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Greek Inspiration
ΤΕΎΧΟΣ 23 – ΧΕΙΜΩΝΑΣ 2018/19 ● ISSUE 23 – WINTER 2018/19 GREEK INSPIRATION WELCOME γαπητοί επισκέπτες, ear Guests, Είναι ιδιαίτερη χαρά και τιμή μας να σας καλωσορί- It is a special joy and honor to welcome you to the A ζουμε στα ξενοδοχεία του Ομίλου Εlectra Hotels & D hotels of the Electra Hotels & Resorts Group. With Resorts. Κοντά μας θα απολαύσετε την πολυτέλεια, την άνεση us, you will experience luxury, comfort and genuine Greek και τη γνήσια ελληνική φιλοξενία, προσαρμοσμένη στις απαι- hospitality adapted to the needs of 21st-century travelers. You τήσεις των ταξιδιωτών του 21ου αιώνα. Θα νιώσετε μέλος μιας will feel, I hope, like a member of a large family, one that has μεγάλης οικογένειας, που μεγαλώνει χρόνο με τον χρόνο από been growing, year on year, since 1965, when we opened our το 1965, όταν άνοιξε το πρώτο ξενοδοχείο μας. Από τότε, έχουμε first hotel. Since then, we have welcomed more than seven φιλοξενήσει πάνω από επτά εκατομμύρια επισκέπτες από την million guests from Greece and around the world. Ελλάδα και όλο τον κόσμο. Whether your stay is for business or leisure, our hotels in Είτε ταξιδεύετε για εργασία είτε για αναψυχή, στα ξενο- Athens, Thessaloniki and Rhodes will make you feel at home. δοχεία μας στην Αθήνα, στη Θεσσαλονίκη και στη Ρόδο θα Our philosophy is to provide high-quality services to meet the νιώσετε σαν στο σπίτι σας. Φιλοσοφία μας είναι να παρέχου- desires and wishes of each and every one of you individually. με υπηρεσίες υψηλών προδιαγραφών, ανταποκρινόμενοι στις For our staff, the soul of the Electra Group, it is both a ανάγκες και στις επιθυμίες καθενός από εσάς ξεχωριστά. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity Permalink https://escholarship.org/uc/item/0vg4w163 Author Zervou, Natalie Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Natalie Zervou June 2015 Dissertation Committee: Dr. Marta Elena Savigliano, Chairperson Dr. Linda J. Tomko Dr. Anthea Kraut Copyright Natalie Zervou 2015 The Dissertation of Natalie Zervou is approved: Committee Chairperson University of California, Riverside Acknowledgments This dissertation is the result of four years of intensive research, even though I have been engaging with this topic and the questions discussed here long before that. Having been born in Greece, and having lived there till my early twenties, it is the place that holds all my childhood memories, my first encounters with dance, my friends, and my family. From a very early age I remember how I always used to say that I wanted to study dance and then move to the US to pursue my dream. Back then I was not sure what that dream was, other than leaving Greece, where I often felt like I did not belong. Being here now, in the US, I think I found it and I must admit that when I first begun my pursuit in graduate studies in dance, I was very hesitant to engage in research concerning Greece. -
Christodoulos Panayiotou Solo Shows 2019 2018 2017
CHRISTODOULOS PANAYIOTOU Born in 1979 in Limassol, Cyprus. Lives and works between Limassol and Paris. SOLO SHOWS 2019 LUX S. 1003 334., Musée d’Orsay, Paris, France « Dying on Stage”, lecture-performance, Musée d’Orsay, Paris, France Act II: The Island, Camden arts Center, London 2018 « Friday, 3rd of February 1525 », kamel mennour, Paris Sectile, 2016, Permanent installation of a work, Centre Georges Pompidou 2017 Dying on stage, lecture-performance, Centre Pompidou, Paris, France. “Mármol Rosa”, Estancia Femsa - Casa Luis Barragán, Mexico City, Mexico. “I write, erase, rewrite, erase again, and then a poppy blooms”, CCA Kitakyushu, Japan. 2016 “Pragmática contra o Luxo”, Lumiar Cité, Lisbon, Portugal. “False Form”, Rodeo Gallery, London, England. “Theories of harm”, kamel mennour, Paris, France. 2015 “Two Days After Forever”, curated by Omar Khoelif, Cyprus Pavilion, Venice Biennial, Venice, Italy. “Stories From The Lives of My Friends”, curated by Andre Zivanari, Point Center for Contemporary Art, Nicosia, Nicosia, Cyprus. (upcoming) “Theories Of Harm”, curated by Marie Muracciole, Beirut Arts Center, Beirut, Lebanon. (upcoming) 2014 “The Permeability Of Certain Matters”, (with Philip Wiegard), Spring, Hong Kong, China. “NGC 1277”, curated by Milovan Ferronato, Kaleidoscope Project Space, Milan, Italy. “35/22/35/36D”, Galerie Nordenhake, Stockholm, Sweden. 2013 “Days And Ages”, curated by Matilda Olof-Ors, Moderna Museet, Stockholm, Sweden. “And”, curated by Kevin Muhlen Casino Luxembourg, Luxembourg City, Luxembourg. “In The Light Of The Day The Fireflies Are Like Any Other Insect”, curated by Akiko Miyake, CCA Kitakyushu, Kitakyushu, Japan. “The Invention Of Antiquity”, curated by Reinhard Braun & Maren Lübbke-Tidow, Camera Austria, Graz, Austria. 2012 “Tenuto, Rodeo”, Istanbul, Turkey. -
We'll Meet Again Bios ΕΝ
ADDITIONAL INFORMATION ON WE’LL MEET AGAIN PARTICIPANTS Agent Mo, Amateurboyz, Giorgio Andreotta Calò, Andreas Angelidakis, Anastasia Ax, AZA, Athens Zine Biblioteque, George-Ikaros Babassakis & Eleanna Martinou, Tjorg Douglas Beer, Angela Brouskou & Parthenopi Bouzouri, Vincent Chomaz, Angela Dimitrakaki, Pakui Hardware, Katerina Kana, Valentinas Klimašauskas, Dimitris Kotselis, Eleni Kotsoni, Mikko Kuorinki, Quinn Latimer, Locus Athens, Pantelis Pantelopoulos, Giorgos Papadopoulos, Natasha Papadopoulou / Giannis Loukos / Eleftheria Togia, Angelo Plessas, Dimitris Politakis, Theo Prodromidis, Lars Siltberg, Mårten Spångberg, Jennifer Teets, Paolo Thorsen-Nagel Agent Mo Marina Gioti (aka Agent Mo, GR, 1972) is a filmmaker / visual artist based in Athens, Greece. She is currently in post production of her first feature length film The Invisible Hands, a documentary set in Cairo, Egypt. Amateurboyz Amateurboyz, Spiros Pliatsikas and Thodoris Dimitropoulos, are a DJ-crew and party collective. For a decade they’ve been one of the most influential contributors to the underground scene in Athens presenting art, music and live events in obscure venues throughout the city. Their organic take on music and DYI-culture has also brought them to several venues across Europe (London, Berlin, Belgrade, Florence, Istanbul, Moscow) and international acclaim. Giorgio Andreotta Calò Giorgio Andreotta Calò research developed though a process of withdrawing fragments from reality and the re-appropriation of architecture, landscape and his own history. His artworks may be interpreted as “active residues” of processes and actions that have take place in a specific time and space. Born in Venice in 1979, he studied at the Accademia di Belle Arti di Venezia (1999-2005) and at the KunstHochSchule Berlin (2003-2004). -
ERIETTA VORDONI About Felicity
ERIETTA VORDONI About Felicity Alpha C.K. ART GALLERY Makarios Ave. & 3 Papanikoli Str. 1077 Nicosia, Cyprus T: +357 22751325 [email protected] www.ackgallery.com ERIETTA VORDONI About Felicity About Felicity, oil on transparencies and metal, 140x165 cm (following page) MARCH 2018 ALPHA C.K. ART GALLERY Erietta Vordoni was born in Athens. She studied at the Academy of Fine Arts in Athens under Yiannis Moralis. She continued her studies at the École Nationale Supérieure des Beaux-Arts in Paris under professors Cremonini and Cesar. Solo Exhibitions Atelier Lambert, Paris (1987) Athens Gallery (1984, 1990, 1996, 2007, 2011) City of Athens Cultural Center (1988) Vorres Museum, Paiania (1984) Centre or Contemporary Art, Seattle (1990) Queens Museum, New York (1986) International Biennale of Lithography, Lubliana (1995) French Institute, Thessaloniki (1987) Palazzo delle Esposizioni, Rome (1996) Staehelin Gallery, Zurich (1987) Salon de Montrouge, Prix au Salon de Montrouge (1997) Zygos Gallery, Washington D.C. (1987) Selini Gallery, Athens[ (1999) Galerie Beau Lezard, Paris (1988) St. Etienne Museum (2000) Galerie Lavignes, Bastille, Paris[ (1989, 1991) Technopolis, Athens (2004) Galerie Michaella Moller, Munich (1992) Belgravia Gallery, London (2007) Gallery ZM, Thessaloniki (1993) Benaki Museum, Athens (2007, 2013) Musee d ' Art Moderne et d' Art Contemporain, Nice Museum of Contemporary Art, Shanghai (2008) (1994) Tracing, Istanbul (2010) MANY H, Tel Aviv (1997) Technopolis, Gazi, Athens[ (2010) Galerie de Dessin, Brussels (2004) Cephalonia -
Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1
İNSAN VE TOPLUM BİLİMLERİ ARAŞTIRMALARI DERGİSİ Cilt: 5, Sayı: 6, 2016 Sayfa: 1533-1562 Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1 Burak BOYRAZ Arş. Gör., Yıldız Teknik Üniversitesi, Sanat ve Tasarım Fakültesi, Sanat Bölümü [email protected] Öz Antik Yunanlıların plastik sanatlarda yaptığı çalışmalar ve üretimler, tarihsel süreçte çoğu zaman Batı merkezli klasik plastik sanatlar estetiği için referans olarak kullanılmıştır. Ancak özellikle 20.yy’da (toplumsal olayların etkisiyle güncellenen entelektüel algı ile birlikte) radikal üretimler klasik üslup karşısında daha fazla öne çıkmış, pek çok Batılı sanatçı da gerek kavramsal gerekse nesnel açıdan üretimlerinde bu yönde bir eğilim göstermeye başlamıştır. Çağdaş Yunan sanatçılar da 20.yy'ın son çeyreğiyle iyiden iyiye küreselleşen bu yeni sanat anlayışında Avrupa ve Birleşik Devletler ile uyumlu bir estetik çizgide ilerlemekten geri kalmamış ve disiplinlerarası etkileşimden sıklıkla faydalanan multimedya tabanlı eserler üretmiştir. Metin dahilinde de bahsi geçen bu durum başta Lucas Samaras (1936) olmak üzere çeşitli örneklemlerle incelenmiş ve artan bir ivmeyle kendini güncelleyen Batı sanatının günümüz Yunan sanatçıları üzerindeki etkisi tartışılmıştır. Anahtar Kelimler: Sanat, Plastik Sanatlar, Yunanistan, Çağdaş Yunan Sanatı, Disiplinlerarası Etkileşim, Multimedya, Lucas Samaras. Place of Multimedia Technics in Contemporary Greek Art In Lucas Samaras Sample Abstract Studies and outputs that are executed by Ancient Greeks in plastic arts have been quite often used as a reference for the West-centered plastic arts aesthetics in the historical process. However, especially in the 20th century (together with intellectual perception that is updated by the effect of social events) radical outputs became more prominent against classical style and many Western artists in their outputs started to show tendency in this direction either cognitively or objectively. -
Press Release
PRESS RELEASE Nikos Alexiou THE END (once more) Athens-Venice 2007 Opening Thursday 8 November 2007, 8 pm Zoumboulakis Galleries, 20 Kolonaki Square Nikos Alexiou represents Greece in the 52nd Venice Biennale with the work “The End”, a modular installation inspired by the floor mosaic in the Catholicon of the Iviron Monastery on Mount Athos (10th-11th c. AD). Concurrently, on November 8 2007, he will exhibit under the same title at Zoumboulakis Galleries (20 Kolonaki Square) a series of large-scale prints (on archival paper) of the digitally manipulated representation of the floor mosaic. The valuable material (photographs, drawings, etc.) from the creative evolution of the work THE END, Athens-Venice 2007, will be included in a special limited edition book, created and signed by the artist. The book will be available from Zoumboulakis Galleries and selected bookstores. Yorgos Tzirtzilakis, commissioner / curator of the Hellenic participation in the 52nd Venice Biennale, comments in the exhibition catalogue: «Alexiou belongs to that generation of artists who, during the 1980s, expanded the object of art into the realm of installation… He turned from the outset to a fragile and ephemeral world which he introduced into the artistic language, setting the obsessive use of non figurative grids, patterns, decorations and repetitive structures as a kind of existential metaphor». Exhibition Duration: 8 November - 8 December 2007 Zoumboulakis Galleries, 20 Kolonaki Square Opening Times: Tu. - Fri. 11 am – 2 pm and 6–9 pm, Sat. 11 am – 2 pm Sunday & Monday closed Curriculum Vitae: Nikos Alexiou was born in Rethymnon in 1960. He studied in the Vienna Academy of Fine Arts and the Athens School of Fine Arts. -
Vlassis Caniaris
www.TeamGallery.com Vlassis Caniaris 1928 Born Athens, Greece Lives and works in Athens, Greece Education: 1959 School of Fine Arts, Rome, Italy 1950-1955 School of Fine Arts, Athens, Greece (studios of Umberto Argyros, Yiannis Pappas, Panos Sarafianos and Yiannis Moralis) 1949-1950 University of Athens, School of Medicine, Greece One Person Exhibitions: 2010 Galerie Giti Nourbakhsch, Berlin, Germany, As it was before the day before yesterday, so it will be the day after the day after tomorrow Art 41 Basel, Basel, Switzerland, Art Feature, Vlassis Caniaris (under the auspices of the Breeder) 2009 The Breeder, Athens, Greece Arnados School, Tinos, Greece, Genethlion Kalfayan Gallery, Athens, Greece, Arrivederci-Wilkommen 2008 Benaki Museum, Athens, Greece, Anniversary 2004 Municipal Art Gallery of Chania, Crete, Greece Zina Anastasiadou Gallery, Thessaloniki, Greece 2003 Foundation for Hellenic Culture, New York, United States 2000 State Museum of Contemporary Art, Thessaloniki, Greece, Retrospective Zina Anastasiadou Gallery, Thessaloniki, Greece 1999 National Gallery, Athens, Greece, Retrospective 1996 Aria Gallery, Argostaoll, Kefalona Island, Greece 1993 Galerie 3, Athens, Greece Team gallery, inc., 83 grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 1992 Staatliche Kunsthaus, Berlin, Germany 1991 Cultural Center Vafopoulou, Thessaloniki, Greece Paratiritis Gallery, Thessaloniki, Greece Karl Ernst Osthaus-Museum, Hagen, Germany 1989 Titanium Gallery, Athens, Greece Municipal Gallery, Patras, Greece -
DANIEL KELLER 1986 Born in Detriot, Michigan Lives and Works in Berlin
DANIEL KELLER 1986 Born in Detriot, Michigan Lives and works in Berlin Solo Exhibtions 2016 Sound Corner, Auditorium Parco Della Musica, Rome, IT 2015 Kai Dalston Bushwick, Kraupa-Tuskany Zeidler, Berlin, DE 2014 eVita, Casa Maauad, Mexico City, MX Spirito Scala, 63rd-77th steps, Bari, IT 2013 Lazy Ocean Drift, New Galerie, Paris, FR 2012 Absolute Vitality Inc., NAK Neuer Aachener Kunstverein (with Absolute Vitality, Inc.), Aachen, DE Avoid, Control, Accept, Transfer, Kraupa-Tuskany Zeidler (with Aids-3D), Berlin, DE 2011 Kaczynski/Keller/Kosmas, 032c Workshop (with Aids-3D), Berlin, DE New Innovations, NIMK-Nederlands Instituut voor Mediakunst (with Aids-3D), Amsterdam, NL Exotic Options, T293 (with Aids-3D), Napoli, IT 2010 Ideal Work (Creative Solutions), Autocenter (with Aids-3D), Berlin, DE World Community Grid Water Features, Gentili Apri (with Aids-3D), Berlin, DE And The Seasons, 0047 (with Aids-3D), Oslo, NO World Community Grid Water Features, Niklas Belenius Gallery (with Aids-3D), Stockholm, SE 2009 Speculations on Cosmic Culture, Montgomery (with Aids-3D), Berlin, DE Ford/Aten, Galeria Stereo (with Aids-3D), Poznan, PL Aids-3D @ 3's Company, 3's Company (with Aids-3D), New York, US Aids-3D, Preteen Gallery (with Aids-3D), Hermosillo, MX Magnitude, YAMA (with Aids-3D), Istanbul, TK 2008 Digital Awakening, K44 (with Aids-3D), Athens GR Selected Group Exhibitions 2016 Grey, Brand New Gallery, Milan, IT Aujourd’hui je dis oui, Galeria da Boavista, Lisbon, PT Emotional Supply Chains, Zabludowicz Collection, London, UK Dissent as -
New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent
fig. 1 G. de Chirico, Scatola di cerini e sigarette, ca 1904-1906 13 New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent Myth in Giorgio de Chirico: Mavìlis, Palamàs and the Early XX Century Athens Literary Scene Fabio Benzi There have been many attempts at identifying an influence of the Greek milieu on the young Gior- gio de Chirico. From his birth (1888) to his late adolescence, the artist lived in Greece, in Volos and especially Athens, until he moved to Munich in October 1906. So, he spent the first eighteen years of life – undoubtedly a formative moment for any young intellectual – mostly in Athens, where he also completed his first artistic studies in the Academy of Fine Arts of the Polytechnic School. As might be expected, research aimed at contextualizing and furthering the knowledge of pos- sible Hellenic influences on de Chirico’s artistic activity has focused so far on the specific analysis of the local painting scene, although with little or less than significant results. To be sure, we are not aware of any extant early painting from his Greek period, except for a negligible, small still life painted on cardboard, depicting a box of matches with a lit cigarette leaning against it (fig. 1); the verso shows an earlier copy of a detail of a chromolithography by Bel- gian painter Jan van Beers (Lier, 27 March 1852-Fay- aux-Loges, 17 November 1927), which we have iden- tified here (figs. 2, 3).1 If this copy is an example of the nearly photographic unyielding adherence by a young artist who might have not yet attended the academy, the small oil is actually a genre exercise, probably painted while de Chirico was still a student. -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
Jimmie Durham United States, 1940 Lives and Works in Berlin
kurimanzutto jimmie durham United States, 1940 lives and works in Berlin education & residencies 2016 Artist Residency at the Centre International de Recherche sur le Verre et les Arts Plastiques, Cassis, France. 2007 Artist Residency at the Atelier Calder, Saché, France. grants & awards 2019 Golden Lion for Lifetime Achievement awarded by the 58th International Art Exhibition of La Biennale di Venezia. 2017 Matronato alla carriera awarded by the Museo d’Arte Contemporanea Donnaregina (MADRE), Italy. Robert Rauschenberg Award 2017 awarded by the Foundation for Contemporary Arts, United States. 2016 Goslar Kaiserring awarded by the Verein zur Förderung moderner Kunst Goslar, Germany. solo exhibitions 2019 Do you say I am lying?(Acha que minto?). Fidelidade Arte, Lisbon; Culturgest, Porto, Portugal. The beneficial catastrophe of art. Fondazione Morra Greco, Naples, Italy. 2018 Jimmie Durham: At the Center of the World. Remai Modern, Saskatoon, Canada. The Middle Earth (with Maria Thereza Alves). Institut d’Art Contemporain, Villeurbanne/Rhône-Alpes, France. Labyrinth. Fondazione Adolfo Pini, Milan. 2017 Jimmie Durham: At the Center of the World. Hammer Museum, Los Angeles; kurimanzutto Walker Art Museum, Minneapolis; Whitney Museum of American Art, New York. Evidence.Mönchehaus Museum Goslar, Germany. Jimmie Durham: God’s Children, God’s Poem. Migros Museum für Gegenwartskunst, Zurich. Glass (with Jone Kvie). Galerie Michel Rein, Paris. 2016 Jimmie Durham. Sound and Silliness. Museo Nazionale delle Arti del XXI Secolo, Rome. 2015 Venice: Objects, Work and Tourism. Museo Querini Stampalia, Venice. Jimmie Durham. Here at the Center. n.b.k., Berlin. Various Items and Complaints. Serpentine Gallery, London. 2014 Traces and Shiny Evidence. Parasol Unit, London.