DOCSLIB.ORG

1980S Rock Scene in Los Angeles Based on the Dirt and Slash

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1980S Rock Scene in Los Angeles Based on the Dirt and Slash TARTU KIVILINNA GYMNASIUM 1980s Rock Scene in Los Angeles based on The Dirt and Slash Research paper AUTHOR: Martin Kallas SUPERVISOR: Tea Tamm Tartu 2010 2 Table of Contents Introduction ................................................................................................................................................... 4 Genre ............................................................................................................................................................. 5 1.1 Bands that influenced 1980s rock scene ..................................................................................... 5 1.2 Location ........................................................................................................................................ 7 1.3 Music ............................................................................................................................................ 7 Kings of the scene: Mötley Crüe Guns N’ Roses ........................................................................................... 8 1.4 Mötley Crüe ................................................................................................................................. 8 1.4.1 Overview .................................................................................................................................. 8 1.4.2 Forming the band .................................................................................................................... 9 1.4.3 Beginnings (1981-1992) ........................................................................................................ 11 1.4.4 Troubled times(1992-1997) ................................................................................................... 12 1.4.5 Reunited (1997-2004) ............................................................................................................ 13 1.4.6 Lifestyle .................................................................................................................................. 13 1.5 Guns N’ Roses ............................................................................................................................ 14 1.5.1 The beginning ........................................................................................................................ 14 1.5.2 Problems with first record ..................................................................................................... 14 1.5.3 Band & addiction problems ................................................................................................... 15 1.5.4 New Drummer ....................................................................................................................... 16 1.5.5 Use your Illusion I & II ............................................................................................................ 17 1.5.6 Use your Illusion tour ............................................................................................................ 17 1.5.7 Break-up ................................................................................................................................ 18 2 Future of the 1980s rock scene band & musicians ............................................................................. 20 2.1 Musical work of the members of Guns N’ Roses and Mötley Crüe during hiatus and break-up 20 2.1.1 Mötley Crüe ........................................................................................................................... 20 2.1.2 Guns N’ Roses ........................................................................................................................ 21 2.2 Future of the Guns N’ Roses and Mötley Crüe .......................................................................... 22 3 2.2.1 Guns N’ roses ......................................................................................................................... 22 2.2.2 Mötley Crüe ........................................................................................................................... 22 3 Summary ............................................................................................................................................. 23 Appendix ...................................................................................................................................................... 24 References ................................................................................................................................................... 28 4 Introduction In 1980s rock music reached its peak in popularity all over the world. Never before nor after has any rock band served as such a huge influence on the youth. Bands that ruled the stages at that time have shaped and changed the 1980s. It is interesting to mark that 1980s rock music was most popular in Los Angles and almost all the bands that were reconized internationally came from LA. This reseach focuses on two bands that were more successful than others – Mötley Crüe and Guns N’ Roses. It examines the successes and failures and life of the members of these bands. After solving their problems both bands are back on stage now, wrting new material and touring. After consideration, these two bands were chosen for the research because of the amount of the available written material they have released such as the band history of Mötley Crüe in The Dirt and Slash, which in addition to being an autobiography of the lead guitarist of Guns N’ Roses partly serves as a chronicle of the band as well. 5 Genre Newspaper ad:”Loud,rude and aggressive guitarist available” and that guy was Mick Mars. (The Dirt) 1.1 Bands that influenced 1980s rock scene 1980s rock music has rather a unique sound and is recognisable easily to anyone even vaguely familiar with rock music. What is not generally known is how 1980s rock music became to be, what genres influenced it and how they did it, because every style has its roots and never grows out of nothing. After studying key bands of the 1980s such as Mötley Crüe and Guns N’ Roses as well as their biographies it can be said that both had the same bands that influenced them with some exceptions. The main band that influenced both Mötley Crüe and Guns N’ Roses and their individual members was Aerosmith. According to Wikipedia Aerosmith is an American hard rock band, sometimes referred to as ‘The Bad Boys from Boston’ and ‘America's Greatest Rock and Roll Band’. Their style, which is rooted in blues-based hard rock, has come to also incorporate elements of pop, heavy metal, and rhythm and blues. The band was formed in Boston, Massachusetts in 1970. Aerosmith has five members: Steven Tyler (Vocals), Joe Perry (Lead guitar), Brad Whitford (Rhythm guitar), Tom Hamilton (Bass) and Joey Kramer (Drums) who all have been in the band almost from the beginning (Wikipedia reference 5). It is written in Slash how Slash, whose real given name is Saul Hudson, listened to Aerosmith’s album “Rocks” all day and night long: “Once the opening shrieks of “Back in the saddle” filled the room, I was transfixed; I listened to the record over and over, crouched by the speakers, ignoring Laurie completely. I forgot her altogether as well as whatever intricate plans I had for the evening” (Slash, 43). It is also depicted how he devoted himself to learning Aerosmith’s songs: “I devoted to learning “Back in the saddle”. I stole cassette and songbook and replayed the song until I knew the riffs. I learned valuable lesson: music books can’t teach you 6 how to play properly. /../ It made sense: I struggled for hours and still couldn´t play along properly. So I ditched the books and kept at it until I could play it by ear” (Slash, 44). Aerosmith also influenced Mötley Crüe. Nikki Sixx wrote in The Dirt: “Every day I tried to learn Stooges, Sparks /../ and the Aerosmith.”(The Dirt, 19) Another great influence to the 1980s rock music was Thin Lizzy which is described in Wikipedia as follows: “Thin Lizzy is an Irish hard rock band who formed in Dublin, Ireland in 1969. The band were led throughout their recording career by bassist, songwriter and singer Phil Lynott, and are best known for their songs "Whiskey in the Jar", "Jailbreak" and "The Boys Are Back in Town", all major international hits still played regularly on hard rock and classic rock radio stations. Thin Lizzy’s original members were: Phil Lynott (Vocals and Bass, died in 1986), Brian Downey (Drums), Eric Bell (guitars), and Eric Wrixon (Keyboard)” (Wikipedia reference 6). Mötley Crüe was largely influenced by glam rock band called Ney York Dolls, the entry for which in Wikipedia reads: “The New York Dolls are an American rock band, formed in New York City in 1971. The band's proto-punk sound prefigured much of what was to come in the punk rock era; their visual style influenced the look of many new wave and 1980s-era glam metal groups. New York Dolls lineup consist 5 members: David Johansen (Vocals), Arthur Kane (Bass, died 2004) , Jerry Nolan (Drums) , Sylvain Sylvain (Guitars) and Johnny Thunders (Guitars)” (Wikipedia reference 7). Mötley Crüe bassist Nikki Sixx has stated his affection towards the band and named it his favorite band of all times. He says: “Every day after school [...] listening to the New York Dolls …” (The Dirt, 20) or “I’d guzzle the stuff and stand in front of the mirror, fan out my thickening black hair, twist my mouth into a sneer, sling my guitar around my neck, and rock out, trying to look
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • In Less Than a Decade, DUFF Mckagan Shot
    36-43 Duff feature 3/16/04 2:10 PM Page 36 36-43 Duff feature 3/16/04 2:14 PM Page 37 Bulletproof In less than a decade, DUFF McKAGAN shot from strung-out GUNS N’ ROSES megastar to sober bass-groovin’ dude for VELVET REVOLVER. Bass Guitar’s E.E. Bradman gets the rock-solid bass man in his sight. BG 37 36-43 Duff feature 3/16/04 4:25 PM Page 38 36-43 Duff feature 3/16/04 5:22 PM Page 39 “Every good rock band has to . You need that something that moves people.” uff McKagan knows covers-only Spaghetti Incident and the so-so Live Era didn’t measure up to the band’s HAIR FORCE ONE: about missed opportuni- Duff, with Rose and Slash, debut, and by 1992 Izzy and Adler had been in his GN’R daze ties. He was, after all, the replaced by Gilby Clarke and Matt Sorum. In founding bassist of the 1993, McKagan released his first solo album, legendary Guns N’ Roses, Believe in Me. Guns eventually crumbled, leaving an uncompleted (and still unreleased) whose rock-star excesses, album, tentatively titled Chinese Democracy, volatile live shows and incendiary in the balance. albums made them the biggest band in McKagan’s second effort, Beautiful D Disease, was lost to record company politics, the world before they spluttered to a but he stayed busy producing Betty Blow- messy close a decade later. But McKa- torch, playing several instruments with gan—who after a drug-and-alcohol- Screaming Trees vocalist Mark Lanegan, and related pancreas explosion 10 years ago handling guitar and bass duties for Iggy Pop, was told by doctors that his next drink Ten Minute Warning, Loaded, the Neurotic Outsiders (with John Taylor of Duran Duran would kill him—also knows a thing or and Steve Jones of the Sex Pistols) and the two about second chances.
    [Show full text]
  • University COVID-19 Outbreak Continues
    The Westfield NewsSearch for The Westfield News Westfield350.com The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 $1.00 MONDAY,TUESDAY, NOVEMBER JUNE 27, 2017 16, 2020 VOL. 75 cents 89 NO. 275 Think local SHELTER-IN-PLACE when planning University your holiday COVID-19 shopping list By LORI SZEPELAK Correspondent outbreak WESTFIELD — The holiday season is typi- cally a time when friends spend a day together – enjoying a special lunch gathering – and checking out local craft fairs in the search for the continues perfect gift for someone on their holiday shop- ping list. By PETER CURRIER Since local craft fairs and other popular ven- Westfield River Brewing owner Sergio Bonavita hand a check to the Southwick Our Staff Writer ues will not be shopping options in the coming Community Food Pantry Bettylou Murphy Nov. 12 pantry volunteers Deb Herath, WESTFIELD — Westfield State University weeks due to the ongoing COVID-19 pandemic, at left, and Kathlyn Cook look on. (HOPE E. TREMBLAY/THE WESTFIELD NEWS) reported 58 new confirmed cases of COVID-19 businesses and artisans continue to think outside this week as the campus remains in a shelter-in- the box in the hopes that area residents will con- place period due to the outbreak. sider checking out local opportunities for unique There have been 113 confirmed cases at gift ideas. Those opportunities can range from Southwick Food Pantry Westfield State since September 29. shops that dot the landscape to social media plat- In a letter to the Westfield State Community forms including “Westfield Small Biz Saturday” Nov.
    [Show full text]
  • Motley Crue the Dirt EST
    67510 | RANDOM HOUSE | Mötley Crüe | The Dirt Page 1 09-Jan-20 r t w e n v e t y o y e d a e r g s .. a .. MOTLEYû CRUE 67510 | RANDOM HOUSE | Mötley Crüe | The Dirt Page 2 09-Jan-20 Zum Buch Drogeneskapaden, wilde Sexabenteuer, kaputte Hotelzimmer, Schlägereien und Gefängnisaufenthalte. Wer glaubt, schon alles über Rock ’n’ Roll-Exzesse zu wis- sen, kennt entweder Mötley Crüe nicht oder hat dieses Buch nicht gelesen. Die amerikanische Hardrockband hat seit ihrer Gründung Anfang der 80er Jahre alles unternommen, um den bekannten Rockstar-Klischees die Krone aufzusetzen. Heil herausgekommen sind die vier dabei nicht immer – großen kommerziellen Erfol- gen stehen private Katastrophen gegenüber, ausverkauften Tourneen folgten Kon- zerte in kleinen Clubs, Ehen wurden zur schlagenden Verbindung und endeten nicht selten im Knast. Und trotzdem haben Mötley Crüe überlebt. Gemeinsam mit Bestsellerautor Neil Strauss gelang ihnen mit »The Dirt« eine unglaublich wilde, unterhaltsame und grandios witzige Bandchronik, die 2019 von Netflix verfilmt wurde. »Kein echter Heavy-Metal-Fan wird ohne diese unglaubliche Chronik auskommen können.« Publishers Weekly »Das unverzichtbarste Rockbuch des Jahres, ach was, aller Zeiten.« Q Magazine »Egal, an welcher Stelle man dieses Buch aufschlägt, man findet immer eine Geschichte, die man nicht wieder vergisst.« New York Times »Ein zügelloser und reueloser Einblick in das Leben einer echten Rock 'n' Roll- Band.« Maxim Zu den Autoren Mötley Crüe wurden 1981 in Los Angeles von Vince Neil (Gesang), Micky Mars (Gitarre), Nikki Sixx (Bass) und Tommy Lee (Schlagzeug) gegründet. Bis heute hat die »wildeste Heavy-Metal-Band der Welt« (Playboy) mehr als 50 Millionen Alben verkauft.
    [Show full text]
  • ASSESSMENT of COASTAL WATER RESOURCES and WATERSHED CONDITIONS at CHANNEL ISLANDS NATIONAL PARK, CALIFORNIA Dr. Diana L. Engle
    National Park Service U.S. Department of the Interior Technical Report NPS/NRWRD/NRTR-2006/354 Water Resources Division Natural Resource Program Centerent of the Interior ASSESSMENT OF COASTAL WATER RESOURCES AND WATERSHED CONDITIONS AT CHANNEL ISLANDS NATIONAL PARK, CALIFORNIA Dr. Diana L. Engle The National Park Service Water Resources Division is responsible for providing water resources management policy and guidelines, planning, technical assistance, training, and operational support to units of the National Park System. Program areas include water rights, water resources planning, marine resource management, regulatory guidance and review, hydrology, water quality, watershed management, watershed studies, and aquatic ecology. Technical Reports The National Park Service disseminates the results of biological, physical, and social research through the Natural Resources Technical Report Series. Natural resources inventories and monitoring activities, scientific literature reviews, bibliographies, and proceedings of technical workshops and conferences are also disseminated through this series. Mention of trade names or commercial products does not constitute endorsement or recommendation for use by the National Park Service. Copies of this report are available from the following: National Park Service (970) 225-3500 Water Resources Division 1201 Oak Ridge Drive, Suite 250 Fort Collins, CO 80525 National Park Service (303) 969-2130 Technical Information Center Denver Service Center P.O. Box 25287 Denver, CO 80225-0287 Cover photos: Top Left: Santa Cruz, Kristen Keteles Top Right: Brown Pelican, NPS photo Bottom Left: Red Abalone, NPS photo Bottom Left: Santa Rosa, Kristen Keteles Bottom Middle: Anacapa, Kristen Keteles Assessment of Coastal Water Resources and Watershed Conditions at Channel Islands National Park, California Dr. Diana L.
    [Show full text]
  • Heavy Metal and Classical Literature
    Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
    [Show full text]
  • BLABBERMOUTH.NET - GENITORTURERS: Live Recording of 'Pub
    BLABBERMOUTH.NET - GENITORTURERS: Live Recording of 'Pub... http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=... Last Updated: August 13, 2007 12:11 PM gfedc Remember Me GENITORTURERS: Live Recording of 'Public Enemy' Posted Online - Aug. 11, 2007 Florida-based "shock-rock" band GENITORTURERS, featuring MORBID ANGEL frontman David "Evil D" Vincent on bass, has posted a live recording of its song search text "Public Enemy" on the group's MySpace page. The track was recorded live in St. Peterburg, FL at the State Theater and will be featured on the GENITORTURERS' upcoming DVD, entitled "Live in Sin", to be released this fall by MVD Visual. The "Public Enemy" video from the forthcoming DVD will premier on MySpace on August 21. search text GENITORTURERS recently traveled to California to mix part of its new CD in Hollywood at the Chop Shop by producer Scott Humphrey (ROB ZOMBIE, MÖTLEY CRÜE, METALLICA, TOMMY LEE, THE CULT, MONSTER MAGNET). Additional mixing sessions took place in Orlando with producer Dave Ogilvie and Veit Renn at RMP studios. Dave Ogilvie has a long history with GENITORTURERS, stepping in to mix their 1993 debut IRS Records release "120 Days of Genitorture" and producing most of their "Machine Love" CD, which included a cover of the DIVINYLS' "I Touch Myself". The majority of the album was recorded in the GENITORTURERS' own Compound Studios with additional drum tracking at Tampa's Redroom studios. DEVILDRIVER "The Last Kind Words" To report any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, please send an e-mail to [email protected] with pertinent details.
    [Show full text]
  • Tattoos & IP Norms
    Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2013 Tattoos & IP Norms Aaron K. Perzanowski Case Western University School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Intellectual Property Law Commons Repository Citation Perzanowski, Aaron K., "Tattoos & IP Norms" (2013). Faculty Publications. 47. https://scholarlycommons.law.case.edu/faculty_publications/47 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Article Tattoos & IP Norms Aaron Perzanowski† Introduction ............................................................................... 512 I. A History of Tattoos .............................................................. 516 A. The Origins of Tattooing ......................................... 516 B. Colonialism & Tattoos in the West ......................... 518 C. The Tattoo Renaissance .......................................... 521 II. Law, Norms & Tattoos ........................................................ 525 A. Formal Legal Protection for Tattoos ...................... 525 B. Client Autonomy ...................................................... 532 C. Reusing Custom Designs ......................................... 539 D. Copying Custom Designs .......................................
    [Show full text]
  • (PDF) Tommyland Anthony Bozza, Tommy
    [PDF] Tommyland Anthony Bozza, Tommy Lee - pdf download free book Free Download Tommyland Ebooks Anthony Bozza, Tommy Lee, PDF Tommyland Popular Download, Free Download Tommyland Full Popular Anthony Bozza, Tommy Lee, free online Tommyland, Download Free Tommyland Book, Download Online Tommyland Book, Download PDF Tommyland Free Online, read online free Tommyland, book pdf Tommyland, Anthony Bozza, Tommy Lee epub Tommyland, Download Tommyland E-Books, Download Online Tommyland Book, Download Tommyland E-Books, Read Online Tommyland Book, Read Tommyland Online Free, Read Best Book Tommyland Online, Tommyland pdf read online, Tommyland Read Download, Tommyland Ebook Download, Free Download Tommyland Books [E-BOOK] Tommyland Full eBook, CLICK HERE FOR DOWNLOAD pdf, mobi, epub, azw, kindle Description: Review "The pages vibrate with Lee's crazy energy." -- Entertainment Weekly "As good as the gold in Goldschlager." -- Time "A compelling yet obscene personal treatise, on fame and the insanity of out celebrity- crazed culture." -- The Washington Post "Deliciously dirty." -- Glamour About the Author Tommy Lee was born in Athens, Greece, and moved with his family to California at the age of one. In his musical career he is famous for being the wild drummer of one of the most successful and outrageous bands of the 1980s. A master showman, Lee's antics included performing onstage with a revolving drum kit. Since Mötley Crüe, he has devoted himself to the rap-metal act Methods of Mayhem, on which he collaborated with programming expert Scott Humphrey and rapper TiLo. Lee's last album, a more traditional hard-rock collection, Never a Dull Moment, was released in 2002.
    [Show full text]
  • Guns N' Roses in Spain
    Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys.
    [Show full text]
  • Engineering (Mail Stop No
    COUNCIL FILE NO. /~·0q14 COUNCIL DISTRICT NO. 13 ./ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____,} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____ Other: 1 PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles Honorable Members: C.
    [Show full text]