Jon Bon Jovi
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
Memphis Is Made Possible By
2015-16 SEASON CT3 PEOPLE CON OTHER STAGES BOARD OF DIRECTORS ARTISAN CENTER THEATRE TUil 11AN'l'AS'l'Wl{S CHAIR ScottT. Williams APR 22 -JUN 4 Bye Bye Birdie by Tom Jones and Harvey Schmidt BOARD MEMBERS CIRCLE THEATRE December 3 - 27, 2015 Marion L. Brockette, Jr., Suzanne Burkhead, APR 22 -JUN 4 Under the Skin RaymondJ. Clark, Sid Curtis, Katherine C. Eberhardt, Laura V. Estrada, Sally Hansen, David G. Luther, Jr., DALLAS CHILDREN'S THEATRE David M. May, Chris Rajczi, Margie J. Reese, Dana APR 28-MAY 21 TheBFG(BigFriendly Giant) W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D. 'I' Bil Gl,AS S )IllNA Glllll ll on HONORARY BOARD MEMBERS DALLAS THEATRE CENTER by Tennessee Williams by Neil Tucker Virginia Dykes, Gary W. Grubbs, APR 20-MAY 14 DeferredAction July 30 -August 23, 2015 January 21 - February 14, 2016 John & Bonnie Strauss GARLAND CIVIC THEATRE APR 14-MAY 7 Hank Williams: Lost Highway ADMINISTRATION ACTING ARTISTIC DIRECTOR Bruce R. Coleman MAINSTAGE ·IRVING• LAS COLINAS MAN AG I NG DIRECTOR Merri Brewer MAY13-28 TheGreatGatsby UGil'I' UP 'l'Dll SKY 111x Hll, .rnsus BOOKKEEPER Linda Harris by Helen Sneed by Moss Hart ONSTAGE IN BEDFORD COMPANY MANAGER Kat Edwards September 17- October 11, 2015 March 10 -April 3, 2016 MAY 20 -JUN 5 Kitchen Witches PUBLICITY, MARKETING & DESIGN SoloShoe Communications, LLC PEGASUS TH EATRE MAY 20 -29 CPA Ron King A 1rifleDead! HOUSEKEEPING Kevin Spurrier POCKET SANDWICH THEATRE PU)NW )lll)IPIIIS MAY 20 -JUN 18 Moon OverBuffalo by William Inge by David Br yan and Joe Di Pietro PRODUCTION October -
Bon Jovi's This House Is Not for Sale Tour to Launch
BON JOVI’S THIS HOUSE IS NOT FOR SALE TOUR TO LAUNCH FEBRUARY 2017 PRESENTED BY LIVE NATION New Album Release Date for This House Is Not for Sale set for Nov. 4th; Featured in The Ellen DeGeneres Show, ABC’s Good Morning America, Nightline, Charlie Rose, Howard Stern, People, Billboard American Express and Fan Club Ticket Pre-Sales Begin Oct. 10 at 10 a.m. Public Tickets On-Sale Oct. 15 at 10 a.m. October 5, 2016 – Grammy Award®-winning band, Bon Jovi today announced that the This House Is Not for Sale Tour, presented by Live Nation, will kick off in February 2017. Hitting arenas across the U.S., the iconic rock band will present anthems, fan favorites, and new hits from their upcoming 14th studio album, This House Is Not for Sale (out Nov. 4 on Island/UMG). As an added bonus, fans will receive a physical copy of This House Is Not For Sale with every ticket purchased. This will be the band’s first outing since Bon Jovi’s 2013 Because We Can World Tour, which was their third tour in six years to be ranked the #1 top-grossing tour in the world (a feat accomplished by only The Rolling Stones previously). Bon Jovi’s touring legacy will be recogniZed Nov. 9th with the 2016 “Legend of Live” award at the Billboard Touring Conference & Awards. As Bon Jovi rocks October to launch This House Is Not for Sale, the title track is already inside the Top Ten of the AC Radio Chart – it is Bon Jovi’s highest debut on that chart to date. -
Experiences of Place in the Work of Ed Ruscha and Andreas Gursky
ACCESS: CONTEMPORARY ISSUES IN EDUCATION 2010, VOL. 29, NO. 1, 10–20 Destination anywhere: Experiences of place in the work of Ed Ruscha and Andreas Gursky Kristen Sharp RMIT University ABSTRACT This paper examines how the meaning of place and identification with place can be produced through photographic images of the city. As an aesthetic, social and cultural practice, photography provides a way of imagining place and a means of knowing and classifying the urban spaces. Photographic images of the city can be understood as a form of aesthetic knowledge production, which represents and enacts the experiences of the urban environment. The urban spaces imaged by artists Ed Ruscha and Andreas Gursky, in the 1960s and 1990s respectively, actively represent and perform the symbolic and material properties of urban spaces. By exploring the ways that these artists read and map city spaces and how they articulate an experience of the city that engages with the identification of place, an argument is presented about how this process and imaging can be situated in relation to anthropological and geographic concepts of place. More specifically, what this paper explores is how their work demonstrates a sense of place that is complex and mobile, which can oscillate between notions of site specificity, identification and non- place as defined by Marc Augé. The significance of place in a global world In recognition of contemporary processes of globalisation there has been reconsideration of the meanings of space and place in a period defined by “time-space compression” (Harvey, 1990) and flows of people, objects and ideas (Urry, 2000, 2003; Appadurai, 1996). -
Naperville Jaycees' Last Fling Offers National and Local Musical Acts On
FOR IMMEDIATE RELEASE: June 7, 2019 Contact: Karen Coleman 630.362.6683 [email protected] Naperville Jaycees’ Last Fling Offers National and Local Musical Acts on Two Stages! Naperville, IL – The Naperville Jaycees is proud to announce their full musical lineup for the Main Stage and Jackson Avenue Block Party Stage for the 2019 Last Fling. The Last Fling takes place all along the Riverwalk in Downtown Naperville over all 4 days of Labor Day weekend. “This year’s event will feel a lot more like your typical music festival. We decided to open the Main Stage gates earlier than most previous years to give patrons an opportunity to enjoy music throughout the day and allow them to come and go as they please. I really feel as if we have a solid line up this year and I hope that the community will come out, have some fun and help raise some money with us at the 2019 Last Fling,” says Entertainment Co-Chair Danielle Tufano. 2019 Main Stage Acts: The Last Fling Main Stage will start rocking on Friday night (August 30) with headliner Better Than Ezra. Before their omnipresent 1995 single “Good” hit No. 1, before their debut album Deluxe went double-platinum, before popular shows such as Desperate Housewives licensed their song “Juicy,” before Taylor Swift attested to their timeless appeal by covering their track “Breathless” — New Orleans’ Better Than Ezra was a pop-rock act paying its dues, traveling from town to town in a ramshackle van. Over two decades after the band formed, that vigilance still resonates strongly with the trio, who were finally rewarded after seven years of stubbornly chasing their dreams. -
Broward-Palm Beach - Music - Infinite Justice
Broward-Palm Beach - Music - Infinite Justice http://www.newtimesbroward.com/2003-03-13/music/infinite-justice/ Music NEWS BLOGS RESTAURANTS CALENDAR MUSIC MOVIES ARTS BEST OF CLASSIFIEDS PROMOTIONS write to the editor | email a friend | print article | Write Your Comment Most Popular Infinite Justice Most Viewed Most Commented Music Moody by nature, electronica maven Infiniti travels an endless The Talk of the Green Iguana loop Will American voters elect the first gay vice president in November? By Leah Gliniewicz Are We There Yet? Published: March 13, 2003 Jeez, can we just embrace the electric car already? Accidental Hit Man In the driveway of the Port St. Lucie house Infiniti shares with Sure, Paul Brandreth talks like a wiseguy. But is he a his fiancée, 19-month-old son, and stepfather sits a '57 Chrysler cold-blooded killer? Imperial once owned by singer Karen Carpenter. Infiniti's They'll Take Your Houses South Florida's real estate forecast calls for pain studio is lined with pillowy fabric columns and acoustic tiles, providing him a dead-neutral sound environment. The Just Say Uncle The DEA's "Twin Oceans" hooked a big fish, but can preproduction outfit was designed with the help of his friend, they reel it in? producer Tony Bongiovi. Bongiovi -- second cousin of Jon Bon "Most Popular" tools sponsored by: Jovi, who's worked with Ramones, Talking Heads, Aerosmith, and Ozzy -- is just one of the many folks Infiniti hooked up with at nearby Avalon Recording Studio after ditching his formal education. Already a fan of new wave and synth-pop back in the 1980s, Infiniti (also known as Scott Christina) made the crossover from listener to self-taught music maker shortly after leaving school in the ninth grade. -
Desmond Child
The artists behind: Desmond Child 1973 1980 1985 1990 1995 2000 2005 2010 2015 2020 2025 ‹ e 1979 KISS 1989 Alice Cooper 1988 Bon Jovi: Bad Medicine, Blood on Blood, Born to Be My Baby, Wild is the Wind (Album New Jersey) g u 1988 Bonnie Tyler: Notes from America, Hide Your Heart (Album Hide Your Heart) o ›I Was Made for Lovin’ You‹ ›Poison‹ R 1989 Aerosmith: What It Takes, F.I.N.E. (Album Pump) › d 1989 Bonfire: The Price of Loving You (Album Point Blank) n a 1984 KISS 1989 Cher: Just Like Jesse James, Emotional Fire, Does Anybody Really Fall in Love Anymore? (Album Heart of Stone) B 1989 Kiss: Hide Your Heart, You Love Me to Hate You (Album Hot in the Shade) e Songs auf Animalize t s 1991 Cher: Save Up All Your Tears (Album Love Hurts) r e 1991 Alice Cooper: Dangerous Tonight (Album Hey Stoopid) 1985 KISS 1992 Bon Jovi: I’ll Sleep When I'm Dead, Keep the Faith (Album Keep the Faith) Songs auf Asylum 1993 Aerosmith: Crazy, Flesh (Album Get a Grip) 1993 Shakira: Tú Serás la Historia de Mi Vida (Album Peligro) Desmond Child 1995 Bon Jovi: Something for the Pain, This Ain’t a Love Song, Hearts Breaking Even, Diamond Ring (Album These Days) 1997 Aerosmith: Hole in My Soul (Album Nine Lives) wurde 1953 als 1986 Bon Jovi 1997 Dream Theater: You Not Me(Album Falling into Infinity) Kind von Einwan ›Livin’ on a Prayer‹, 1999 Bon Jovi: Real Life (Original Motion Picture Soundtrack) der ern (sein Vater ›You Give Love a Bad Name‹, 2000 Bon Jovi: One Wild Night (Album Crush) 2002 Bon Jovi: All About Lovin' You, -
Bon Jovi Bon Jovi Bon Jovi Tribute Show Tribute Show Tribute Show
THE THE THE BON JOVI BON JOVI BON JOVI TRIBUTE SHOW TRIBUTE SHOW TRIBUTE SHOW ‘Slippery and Wet’ is the ULTIMATE ‘Slippery and Wet’ is the ULTIMATE ‘Slippery and Wet’ is the ULTIMATE Bon Jovi Experience; Bon Jovi Experience; Bon Jovi Experience; staring Ryan Burdette as Bon Jovi staring Ryan Burdette as Bon Jovi staring Ryan Burdette as Bon Jovi delivering an authentic tribute show that delivering an authentic tribute show that delivering an authentic tribute show that exemplifies the passion and sound of Bon Jovi. exemplifies the passion and sound of Bon Jovi. exemplifies the passion and sound of Bon Jovi. Take a trip back down memory lane and be Take a trip back down memory lane and be Take a trip back down memory lane and be entertained by this incredible live rock show! entertained by this incredible live rock show! entertained by this incredible live rock show! Re-experience classic hits like, “Wanted Dead of Re-experience classic hits like, “Wanted Dead of Re-experience classic hits like, “Wanted Dead of Alive”, “Living On a Prayer”, “Have a Nice Day” and Alive”, “Living On a Prayer”, “Have a Nice Day” and Alive”, “Living On a Prayer”, “Have a Nice Day” and “It’s My Life”; along with a huge sound and lighting “It’s My Life”; along with a huge sound and lighting “It’s My Life”; along with a huge sound and lighting production, audiences will not be disappointed. production, audiences will not be disappointed. production, audiences will not be disappointed. SatuRDAY 1ST SEPTEMBER SatuRDAY 1ST SEPTEMBER SatuRDAY 1ST SEPTEMBER 3 COURSE -
Rest & Refuge Installation Instructions
Rest and Refuge™ Rigid Core Flooring Suitable for installation on all grade levels Tips for a successful Installation: Most installations will need approximately a 10% cutting allowance added to the square footage of the room. Proper conditioning of the job site is necessary. Flooring planks should not be exposed to sudden changes in temperature. Store, transport and handle the flooring planks in a manner to prevent any distortions. Distortions will not disappear over time. Store cartons flat, never on edge. Ensure that the flooring planks are lying flat at time of installation. Installations of carpet, metal strips and other transition moldings should not push fully into the flooring and should allow for some slight movement wherever practical. Protect the floor from heavy-rolling loads, other trades, and movement of appliances by using sheets of plywood or similar. Rest & Refuge does not require acclimation unless the installation site conditions are colder than 32°F or higher than 100°F (35°C) for 48 hours before or during installation. Under these conditions a 4-hour acclimation period of the floor covering is recommended. Where the room is larger than 20’ (6.1 m) by 30´ (9.14 m) or 500 sq.ft. (46.45 sq.m.) a minimum of 1/2˝ (12.7 mm) expansion zone is required around the perimeter of the room as well as against any fixed objects or Multi-Purpose moldings must be used to compensate for this movement. In areas larger than 52’ by 52’ or 2,700 sq.ft. the use of T-moldings or Multi-Purpose moldings is required. -
HYMNS, &C. COMPOSED on VARIOUS SUBJECTS
HYMNS, &c. COMPOSED ON VARIOUS SUBJECTS By JOSEPH HART A NEW EDITION With new indexes. 2020 HYMNS, &c. COMPOSED ON VARIOUS SUBJECTS By J[OSEPH] HART O sing unto the Lord a new song; for he hath done MARVELLOUS THINGS: His right hand, and His holy arm, hath gotten him the victory. Psalm 98:1. THE SIXTH EDITION, With the Author’s Experience, the Supplement, and Appendix. LONDON: Printed by M. LEWIS, in Paternoster Row; And sold by F. NEWBERRY, at the Crown, the corner of St. Paul’s Church-Yard, Ludgate- Street; and at the AUTHOR’s house, (The Lamb) near Durham-Yard, in the Strand; and at the MEETING in Jewin-Street. 1769. Price bound Two Shillings.1 1 About £1.6 in 2020’s money. Preface (2020) Joseph Hart was born in 1712 in London, and died there on May 24, 1768. Joseph Hart became pastor of the Independent Church in Jewin Street, London, in 1759. He served this large church until his death in 1768. In 1759, he published this book; he added a supplement in 1762 and an appendix in 1765. LITERATURE Hart, Joseph. 1759. Hymns Composed on Various Subjects, with a Preface Containing a Brief and Summary Account of the Author’s Experience and the Great Things that God hath done for his Soul. London, England: J. Everingham. Second Edition with Supplement but excluding Experience 1762. Third Edition with Supplement 1763. Fourth Edition with Supplement and Appendix 1765. Fifth Edition 1767. Sixth Edition 1769. Twenty-Third Edition 1825. Hart, Joseph. 1822. Hymns Composed on Various Subjects.