongs to a tribe of edgy women, and explores various aspects of self in relation to past and present narratives of fandom. Fandom is a subculture of fans that share a common interest, in this case heavy metal. Since 2014, I’ve framed my alternate identity in the art world. For this paper and my art and graduate work she is Rocket Queen [ET]. Her desire to relive becoming Youth Gone Wild1 is a desperate attempt to escape the inevitable: mortality. Rocket Queen and Rocket Queen [ET]- my persona name- is a fantasy character acting in a type of large social drama or my own rock drama where we can witness the rise and fall of rebellious women. Rocket Queen [ET] takes her adventures through a series of art making in the form of rock posters stapled up around the city of Calgary, Alberta as interventions, installations using concert lights and leather reconfigured to appear in the tradition of objects/wall paintings. -
The Legacy Continues…
THE LEGACY CONTINUES… Vince Neil, the legendary front man of Mötley Crüe, is an international superstar, accomplished businessman and heartfelt philanthropist. His unmistakable voice leads some of the greatest rock songs of a generation in‐ cluding “Wild Side”, “Shout at the Devil,” “Home Sweet Home,” “Girls, Girls, Girls,” “Dr. Feelgood,” “Kickstart My Heart,” “Same Ol’ Situation,” and many others. Raised on the tough streets of Compton, California, Vince Neil fell in love with music as a child, developing a broad vocabulary that ranged from classic Motown to Hard Rock. As a teenager, he began performing with local bands and soon discovered both a passion for the stage and a natural talent as a singer and performer. He fronted the popular band Rock Candy before reuniting with high school buddy Tommy Lee in 1981, estab‐ lishing his spot in rock and roll history with the formation of Mötley Crüe. Mötley Crüe’s epic 34‐year run included countless multi‐platinum releases, more than 22 hit singles, 100 mil‐ lion albums sold and dozens of global tours with sold out arenas, inclusive of some of the largest venues in the world. The band completed “The Final Tour” on New Year’s Eve 2015, closing the book that told the story of their iconic career. Despite the Mötley Crüe departure from the rock world, however, Vince Neil shows no sign of slow down, continuing to carry on with the unending “The Legacy Continues Tour”. Neil continues to perform all the classic Mötley Crüe hits with select cuts from his three solo albums. Addi‐ tionally, this badass performer is working on new music, and has hinted about performing some of it during this tour: “I’ll say that we are recording some stuff for a new record this year,” he said in a Loudwire interview in January. -
MÖTLEY CRÜE Announces the FINAL TOUR Presented by Dodge
MÖTLEY CRÜE Announces THE FINAL TOUR Presented by Dodge Band is first-ever to sign binding “Cessation of Touring” agreement to prevent future, unauthorized touring Last Chance To Ever See The Band Perform Live TWEET IT: #RIPMotleyCrue - @MotleyCrue announces #TheFinalTour, Country tribute album, "The Dirt" movie & more! Full details at motley.com Los Angeles, CA (January 28, 2014) – After more than three decades together, iconic rock ‘n roll band MÖTLEY CRÜE announced today their Final Tour and the band’s ultimate retirement. The announcement was solidified when the band signed a formal Cessation Of Touring Agreement, effective at the end of 2015, in front of global media in Los Angeles today. Celebrating the announcement of this Final Tour, the 1 band will perform on ABC’s Jimmy Kimmel Live TONIGHT and will appear on CBS This Morning TOMORROW MORNING. With over 80 million albums sold, MÖTLEY CRÜE has sold out countless tours across the globe and spawned more than 2,500 MÖTLEY CRÜE branded items sold in over 30 countries. MÖTLEY CRÜE has proven they know how to make a lasting impression and this tour will be no different; Fans can expect to hear the catalogue of their chart- topping hits and look forward to mind-blowing, unparalleled live production. “When it comes to putting together a new show we always push the envelope and that’s part of Motley Crue’s legacy,” explains Nikki Sixx (bass). “As far as letting on to what we’re doing, that would be like finding out what you’re getting for Christmas before you open the presents. -
LN PR Template
MÖTLEY CRÜE’S FINAL TOUR SELLS OUT NINE SHOWS, ADDS MORE BY POPULAR DEMAND Band Announces Eight Sold-Out Shows After Tickets Were Made Available Jan. 31 and Adds Nov. 8 Date at Joe Louis Arena in Detroit, Mich. TWEET IT: #RIPMotleyCrue - @MotleyCrue announces #TheFinalTour, Country tribute album, "The Dirt" movie & more! Full details at motley.com LOS ANGELES (Feb. 10, 2014) – Just days after tickets for iconic rock ‗n‘ roll band MÖTLEY CRÜE‘s The Final Tour went on sale, eight shows have sold out. The band has also added a Nov. 8 date at Joe Louis Arena in Detroit, Mich. due to overwhelming demand. Tickets for the Joe Louis Arena show will go on sale Saturday, Feb. 15 at 10:00 a.m. local time. The sold out shows are: Aug. 9 – Clarkston, MI (DTE Energy Music Theatre) Aug. 10 – Toronto, ON (Molson Canadian Amp) Oct. 7 – Hollywood, FL (Hard Rock Live) Oct. 25 – Atlantic City, NJ (Borgata Events Center) Oct. 26 – Uncasville, CT (Mohegan Sun Arena) Nov. 15 – St. Paul, MN (XCEL Energy Center) Nov. 16 – Fargo, ND (FargoDome) Nov. 18 – Edmonton, AB (Rexall Place) Nov. 19 – Calgary, AB (Scotiabank Saddledome) MÖTLEY CRÜE announced The Final Tour and the band‘s ultimate retirement, solidified when the band signed a formal Cessation Of Touring Agreement, effective at the end of 2015, in front of global media in Los Angeles on Jan. 28. Celebrating the announcement of The Final Tour, the band performed on ABC‘s "Jimmy Kimmel Live" later that night and appeared on "CBS This Morning" on Jan. -
Inside Story
FEATURE INSIDE STORY Mötley Crüe milk the applause at the end of a show on the ‘Girls Girls Girls’ tour. L-R: Emi Canyn (backing singer), Nikki Sixx (bass), Vince Neil (vocals), Tommy Lee (drums), Mick Mars (guitar), Donna McDaniel (backing singer) When Crue ruled IT’S THE SUMMER OF 1987 bassist Nikki Sixx not succumbed to a and Mötley Crüe are on top heroin overdose on 23 December 1987. of the world. ‘Girls Girls Girls’, In an attempt to save his life, the bassist the band’s fourth album, heads to rehab and an entire European was released on 19 May and tour, scheduled for early 1988, is canned. the has been a huge success, But the hell already raised on those 108 making number two on the dates ensures that Mötley’s ‘Girls Girls Billboard album charts, only Girls’ tour will always retain legendary narrowly kept off top spot by status in rock history. Whitney Houston. The album is fast heading towards quadruple platinum status and has firmly Doc McGhee established the Crüe as the The band and tour members beside their plane. Crüe’s manager at the time pre-eminent hair metal act. The Manager Doc McGhee opts for double denim “This was a BIG tour. We’d done forthcoming ‘Girls Girls Girls’ tour is Europe with Iron Maiden before, but in 1987 we world touted as the hot rock ticket of the really ramped things up. This was HUGE – a ton of dates.” year and, given the band’s reputation for excess all areas, MÖTLEY CRÜE WAS THE HOUSE BAND OF THE SUNSET STRIP HAIR METAL SCENE. -
Peter Conn Papers M2262
http://oac.cdlib.org/findaid/ark:/13030/c8n303pn No online items Guide to the Peter Conn Papers M2262 Brian Bethel Department of Special Collections and University Archives 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Peter Conn Papers M2262 1 M2262 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Peter Conn papers creator: Conn, Peter creator: Homer and Associates Identifier/Call Number: M2262 Physical Description: 31.5 Linear Feet(42 boxes, 2 oversize folders) Date (inclusive): c. early 1970s - 1996 Abstract: Consists of material related to Peter Conn and Homer & Associates' work in computer-generated animation, graphics, and motion capture technology. Conditions Governing Access Open for research. Note that material must be requested at least 36 hours in advance of intended use. Audiovisual materials are not available in original format, and must be reformatted to a digital use copy. Born-digital material is closed until processed. Immediate Source of Acquisition Gift of Peter Conn; 2017. Accession MSS 2017-255. Biographical / Historical Peter Conn is a director and producer known for his advances in 3D computer-generated animation, graphics, and motion capture technology, primarily through his production company Homer & Associates. Over the years, Conn has worked on music videos, commercials, television and film projects, industry presentations, and stage shows, virtually all of which involve some form of computer-generated imagery (CGI). Conn graduated from Stanford University in 1971 with a BA in Communications. After spending a year studying film at the Cinematheque Francaise in Paris, Conn developed a real time visual mixing system called the Hybrid Optical Montage Electronically Reproduced (HOMER) in 1973. -
Or “Tattoos and Tequila”? Find out on Stripjoints 23!
DJ BOOTH by Dave Manack TATTOOS, TEQUILA AND ROCK ‘N’ ROLL — VINCE NEIL HAS GOT ‘EM ALL FOR YOU ON STRIPJOINTS 23! f there’s something that Vince Neil knows, it’s tattoos home bronze medals for its Silver and Añejo varieties. Neil and tequila. As the frontman of one of the hardest is partial to the Añejo variety, which is an aged tequila and is partying bands in the history of rock, he’s seen more more of a sipping drink than its Silver or Reposado brethren. ithan his fair share of both over the last three decades. “Other people might sip on whiskey, but I really think He even has his own brand of tequila—Tres Rios Tequila— tequila is the way to go,” says Neil. “Tequila is a fun drink. and owns two Vince Neil Ink tattoo shops in Las Vegas. So it When you think tequila, you think beach, you think party. I’m makes more than just a little bit of sense to title his newest sure a lot of people will give Tres Rios a shot because it’s my solo CD, Tattoos and Tequila, with the fi rst single being—you tequila; but after that fi rst sip, they’ll say, “Ya, this is some- guessed it— “Tattoos and Tequila.” In fact, this ass-kicking thing I want to drink from now on.” new track is featured on the On the other side of the CD latest installment of Concrete title lies one of Vince’s other pas- Marketing’s “StripJoints” disc for sions—besides music, of course. -
Dodge Brand to Present Motley Crue ?Final Tour?
Contact: Eileen Wunderlich Stellantis Kristen Foster PMK (310) 854-4742 (office) [email protected] Jamie Roberts 10th Street Entertainment / Eleven Seven Music (212) 334-3160 (office) [email protected] Dodge Brand to Present the ‘Final Tour’ of Iconic Rock ‘n' Roll Band Motley Crue January 30, 2014, Auburn Hills, Mich. - After more than three decades together, iconic rock ‘n' roll band Motley Crue announced its “Final Tour.” This will be the last chance to ever see the band perform live. The Dodge brand is the presenting sponsor of the tour, which begins this summer. Motley Crue made the announcement in Los Angeles earlier this week where the band signed a formal “Cessation of Touring Agreement,” effective at the end of 2015, before celebrating the announcement with performances on ABC’s Jimmy Kimmel Live (Tuesday) and CBS This Morning (Wednesday). The “Final Tour,” presented by Dodge and produced by Live Nation, will kick off in North America July 2 in Grand Rapids, Mich., and reach 72 markets before hitting international cities in 2015. Rock legend Alice Cooper will join Motley Crue as a special guest for an incredible music package. "Whenever I talk to people about Motley Crue, the common thread is how cool and relevant the band remains even after 33 years," said Tim Kuniskis, President and CEO, Dodge Brand, Chrysler Group LLC. "This irreverent 'staying power' resonates deeply with the Dodge brand as we turn the corner on our 100 year anniversary. What better way to celebrate the band's final tour and the 25th anniversary of 'Kickstart My Heart' than to do it together?" Dodge has used the band’s hit single “Kickstart My Heart” in three 30-second commercials for the Charger and Challenger as the energy of the song and band captures the spirit and energy of the brand.