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Obituaries for Cookeville City Cemetery, Cookeville, Tn D
OBITUARIES FOR COOKEVILLE CITY CEMETERY, COOKEVILLE, TN & additional information D - G (Compiled by Audrey J. (Denny) Lambert for her website at: http://www.ajlambert.com ) Sources: Putnam County Cemeteries by Maurine Ensor Patton & Doris (Garrison) Gilbert; Allison Connections by Della P. Franklin, 1988; Boyd Family by Carol Bradford; Draper Families in America, 1964; census records; Putnam County Herald & Herald-Citizen obts; Tennessee DAR GRC report, S1 V067: City Cemetery Cookeville, Putnam Co., TN, 1954; names, dates and information obtained from tombstones and research by Audrey J. (Denny) Lambert and others. Office & Cemetery located at: 241 S Walnut Ave Cookeville, TN 38501 (931) 372-8086 GPS Coordinates: Latitude: 36.15947, Longitude: -85.50776 Earl Jefferson Dabbs b. 22 June 1901, TN – d. 11 March 1976, md on the 26th of May 1934 to Linnie Belle (Cleghorn) Dabbs, b. 29 July 1904 – d. 15 March 1971. Earl J. Dabbs, s/o William Jefferson Dabbs (1872-1947) & Nora Edna Williams (1882-1941). *See William Jefferson Dabbs Obt. (1910 census 1st Civil Dist., Cookeville Town, Railroad St., Putnam Co., TN: Dwl: 311 – William J. Dabbs is head of household, 37 yrs. old, TN (father born in VA, mother, TN), Occupation: Police Town, md 10 yrs. to Nora, 27 yrs. old, TN, 5 children born, 5 children living. Children: Earl J., 8 yrs. old; William H., 5 yrs. old; Balie C., 3 yrs. old; Mary A., 2 yrs. old & Peat J. Dabbs, 2/12 yrs. old. All born in TN). (1920 census 1st Civil Dist., Cookeville Town, Broad Street, Putnam Co., TN: Dwl: 515-151-176 - William J. -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
COMUNICATO STAMPA NR. 07 a Gordevio Una Tre Giorninel Segno
Avegno, 25 luglio 2021 COMUNICATO STAMPA NR. 07 Le foto delle serate si trovano al seguente link: https://www.dropbox.com/sh/zwqce6h9fgktaxf/AACXZsvVoCAenY4jUB3C27SWa?dl=0 A Gordevio una tre giorni nel segno del Flower Power e dei mitici anni ’70. Per quanto riguarda la qualità delle proposte musicali il Vallemaggia Magic Blues ha mantenuto tutte le promesse della vigilia, anzi con qualcosina in più. Ora spazio alla tre giorni di Gordevio, quasi tutta nel segno del Flower Power e dei mitici anni ’70: “50 years - From Flower Power to Hard Rock”. Sul campetto aleggeranno gli spiriti di Jimi Hendrix, John Lennon e dei Thin Lizzy. La prima serata, “Let's celebrate John Lennon and Jimi Hendrix“ prevede un doveroso omaggio a John Lennon (a 41 anni dalla morte, a Jimi Hendrix (che ci ha lasciati 51 anni fa). Gli Instant Karma sono la prima John Lennon Tribute Band in Svizzera, nata a Lugano e attiva da tempo non solo in Ticino, ma anche nel resto della Svizzera e nella vicina penisola. Spesso si pensa a John Lennon come leader dei Beatles o come autore di grandi pezzi ormai ritenuti dei classici, come Imagine, Woman o Jealous Guy. L’intendo della band è invece quello di riproporre ad un vasto pubblico il repertorio di un artista poliedrico, che spazia attraverso vari generi e decenni. Così gli Instant Karma partono dai brani del Lennon solista, passando attraverso pezzi degli ultimi Beatles, energici e graffianti come Come together, per poi rendere omaggio al Rock’n’Roll degli anni 50, una delle grandi passioni di Lennon. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Jon Bon Jovi
Jon Bon Jovi Jon Bon Jovi is an American musician, singer, songwriter, and actor, best known as the lead singer and founder of Bon Jovi. Throughout his career, he has released two solo albums and eleven studio albums with his band which have sold over 200 million albums worldwide. Jon Bon Jovi was born John Francis Bongiovi, Jr. in Perth Amboy, New Jersey the son of two former Marines, barber John Francis Bongiovi, Sr. and florist Carol Sharkey. He has two brothers, Anthony and Matthew. His father was of Sicilian and Slovak ancestry and his mother was of German and Russian descent. He has stated that he is a blood relative of Frank Sinatra. He spent summers in Erie, Pennsylvania, with his grandparents as a newspaper salesman. As a child, Bon Jovi attended St. Joseph High School, in Metuchen, New Jersey, during his freshman and sophomore years. He later transferred to Sayreville War Memorial High School in Parlin, New Jersey. // 1 / 9 Jon Bon Jovi Bon Jovi spent most of his adolescence bunking school to opt for music activities instead, and ended up playing in local bands with friends and his cousin Tony Bongiovi, who owned the then famous New York recording studio, The Power Station. As a result, his academic records displayed less than spectacular achievements and poor grades. By the time he was 16, Bon Jovi was playing clubs. It was not long before he hooked up with keyboardist David Bryan (real name: David Bryan Rashbaum), who played with him in a ten-piece rhythm and blues band called Atlantic City Expressway. -
Episode 34: Catch a Kite 4 Air Date: September 11, 2019
Episode 34: Catch a Kite 4 Air Date: September 11, 2019 Cori Thomas: [00:00] I'm Cori Thomas, writer of the play Lockdown. This episode of Ear Hustle contains explicit language. Please be advised, this may not be for every listener. Discretion is advised. [00:11] [Footsteps on concrete backed by minimal music that fades out] Rahsaan “New York” Thomas: [00:16] Can you show Nigel the two signs you showed me today? [Tommy laughs] Tommy Wickerd: [00:24] Really? [Laughs] Nigel Poor: [00:24] [Inaudible] [From a distance] Did they get it? New York: [00:26] That’s the sign for bullshit. [All laugh] Nigel: [00:29] [Laughs] You think I'm not going to learn that one right away? Well everyone… Tommy: [00:31] I was all thinking Ear Hustle, right? Nigel: [00:34] [Still in the distance] I gotta admit that’s… 1 New York: [00:35] Teach us that! How do you do the Ear Hustle sign? Tommy: [00:36] Grab your ear, make an “H” and go twice. New York: [00:39] [In the distance] What after this? Just like this? Tommy: [00:40] “H” Nigel: [00:41] Oh. Tommy: [00:41] Ear. Hustle. That’s the sign for the day. [Laughs] [00:46] [Opening theme music begins] New York: [00:52] You are now tuned into Ear Hustle from PRX’s Radiotopia. I am Rahsaan “New York” Thomas, a resident of San Quentin State Prison in California. Nigel: [1:02] And I'm Nigel Poor. I've been working with the guys here at San Quentin for about eight years now. -
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork October 15, 2012 by Jeffrey A. Wakolbinger On October 9, 2012, Judge Grady, in the United States District Court for the Northern District of Illinois, dismissed a copyright-infringement action against rock band Mötley Crüe for lack of personal jurisdiction.1 The suit was brought by Ron Toma, who owns copyrights in certain photographs of band members Vince Neil, Nikki Sixx, Mick Mars, and Tommy Lee. One of those photographs was a close up of singer Vince Neil’s waist area, featuring a prominent studded belt buckle (the “Belt Buckle Image”). The photograph was taken by Michael Pinter in 1981 and used as the cover artwork for Mötley Crüe’s debut album, “Too Fast for Love.” Toma acquired the copyright in that image in 2008 through assignment. In September 2011, he filed a complaint in the Northern District of Illinois 1 Toma v. Motley Crue, Inc., No. 11 C 6766 (N.D. Ill. Oct. 9, 2012). These materials have been prepared by Pattishall, McAuliffe, Newbury, Hilliard & Geraldson LLP for general informational purposes only. They are not legal advice. They are not intended to create, and their receipt by you does not create, an attorney-client relationship. against Motley Crue, Inc., alleging that the defendants infringed his copyright in the Belt Buckle Image by projecting it on screen during live performances. He later amended the complaint to add the band’s touring company, Red White & Crue, Inc, as a defendant. The only specific example of alleged infringement in the complaint is a link to a YouTube video showing live footage from a concert in Las Vegas, during which the Belt Buckle Image was displayed on a screen while the band performed the title track of the album. -
JROCK Houston - [email protected]
Magazine Staf Credits Interviews JROCK Houston - [email protected] KATZ – [email protected] Graphics: Leith Taylor - [email protected] Text Editor: Leith Taylor Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 2 Warrant’s Jani Lane Tribute …….6 Phil Soussan……8 WARRANT DRUMMER James Kottak……10 Counterfeit Molly……19 The Influence……20 Be The Ant……22 Live Wire – David Grant……24 Head Cat……28 Wings In Motion CD Review……33 Don Jamieson……34 Jaison In LA……40 Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 3 Talkback By JRock Houston Jani Lane is just the latest of many Rockers to leave the world way too young. I thought in light of this that this month's TALKBACK SECTON would take a look back at some other Rockers who checked out way too young. Let's take a trip down memory lane: 12/1/93 - Singer: Ray Gillian dies from Aids related complications. While he never appeared on record with Black Sabbath he was briefly a member of Black Sabbath's touring band when he briefly replaced legendary Singer: Glenn Hughes in the band. Following his gig with Sabbath Gillen briefly worked w/Ex Thin Lizzy/Whitesnake Guitarist: John Sykes in Blue Murder but eventually Gillen left Blue Murder and formed BadLands w/Ex Ozzy Osbourne/Ratt Guitarist: Jake E. Lee. Badlands released two albums before Gillen decided to leave because of friction that developed between Lee and Gillen. After Ray Gillen's death BADLANDS released a 3rd and final album called DUSK which was an album's worth of material of unreleased studio outakes. -
COMUNICATO STAMPA NR. 09 Una 19° Edizione Bagnata Come Non
Avegno, 23 agosto 2021 COMUNICATO STAMPA NR. 09 Le foto delle serate si trovano al seguente link: https://www.dropbox.com/sh/zwqce6h9fgktaxf/AACXZsvVoCAenY4jUB3C27SWa?dl=0 Una 19° edizione bagnata come non mai che, assieme al Coronavirus, non ha invogliato i fans a salire in valle, malgrado il cartellone fosse zeppo di nomi di richiamo. Questa edizione del Vallemaggia Magic Blues passerà alla storia come la più bagnata – 8 serate su 10 rovinate dalla meteo - come se in questo periodo non fosse bastata già la pandemia di Coronavirus! L’entusiasmo e il coraggio degli organizzatori, la voglia di riprendere a frequentare eventi “live” e il livello qualitativamente sempre molto alto delle proposte musicali non sono bastati a convogliare a Cevio e Gordevio la folla che il Magic Blues meritava, lasciando una sensazione in chiaro-scuro e un comprensibile scoramento nell’animo degli organizzatori. Preceduta da una poco propizia giornata di pioggia e grandine torrenziale (uno segno premonitore delle difficoltà che la kermesse avrebbe incontrato) e da una temperatura autunnale, è toccato a Brontallo, apertura tradizionale del festival valmaggese, rompere l’incantesimo e far tornare ad emozionare i fans, alcuni dei quali hanno raccolto la sfida rispondendo presente. “Blues Ladies from South and North America”, due artisti di buon valore, accompagnati da due solide band, per una “calda” notte all’insegna del funkeggiante Rhythm’n’blues di Janice Harrington e del melting pot di Vanesa Harbek ed ecco d’incanto risvegliarsi lo spirito della musica del diavolo e scacciare, pur soltanto per una sera, tutte le preoccupazioni dell’ultimo anno. Peccato non sia riuscito anche a scacciare i demoni del brutto tempo. -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not.