DOCSLIB.ORG

CRAZY BITCH As Recorded by Buckcherry (From the 2006 Album 15) Transcribed by DJ5MD Words by Josh Todd Music by Keith Nelson

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CRAZY BITCH As Recorded by Buckcherry (From the 2006 Album 15) Transcribed by DJ5MD Words by Josh Todd Music by Keith Nelson CRAZY BITCH As recorded by Buckcherry (From the 2006 Album 15) Transcribed by DJ5MD Words by Josh Todd Music by Keith Nelson A Intro Moderately P = 98 1 gggg 4 k k j V V fV V V I 4 V V V V V V V V V V V V V V Gtr I Vf V V V V V V V V V V V V 1/2 M T 9 (9) 7 9 7 A 9 (9)O 7 9 7 B 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 12 7 7 7 7 7 7 7 7 sl. g gg 4 k k V V fV V V I g 4 V V V V V V } } } V V V V Gtr II Vf V V V V V } } } V V V V 1/2 M T 9 (9) 7 9 7 A 9 (9)O 7 9 7 B 9 9 9 9 9 9 x x x 9 9 9 7 7 7 7 7 7 x x x 7 7 7 3 g g V V V V V I g g fV V fV V V V V V V V V V V V fVgV V V V V V V V V V fV V 1/2 V } V V V }gV V } [ M [[[[[ T 9 (9) 7 9 7 7 9 (9)O 7 9 7 A 7 9 O B 9 9 9 9 9 9 9 9 7 8 9 9 9 9 9 9 9 9 9 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 4 x 4 5 5 x 6 6 x 7 H H gggg fV V V fV V V I V V } } } V V V V V fVgV V V V V } } } V V V V V V } } } V V V V V V } } } V V V V V V V V gV V fV V 1/2 V V V [ M [[[[[ T 9 (9) 7 9 7 7 9 (9)O 7 9 7 A 7 9 O B 9 9 x x x 9 9 9 9 7 8 9 9 9 x x x 9 9 9 5 7 7 x x x 7 7 7 7 7 7 x x x 7 7 7 4 4 0 5 5 0 6 6 0 7 H H Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CRAZY BITCH - Buckcherry Page 2 of 9 B Verse 6 g gg I g } } } } } } } } } } V V V V fV g V V V V } } } } } V V V V fV g V V } } } } } w/ wah V V mf [[[[[ [[[[[ T A B 5 6 x x x x x 5 6 x x x x x 5 7 7 7 5 7 x x x x x 5 7 7 7 5 0 x x x x x H H H H 8 g gg I g } } } } } V V V V fV g V V V V } } } } } V V V V V V fV V V V [[[[[[ [[[[[[ T A B 5 6 x x x x x 5 5 7 7 7 5 7 x x x x x 4 4 4 5 5 5 5 7 7 H H 10 gggg I fV gV } } } } } fV gV } } } } } V V V V V V V } } } } } V V V V V V V } } } } } [[[[[ [[[[[[[ T A B 5 6 x x x x x 5 6 x x x x x 5 7 7 7 5 7 x x x x x 5 7 7 7 5 0 x x x x x H H H H g g V V V V V V V I g g V V V V fV gV V V V j V V V V fV gV V V Gtr III mf 1/2 1/2 1/2 1/2 1/2 1/2 [[[[[[[ M M M M M M T 9 (9) (9) (9) (9) (9) (9) 7 8 7 8 9 (9)O (9)O (9)O (9)O (9)O (9)O A 7 9 9 9 7 9 7 9 9 9 9 7 O B H H H H Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CRAZY BITCH - Buckcherry Page 3 of 9 12 g gg I g } } V V V V V fV gV V V V } } V V V V V V fV V V V f [[[[[[ T A B 5 6 x x 12 5 5 7 7 7 5 7 x x 4 4 4 5 5 5 5 7 7 H sl. H g g I g g V V V V fV gV V V V k j V V V V V V fV V V V u [[[[[[ f [[[[[[ T 7 8 7 A 7 9 9 9 7 9 6 6 6 7 7 7 7 9 9 B H H C Chorus 14 g gg V V k k V V V V k j l V V fV V V I g V V V V V V GtrsV I, II V V V V V 1/2 M T 9 (9) 7 9 7 8 8 8 8 8 8 9 (9)O 7 9 7 A 9 9 9 9 9 9 O B 9 9 9 9 9 9 7 7 7 7 7 7 16 g gg gV V k kV V j I V V V V V fV V V V V V V V V V V V V V [[[[[[ T 8 8 8 8 A 9 9 9 9 B 9 9 9 9 5 7 7 7 7 12 4 4 0 5 5 0 5 7 7 sl. 18 g gg V V k k V V V V k k V V V I g V V V V V V } } V V V V V V } } 1/2 M [[[[[ T 9 9 8 8 8 8 8 8 9 9 A 9 9 9 9 9 9 B 9 9 9 9 9 9 x x 7 7 7 7 7 7 x x Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CRAZY BITCH - Buckcherry Page 4 of 9 1. 20 g gg gV V k kV V j I V V V V V fV V V V V V V V V V V V V V [[[[[[ T 8 8 8 8 A 9 9 9 9 B 9 9 9 9 5 7 7 7 7 12 4 4 0 5 5 0 5 7 7 sl. 22 gggg I fV V fV V V V V V V V V V V V V V V V V V V V V gV V V V [[[ T A B 5 7 5 5 7 7 7 7 7 7 7 7 7 5 7 7 7 4 4 0 5 5 0 6 6 0 7 2. 24 gggg I fV V V V V V V V V V [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[ T A B 5 4 4 0 5 5 0 5 7 7 D Guitar Solo 25 g g I g g l V V V V V V V V V k V V V V V V V V V Gtr I 1/2 Full Full Full M M M M T A 2 2 2 4 2 4 O (4) 4 4 O 2 4 2 4 2 O B g g I g g fV gV fV gV fV gV fV g V V V V fV gV fV gV fV gV fV g V V V V GtrV II V V V V V V V V V T A B 0 1 2 0 1 2 0 1 2 0 1 2 2 2 0 (0) 1 2 0 1 2 0 1 2 0 1 2 2 2 0 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CRAZY BITCH - Buckcherry Page 5 of 9 27 g g V V V V V V V V V I g g l V V fV V V V V V V V V V V Full Full [[[[[[[ M M T 5 5 5 7 5 7 7 5 A 6 6 5 4 4 2 4 2 4 4 4 O (4) B sl. g g I g g V fV gV V fV gV V fV gV V fV gV V V V V V fV gV V fV gV V fV gV V fV g V V V V V T A B 0 1 2 0 1 2 0 1 2 0 1 2 2 2 0 (0) 1 2 0 1 2 0 1 2 0 1 2 2 2 w/ wah 8va 29 g g V V V V V V V V V V V V V V V V V I g g V V V V V V V Full Full Full 14 [[[[[[[[[ 14 14 M14 17 14 14 17 M 17 M [[[[[[[[[[[[ T 14 17 14 17 14 17 17 14 17 14 16 16 17 A B g g I g g V gV V fV gV V fV gV V V V V fV g V V fV V gV V fV gV V fV gV V V V V fV g V V V T A B 1 2 0 1 2 0 1 2 1 2 1 0 1 2 0 (0) 1 2 0 1 2 0 1 2 1 2 1 0 1 2 0 8va 31 gggg l V V V V V V V V V V I V V V V V V V V V V V V V V V Full Full Full Full 14 M 14 M 14 M M [[[[[ T 17 17 17 17 16 14 17 16 14 16 16 16 (16) 14 16 14 16 14 16 14 A O 16 14 B P gggg I } V } V V fV gV V fV gV V fV gV V fV gV V V V V V fV gV V fV gV V V } V } V T A B x 6 x 7 1 2 0 1 2 0 1 2 0 1 2 2 2 0 (0) 1 2 0 1 2 0 0 x 4 x 5 Generated using the Power Tab Editor by Brad Larsen.
Load more

Recommended publications
  • Heavy Metal and Classical Literature
    Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
    [Show full text]
  • KARAOKE Buch 2019 Vers 2
    Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J.
    [Show full text]
  • Support for POW's Runs High During 26Th Annual Freedom Ride
    THURSDAY, JUNE 26, 2014 GILFORD, N.H. - FREE Support for POW’s runs high during 26th Annual Freedom Ride BY DAN KANE their way through the the strength I need to Contributing Writer Motorcycle Week festiv- fight off this hopeless- GILFORD/MERE- ities at Weirs Beach and ness my captors see,” DITH — The Northeast on to the town docks in she said. “I have family Prisoner of War and Meredith, eventually who wait at home for Missing in Action Net- congregating at Hesky me with only tears of not work held its 26th an- Park, where the group knowing… With that, nual Freedom Ride last held a Memorial Vigil. our father in heaven, we Thursday, June 19, the Alicia Gorrell of Post 33 say please help us all.” longest running contin- American Legion deliv- Bob Williams, Viet- ual vigil in the United ered the opening prayer nam veteran and repre- States. from the perspective of a sentative leader of the Starting out in Gil- POW. group based in Manches- ford, the riders made “It is from God I ask ter, delivered the Pledge of Allegiance. Williams holds an awareness vigil of his own once a month Memories, life in Manchester. Steve Ainsworth and lessons shared at daughter Jessica sang the National Anthem to- fourth grade finale gether. BY ERIN PLUMMER lives. Host for the event Bob [email protected] Bolduc said she want- Jones recognized a very It was a night of mem- ed the students spend special guest, 92-year-old ories and life lessons for time thinking less about ex-World War II POW the fourth grade class middle school and more Wes Wells, before be- at Gilford Elementary about the future, coming ginning the rest of the DAN KANE School during their fina- up with a plan for the event.
    [Show full text]
  • Shame Spiral 4.28
    Shame Spiral (or a probably-bad-stupid-nobody-will-ever-want-to-watch-it play about The Bachelor) by Ali Viterbi Contact: Leah Hamos The Gersh Agency 41 Madison Ave, 33rd Floor New York, NY 10010 [email protected] CHARACTERS THE PLAYWRIGHT: Ali THE CRYING VIRGIN: Lauren S, Lauren of S THE BIGSHOT HOTSHOT: Chris Harrison, Producer, @Bigshot, Frat Bro, Enthusiastic Bro, Man in Toga, Doctor THE KNIGHT IN SHINING ARMOR: Producer 2, @Knight, Romantic Bro, Woke Bro, Boyfriend, Bee Keeper, Father THE ASSHOLE: Youtube Jerk, Producer 3, Chad, Chadworth, @Asshole, Jerk Bro, Scared Bro, Roman Soldier, Southern Man THE SLUT: Lauren B, @Slut, Lady-in-Waiting THE WIFEY: Lauren P, @Wifey, Midwife, Sister, E-News THE DESPERATE MILF: Lauren D, @MILF, Cave Woman, Town Busy Body TIME AND PLACE The Present. America. On the Internet. In Reality. On TV. Somewhere in between. A NOTE ON LANGUAGE & STAGING On The Bachelor, the lead and his chosen winner get engaged in under ten weeks. Things happen FAST. This play should feel faster. Every transition should be lightening-quick. The internet is theatricalized onstage, and the audience should feel like they're falling faster and faster down an internet rabbit hole (or a shame spiral). When Lauren S announces her virginity on national television, the other characters get a taste of blood. Over the course of the play, they become more and more blood-hungry - until they ultimately devour her. The world should be Shiny and Perfect, until it isn't - until it's full of blood, and weird-smelling butts, and pubic hair.
    [Show full text]
  • Honest Victim Scripting in the Twitterverse
    William & Mary Journal of Race, Gender, and Social Justice Volume 22 (2015-2016) Issue 3 William & Mary Journal of Women and Article 3 the Law May 2016 Honest Victim Scripting in the Twitterverse Francine Banner Follow this and additional works at: https://scholarship.law.wm.edu/wmjowl Part of the Law and Gender Commons, and the Law and Society Commons Repository Citation Francine Banner, Honest Victim Scripting in the Twitterverse, 22 Wm. & Mary J. Women & L. 495 (2016), https://scholarship.law.wm.edu/wmjowl/vol22/iss3/3 Copyright c 2016 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmjowl HONEST VICTIM SCRIPTING IN THE TWITTERVERSE FRANCINE BANNER* This Article critically analyzes Tweets regarding recent allega- tions of interpersonal violence against celebrities in order to explore societal perceptions of, and expectations about, alleged victims. The Article concludes that Twitter may be viewed as a micro-courtroom in which victims’ veracity and perpetrators’ responses are evaluated, interrogated, and assessed. A key, feminist critique of rape law is that the determination of the perpetrator’s guilt or innocence too often hinges on an assessment of the victim’s character. This is borne out on social networking sites, where terms such as “gold digger,” “slut,” and “ho” are engaged with regularity to describe those who come forward alleging an assault by a public figure. These de- rogatory terms serve not only to discipline the accuser but also to critique parties’ behavior as they forge relationships with legal systems and processes.
    [Show full text]
  • Here Without You 3 Doors Down
    Links 22 Jacks - On My Way 3 Doors Down - Here without You 3 Doors Down - Kryptonite 3 Doors Down - When I m Gone 30 Seconds to Mars - City of Angels - Intermediate 30 Seconds to Mars - Closer to the edge - 16tel und 8tel Beat 30 Seconds To Mars - From Yesterday https://www.youtube.com/watch?v=RpG7FzXrNSs 30 Seconds To Mars - Kings and Queens 30 Seconds To Mars - The Kill 311 - Beautiful Disaster - - Intermediate 311 - Dont Stay Home 311 - Guns - Beat ternär - Intermediate 38 Special - Hold On Loosely 4 Non Blondes - Whats Up 44 - When Your Heart Stops Beating 9-8tel Nine funk Play Along A Ha - Take On Me A Perfect Circle - Judith - 6-8tel 16tel Beat https://www.youtube.com/watch?v=xTgKRCXybSM A Perfect Circle - The Outsider ABBA - Knowing Me Knowing You ABBA - Mamma Mia - 8tel Beat Beginner ABBA - Super Trouper ABBA - Thank you for the music - 8tel Beat 13 ABBA - Voulez Vous Absolutum Blues - Coverdale and Page ACDC - Back in black ACDC - Big Balls ACDC - Big Gun ACDC - Black Ice ACDC - C.O.D. ACDC - Dirty Deeds Done Dirt Cheap ACDC - Evil Walks ACDC - For Those About To Rock ACDC - Givin' The Dog A Bone ACDC - Go Down ACDC - Hard as a rock ACDC - Have A Drink On Me ACDC - Hells Bells https://www.youtube.com/watch?v=qFJFonWfBBM ACDC - Highway To Hell ACDC - I Put The Finger On You ACDC - It's A Long Way To The Top ACDC - Let's Get It Up ACDC - Money Made ACDC - Rock n' Roll Ain't Noise Pollution ACDC - Rock' n Roll Train ACDC - Shake Your Foundations ACDC - Shoot To Thrill ACDC - Shot Down in Flames ACDC - Stiff Upper Lip ACDC - The
    [Show full text]
  • CKQB-FM Re the Song “Crazy Bitch” by Buckcherry
    CANADIAN BROADCAST STANDARDS COUNCIL ONTARIO REGIONAL PANEL CKQB-FM re the song “Crazy Bitch” by Buckcherry (CBSC Decision 10/11-1169) Decided September 22, 2011 M. Ziniak (Chair), H. Hassan (Vice-Chair), M. Harris, L. Levinson, J. Pungente THE FACTS CKQB-FM (106.9, The Bear, Ottawa) aired an edited version of the song “Crazy Bitch” by Buckcherry on March 14, 2011 just after 5:00 am. The lyrics to that version are as follows: All right! Break me down, you got a lovely face We’re going to your place And now you got to freak me out Scream so loud, getting [the original word “fuckin’” was removed and replaced with “uh”] laid You want me to stay, but I got to make my way Hey! You’re a crazy bitch But you [”fuck” was removed] so good, I’m on top of it When I dream, I’m doing you all night Scratches all down my back to keep me right on Hey! You’re a crazy bitch But you [”fuck” was removed] so good, I’m on top of it When I dream, I’m doing you all night Scratches all down my back to keep me right on Take it off, the paper is your game You jump in bed with fame Another one night paid in full, uh 2 You’re so fine, it won’t be a loss Cashing in the rocks, just to get you face to face Hey! You’re a crazy bitch But you [”fuck” was removed] so good, I’m on top of it When I dream, I’m doing you all night Scratches all down my back to keep me right on Hey! You’re a crazy bitch But you [”fuck” was removed] so good, I’m on top of it When I dream, I’m doing you all night Scratches all down my back to keep me right on Get the video [”Fuck” was removed] you so good Get the video [”Fuck” was removed] you so good Crazy bitch Crazy bitch Crazy ..
    [Show full text]
  • Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
    COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.
    [Show full text]
  • 'Badboys' of Rock Tour Coming to the 155 Great Allentown Fair
    ‘Badboys’ of Rock Tour coming to The 155 th Great Allentown Fair Hinder, Papa Roach, Buckcherry to perform on August 29 For release Wednesday, May 9, 2007 Allentown, Pa . The self-proclaimed ‘Badboys’ of Rock, modern rock bands Hinder, Papa Roach and Buckcherry, are coming to The 155 th Great Allentown Fair on Wednesday, August 29. These bands, touted as the successors to the monster rock bands of the ‘70s and ‘80s, are hitting the road together this summer predominantly playing state and county fairs. Their current singles are all over contemporary rock and pop charts. A fourth band to be announced will open their mini-festival type concerts. Tickets for the Allentown Fair’s “Badboys” show are $35 and go on sale starting Saturday, June 2. There will be festival-style standing room in front of the stage and reserved tiered seating under cover in the Fair’s Grandstand. Tickets purchased in advance of the show date include admission into the Fair. The show will start at 7 p.m. Hinder is still pumping out hits off of its “Extreme Behavior” album released in late 2005. They include “Get Stoned,” “Better Than Me” and Hinder’s power ballad, “Lips of an Angel,” that has since been re-recorded by Country singer Jack Ingram who performs at the Fair as part of the Brad Paisley Tour the next day after Hinder’s scheduled appearance. Papa Roach’s current album “Paramour Sessions” has spawned singles “To Be Loved,” and “Forever” getting a lot of airplay. Former hits include “Last Resort” and “Scars.” 2 Buckcherry has perhaps the most obvious “Badboy” tune, “Crazy Bitch,” off of its current album “15.” The band’s latest single on the charts “Everything” follows up one of its best known singles “Lit Up” in popularity.
    [Show full text]
  • Ukulele Player Entertains Campus Num 6 Ers
    A day at the Rockin’ & ballin’: Blasts from the past: Farmers’Farme Market An A&E view of homecoming The Concordian reunion Page 3 Page 6 Page 4 AD Friday, October 17, 2008 Vol. LXXXVIII/7 www.theconcordian.org RE the th le CONCORDIAN en recyc CONCORDIA COLLEGE MOORHEAD MINNESOTA by the Ukulele player entertains campus num 6 ers BY KARLA TETREAULT played a string instrument before the uku- Farmers’ Staff Writer lele, it wasn’t hard for him to learn how Markets to play it. While walking around the Concordia “I just printed out a chord sheet and I & Locally campus, it’s common to see students lis- was good to go,” he said. Produced Food tening to mp3 players, texting on their cell Out of all of the string instruments, phones or talking with friends. Lillehaugen considers the ukulele the The number of farm- Playing ukuleles on the way to class, easiest to play. ers’ markets has however? Not so common.Well, not until The only thing Lillehaugen knows how increased by 3,000 last year, when sophomore Eric Lillehau- to play thus far is the song, “Somewhere gen started playing his ukulele everywhere, Over the Rainbow,” which he recently since the USDA began plucking at the strings while walking all taught himself. Other than that, Lillehau- tracking them in 1994. over campus. gen plays only chord variations. “Freshman year I’d get bored while That hasn’t kept him from fi nding a In mid-2008, the farm- walking to classes,” Lillehaugen said. love for the instrument, however, and urg- ers’ market directory Lillehaugen got sick of listening to his ing others to do the same.
    [Show full text]
  • Sasoma (Nava J13SINIH ,SA3VIAIS, NOWV :Nlds 3H1 Rif D .11114111
    www.americanradiohistory.com sp.maall u! papodaJ SR 900Z J0 pqr1 u()!Jm.tioad mjay 1# aras] El:ET '11 WOTSpicoa8pueo!ped-mmm J3IH3 M3N SAVd .I3 13301 :311.10dd SA3HS1113fld "."' 900Z ul le!Oo!Ped ade s uai I. "ON WOW sasoma (Nava J13SINIH ,SA3VIAIS, NOWV :NldS 3H1 rif d .11114111. WI0Vd JV 3-1nd TILLS S138V1 00 N1011.MOA3ti 11H wool qDniJ puv isBuos dol snid 05'9$ v L89L 'ON 900Z 'El 1138P13330 3nssi ON3-tiV3A 7V133dSli DECEMBER 8, 2006 I SPECIAL YEAR-END ISSUE] NC. 1687 THE YEAR $6-50 PLUS IN ELL ngs, Artists, Labels RINGING UP THE CH And Much More HIT REVOLUTION: DO MAJOR LABELS STILL RULE AT RADIO? THE SPIN: AKON 'SMACKS' HIMSELF FORMAT BY FORMAT FROM NO.1 That Shaped Th Trends RADIO & RECORDS PUBLISHER'S PROFILE: MEE. Radio Dial In 2006 pp.29 -92 ALEY RAO'S N. W CHIEF www.RadioandRecord s.com rILJUJU! IVI\IVLI' V h ILL VILL HE JOSH TURNER VINCE GILL LARWOOD GARY ALLAN REBA MCENTIRE HOT API MCENTIRE HOT APPLE PIE JO, ,,LL GEORGE STRAIT TRISHA YEARWOOD GARY ALLAN R tJCE GILL GEORGE STRAIT TRISr,, r.tJ GARY ALLAN REBA MCENTIRE HOT APPLE PIE JOSH TURPS GEORGE STRAIT ,Ar .rrf.:rrr-a . IV v I KLLHiV 'ALUM IW't r;.._:' +rc I vtiv viLLVCORGE STRAIT TRf.,wit Ltclivv -VARI Tp1C1.3A VC'ADlA%!r R; rMI: E N T t R E HOT APPLE 1-1r: -',OSH TURNER GILL GEORGE S FROM THE UMG- NASHVILLE FAMILY TO YOUR FAMILY Thanks country radio for another fantastic year t!.rr Hk:' R k I ï RY N1CHQ RRINGTON JULIE ROBERTS LEE AP.
    [Show full text]
  • References to Women in R&B and Hip
    Sang Nguyen REFERENCES TO WOMEN IN R&B AND HIP HOP Case Studies of Girl, Baby, Bitch and Shorty Faculty of Information Technology and Communication Sciences Master’s Thesis April 2020 TIIVISTELMÄ Sang Nguyen: References to Women in R&B and Hip Hop: Case Studies of Girl, Baby, Bitch and Shorty Pro gradu- tutkielma Tampereen yliopisto Englannin kielen ja kirjallisuuden maisteriopinnot Huhtikuu 2020 Tässä pro gradu-tutkielmassa tutkitaan nimitysten girl, baby, bitch ja shorty naisiin liittyvää käyttöä ja merkityksiä R&B ja hip hop –musiikkigenreissä 15 vuoden ajalta (2000-2015, poislukien vuosi 2006). Keskeisinä tavoitteina tutkielmassa on selvittää edellä mainittujen nimitysten yleisyys R&B:ssä ja hip hopissa, tutkia nimitysten merkityksiä ja konnotaatioita eri sanakirjoissa ja laulujen konteksteissa ja pohtia näiden nimitysten ja musiikkilajien sosiaalista ulottuvuutta ja yhteisöjen ja laulujen sisältöjen vuorovaikutusta. Tutkielma on sekä kvantitatiivinen että kvalitatiivinen. Kvantitatiivinen tieto pohjautuu vuosittaisiin Top 20- lauluihin Billboardin R&B and hip hop- listoilta (yhteensä 300 kappaletta). Tiedonkeruu tapahtui AntConc- ohjelman avulla, jossa kerätyistä laulunsanoista sai muodostettua oman korpuksen tarkempaa numeroanalyysia varten. Kvalitatiivinen tieto taas rakentuu monista sanakirjoista ja laulujen sisältöjen laadullisista analyyseista. Kvalitatiivista tietoa täydentävät moninaiset kuvaukset R&B:stä ja hip hopista, näiden musiikkilajien paikka ja vaikutus yhteisöissä, Sapir-Whorf- hypoteesi, sanastotutkimus naisiin liittyvistä sanoista, seksismin lajit ja lyhyt slangin ja afrikkalaisamerikkalaisen englannin luonnehdinta. Tutkimuksen mukaan kaikki neljä sanaa olivat mukautettavissa sekä positiiviseen että negatiiviseen kontekstiin. Kontekstista riippuen nimitykset sisälsivät joko negatiivisia tai positiivisia konnotaatioita. Siinä missä tämä tulos saattoi olla spekuloitavissa girl, baby ja shorty sanojen yhteydessä, sama tulos sanan bitch kohdalla oli yllättävämpää sen yleisesti halventavaksi oletetun luonteen takia.
    [Show full text]