Leonard Cohen 2013
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New Jerusalem Glowing: Songs and Poems of Leonard Cohen in A
New Jerusalem Glowing Songs and Poems of Leonard Cohen in a Kabbalistic Key Elliot R. Wolfson In Book of Mercy, published in 1984, the Montréal Jewish poet, Leonard Cohen addressed his master: Sit down, Master, on the rude chair of praises, and rule my nervous heart with your great decrees of freedom. Out of time you have taken me to do my daily task. Out of mist and dust you have fashioned me to know the numberless worlds between the crown and the kingdom. In utter defeat I came to you and you received me with a sweetness I had not dared to remember. Tonight I come to you again, soiled by strategies and trapped in the loneliness of my tiny domain. Establish your law in this walled place. Let nine men come to lift me into their prayer so that I may whisper with them: Blessed be the name of the glory of the kingdom forever and forever.1 In this prayer, the poet offers us a way to the heart of the matter that I will discuss in this study, however feebly, the songs and poems of Leonard Cohen in the key of the symbolism of kabbalah, the occult oral tradition of Judaism purported to be ancient, but historically detectable (largely through textual evidence) from the late Middle Ages. To those even somewhat familiar with 2 the background of the Canadian bard, the topic should not come as a surprise. 1 Leonard Cohen, Book of Mercy, New York 1984, p. 16. 2 The original version of this study was delivered as a lecture at McGill University, October 18, 2001. -
Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
IF IT BE YOUR WILL a Radio Documentary Featuring Leonard Cohen
1 IF IT BE YOUR WILL A radio documentary featuring Leonard Cohen By Kari Hesthamar Technical direction: Kåre Johan Lund Consultant: Berit Hedemann Music COHEN: Just fooling around, just remembering. Just remembering. I forget what these songs are, I really got to learn them again. NARRATOR: Leonard Cohen has forgotten his old songs. He hasn't played them in 12 years. Now he's sitting at home in his little house and trying to play, because I would like it so much. COHEN: Dog barks It’s from ”If it be Your Will”, but I don’t remember it. I have to learn it. Waves NARRATOR: There are no waves here. But if you wish, there are. COHEN: I've been blessed with amnesia, I hardly remember anything from the past. I don’t have any good memories or bad memories. NARRATOR: Leonard Cohen says he has been blessed with memory loss. That he doesn't remember anything. COHEN: Do you want some of this? Shall I cut you a piece? INTERVIEWER: Yes please. COHEN: What do you feel like, a little bit of everything? NARRATOR: I wanted to ask questions and make him remember. But he had warned me in an email before my arrival. ”My memory isn’t all that good.” COHEN: My life has always felt the same. One day bleeds into another. It’s been a lot of sunlight. And then just working. It seems to be the… My inner voice seems to be saying ”make something” ! NARRATOR: His inner voice says ”make something”! Something beautiful or important or unimportant. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Cohen's Age of Reason
COVER June 2006 COHEN'S AGE OF REASON At 71, this revered Canadian artist is back in the spotlight with a new book of poetry, a CD and concert tour – and a new appreciation for the gift of growing older | by Christine Langlois hen I mention that I will be in- Senior statesman of song is just the latest of many in- terviewing Leonard Cohen at his home in Montreal, female carnations for Cohen, who brought out his first book of po- friends – even a few younger than 50 – gasp. Some offer to etry while still a student at McGill University and, in the Wcome along to carry my nonexistent briefcase. My 23- heady burst of Canada Council-fuelled culture of the early year-old son, on the other hand, teases me by growling out ’60s, became an acclaimed poet and novelist before turning “Closing Time” around the house for days. But he’s inter- to songwriting. Published in 1963, his first novel, The ested enough in Cohen’s songs to advise me on which ones Favourite Game, is a semi-autobiographical tale of a young have been covered recently. Jewish poet coming of age in 1950s Montreal. His second, The interest is somewhat astonishing given that Leonard the sexually graphic Beautiful Losers, published in 1966, has Cohen is now 71. He was born a year before Elvis and in- been called the country’s first post-modern novel (and, at troduced us to “Suzanne” and her perfect body back in 1968. the time, by Toronto critic Robert Fulford, “the most re- For 40 years, he has provided a melancholy – and often mor- volting novel ever published in Canada”). -
A Concert Review by Christof Graf
Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
The Compositional Style of Jazz Guitarist Nathen Page
University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2004 Artist Study: The ompC ositional Style of Jazz Guitarist Nathen Page Stephen Lesche University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Composition Commons Suggested Citation Lesche, Stephen, "Artist Study: The ompositC ional Style of Jazz Guitarist Nathen Page" (2004). All Volumes (2001-2008). 89. http://digitalcommons.unf.edu/ojii_volumes/89 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2004 All Rights Reserved Artist Study: The Compositional his mastery because he does not compare Style of Jazz Guitarist Nathen to other guitarists that they have listened Page to. In spite of this, this is exactly why he is so great: he plays like himself. His tone is all his own and I have grown to Stephen Lesche enjoy it. His approach to technique is also very personalized. While he may Faculty Sponsor: Kevin Bales, not be able to produce rapid flurries of Assistant Professor of Music sixteenth notes like some of his contemporaries can, this has never Nathen Page is one of the hindered him in expressing himself and masters of modern jazz guitar. producing music of the highest caliber. Unfortunately, he is also one of the least In developing as an artist, there known and recognized of the masters. -
Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE from JARKKO
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE FROM JARKKO DEAR FRIENDS, chains and limitations of the digital world. Instead of Leonard Cohen’s music and reading what’s written on the poetry have brought us from websites, typing our emails all over the world to the and Forum or Facebook wonderful city of Kraków. messages, gazing into the Here we will celebrate and little screen to find out what enjoy Our Man’s work and is said in cyberspace – now, spend some memorable we are going to experience times and moments much more in the Real Life. together. This is the seventh We are able to meet and international Leonard Cohen touch each other, to dine and Event, and many members drink together, to sing and here have participated in enjoy the life together! one or more of the previous gatherings. A special This is the third year in a welcome to those who join us row that we have had the now for the first time! privilege of seeing Leonard Cohen and his amazing band The immense growth of in concert. Before 2008, we Internet communication had often discussed how has enabled us to create wonderful it would have a magnificent worldwide been to follow a tour online network of information and in real time, but we found friendship. Our Leonard it unrealistic. After 15 years, Cohen Events give us a Leonard’s decision to go on chance to break the invisible tour again was a dream come Event true. The tour announcement Kraków, he is with us in spirit. -
CHEZ NOUS a Staged-Reading Series Showcasing English-Language Drama in Quebec (1930-1979)
CHEZ NOUS A Staged-Reading Series Showcasing English-Language Drama in Quebec (1930-1979) EVENING TWO “HE SAID X, SHE ASKED, WHY” Director: Eda Holmes, Artistic and Executive Director of Centaur Theatre Stage Manager: Aida Jamil Produced by Professor Erin Hurley, Department of English, McGill University in collaboration with Playwrights’ Workshop Montréal and research team members Alison Bowie (Concordia University), Alexis Diamond, and Emma Tibaldo (PWM). A Man Was Killed by Irving Layton and Leonard Cohen (1959) Henderson: Jean Marchand* Jeff: Ryan Bommarito* Mort: Alain Goulem* Eve: Lucinda Davis* Pig: Alex Petrachuk* Blackie: Josh Johnston* Cupid: Sophie-Thérèse Stone-Richards* Napoleon: Ryan Bommarito* Stage-directions: Rebecca Gibian A Man Was Killed is read with the kind permission of the estates of Irving Layton and Leonard Cohen. Big X Little Y by Elinore Siminovitch (1974) Lori: Rebecca Gibian* John: Ryan Bommarito* Woman 1: Lucinda Davis* Woman 2: Sophie-Therese Stone-Richards* Woman 3: Alex Petrachuk* Man 1: Jean Marchand* Man 2: Alain Goulem* Man 3: Josh Johnston* Big X, Little Y is read with the kind permission of the estate of Elinore Siminovitch. *The participation of these Artists is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance•Opera•Theatre Policy. A Man was Killed by Irving Layton and Leonard Cohen (1959) Synopsis: A Man was Killed is a black comedy about violence and the breakdown of human social interaction. The play intertwines the lives of people living in the same Montreal neighbourhood, as they fail to connect with each other in a meaningful way. A Man Was Killed, one of Cohen’s few dramatic works, was co- written with his friend, fellow poet and fellow Montrealer, Irving Layton, in the winter of 1959, before Cohen travelled to Greece.