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GAME FEATURES 21 Full-Length Studio Master Recordings of GNR Favorites Exclusive Original Pinball Music created and performed by Slash Exclusive Original Instrumentation and Sound Effect Recordings performed by Slash, Duff McKagan, and Richard Fortus Game Narration By Duff McKaganand Melissa Reese Additional Voice Recording by Axl Rose, Slash, Richard Fortus, Frank Ferrer, Dizzy Reed and GnR announcer MC Bob Timed Play option for every song Original Hand-Drawn digitally printed Playfield, Cabinet, and Backglass Artwork Live Footage and Concert Screen Animations from the Not In This Lifetime World Tour Showcased on the 27” Backbox Display Jukebox Attract Mode Option Selectable Content Settings: Family Friendly(default), Adult-Adds explicit songs, video content, and voice work 120 Watt 2.1 Stereo Sound System Bluetooth Headphone and WIFI Connectivity Drumstick Ramp: 2 Real Frank Ferrer Thunderchucker Vater Drumsticks Direction-Sensing Spinning Platinum Record Playfield Toy Sculptures: Slash’s Iconic Top Hat, Screaming Axl Rose, Concert Speaker Stack 2 Guitar Pic-shaped RGB Lit Spinners 30 RGB GNR Hexagonal Stage Lighting 7” Stage Display Showcasing Additional Game Rules and Animations All 21 Concert Songs playable as Multiball 5 Additional Unique Multiball Modes 4 Concert Booster Modes 4 Unique GNR Album Modes Not In This Lifetime Final Wizard Mode Familiar In-Song Performance Assessment Rock-it Meter New Non-Mechanical Ball Sensors 75+Mini-insert LEDs for World Tour Map and Music Notes Unique Guaranteed-Progress Inlane Configuration COMA Area Outlane Ball Save Toolless Moveable/Removeable Magnetic Rule and Pricing Cards STANDARD EDITION Monsterized Roadsters Cabinet Art Package Black Textured Powder Coat Blood Red Plastic Set Hand-Drawn Monsterized Band SE Backglass Unlimited Production 200+ Individually Controlled RGB LEDs Full Band On Stage Illuminable Toy 3 Flippers Bright White LED Controllable Hotrail Lighting Laser-etched Glowing Fender Bass Ramp Decoration PHONE: 732-364-9900 - WWW.JERSEYJACKPINBALL.COM /JERSEYJACKPINBALL 1850 GREENLEAF AVE ELK GROVE VILLAGE IL 60007 @JJPINBALL COPYRIGHT © 2020 JERSEY JACK PINBALL. ALL RIGHTS RESERVED @JERSEYJACKPINBALL.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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In Less Than a Decade, DUFF Mckagan Shot
36-43 Duff feature 3/16/04 2:10 PM Page 36 36-43 Duff feature 3/16/04 2:14 PM Page 37 Bulletproof In less than a decade, DUFF McKAGAN shot from strung-out GUNS N’ ROSES megastar to sober bass-groovin’ dude for VELVET REVOLVER. Bass Guitar’s E.E. Bradman gets the rock-solid bass man in his sight. BG 37 36-43 Duff feature 3/16/04 4:25 PM Page 38 36-43 Duff feature 3/16/04 5:22 PM Page 39 “Every good rock band has to . You need that something that moves people.” uff McKagan knows covers-only Spaghetti Incident and the so-so Live Era didn’t measure up to the band’s HAIR FORCE ONE: about missed opportuni- Duff, with Rose and Slash, debut, and by 1992 Izzy and Adler had been in his GN’R daze ties. He was, after all, the replaced by Gilby Clarke and Matt Sorum. In founding bassist of the 1993, McKagan released his first solo album, legendary Guns N’ Roses, Believe in Me. Guns eventually crumbled, leaving an uncompleted (and still unreleased) whose rock-star excesses, album, tentatively titled Chinese Democracy, volatile live shows and incendiary in the balance. albums made them the biggest band in McKagan’s second effort, Beautiful D Disease, was lost to record company politics, the world before they spluttered to a but he stayed busy producing Betty Blow- messy close a decade later. But McKa- torch, playing several instruments with gan—who after a drug-and-alcohol- Screaming Trees vocalist Mark Lanegan, and related pancreas explosion 10 years ago handling guitar and bass duties for Iggy Pop, was told by doctors that his next drink Ten Minute Warning, Loaded, the Neurotic Outsiders (with John Taylor of Duran Duran would kill him—also knows a thing or and Steve Jones of the Sex Pistols) and the two about second chances.
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Psychiatry 1998; 59 (Suppl 20): 22–33; Quiz 4–57
Response to treatment with antidepressants and B vitamins 32 Bohn MJ, Babor TF, Kranzler HR. The Alcohol Use Disorders Identification effects for those with B12 deficiency and hyperhomocysteinemia. Stroke Test (AUDIT): validation of a screening instrument for use in medical settings. 2006; 37: 547–9. J Stud Alcohol 1995; 56: 423–32. 37 Jonsson K. Using panel data to increase the power of modified unit root tests 33 Folstein MF, Folstein SE, McHugh PR. ‘‘Mini-mental state’’. A practical in the presence of structural breaks. Appl Math Comput 2005; 171: 832–42. method for grading the cognitive state of patients for the clinician. 38 Group VTS. B vitamins in patients with recent transient ischaemic attack or J Psychiatr Res 1975; 12: 189–98. stroke in the VITAmins TO Prevent Stroke (VITATOPS) trial: a randomised, double-blind, parallel, placebo-controlled trial. Lancet Neurol 2010; 9: 34 Kroenke K, Spitzer RL, Williams JB. The PHQ-9: validity of a brief depression 855–65. severity measure. J Gen Intern Med 2001; 16: 606–13. 39 Brown RD, Langshaw MR, Uhr EJ, Gibson JN, Joshua DE. The impact of 35 Sheehan DV, Lecrubier Y, Sheehan KH, Amorim P, Janavs J, Weiller E, et al. mandatory fortification of flour with folic acid on the blood folate levels of The Mini-International Neuropsychiatric Interview (M.I.N.I.): the development an Australian population. Med J Aust 2011; 194: 65–7. and validation of a structured diagnostic psychiatric interview for DSM-IV and 40 Papakostas GI, Petersen T, Mischoulon D, Ryan JL, Nierenberg AA, ICD-10. J Clin Psychiatry 1998; 59 (suppl 20): 22–33; quiz 4–57.
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111 Juarez.Pdf
04 ENTREVISTA Por:Luis Alonso Fierro / Fotografía: Yadín Xolalpa Por:Verónica Primero / Imagenes: Twitter n días pasados la diputada federal priista con licencia, sacrificar la construcción de su propio edificio, con lo que Ivonne Ortega Pacheco, en entrevista exclusiva con se ahorran poco más de mil millones de pesos, los cuales se EAlejandro Velasco para Net Noticias primera edición, regresaron a la Secretaria de Hacienda por la propia condi- habló sobre el video que subió a sus redes sociales en don- ción que se están viviendo en la economía de nuestro país. de respondió a la pregunta del presidente Enrique Peña Nie- Sin embargo, aunque estas acciones, dice, no pudieran su- to, ¿Ustedes que hubieran hecho? mar estos doscientos y tantos mil millones que necesita la recaudación del estado, pudiéramos revisar también si hay Ortega Pacheco en su video, plantea diez puntos que pu- obras que en este momento son importantes para el desa- dieran generar menos impacto en el bolsillo, en las econo- rrollo de nuestro país, pero que a lo mejor podemos aguan- mías de las familias, comenta que “el presidente en su men- tar uno o dos años, cuando mejore el precio del petróleo, saje, dice, tenemos que cuidar la macroeconomía, tenemos cuando mejore el precio del dólar, sacrificar esas obras y no que cuidar la estabilidad financiera de nuestro país, para pegarle a la economía familiar. que podamos ser competitivos”, por lo que ella propone que “también tenemos que cuidar la microeconomía y la Para dar seguimiento a sus propuestas y a las de los estabilidad de las familias mexicanas”.
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Guns N' Roses
Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing.
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Guns N' Roses in Spain
Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys.
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Guns N' Roses to Continue Thrilling Fans with Newly
GUNS N’ ROSES TO CONTINUE THRILLING FANS WITH NEWLY ADDED NORTH AMERICAN STOPS ON THE NOT IN THIS LIFETIME TOUR Special Guests ZZ Top, Deftones, Sturgill Simpson, Royal Blood, LĪVE, and Our Lady Peace Announced for Various Stadium Shows New Stadium and Arena Dates Added to the NortH American Leg this August, October, and November Tickets On Sale Saturday, June 3 at LiveNation.com Los Angeles, CA (May 25th, 2017) – Unstoppable rock music icons Guns N’ Roses will electrify fans into the fall, announcing today a series of fifteen additional North American Stadium and Arena stops on their ongoing worldwide Not In This LifetIme Tour. Produced by Live Nation, the exhilarating global phenomenon is letting fans get closer with a newly added round of arena shows throughout the U.S. and Canada including stops at New York’s famed Madison Square Garden and Los Angeles’ Forum and Staples Center over Thanksgiving weekend. In addition to the arena shows, a larger-than-life performance for the people of Little Rock, AK has been added on August 5 at War Memorial Stadium. Tickets for the new StadIum and Arena dates go on sale to the general publIc startIng Saturday, June 3. Exclusive Guns N’ Roses VIP packages available for North American dates at vipnation.com. Special guests for the colossal stadium shows have also been revealed including ZZ Top on the El Paso, TX and San Antonio, TX dates; Deftones on the St. Louis, MO and Minneapolis, MN dates; Sturgill Simpson on the Denver, CO, Little Rock, AK, and Miami, FL dates; Royal Blood on the Vancouver, BC and George, WA dates; LĪVE on the Winston-Salem, NC and Hershey, PA dates; and Our Lady Peace on the Montreal, QC, Ottawa, ON, Winnipeg, MB, and Edmonton, AB dates.
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Owner's Manual
Copyright: David Phillips - www.armarketing.co.uk O W N E R ’ S M A N U A L OVERVIEW Introducing the AFD100 – a dual mode, all-valve 100 Watt head that revisits the legendary tones of one of, if not the most important, rock albums of the last three decades. As well as reproducing what is regarded by many as the “Ultimate Rock Sound”, the AFD100 also contains FROMJIMMARSHALL some truly awesome features, the first being Marshall’s new electronic power attenuation. This incredible technology allows you to precisely adjust the maximum power output of the AFD100 without losing any of that sought-after tone. No limited wattage choices to click between and no compromising your tone, just smooth and consistent power attenuation that is simple to use and makes the AFD100 ideal for stage, studio I would like to thank you personally for choosing this limited AFD100 Slash and home use. Signature Series Amplifier – our tribute to one of the greatest rock tones ever recorded and one of the most influential guitarists of the past The Presence, Bass, Middle and Treble controls dictate the overall tone of the AFD100’s highly interactive EQ section, meaning that changes 25 years. to one will affect the parameters of the others. This allows for a greater range of tonal possibilities, plus a more fluid and dynamic way of controlling your sound. I have known Slash since the early ’90s and I have rarely met a more humble rock star. I remember when we launched the JCM Slash The power amp volume is controlled using the Master, while pre-amp distortion is governed by the Gain.
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Engineering (Mail Stop No
COUNCIL FILE NO. /~·0q14 COUNCIL DISTRICT NO. 13 ./ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____,} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____ Other: 1 PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles Honorable Members: C.
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Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
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Slash Plugs in with MOGAMI Cable
FOR IMMEDIATE RELEASE Slash Plugs In With MOGAMI Cable Iconic guitarist Slash endorses MOGAMI cable. Los Angeles, CA, November 20, 2012 – Slash has become an official endorsee of MOGAMI cable. The endorsement deal unites one of the world’s most celebrated guitarists with the industry’s finest audio cable. “I was delighted when Slash’s team approached us, indicating Slash was considering a switch to MOGAMI cables, and asked if we would be interested,” said Phil Tennison, product manager of MOGAMI. “We were quick to say yes! Slash is one of the greatest musicians of all time. He knows great tone. His endorsement of MOGAMI is tremendous. We look forward to collaborating with Slash on many performances to come.” Slash created some of rock’s most legendary guitar riffs as part of Guns-N-Roses and went on to solidify his rock stardom with Slash’s Snakepit and Velvet Revolver. Currently, Slash is on tour to promote his critically acclaimed second self-titled album, Apocalyptic Love. MOGAMI cable, Slash’s new cable of choice, is along for the ride. "The main thing about these cables is that they endure everything I put them through. Which is hell," said Slash about MOGAMI cable. During the Apocalyptic Love tour, Slash’s Gibson Les Paul guitars are wired with MOGAMI cables onstage. Slash featuring Myles Kennedy and The Conspirators are currently on the European leg of an extensive world tour with MOGAMI delivering the sound at every show. About MOGAMI Often referred to as “The Cable of the Pros,” MOGAMI Cable is used in recording studios worldwide by some of the biggest names in music today.
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Guns N' Roses 'Not in This Lifetime Tour'
FOR IMMEDIATE RELEASE Nina Jackson, SMG-NRG Park, 832.250.9274, [email protected] JUNE 23, 2016 Micah Pearl, SMG-NRG Park, 281.520.6896, [email protected] GUNS N' ROSES 'NOT IN THIS LIFETIME TOUR' Satellite and Online Download Information For Access To Opening Night Video and Photo Content Including Performance Highlights - Interviews - Behind The Scenes Satellite Coordinates/Timing For Broadcast TV Friday, June 24th, 2016 5:00am - 5:15am & 7:00am - 7:15AM EDT Galaxy 17 KU Transponder 20 Ch. Slot A UL Freq.14386.50H DL Freq. 12086.50V Data Rate 8.448 FEC ¾ Symbol Rate: 6.111 FTP Site For Digital Media ftp://mhp3.com/projects/Guns-N-Roses Username: mhp3uploader Password: MHP3uploader The 'Not In This Lifetime' tour is one of the biggest and most anticipated music events of the summer set to play in cities throughout North America including shows in New York, Los Angeles, Chicago, Toronto, Miami, San Francisco and more. Guns N’ Roses launched their return in spectacular fashion beginning with the Troubadour in Los Angeles on April 1 for their first live performance in more than 20 years followed by back- to-back arena shows in Vegas filling the house to the rafters, then Coachella for two weekends (April 16 and April 23) including a trip south of the border for two sold out stadium shows in Mexico on April 19-20…April saw almost a half million fans alone in North America! Guns N’ Roses’ are Axl Rose, Duff McKagan (bass), Slash (lead guitar), Dizzy Reed (keyboard), Richard Fortus (rhythm guitar), Frank Ferrer (drums), and Melissa Reese (keyboard).
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