Leonard Cohen: Under Review | Three Imaginary Girls
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
A Concert Review by Christof Graf
Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol. -
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE from JARKKO
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE FROM JARKKO DEAR FRIENDS, chains and limitations of the digital world. Instead of Leonard Cohen’s music and reading what’s written on the poetry have brought us from websites, typing our emails all over the world to the and Forum or Facebook wonderful city of Kraków. messages, gazing into the Here we will celebrate and little screen to find out what enjoy Our Man’s work and is said in cyberspace – now, spend some memorable we are going to experience times and moments much more in the Real Life. together. This is the seventh We are able to meet and international Leonard Cohen touch each other, to dine and Event, and many members drink together, to sing and here have participated in enjoy the life together! one or more of the previous gatherings. A special This is the third year in a welcome to those who join us row that we have had the now for the first time! privilege of seeing Leonard Cohen and his amazing band The immense growth of in concert. Before 2008, we Internet communication had often discussed how has enabled us to create wonderful it would have a magnificent worldwide been to follow a tour online network of information and in real time, but we found friendship. Our Leonard it unrealistic. After 15 years, Cohen Events give us a Leonard’s decision to go on chance to break the invisible tour again was a dream come Event true. The tour announcement Kraków, he is with us in spirit. -
Periods of Poetic Silence in Modern Canadian Creative Careers
“A Strange Gestation”: Periods of Poetic Silence in Modern Canadian Creative Careers Laura Cameron Department of English McGill University, Montreal July 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Laura Cameron 2015 “The sun climbs to the middle of the sky and stops. It’s noon. It’s the first bell of noon ringing loud from the cathedral tower. … Great shovelfuls of sound dumped in the grave of our activity. The sound fills up every space and every thought. … The future is blocked. The past is plugged up. Layer after layer of the present seizes us, buries us in one vast amber paperweight. Sealed under twelve skyfuls of the only moment.” — Leonard Cohen, Death of a Lady’s Man (1978) “Sit in a chair and keep still. Let the dancer’s shoulders emerge from your shoulders, the dancer’s chest from your chest, the dancer’s loins from your loins, the dancer’s hips and thighs from yours; and from your silence the throat that makes a sound, and from your bafflement a clear song to which the dancer moves, and let him serve God in beauty. When he fails, send him again from your chair.” — Leonard Cohen, Book of Mercy (1984) Table of Contents Abstract ii Résumé iv Acknowledgements vi Abbreviations viii Introduction 1 PART I: Conceptions of Silence Chapter One: “From the Performance Point of View”: Critical Conceptions of Creative Silence 30 Chapter Two: “Why did you stop writing?”: Poets Accounting for Poetic Silence 76 PART II: The Experience of Silence Chapter Three: “The Whole Breathless Predicament”: The Experience of Creative Crisis 121 Chapter Four: “Then let us start again”: Writing Out of Silence 189 Conclusion 288 Works Cited 301 Cameron ii Abstract This dissertation unites a diverse group of Canadian poets who all fell silent for a prolonged period in the middle of otherwise productive and successful poetic careers: P.K. -
2-Sided Print
Disc One Disc Two 01. Dance Me To The End Of Love 01. Tower of Song 02. The Future 02. Suzanne 03. Bird On The Wire 03. Avalanche 04. Everybody Knows 04. Sisters of Mercy 05. In My Secret Life 05. The Gypsy's Wife 06. Who By Fire 06. Feels So Good 07. The Darkness 07. The Partisan 08. Born In Chains 08. Boogie Street 09. Chelsea Hotel #2 09. Hallelujah 10. Waiting For The Miracle 10. I'm Your Man 11. Anthem 11. talk (still sexy at 76) 12. A Thousand Kisses Deep Disc Three 13. Take This Waltz 01. audience sounds Raw recording supplied by an un-named taper 02. So Long, Marianne This recording engineered by bj2117 @ DIME 03. First We Take Manhattan Mastered by bj2117 @ DIME 04. Famous Blue Raincoat Packaging by Dean Engelhardt 05. If It Be Your Will Photographs by Dean Engelhardt 06. Closing Time Concert report by Dean Engelhardt 07. I Tried To Leave You visit lcdownunder2010.wordpress.com for 08. Ain’t No Cure For Love additional details and photographs Total Running Time 3h, 17 mins The music contained on these compact discs is sourced from an audience recording, and constitutes a Recording of Independent Origin (ROIO). This material has not been officially released and is provided here for personal use only. It is expressly forbidden to sell, rent or otherwise derive money from this recording. Recording first issued on-line: 4 November 2010 by bj2117. This disc prepared January 2011. Concert Report The first Auckland Concert of Leonard Cohen’s “Down Under” tour 2010 marked the first occasion he has performed in this part of the world since the now-legendary concerts of January and February, 2009. -
Leonard Cohen E La Sua Opera
Leonard Cohen: da Hallelujah a Suzanne, poesie e canzoni dell’ultimo grande cantautore Poeta, scrittore, cantautore, è stato forse colui che più di altri ha saputo mettere nei testi delle sue canzoni una poetica di alto livello. di Claudio Pozzani ! Quando venne assegnato il Nobel a Bob Dylan, furono in molti che dissero che se doveva essere dato il famoso premio a un autore che usava la musica come veicolo per le sue parole, allora sarebbe stato più sensato darlo a Leonard Cohen. Al di là di questa disquisizione e di impressioni oggettive o personali, non si può certo negare che Leonard Cohen sia stato prima di tutto poeta e scrittore e poi cantautore e che sia stato forse colui che più di altri abbia saputo mettere nei testi delle sue canzoni una poetica di alto livello. 1) Suzanne “Suzanne ti ha voluto accanto nel suo posto in riva al fiume puoi sentire le barche che si allontanano puoi passare la notte al suo fianco, e lo sai che lei è un pò pazza ma per questo sei con lei”. Un ritratto indimenticabile, tradotta e interpretata da Fabrizio De André come del resto l’altro ritratto di Giovanna d’Arco 2) Hallelujah “Forse esiste un Dio là in alto Ma tutto quello che ho imparato dall’amore E’ come sparare a qualcuno che ha estratto la pistola più rapidamente di te Non è un grido quello che senti stanotte Non è qualcuno che ha raggiunto l’illuminazione E’ un freddo halleluja spezzato” E poi ci sono versi nei quali ascesi e disillusione si intrecciano violentemente come in una versione della sua celeberrima Hallelujah, che riassume a mio -
Leonard Cohen Interview
Leonard Cohen Interview Broadcast on CBC Radio. 1984. Interviewers: Patricia Keeney and Robert Sward INT: You’ve just released your new album, Various Positions. The range of styles you bring into your music is quite amazing. Some of the pieces have a folk feel, others a spiritual quality and still others a very anxious, uneasy feel. How do the styles emerge? Do you write the lyrics in conjunction with the music? What’s the process? COHEN: Well, it’s not a deluxe operation. One is just trying to finish a song and when you’re not trying to finish a song you’re trying to start one. The form just seems to indicate itself at some point but it’s always just scraping the bottom of the barrel. Sometimes you fall upon a chord change that seems to evoke something and a word or two clings to it. Then you need a resolution of the phrase and a word or a chord comes and that seems to work. It’s a very rag- picking kind of operation. INT: There’s a very definite iambic meter to many of your poems and songs. COHEN: I think that’s the way we talk. The ordinary rhythm of ballads and songs is that simple way of speaking. The first song on Various Positions has an eastern European flavor, a marriage song. The second one has a country and western feel and there is a steel guitar, The third has a reference to reggae and the fourth is a traditional ballad where the whole story is told. -
Fillmore-Handlon Phd S2019
Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada Charlotte Jane Fillmore-Handlon A Thesis In the Humanities Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Humanities) at Concordia University Montreal, Quebec, Canada October 2018 © Charlotte Jane Fillmore-Handlon, 2018 Charlotte Jane Fillmore-Handlon Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada (Humanities) Dr. Monika Gagnon Dr. Line Grenier Dr. Bart Simon Dr. Valérie deCourville Nicol Dr. Charles Acland Dr. Darren Wershler Dr. Erin Manning December 10, 2018 Dr. André Roy, Faculty of Arts and Science ABSTRACT Our Famous Blue Raincoat: The Phenomenon of Leonard Cohen and the Changing Discourses of Celebrity in Canada Charlotte Jane Fillmore-Handlon, PhD Concordia University, 2018 The history of Leonard Cohen’s career over the last sixty years is also a reflection of the development of contemporary celebrity culture in Canada. One of the main conditions that allowed this culture to emerge is the Royal Commission on National Development in the Arts, Letters and Sciences (1949-51). As a result, the Canadian government strengthened cultural policy and developed the Canada Council for the Arts to support cultural production. In 1958, Cohen was a recipient of the new Canada Council Junior Arts Fellowships. Using the celebrity phenomenon of Cohen as my object of research, this dissertation asks: How is the discourse of celebrity constructed in Canada from the mid-twentieth century to the early decades of the twenty-first century? Developing a discursive analysis, I illuminate how we talk about celebrity in Canada at certain socio-historical moments and portray Canada as a nation ambivalent about celebrity. -
COVERLIST HERE.Xlsx
Jungr, Barb 1000 kisses deep Hard rain- The songs of Bob Dylan and Leonard Cohen UK 2014 Eng CD Contretemps, Les A bunch of lonesome heroes Les Contretemps Canada 1969 Eng xx Outrageous Cherry A bunch of lonesome heroes Stereo Action Rent Party USA 1994 Eng B3 Ponies in the surf A bunch of lonesome heroes See you happy USA 2008 Eng mc-28 Red A bunch of lonesome heros Songs from a room France 2001 Eng CD Art of Time Ensemble A Singer Must Die A Singer Must Die Canada 2010 Eng mc-32 Bano, Al & Power, Romina A singer must die Stranger music: A tribute to Leonard Cohen Italy 2009 Eng CD Bissex, Rachel A singer must die Don't look down USA 1995 Eng L3 Conspiracy of Beards A singer must die Live at Heritage Hall USA 2013 Eng CD Fatima Mansions A singer must die I'm your fan France 1991 Eng FA Monsieur Camembert A singer must die Famous blue cheese Australia 2007 Eng CD O'Callaghan, Patricia A singer must die Real emotional girl Canada 2000 Eng mc-5 Page and the Art Of Time Ensemble A singer must die A singer must die USA 2010 Eng mc-31 Pascal, Daniele A singer must die Dance me to the end of love S. Africa 1996 Eng PA Warnes, Jennifer A singer must die Famous Blue Raincoat USA 1986 Eng WA Jusic, Ibrica A singer must die/Nek pjevac umre Hazarder Croatia 1999 Cro CD Orlandi & Poltronieri A singer must die/Un cantante deve morire Comme traduire… L.Cohen Italy 2001 Ita CD Hugo, Tara A sip of wine (lyrics by LC) Tara Hugo Sings Philip Glass USA 2012 Eng xx Finches, The A Stranger Song (Inspired by LC) Six songs US 2005 Eng mc-35 Boel, Hanne A thousand -
Why Biology Is Important in the Study of Victorian Sexuality
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 5-2-2007 On the Limits of Culture: Why Biology is Important in the Study of Victorian Sexuality Robert Jonathan Burns Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Burns, Robert Jonathan, "On the Limits of Culture: Why Biology is Important in the Study of Victorian Sexuality." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/english_diss/13 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ON THE LIMITS OF CULTURE: WHY BIOLOGY IS IMPORTANT IN THE STUDY OF VICTORIAN SEXUALITY by ROBERT BURNS Under the Direction of Paul Schmidt ABSTRACT Much recent scholarship in Victorian studies has viewed sexuality as historically contingent and constructed primarily within the realm of discourse or social organization. In contrast, the following study details species-typical and universal aspects of human sexuality that must be adequately theorized if an accurate model of the ideological forces impacting Victorian sexuality is to be fashioned. After a short survey of previous scholarly projects that examine literature through the lens of biology—much of it marred by an obvious antipathy toward all attempts to discover the involvement of ideology in human behavior—this study presents a lengthy primer to the modern study of evolutionary psychology, behavioral genetics, and human sexuality. -
Leonard Cohen 01
TT: 196:50.00 Disc 3 (Set 2 contd) 01. [05:52.62] I’m Your Man Disc 1 (Set 1): 02. [09:44.01] Take This Waltz (Leonard Cohen 01. [06:01.05] Dance Me to the End of Love after Federico Garcia Lorca) 02. [07:37.49] The Future Encore #1: 03. [05:10.41] Ain’t No Cure for Love 03. [04:48.71] So Long, Marianne 04. [07:16.28] Bird on the Wire 04. [07:15.74] First We Take Manhattan 05. [05:40.27] Everybody Knows (Leonard Cohen/ Encore #2: Sharon Robinson) 05. [06:09.37] Famous Blue Raincoat 06. [05:09.39] In My Secret Life (Leonard Cohen/ 06. [05:20.48] If It Be Your Will Sharon Robinson) 07. [07:31.68] Closing Time 07. [09:29.00] Who by Fire Encore #3: 08. [06:18.58] The Darkness 08. [08:51.02] I Tried to Leave You 09. [07:43.50] Born in Chains 09. [06:05.21] Heart with no Companion 10. [04:33.07] Chelsea Hotel #2 Disc 2 (Set 1 contd) The band is: 01. [08:45.40] Waiting for the Miracle (Leonard Cohen/Sharon Robinson) Leonard Cohen - vocals, acoustic guitar, keyboard. 02. [11:35.62] Anthem Javier Mas - bandurria, laud, archilaud, 12-string guitar, electric guitar Set 2: Dino Soldo - keyboard, saxophone, wind 03. [06:02.35] Tower of Song instruments, dobro, background vocals, acoustic 04. [04:31.18] Suzanne guitar 05. [05:06.55] Sisters of Mercy Bob Metzger - guitar, steel guitar, background 06. [06:43.20] The Gypsy’s Wife vocals 07. -
Still Waiting for the Miracle
Still Waiting for the Miracle A review of Ira B. Nadel, Various Positions: A Life of Leonard Cohen (1996; 2006) Written for the Leonard Cohen Files by Doron B. Cohen For Tom Sakic, a hundred floors above me In the tower of LC scholarship A truly satisfying biography of Leonard Cohen has not been written yet. Among several unsatisfactory attempts, Ira B. Nadel’s Various Positions: A Life of Leonard Cohen is probably the most successful effort, and most readable account. However, the book is plagued by various frustrating problems that cause it to be considerably less useful, captivating or authoritative than the book it might have been. And, unfortunately, ten years after its first publication it was reissued with only a short new afterword, rather than undergoing the thorough overhaul it required. The book was first published in 1996, by Random House in Canada, and by Pantheon Books in the United States, as well as by Bloomsbury Paperbacks in the UK in 1997. It was reissued, with the new afterword, in 2006 by Vintage in Canada, and in 2007 by University of Texas Press, Austin, in the series “Jewish History, Life and Culture” (in paperback). The book has also been translated into German, French, Polish, Croatian and Japanese – an indication of Cohen’s global appeal, and of the need felt for such a biography. Following a short introduction, Nadel begins his story with a relatively extensive background of Cohen’s family and roots in the Jewish community of Montreal. He goes on to portray Cohen’s first steps as a poet and musician, his student years, his life on Hydra, his drug habits, women, children (very briefly), and his life-long commitment to both his Jewish tradition and the practice of Zen.