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TT: 196:50.00 Disc 3 (Set 2 contd) 01. [05:52.62] I’m Your Man Disc 1 (Set 1): 02. [09:44.01] Take This Waltz (Leonard Cohen 01. [06:01.05] Dance Me to the End of Love after Federico Garcia Lorca) 02. [07:37.49] The Future Encore #1: 03. [05:10.41] Ain’t No Cure for Love 03. [04:48.71] So Long, Marianne 04. [07:16.28] Bird on the Wire 04. [07:15.74] First We Take Manhattan 05. [05:40.27] Everybody Knows (Leonard Cohen/ Encore #2: Sharon Robinson) 05. [06:09.37] Famous Blue Raincoat 06. [05:09.39] In My Secret Life (Leonard Cohen/ 06. [05:20.48] If It Be Your Will Sharon Robinson) 07. [07:31.68] Closing Time 07. [09:29.00] Who by Fire Encore #3: 08. [06:18.58] The Darkness 08. [08:51.02] I Tried to Leave You 09. [07:43.50] Born in Chains 09. [06:05.21] Heart with no Companion 10. [04:33.07] Chelsea Hotel #2 Disc 2 (Set 1 contd) The band is: 01. [08:45.40] Waiting for the Miracle (Leonard Cohen/Sharon Robinson) Leonard Cohen - vocals, acoustic guitar, keyboard. 02. [11:35.62] Anthem Javier Mas - bandurria, laud, archilaud, 12-string guitar, electric guitar Set 2: Dino Soldo - keyboard, saxophone, wind 03. [06:02.35] Tower of Song instruments, dobro, background vocals, acoustic 04. [04:31.18] Suzanne guitar 05. [05:06.55] Sisters of Mercy Bob Metzger - guitar, steel guitar, background 06. [06:43.20] The Gypsy’s Wife vocals 07. [07:30.56] Feels So Good Rafael Bernardo Gayol - drums, percussion 08. [05:58.06] The Partisan (Anna Marly/ Neil Larsen - keyboards, Hammond B3, accordion Emmanuel d’Astier de la Vigerie/Hy Zaret) Sharon Robinson - vocals, shaker 09. [06:27.21] Boogie Street (Leonard Cohen/ Charley Webb - vocals, acoustic guitar Sharon Robinson) Hattie Webb - vocals, harp 10. [07:28.49] Hallelujah Roscoe Beck - bass, double bass, background vocals Leonard Cohen Bowling Green Wiesbaden, Germany September 3, 2010 MP3 Version Set One: Encore #1: 01. Dance Me to the End of Love 23. So Long, Marianne 02. The Future 24. First We Take Manhattan Leonard Cohen Wiesbaden, Germany 2010 03. Ain’t No Cure for Love Encore #2: 04. Bird on the Wire 25. Famous Blue Raincoat 05. Everybody Knows 26. If It Be Your Will (Leonard Cohen/Sharon Robinson) 27. Closing Time 06. In My Secret Life Encore #3: (Leonard Cohen/Sharon Robinson) 28. I Tried to Leave You 07. Who by Fire 29. Heart with no Companion 08. The Darkness 09. Born in Chains 10. Chelsea Hotel #2 11. Waiting for the Miracle (Leonard Cohen/Sharon Robinson) 12. Anthem Set Two: 13. Tower of Song 14. Suzanne 15. Sisters of Mercy 16. The Gypsy’s Wife 17. Feels So Good 18. The Partisan (Anna Marly/Emmanuel d’Astier de la Vigerie/Hy Zaret) 19. Boogie Street (Leonard Cohen/Sharon Robinson) Leonard Cohen Wiesbaden, Germany 2010 20. Hallelujah 21. I’m Your Man 22. Take This Waltz (Leonard Cohen after Federico Garcia Lorca) Naughty Dog Trade Freely. Not For Sale. Naughty Dog.

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Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man.
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Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
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A Concert Review by Christof Graf
Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol.
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Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart.
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KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE from JARKKO
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE FROM JARKKO DEAR FRIENDS, chains and limitations of the digital world. Instead of Leonard Cohen’s music and reading what’s written on the poetry have brought us from websites, typing our emails all over the world to the and Forum or Facebook wonderful city of Kraków. messages, gazing into the Here we will celebrate and little screen to find out what enjoy Our Man’s work and is said in cyberspace – now, spend some memorable we are going to experience times and moments much more in the Real Life. together. This is the seventh We are able to meet and international Leonard Cohen touch each other, to dine and Event, and many members drink together, to sing and here have participated in enjoy the life together! one or more of the previous gatherings. A special This is the third year in a welcome to those who join us row that we have had the now for the first time! privilege of seeing Leonard Cohen and his amazing band The immense growth of in concert. Before 2008, we Internet communication had often discussed how has enabled us to create wonderful it would have a magnificent worldwide been to follow a tour online network of information and in real time, but we found friendship. Our Leonard it unrealistic. After 15 years, Cohen Events give us a Leonard’s decision to go on chance to break the invisible tour again was a dream come Event true. The tour announcement Kraków, he is with us in spirit.
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The Worlds of Leonard Cohen : a Study of His Poetry
THE WORLDS OF LEONARD COREN: A STUDY OF HIS POETRY by Roy Allan B, A,, University of British Columbia, 1967 A THESIS SUBEITTED IN PARTIAL FULk'ILLMZNT OF THE REQUIREI4ENTS FOR THE DEGREE OF FASTER OF ARTS in the Department of Engli sh @ ROY ALLAN, 1970 SIMON FRASER UNIVERSITY June, 1970 Approval Name: Roy Allan Degree: Master of Arts Title of Thesis: The Worlds of Leonard Cohen: A Study of His Poetry Examining Committee: ' Dr. Sandra Djwa Senior Supervisor Dr. Bruce Xesbitt Examining Committee Professor Lionel Kearns Examining Committee Dr. William Ijew Associate Professor of English University of British Columbia Vancouver 8, 13. C. I I Date Approved : ,:,./ /4'7[ Dedicated to Mauryne who gave me help, encouragement and love when I needed them most. iii Abstract The creation of interior escape worlds is a major pre- ' occupation in the poetry of Leonard Cohen. A study of this preoccupation provides an insight to the world view and basic philosophy of the poet and gives meaning to what on the sur- face appears to be an aimless wandering through life. This study also increases the relevance of Cohenls art-+$. explkca- -----1 ' ting -the m-my .themes that relate to the struggle of modern , man in a violent and dehumanizing society. r'\ \ /--'-- ./' ../" ->I \ The for s _wo_rld.aiew-b'eginsin Let Us /' ----- -'I \Compare Flytholoqies wy&f his inn-Raps naive --.-- ----.. - - -- gies upon which man bases7 his -> osophies. TGSconclusion i /' /' Cohen.. stioning is initially an acceptance of the "elaborate lieu that rationalizes the violence of life and death. There is, however, the growing desire on the poet's part to escape this violence.
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2-Sided Print
Disc One Disc Two 01. Dance Me To The End Of Love 01. Tower of Song 02. The Future 02. Suzanne 03. Bird On The Wire 03. Avalanche 04. Everybody Knows 04. Sisters of Mercy 05. In My Secret Life 05. The Gypsy's Wife 06. Who By Fire 06. Feels So Good 07. The Darkness 07. The Partisan 08. Born In Chains 08. Boogie Street 09. Chelsea Hotel #2 09. Hallelujah 10. Waiting For The Miracle 10. I'm Your Man 11. Anthem 11. talk (still sexy at 76) 12. A Thousand Kisses Deep Disc Three 13. Take This Waltz 01. audience sounds Raw recording supplied by an un-named taper 02. So Long, Marianne This recording engineered by bj2117 @ DIME 03. First We Take Manhattan Mastered by bj2117 @ DIME 04. Famous Blue Raincoat Packaging by Dean Engelhardt 05. If It Be Your Will Photographs by Dean Engelhardt 06. Closing Time Concert report by Dean Engelhardt 07. I Tried To Leave You visit lcdownunder2010.wordpress.com for 08. Ain’t No Cure For Love additional details and photographs Total Running Time 3h, 17 mins The music contained on these compact discs is sourced from an audience recording, and constitutes a Recording of Independent Origin (ROIO). This material has not been officially released and is provided here for personal use only. It is expressly forbidden to sell, rent or otherwise derive money from this recording. Recording first issued on-line: 4 November 2010 by bj2117. This disc prepared January 2011. Concert Report The first Auckland Concert of Leonard Cohen’s “Down Under” tour 2010 marked the first occasion he has performed in this part of the world since the now-legendary concerts of January and February, 2009.
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COVERLIST HERE.Xlsx
Jungr, Barb 1000 kisses deep Hard rain- The songs of Bob Dylan and Leonard Cohen UK 2014 Eng CD Contretemps, Les A bunch of lonesome heroes Les Contretemps Canada 1969 Eng xx Outrageous Cherry A bunch of lonesome heroes Stereo Action Rent Party USA 1994 Eng B3 Ponies in the surf A bunch of lonesome heroes See you happy USA 2008 Eng mc-28 Red A bunch of lonesome heros Songs from a room France 2001 Eng CD Art of Time Ensemble A Singer Must Die A Singer Must Die Canada 2010 Eng mc-32 Bano, Al & Power, Romina A singer must die Stranger music: A tribute to Leonard Cohen Italy 2009 Eng CD Bissex, Rachel A singer must die Don't look down USA 1995 Eng L3 Conspiracy of Beards A singer must die Live at Heritage Hall USA 2013 Eng CD Fatima Mansions A singer must die I'm your fan France 1991 Eng FA Monsieur Camembert A singer must die Famous blue cheese Australia 2007 Eng CD O'Callaghan, Patricia A singer must die Real emotional girl Canada 2000 Eng mc-5 Page and the Art Of Time Ensemble A singer must die A singer must die USA 2010 Eng mc-31 Pascal, Daniele A singer must die Dance me to the end of love S. Africa 1996 Eng PA Warnes, Jennifer A singer must die Famous Blue Raincoat USA 1986 Eng WA Jusic, Ibrica A singer must die/Nek pjevac umre Hazarder Croatia 1999 Cro CD Orlandi & Poltronieri A singer must die/Un cantante deve morire Comme traduire… L.Cohen Italy 2001 Ita CD Hugo, Tara A sip of wine (lyrics by LC) Tara Hugo Sings Philip Glass USA 2012 Eng xx Finches, The A Stranger Song (Inspired by LC) Six songs US 2005 Eng mc-35 Boel, Hanne A thousand
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'To Warm Our Hands'
Sophia and Philosophia Volume 1 Issue 2 Fall-Winter Article 6 9-1-2016 ‘To Warm Our Hands’ Emmanuel O. Angulo University College London, [email protected] Follow this and additional works at: https://repository.belmont.edu/sph Part of the European Languages and Societies Commons, History of Philosophy Commons, Logic and Foundations of Mathematics Commons, and the Metaphysics Commons Recommended Citation Angulo, Emmanuel O. (2016) "‘To Warm Our Hands’," Sophia and Philosophia: Vol. 1 : Iss. 2 , Article 6. Available at: https://repository.belmont.edu/sph/vol1/iss2/6 This Article is brought to you for free and open access by Belmont Digital Repository. It has been accepted for inclusion in Sophia and Philosophia by an authorized editor of Belmont Digital Repository. For more information, please contact [email protected]. S.Ph. Essays and Explorations 1.2 ‘To Warm Our Hands’ Emmanuel Ordóñez Angulo Lovers often die shortly one after the other. Romeo and Juliet. June Carter and Johnny Cash. My grandfather and my grandmother. Leonard Cohen and Marianne Ihlen. Marianne was the inspiration, most famously, of Cohen’s song “So long, Marianne”, but also of “Bird on the wire” and poems from the collection Flowers for Hitler. Cohen’s last words for her reached her just two days before her death—and a few months before his own. They said: ‘you know that I’ve always loved you for your beauty and your wisdom, but I don't need to say anything more about that because you know all about that’. And: ‘I am so close behind you that if you stretch out your hand, I think you can reach mine’ (at this point, tells the friend who read the letter to Marianne, she stretched out her hand).
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Why Biology Is Important in the Study of Victorian Sexuality
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 5-2-2007 On the Limits of Culture: Why Biology is Important in the Study of Victorian Sexuality Robert Jonathan Burns Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Burns, Robert Jonathan, "On the Limits of Culture: Why Biology is Important in the Study of Victorian Sexuality." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/english_diss/13 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ON THE LIMITS OF CULTURE: WHY BIOLOGY IS IMPORTANT IN THE STUDY OF VICTORIAN SEXUALITY by ROBERT BURNS Under the Direction of Paul Schmidt ABSTRACT Much recent scholarship in Victorian studies has viewed sexuality as historically contingent and constructed primarily within the realm of discourse or social organization. In contrast, the following study details species-typical and universal aspects of human sexuality that must be adequately theorized if an accurate model of the ideological forces impacting Victorian sexuality is to be fashioned. After a short survey of previous scholarly projects that examine literature through the lens of biology—much of it marred by an obvious antipathy toward all attempts to discover the involvement of ideology in human behavior—this study presents a lengthy primer to the modern study of evolutionary psychology, behavioral genetics, and human sexuality.
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Book Club Kit a Note from the Author Music for Dreamers
Book Club Kit A Note from the Author Music for Dreamers Dear Reader, Writing a letter is something I haven’t done for years, Leonard Cohen’s songs have been the soundtrack to my life. though I remember with a pang how important they In the same way that when I write fiction I only read great were to me when I was the eighteen (the same age as poetry, when I write lyrics I only listen to Leonard Cohen. I Erica, my narrator). But what an enjoyable moment live in hope that something might rub off on me. He occupies to get back into letter-writing—I want to thank all the penthouse right at the top of the Tower of Song, and even of you for choosing A Theater for Dreamers as your the best of the rest live several floors below. He provided the next read. I am excited for you to experience Hydra epigraph to my 2010 collection of stories, Perfect Lives, but I through Erica’s eyes. never expected him to walk right in to one of my novels. On that Greek island in 1960, waiting for the post The song “Yes, I Have Ghosts” came after I finished writing was the most important part of each day. It was the the novel. The line appears in the novel when Erica asks moment everyone gathered at the cafés along the Charmian if she believes in ghosts. It was as though Charm- waterfront, scanning the horizon for the daily ian had whispered that phrase in my ear.
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Leonard Cohen: a Crack in Everything the Jewish Museum April 12 – September 8, 2019
Leonard Cohen: A Crack in Everything The Jewish Museum April 12 – September 8, 2019 Exhibition Wall Texts LEONARD COHEN: MOMENTS COMPILED BY CHANTAL RINGUET Topos_JM_LC_WallTexts_24p.indd 1 4/4/19 12:34 PM SEPTEMBER 21, 1934 BIRTH OF LEONARD NORMAN COHEN IN WESTMOUNT Born into a Westmount Jewish family that was part of Montreal’s Anglo elite, Leonard Norman Cohen was the second child of Masha Klinitsky- Klein and Nathan Bernard Cohen. Lyon Cohen, Leonard’s paternal grandfather, a well- known businessman and philanthropist, was an important figure in the Jewish community. He started the Freedman Company, one of the largest clothing manufacturers in Montreal, and cofounded the Canadian Jewish Times (1897), the first English- language Jewish newspaper in Canada. Lyon Cohen was also president of several organizations, including the Canadian Jewish Congress and Congregation Shaar Hashomayim. He helped Jewish immigrants from the Russian Empire settle in Canada—among them, from Lithuania, the learned Rabbi Solomon Klinitsky- Klein and his family. Lyon’s son, Nathan Cohen, a lieutenant in the Canadian army and World War I veteran, later ran the family business. From his father, the young Leonard inherited a love of suits; from his mother, Masha, who trained as a nurse, he received his charisma and his love of songs. Cohen’s well- to- do family was quite different from the Jewish masses who arrived in Montreal in the early twentieth century. Many of these immigrants spoke Yiddish as their native language and worked in garment factories. Despite his extensive travels and his residence in Los Angeles, Cohen always returned to Montreal to “renew his neurotic affiliations,” as he often repeated in interviews.
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