IF IT BE YOUR WILL a Radio Documentary Featuring Leonard Cohen
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Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
A Concert Review by Christof Graf
Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol. -
The Wall, Released 40 Years Ago, Is Considered by Many to Be One of the Best Albums in Rock History
Movies: Knives Out Books: The Hero by Lee Child Music: Thanks for the Dance by Leonard Cohen F&B: Chinese wine, Long Dai Macau Daily Times | Edition 3427 | 29 Nov 2019 The shadow of The Wall ‘The Wall, released 40 years ago, is considered by many to be one of the best albums in rock history. But it marked the last time the core members of Pink Floyd would record an album together X2 PÁTIO DA ILUSÃO illusion DRIVE IN Jake Coyle, AP Film Writer N NIVES UT A I ‘K O ,’ PHOTO AP WHODUNIT FOR THE TRUMP ERA ian Johnson’s “Knives Out” nothing better. And “Knives Out,” unravels not just a good ol- while it takes a little while to find Rd-fashioned murder mystery but its stride, sticks the landing, right the very fabric of the whodunit, up to its doozy of a last shot. The pulling at loose threads until it whodunit turns out not only to has intricately, devilishly woven still have a few moves left but to together something new and ex- be downright acrobatic. ceedingly delightful. The film begins like many befo- For all the detective tales that re it: with a dead body that needs dot television screens, the Aga- accounting for. Harlan Thrombey tha Christie-styled whodunit has (Christopher Plummer), a bes- gone curiously absent from mo- tselling mystery writer, is fou- vie theaters. The nostalgia-dri- nd with his throat cut in a small ven “Murder on Orient Express” upstairs room in his sprawling From left: Daniel Craig Chris Evans, Noah Segan and Lakeith Stanfield in a scene from “Knives Out” (2017), popular as it was, didn’t Victorian mansion. -
Leonard Cohen Reminds Us Why He Still Matters by Joshua Klein Yes, Cohen Has Written the Spring U.S
MUSIC Leonard Cohen reminds us why he still matters By Joshua Klein Yes, Cohen has written the spring U.S. tour.). SPECIAL TO THE TRIBUNE several classics—"Suzanne," Yet that was likely no "So Long, Marianne," "Chel- substitute for the sight of the NEW YORK—Montreal sea Hotel No. 2" and "Bird man himself, dapper and bard Leonard Cohen has on the Wire" among them— fleet of foot as he trotted into written and recorded many but as of late, it's "Hallelu- position to front his ace great songs, and influenced jah" that increasingly pulls band through more than two many times that number of more people into the fold. It's hours of instantly recogniz- peers and followers with his a cryptic but compelling able material. spiritual, morose and occa- masterpiece of hopeful mel- Like Dylan, Reed and sionally carnal poetry and ancholy (and oft overlooked Waits, Cohen is not a conven- music. sensuality) by a man many tionally talented vocalist, But lately one song towers may not even know wrote it. but he still used his impres- over the rest of Cohen's con- Not that Cohen seemed to sive baritone like a master, siderable oeuvre, and that's mind. Though he was no frequently delivering, on "Hallelujah." It has been recluse, the singer/song- bended knee, each perfectly covered countless times by writer grew increasingly phrased line with a mix of the likas of Bob Dylan, Bono, sanguine on the sidelines in menace and knowing mirth. John Gale, Rufus Wain- the'80s, and by the'90s he . -
Chanson Francophone
MUSIQUE BLUES Fred Chapellier Best of 25 years on the road Si le Blues est la musique de toute une vie, alors on ne peut que se réjouir de la parution de ce double CD (studio + live) célébrant les 25 premières années de la carrière de Fred Chapellier ! Car cela signifie "juste" que cette compilation n'est qu'une étape dans un cheminement qui nous réservera beaucoup d'autres opportunités de louer le talent hors-normes de cet artiste attachant. Car s'il est une qualité à mettre en exergue chez Fred Chapellier, c'est bien celle de la richesse de sa palette. Les 32 titres de ce double CD (18 en version Studio, 14 en version Live) en sont la preuve éclatante. Si le Blues reste le fil rouge de l'ouvrage, la soul n'est jamais loin ! 1.1 CHA BLUES JAZZ Matthew Tavares and Leland Whitty Visions Visions est un nouvel album collaboratif des co-fondateurs de BadBadNotGood, Matthew Tavares et Leland Whitty. Les producteurs multi-platine primés aux Grammy Awards jouent et écrivent de la musique ensemble depuis 10 ans. Ils ont acquis une renommée internationale avec BadBadNotGood et le récent single solo de Tavares, « Self-Portrait », a été défendu par des créateurs de goût tels que Gilles Peterson et Benji B. Visions est le dernier résultat de leur partenariat incroyablement fructueux. Enregistré à Toronto, il a été produit par Tavares et Whitty - Tavares mixant également l'album et arrangeant les cordes. Après une période d'écriture de trois semaines, il a été joué dans son intégralité dans une session de studio continue, presque toutes les pistes de l'album sont des premières prises. -
As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages by Kris Kirk
I stumbled out of bed. I got ready for the struggle. I smoked a cigarette, and I tightened up my gut. I said, This can't be me, must be my double. And I can't forget I can't forget I can't forget but I don't remember what. I Can't Forget I'm Your Man The following article is from Poetry Commotion, June 18, 1988. As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages By Kris Kirk "The American attitude to Leonard Cohen is that I don't know how to sing -- 'These are great songs, sure is sad somebody else ain't singing 'em' - and that I'm marginal, totally outside the mainstream. It may finally be changing with this album, who knows? But I'm lucky I've always had a modest audience in Europe, otherwise I'd really be out of luck." Leonard Cohen chuckles. He chuckles a lot. Like his latest I'm Your Man album - with its famed "Lenny eats a banana" cover and its declaration (in "Tower of Song") that "I was born with the gift of a golden voice" - the so-called master of gloom is dead droll, particularly when he's sending himself up. "I agree this album's probably my best so far," he growls, lighting up yet another fag. "I think maybe I'm beginning to get the hang of it now." After how long? "Oh, after 20-odd years..." With a sell-out European tour culminating in a packed-to-the-gills additional third gig at the Royal Albert Hall, the rehabilitation -- resurrection from the dead -- of Cohen proceeds apace. -
COVERLIST HERE.Xlsx
Jungr, Barb 1000 kisses deep Hard rain- The songs of Bob Dylan and Leonard Cohen UK 2014 Eng CD Contretemps, Les A bunch of lonesome heroes Les Contretemps Canada 1969 Eng xx Outrageous Cherry A bunch of lonesome heroes Stereo Action Rent Party USA 1994 Eng B3 Ponies in the surf A bunch of lonesome heroes See you happy USA 2008 Eng mc-28 Red A bunch of lonesome heros Songs from a room France 2001 Eng CD Art of Time Ensemble A Singer Must Die A Singer Must Die Canada 2010 Eng mc-32 Bano, Al & Power, Romina A singer must die Stranger music: A tribute to Leonard Cohen Italy 2009 Eng CD Bissex, Rachel A singer must die Don't look down USA 1995 Eng L3 Conspiracy of Beards A singer must die Live at Heritage Hall USA 2013 Eng CD Fatima Mansions A singer must die I'm your fan France 1991 Eng FA Monsieur Camembert A singer must die Famous blue cheese Australia 2007 Eng CD O'Callaghan, Patricia A singer must die Real emotional girl Canada 2000 Eng mc-5 Page and the Art Of Time Ensemble A singer must die A singer must die USA 2010 Eng mc-31 Pascal, Daniele A singer must die Dance me to the end of love S. Africa 1996 Eng PA Warnes, Jennifer A singer must die Famous Blue Raincoat USA 1986 Eng WA Jusic, Ibrica A singer must die/Nek pjevac umre Hazarder Croatia 1999 Cro CD Orlandi & Poltronieri A singer must die/Un cantante deve morire Comme traduire… L.Cohen Italy 2001 Ita CD Hugo, Tara A sip of wine (lyrics by LC) Tara Hugo Sings Philip Glass USA 2012 Eng xx Finches, The A Stranger Song (Inspired by LC) Six songs US 2005 Eng mc-35 Boel, Hanne A thousand -
Die Flamme | the Flame
Leonard Cohen DIE FLAMME | THE FLAME Aus dem amerikanischen Englisch von Nora Bossong, Matthias Kniep, Nicolai Kobus, Simone Kornappel, Nadja Küchenmeister, Léonce W. Lupette, Christian Lux, Klaus Modick, Kerstin Preiwuß, Marcus Roloff, Ron Winkler und Katja Winter Übersetzungsredaktion: Christian Lux Kiepenheuer & Witsch 1. Auflage 2018 Titel der Originalausgabe: The Flame © 2018 Leonard Cohen All rights reserved Aus dem Englischen von Nora Bossong, Matthias Kniep, Nicolai Kobus, Simone Kornappel, Nadja Küchenmeister, Léonce W. Lupette, Christian Lux, Klaus Modick, Kerstin Preiwuß, Marcus Roloff, Ron Winkler, Katja Winter Übersetzungsredaktion: Christian Lux © 2018, Verlag Kiepenheuer & Witsch, Köln Alle Rechte vorbehalten. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder ein anderes Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Umschlaggestaltung: Rudolf Linn, Köln Autorenfoto: © Joel Saget/AFP/Getty Images Gesetzt aus der Trinité und Cyclone Background Satz: Felder KölnBerlin Druck und Bindung: CPI books GmbH, Leck ISBN 978-3-462-05221-3 VORWORT Dieser Band enthält die letzten Arbeiten meines Vaters als Dichter. Ich wünschte, er hätte noch die Fertigstellung erleben können – nicht, weil es durch seine Hände zu einem bes- seren Buch geworden wäre, das deutlicher und großzügiger und stärker geformt gewesen wäre oder weil es ihm und der Form, die er seinen Lesern anbieten wollte, eher entsprochen hätte, näher gekommen wäre, sondern, weil es das war, wofür er versuchte am Leben zu bleiben, am Schluss der einzige Grund für ihn weiterzuatmen. In der schwierigen Zeit, in der er das Buch zusammengestellt hat, schrieb er E-Mails mit der Titelzeile »Bitte nicht stören« an die wenigen von uns, die regelmäßig bei ihm vorbeikamen. -
Book Club Kit a Note from the Author Music for Dreamers
Book Club Kit A Note from the Author Music for Dreamers Dear Reader, Writing a letter is something I haven’t done for years, Leonard Cohen’s songs have been the soundtrack to my life. though I remember with a pang how important they In the same way that when I write fiction I only read great were to me when I was the eighteen (the same age as poetry, when I write lyrics I only listen to Leonard Cohen. I Erica, my narrator). But what an enjoyable moment live in hope that something might rub off on me. He occupies to get back into letter-writing—I want to thank all the penthouse right at the top of the Tower of Song, and even of you for choosing A Theater for Dreamers as your the best of the rest live several floors below. He provided the next read. I am excited for you to experience Hydra epigraph to my 2010 collection of stories, Perfect Lives, but I through Erica’s eyes. never expected him to walk right in to one of my novels. On that Greek island in 1960, waiting for the post The song “Yes, I Have Ghosts” came after I finished writing was the most important part of each day. It was the the novel. The line appears in the novel when Erica asks moment everyone gathered at the cafés along the Charmian if she believes in ghosts. It was as though Charm- waterfront, scanning the horizon for the daily ian had whispered that phrase in my ear. -
Leonard Cohen: a Crack in Everything the Jewish Museum April 12 – September 8, 2019
Leonard Cohen: A Crack in Everything The Jewish Museum April 12 – September 8, 2019 Exhibition Wall Texts LEONARD COHEN: MOMENTS COMPILED BY CHANTAL RINGUET Topos_JM_LC_WallTexts_24p.indd 1 4/4/19 12:34 PM SEPTEMBER 21, 1934 BIRTH OF LEONARD NORMAN COHEN IN WESTMOUNT Born into a Westmount Jewish family that was part of Montreal’s Anglo elite, Leonard Norman Cohen was the second child of Masha Klinitsky- Klein and Nathan Bernard Cohen. Lyon Cohen, Leonard’s paternal grandfather, a well- known businessman and philanthropist, was an important figure in the Jewish community. He started the Freedman Company, one of the largest clothing manufacturers in Montreal, and cofounded the Canadian Jewish Times (1897), the first English- language Jewish newspaper in Canada. Lyon Cohen was also president of several organizations, including the Canadian Jewish Congress and Congregation Shaar Hashomayim. He helped Jewish immigrants from the Russian Empire settle in Canada—among them, from Lithuania, the learned Rabbi Solomon Klinitsky- Klein and his family. Lyon’s son, Nathan Cohen, a lieutenant in the Canadian army and World War I veteran, later ran the family business. From his father, the young Leonard inherited a love of suits; from his mother, Masha, who trained as a nurse, he received his charisma and his love of songs. Cohen’s well- to- do family was quite different from the Jewish masses who arrived in Montreal in the early twentieth century. Many of these immigrants spoke Yiddish as their native language and worked in garment factories. Despite his extensive travels and his residence in Los Angeles, Cohen always returned to Montreal to “renew his neurotic affiliations,” as he often repeated in interviews. -
Doppelalbum Popmusik Und Biographie DOPPELALBUM – POPMUSIK UND BIOGRAPHIE
Doppelalbum Popmusik und Biographie DOPPELALBUM – POPMUSIK UND BIOGRAPHIE Herausgeber: Haus kirchlicher Dienste der Evangelisch-lutherischen Landeskirche Hannovers Umschlagfotos: Dennis Improda Verantwortlich: Arbeitsfeld Kunst und Kultur, Dr. Matthias Surall (V.i.S.d.P.) Hausanschrift: Archivstraße 3, 30169 Hannover Fon: 0511 1241-431 E-Mail: [email protected] Internet: www.kunstinfo.net Satz und Layout: HkD (13021) Druck: oeding print GmbH, gedruckt auf Recyclingpapier aus 100% Altpapier Auflage: 1000 Ausgabe: November 2020 Doppelalbum Popmusik und Biographie Inhaltsverzeichnis Einführung Dr. Matthias Surall .............................................................................................................. 4 Ausgeträumte Anarchie und feurige Regeln Ton, Steine Scherben und Sophie Hunger Annette Behnken ................................................................................................................ 8 Widerstand und Mystik Depeche Mode und The Doors Andreas Behr ....................................................................................................................15 We crossed the lines U2 und Lizz Wright Dirk Brall ............................................................................................................................22 Nutze die Nacht und fang an zu leben! Neil Young und Gary Clark Jr. Helmut Braun ....................................................................................................................27 Die gebrochenen Helden meiner Jugend und ihre -
Leonard Cohen I
Leonard Cohen I BYAMTHOKY D e CURTIS always experience myself as falling apart, been assured by this one-alone. However, the two and I’m taking emergency measures,” Leon- extraordinary albums that followed, Songs From a ard Cohen said fifteen years ago. “It’s coming Room (1969), which includes his classic song “Bird on apart at every moment. I try Prozac. I try love. a W ire,” and Songs of Love and Hate (1971), provided I try drugs. I try Zen meditation. I try the whatever proof anyone may have required that the monastery.I I try forgetting about all those strategies greatness of his debut was not a fluke. and going straight. And the place where the evaluation Part of the reason why Cohen’s early work revealed happens is where I write the songs, such a high degree of achieve when I get to that place where I For four decades, ment is that he was an accom can’t be dishonest about what I’ve plished literary figure before he been doing.” Cohen has been a m odel ever began to record. His collec For four decades, Cohen has ofgut'wrenching tions of poetry, including Let Us been a model of gut-wrenching emotional honesty Compare Mythologies (1956) and emotional honesty. He is, with Flowers for Hitler (1964), and his out question, one of the most novels, including Beautiful Losers important and influential songwriters of our time, (1966), had already brought him considerable recogni a figure whose body of work achieves greater depths tion in his native Canada.