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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity Permalink https://escholarship.org/uc/item/0vg4w163 Author Zervou, Natalie Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Natalie Zervou June 2015 Dissertation Committee: Dr. Marta Elena Savigliano, Chairperson Dr. Linda J. Tomko Dr. Anthea Kraut Copyright Natalie Zervou 2015 The Dissertation of Natalie Zervou is approved: Committee Chairperson University of California, Riverside Acknowledgments This dissertation is the result of four years of intensive research, even though I have been engaging with this topic and the questions discussed here long before that. Having been born in Greece, and having lived there till my early twenties, it is the place that holds all my childhood memories, my first encounters with dance, my friends, and my family. From a very early age I remember how I always used to say that I wanted to study dance and then move to the US to pursue my dream. Back then I was not sure what that dream was, other than leaving Greece, where I often felt like I did not belong. Being here now, in the US, I think I found it and I must admit that when I first begun my pursuit in graduate studies in dance, I was very hesitant to engage in research concerning Greece. -
Museums and Australia's Greek Textile Heritage
Museums and Australia’s Greek textile heritage: the desirability and ability of State museums to be inclusive of diverse cultures through the reconciliation of public cultural policies with private and community concerns. Ann Coward Bachelor of General Studies (BGenStud) Master of Letters, Visual Arts & Design (MLitt) A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy School of Art History and Theory College of Fine Arts University of New South Wales December, 2006 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed .................................................................. ABSTRACT This thesis explores the desirability of Australia’s State museums to be inclusive of diverse cultures. In keeping with a cultural studies approach, and a commitment to social action, emphasis is placed upon enhancing the ability of State museums to fulfil obligations and expectations imposed upon them as modern collecting institutions in a culturally diverse nation. -
Sports in French Culture
Sporting Frenchness: Nationality, Race, and Gender at Play by Rebecca W. Wines A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) in the University of Michigan 2010 Doctoral Committee: Associate Professor Jarrod L. Hayes, Chair Professor Frieda Ekotto Professor Andrei S. Markovits Professor Peggy McCracken © Rebecca W. Wines 2010 Acknowledgements I would like to thank Jarrod Hayes, the chair of my committee, for his enthusiasm about my project, his suggestions for writing, and his careful editing; Peggy McCracken, for her ideas and attentive readings; the rest of my committee for their input; and the family, friends, and professors who have cheered me on both to and in this endeavor. Many, many thanks to my father, William A. Wines, for his unfailing belief in me, his support, and his exhortations to write. Yes, Dad, I ran for the roses! Thanks are also due to the Team Completion writing group—Christina Chang, Andrea Dewees, Sebastian Ferarri, and Vera Flaig—without whose assistance and constancy I could not have churned out these pages nor considerably revised them. Go Team! Finally, a thank you to all the coaches and teammates who stuck with me, pushed me physically and mentally, and befriended me over the years, both in soccer and in rugby. Thanks also to my fellow fans; and to the friends who I dragged to watch matches, thanks for your patience and smiles. ii Table of Contents Acknowledgements ii Abstract iv Introduction: Un coup de -
Hellenes in Western Australia: a Century of Changing Relations, Responses and Contribution
Title: Hellenes in Western Australia: A century of changing relations, responses and contribution. Presenter: Dr John Yiannakis Organisation: University of Western Australia Australia was a society that dreaded the “mixing of races” and was obsessed with protecting racial purity. Such sentiments were well expressed by Western Australia’s Premier John Forrest who, in 1897, concluded debate about his state’s Immigration Restriction Bill by saying “we desire to restrict this country, so that it shall not be over-run with races whose sympathies, and manners and customs, are not as ours.”1 Forrest, like other colonial leaders forging the new Commonwealth of Australia, wanted the nation, and his state, to remain British, Protestant and white; a desire enshrined in the legislation that became known as the White Australia Policy. While this policy was aimed primarily at prohibiting the entry of Asians and non-Europeans to Australia, it also made it difficult for non-British Europeans to enter. For early 20th century Australia an “olive peril” was almost as threatening as the yellow one. In the coming years, government policy towards Hellenic (Greek) arrivals would fluctuate. Restrictions and quotas would be imposed, only to be disregarded, and then observed stringently. The fear and contempt held by Anglo-Australians for most Greeks and other southern Europeans intensified as their numbers increased. Verbal and physical abuses were common forms of antagonism. Overseas and Australian born Greeks, pre and post 1945, had to endure a seemingly endless list of derogatory names. Anti-foreign sentiment was prevalent throughout society. Even the local schoolyard could be a place perpetuating bigotry and division. -
SEMBENE in SENEGAL Radical Art in Neo-Colonial Society
SEMBENE IN SENEGAL Radical Art in Neo-colonial Society by Fírinne Ní Chréacháin A thesis submitted to the Centre of West African Studies of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY December 1997 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. AUTHOR’SSTATEMENTCONCERNINGELECTRONICVERSION Theoriginalofthisthesiswasproducedin1997onaveryoldAmstradwordͲprocessor whichwouldhaveproducedaverypoorͲqualityscannedversion. InsubmittingthiselectronicversionforinclusionintheUBIRArepositoryin2019,I,the author,havemadethefollowingchanges: FRONTPAGES:Ichangedtheorderofthepages,puttingthepersonalpages(dedicationand acknowledgements)first. TABLEOFCONTENTS:Iremovedtheclumsylookingsubsubtitlestoproduceacleanerlook. BODYOFTEXT:Nochangesapartfrominsertionofsomeextrasubtitlesandsubsubtitlesto enhanceaccessibility. BIBLIOGRAPHY:Iaddedthreeentries,ADOTEVI,ENAGNONandKANE,inadvertentlyomitted inoriginal. Signed DrFírinneNíChréacháin 7May2019 FOR YETUNDE AND ALL GOD’S BITS OF WOOD BANTY -
Vaincre Ou Disparaître
Le Soir d’Algérie Le Carnet sportif Jeudi 19 juin 2008 - PAGE 15 ÉLIMINATOIRES DE LA CAN ET DU MONDIAL 2010 (Groupe 6, 4e journée) : FOOTBALL ce vendredi (19h30) au stade Tchaker de Blida : Algérie - Gambie Harek, Vaincre ou disparaître un néo-capé Enième test de vérité ou match couperet pour les Verts ? Ce quatrième Algérie- patient Gambie en moins de deux ans présente la Fraîchement appelé en particularité d’être comme son devancier du équipe nationale, Fethi 9 septembre 2007, décisif. Les Algériens, qui Harek, le latéral gauche de Bastia (D2 française), se sont mis dans une embarrassante situa- attend «sereinement et tion en alignant deux défaites pour autant de patiemment» sa première sorties en Afrique de l’Ouest, n’ont vraiment titularisation chez les plus le choix. Pas de droit à l’erreur. Verts, avec lesquels il par- Demain, les joueurs de réaménagements que la FIFA ticipe aux qualifications Rabah Saâdane auront l’im- compte introduire sur le systè- jumelées de la Coupe périeux devoir de vaincre et me de notation suite au forfait d'Afrique des nations et espérer que le succès de ce de l’Erythrée et la suspension de la Coupe du monde- vendredi 20 juin soit consolidé du Tchad par l’instance de 2010. lors de la prochaine journée Blatter, les Algériens n’ont «Je suis nouveau au par une autre victoire face au vraiment plus leur destin entre sein du groupe. Je ne suis favori de ce groupe éliminatoi- leurs mains. pas pressé. Je suis là pour re, le Sénégal. Une montagne La victoire face aux regarder, pour apprendre. -
We'll Meet Again Bios ΕΝ
ADDITIONAL INFORMATION ON WE’LL MEET AGAIN PARTICIPANTS Agent Mo, Amateurboyz, Giorgio Andreotta Calò, Andreas Angelidakis, Anastasia Ax, AZA, Athens Zine Biblioteque, George-Ikaros Babassakis & Eleanna Martinou, Tjorg Douglas Beer, Angela Brouskou & Parthenopi Bouzouri, Vincent Chomaz, Angela Dimitrakaki, Pakui Hardware, Katerina Kana, Valentinas Klimašauskas, Dimitris Kotselis, Eleni Kotsoni, Mikko Kuorinki, Quinn Latimer, Locus Athens, Pantelis Pantelopoulos, Giorgos Papadopoulos, Natasha Papadopoulou / Giannis Loukos / Eleftheria Togia, Angelo Plessas, Dimitris Politakis, Theo Prodromidis, Lars Siltberg, Mårten Spångberg, Jennifer Teets, Paolo Thorsen-Nagel Agent Mo Marina Gioti (aka Agent Mo, GR, 1972) is a filmmaker / visual artist based in Athens, Greece. She is currently in post production of her first feature length film The Invisible Hands, a documentary set in Cairo, Egypt. Amateurboyz Amateurboyz, Spiros Pliatsikas and Thodoris Dimitropoulos, are a DJ-crew and party collective. For a decade they’ve been one of the most influential contributors to the underground scene in Athens presenting art, music and live events in obscure venues throughout the city. Their organic take on music and DYI-culture has also brought them to several venues across Europe (London, Berlin, Belgrade, Florence, Istanbul, Moscow) and international acclaim. Giorgio Andreotta Calò Giorgio Andreotta Calò research developed though a process of withdrawing fragments from reality and the re-appropriation of architecture, landscape and his own history. His artworks may be interpreted as “active residues” of processes and actions that have take place in a specific time and space. Born in Venice in 1979, he studied at the Accademia di Belle Arti di Venezia (1999-2005) and at the KunstHochSchule Berlin (2003-2004). -
Sample Download
THE HISTORYHISTORYOF FOOTBALLFOOTBALL IN MINUTES 90 (PLUS EXTRA TIME) BEN JONES AND GARETH THOMAS THE FOOTBALL HISTORY BOYS Contents Introduction . 12 1 . Nándor Hidegkuti opens the scoring at Wembley (1953) 17 2 . Dennis Viollet puts Manchester United ahead in Belgrade (1958) . 20 3 . Gaztelu help brings Basque back to life (1976) . 22 4 . Wayne Rooney scores early against Iceland (2016) . 24. 5 . Brian Deane scores the Premier League’s first goal (1992) 27 6 . The FA Cup semi-final is abandoned at Hillsborough (1989) . 30. 7 . Cristiano Ronaldo completes a full 90 (2014) . 33. 8 . Christine Sinclair opens her international account (2000) . 35 . 9 . Play is stopped in Nantes to pay tribute to Emiliano Sala (2019) . 38. 10 . Xavi sets in motion one of football’s greatest team performances (2010) . 40. 11 . Roger Hunt begins the goal-rush on Match of the Day (1964) . 42. 12 . Ted Drake makes it 3-0 to England at the Battle of Highbury (1934) . 45 13 . Trevor Brooking wins it for the underdogs (1980) . 48 14 . Alfredo Di Stéfano scores for Real Madrid in the first European Cup Final (1956) . 50. 15 . The first FA Cup Final goal (1872) . 52 . 16 . Carli Lloyd completes a World Cup Final hat-trick from the halfway line (2015) . 55 17 . The first goal scored in the Champions League (1992) . 57 . 18 . Helmut Rahn equalises for West Germany in the Miracle of Bern (1954) . 60 19 . Lucien Laurent scores the first World Cup goal (1930) . 63 . 20 . Michelle Akers opens the scoring in the first Women’s World Cup Final (1991) . -
7- Chapter 1: Migration of Greeks to Australia: an Historical Overview
-7- CHAPTER 1: MIGRATION OF GREEKS TO AUSTRALIA: AN HISTORICAL OVERVIEW Poised on the edge of two worlds, the migrant continues to search for a sense of belonging Liz Thompson. The thrust of the thesis will be the study of the life of Greek migrants who came to Australia with professional qualifications. Being migrants themselves, they were subjected to the same sociopolitical and cultural situations which pre y filed in Australia at the time of their migration, in a way similar to the majority of ordinary migrants. The expectations of professional migrants in AL stralia were different to those of non-professional Greek migrants and although they were both foreigners in a foreign environment, each of the two groups reacted differently to the social pressures, as will be seen from the information collected in the interviews and published literature. With the exception of some statistical data and information on qualifications published by the Government', there is hardly any other documented information available on professional Greek migrants in Australia. As a consequence, this chapter will attempt to provide an overview of those areas which correspond to the situations faced by Greek professional migrants in Australia. Australia has historically been a nation of migrants who., as a whole, speak more than 100 languages and dialects with people coming from many countries of the world. The Australian culture which originally developed on the attitudes of the then British dominated population, was far different from the cultural diversity of the Australian society as it has developed since the Second World War'. These changes have been the result of a huge migration program and the role played by the multicultural policies of successive Australian governments, which have modified social attitudes during the past two decades. -
Greek Centre Evaluation Report
Research Unit in Public Cultures Faculty of Arts From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne Daniella Trimboli, Tia Di Biase, Barry Burgan and Nikos Papastergiadis 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I EXECUTIVE SUMMARY II Acknowledgements III Research Partners & Evaluation Team 1. Introduction 1.1 Aims 1.2 Research Methodology 1.3 Diaspora Cultures in Globalising Cities 1.3.1 The History of the Greek Community of Melbourne 1.3.2 The Greek Precinct in the City of Melbourne 2. The Greek Centre for Contemporary Culture 2.1 Membership Engagement 2.2 Programming 2.2.1 Education Programme and Language Schools 2.2.2 Seminars 2.2.3 Events – Other 2.3 Entrepreneurship and Social Justice 2.4 Creative Engagement 2.5 Media Engagement 3. Lonsdale Street Greek Festival 3.1 Estimating the Economic Impact of the Lonsdale Street Greek Festival (LSGF) 2017 3.2 Socio-Cultural Impact of the LSGF 2017 3.3 Recommendations for 2018 Festival and Beyond 4. Future Directions for the GCCC 4.1 Socio-Cultural Challenges 4.1.1 Intergenerational Challenges 4.1.2 Sociality and Connection 4.1.3 Cultural Hybridity 4.1.4 Recommendations 4.2 Spatial Challenges 5. Multiculturalism and Melbourne 5.1 Word Cloud Analysis: Policy, Practice, People 6. Conclusion 7. Key Recommendations 8. References 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I Executive Summary The Greek Community of Melbourne (GCM) has developed and Positive Economic Impacts consolidated its presence in the City of Melbourne primarily The economic evaluation focuses on the 2017 Lonsdale Street through the establishment of a new building. -
Brief Presentation of Activities
Brief presentation Of activities Contents 1 - Sound, music and visual compositions. (1992 - 2014). 2 - Studio19st sound team discography, multimedia productions & digital audio/video files. (1996 - 2010). 3 - Sound design. (1992 - 2014). 4 - Works for discography, multimedia productions & digital audio/video files. (1995 – 2014). 5 - Selection of works for sound and music production, The sound & for dance performances and theatre plays. multimedia team of (1995-2014). Studio 19 is a creative group mainly concerned 6 - Sound and music production works, for films, video with composing, recording, designing, and multimedia processing and (1995 - 2013). producing music, sound and audiovisual material 7 - Live Performances. for performances, (1995 – 2014). movies, the music industry, multimedia and plastic art 8 - Mission for external recordings.. installations. In their work, the recording- (1995 - 2012). multimedia studio is used as one of the main instruments for 9 - Studies - Applications.. sound, music and (1984 - 2010). visual synthesis. They have collaborated with musicians, composers, directors Works for audio & music production: Recording, editing, editing, mixing, mastering, music programming, and plastic artists sound design and live performances in concerts, performances, art installations. using different kinds of technologies in order to contribute to Works for producing visual materials: processing and editing visual materials (static and animated), the creational mastering, authoring for multimedia applications. process. Visual -
National Multicultural Women's Conference
AUSTRALIANMOSAIC The magazine of the Federation of Ethnic Communities’ Councils of Australia Autumn 2017 National Multicultural Women’s Conference Influencing Change: Vision and Impact Co-hosted by Issue 45 Australian Mosaic The magazine of the Federation of Ethnic Communities’ Councils of Australia (FECCA) Print Post Publication No. PP229219/00162 ISSN 1447-8765 EDITOR: Janecke Wille DESIGNER: Kylie Smith Design PRINTING: National Mailing & Marketing DISCLAIMER: Any views and opinions expressed within Australian Mosaic are solely those of the individual author, authors, or other information source and do not necessarily represent the opinion of, or any endorsement by, FECCA. ADDRESS: PO Box 344 CURTIN ACT 2605 Telephone: 02 6282 5755 Email: [email protected] www.fecca.org.au © 2017 FECCA No part of this publication may be reproduced without the written permission of FECCA. FECCA received funding from the Department of Social Services to produce Australian Mosaic magazine. contents Economic Security, Employment, A MESSAGE FROM THE Education and Enterprise FECCA CHAIRPERSON THE EMPLOYMENT VULNERABILITY OF 04 Joseph Caputo OAM JP 31 WOMEN INTERNATIONAL STUDENTS Cecilia Anthony and Pino Migliorino ADDRESS FROM THE CEO Moderated debate: There is a glass OF SETTLEMENT SERVICES ceiling for multicultural women in Australia INTERNATIONAL AFFIRMATIVE: NO MORE QUICK FIXES, 06 34 NO QUOTAS HERE PLEASE Violet Roumeliotis Juliana Nkrumah AM A MESSAGE FROM THE FECCA DIRECTOR DEBATING, NETWORKING AND SOCIALISING 08 Dr Emma Campbell 36 Speaking the truth: