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List of Participants
JUNE 26–30, Prague • Andrzej Kremer, Delegation of Poland, Poland List of Participants • Andrzej Relidzynski, Delegation of Poland, Poland • Angeles Gutiérrez, Delegation of Spain, Spain • Aba Dunner, Conference of European Rabbis, • Angelika Enderlein, Bundesamt für zentrale United Kingdom Dienste und offene Vermögensfragen, Germany • Abraham Biderman, Delegation of USA, USA • Anghel Daniel, Delegation of Romania, Romania • Adam Brown, Kaldi Foundation, USA • Ann Lewis, Delegation of USA, USA • Adrianus Van den Berg, Delegation of • Anna Janištinová, Czech Republic the Netherlands, The Netherlands • Anna Lehmann, Commission for Looted Art in • Agnes Peresztegi, Commission for Art Recovery, Europe, Germany Hungary • Anna Rubin, Delegation of USA, USA • Aharon Mor, Delegation of Israel, Israel • Anne Georgeon-Liskenne, Direction des • Achilleas Antoniades, Delegation of Cyprus, Cyprus Archives du ministère des Affaires étrangères et • Aino Lepik von Wirén, Delegation of Estonia, européennes, France Estonia • Anne Rees, Delegation of United Kingdom, United • Alain Goldschläger, Delegation of Canada, Canada Kingdom • Alberto Senderey, American Jewish Joint • Anne Webber, Commission for Looted Art in Europe, Distribution Committee, Argentina United Kingdom • Aleksandar Heina, Delegation of Croatia, Croatia • Anne-Marie Revcolevschi, Delegation of France, • Aleksandar Necak, Federation of Jewish France Communities in Serbia, Serbia • Arda Scholte, Delegation of the Netherlands, The • Aleksandar Pejovic, Delegation of Monetenegro, Netherlands -
The Games That Will Live with Us Forever
THE JEWISH CHRONICLE 18 SEPTEMBER 2015 THEJC.COM ACTIVE SPECIAL 1 European Maccabi ACTIVE Games 2015 in Berlin PRESENTED BY MACCABI GREAT BRITAIN The Games that will live with us forever MEDIA partner PHOTOS: MARC MORRIS THE JEWISH CHRONICLE THE JEWISH CHRONICLE 2 ACTIVE SPECIAL THEJC.COM 18 SEPTEMBER 2015 18 SEPTEMBER 2015 THEJC.COM ACTIVE SPECIAL 3 ALL ALL WORDS PHOTOS WELCOME BY DAnnY BY MARC CARO MORRIS Maccabi movement’s ‘miracle’ in Berlin LDN Investments are proud to be associated with Maccabi GB and the success of the European Maccabi Games in Berlin. HIS SUMMER, old; athletes and their families; reuniting THE MACCABI SPIRIT place where they were banished from first night at the GB/USA Gala Dinner, “By SOMETHING hap- existing friendships and creating those Despite the obvious emotion of the participating in sport under Hitler’s winning medals we have not won. By pened which had anew. Friendships that will last a lifetime. Opening Ceremony, the European Mac- reign was a thrill and it gave me an just being here in Berlin we have won.” never occurred But there was also something dif- cabi Games 2015 was one big party, one enormous sense of pride. We will spread the word, keep the before. For the first ferent about these Games – something enormous celebration of life and of Having been there for a couple of days, torch of love, not hate, burning bright. time in history, the that no other EMG has had before it. good triumphing over evil. Many thou- my hate of Berlin turned to wonder. -
He Big “Mitte-Struggle” Politics and Aesthetics of Berlin's Post
Martin Gegner he big “mitt e-struggl e” politics and a esth etics of t b rlin’s post-r nification e eu urbanism proj ects Abstract There is hardly a metropolis found in Europe or elsewhere where the 104 urban structure and architectural face changed as often, or dramatically, as in 20 th century Berlin. During this century, the city served as the state capital for five different political systems, suffered partial destruction pós- during World War II, and experienced physical separation by the Berlin wall for 28 years. Shortly after the reunification of Germany in 1989, Berlin was designated the capital of the unified country. This triggered massive building activity for federal ministries and other governmental facilities, the majority of which was carried out in the old city center (Mitte) . It was here that previous regimes of various ideologies had built their major architectural state representations; from to the authoritarian Empire (1871-1918) to authoritarian socialism in the German Democratic Republic (1949-89). All of these époques still have remains concentrated in the Mitte district, but it is not only with governmental buildings that Berlin and its Mitte transformed drastically in the last 20 years; there were also cultural, commercial, and industrial projects and, of course, apartment buildings which were designed and completed. With all of these reasons for construction, the question arose of what to do with the old buildings and how to build the new. From 1991 onwards, the Berlin urbanism authority worked out guidelines which set aesthetic guidelines for all construction activity. The 1999 Planwerk Innenstadt (City Center Master Plan) itself was based on a Leitbild (overall concept) from the 1980s called “Critical Reconstruction of a European City.” Many critics, architects, and theorists called it a prohibitive construction doctrine that, to a certain extent, represented conservative or even reactionary political tendencies in unified Germany. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Rome International Conference on the Responsibility of States, Institutions and Individuals in the Fight Against Anti-Semitism in the OSCE Area
Rome International Conference on the Responsibility of States, Institutions and Individuals in the Fight against Anti-Semitism in the OSCE Area Rome, Italy, 29 January 2018 PROGRAMME Monday, 29 January 10.00 - 10.30 Registration of participants and welcome coffee 10.45 - 13.30 Plenary session, International Conference Hall 10.45 - 11.30 Opening remarks: - H.E. Angelino Alfano, Minister of Foreign Affairs and International Cooperation, OSCE Chairperson-in-Office - H.E. Ambassador Thomas Greminger, OSCE Secretary General - H. E. Ingibjörg Sólrún Gísladóttir, ODIHR Director - Ronald Lauder, President, World Jewish Congress - Moshe Kantor, President, European Jewish Congress - Noemi Di Segni, President, Union of the Italian Jewish Communities 11.30 – 13.00 Interventions by Ministers 13.00 - 13.30 The Meaning of Responsibility: - Rabbi Israel Meir Lau, Chairman of Yad Vashem Council - Daniel S. Mariaschin, CEO B’nai Brith - Prof. Andrea Riccardi, Founder of the Community of Sant’Egidio 13.30 - 14.15 Lunch break - 2 - 14.15 - 16.15 Panel 1, International Conference Hall “Responsibility: the role of law makers and civil servants” Moderator: Maurizio Molinari, Editor in Chief of the daily La Stampa Panel Speakers: - David Harris’s Video Message, CEO American Jewish Committee - Cristina Finch, Head of Department for Tolerance and Non- discrimination, ODHIR - Katharina von Schnurbein, Special Coordinator of EU Commission on Anti-Semitism - Franco Gabrielli, Chief of Italian Police - Ruth Dureghello, President of Rome Jewish Community - Sandro De -
Reviewing the Literature on European Airports Jean-Baptiste Frétigny
How Are Aeromobilities Changing? Reviewing the Literature on European Airports Jean-Baptiste Frétigny To cite this version: Jean-Baptiste Frétigny. How Are Aeromobilities Changing? Reviewing the Literature on European Airports. Mobility in History, Berghahn Journals, 2017, 8 (1), pp.121-128. 10.3167/mih.2017.080114. hal-01359708v2 HAL Id: hal-01359708 https://hal.archives-ouvertes.fr/hal-01359708v2 Submitted on 14 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Pre-print version of: Frétigny, Jean-Baptiste. “How Are Aeromobilities Changing? Reviewing The Literature On European Airports”. Mobility in History 8, no 1 (2017): 125-32. http://dx.doi.org/10.3167/mih.2017.080114 How are aeromobilities changing? Reviewing the literature on European airports Jean-Baptiste Frétigny, Université de Cergy-Pontoise, M.R.T.E. research unit Abstract: This paper shows that most attention has gone to a linear reading of the evolution of (European) airports in the recent literature, emphasizing contrasted moments of these places. It argues that airports need to be also envisioned as sites of pluralized and changing (aero)mobilities by bridging gaps between the studies of past, present, and future airports as well as between their various monographic investigations. -
Nazi-Confiscated Art Issues
Nazi-Confiscated Art Issues Dr. Jonathan Petropoulos PROFESSOR, DEPARTMENT OF HISTORY, LOYOLA COLLEGE, MD UNITED STATES Art Looting during the Third Reich: An Overview with Recommendations for Further Research Plenary Session on Nazi-Confiscated Art Issues It is an honor to be here to speak to you today. In many respects it is the highpoint of the over fifteen years I have spent working on this issue of artworks looted by the Nazis. This is a vast topic, too much for any one book, or even any one person to cover. Put simply, the Nazis plundered so many objects over such a large geographical area that it requires a collaborative effort to reconstruct this history. The project of determining what was plundered and what subsequently happened to these objects must be a team effort. And in fact, this is the way the work has proceeded. Many scholars have added pieces to the puzzle, and we are just now starting to assemble a complete picture. In my work I have focused on the Nazi plundering agencies1; Lynn Nicholas and Michael Kurtz have worked on the restitution process2; Hector Feliciano concentrated on specific collections in Western Europe which were 1 Jonathan Petropoulos, Art as Politics in the Third Reich (Chapel Hill: The University of North Carolina Press). Also, The Faustian Bargain: The Art World in Nazi Germany (New York/Oxford: Oxford University Press, forthcoming, 1999). 2 Lynn Nicholas, The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War (New York: Alfred Knopf, 1994); and Michael Kurtz, Nazi Contraband: American Policy on the Return of European Cultural Treasures (New York: Garland, 1985). -
Parshat Beshalach
Mazel Tov Yahrzeits to the Dror and Sedgh families on Mrs. Marcelle Faust - Husband the birth of Mika Rachel. Mrs. Marion Gross - Mother 2020-2021 Registration Mrs. Batya Kahane Hyman - Husband Rabbi Arthur Schneier Mrs. Rose Lefkowitz - Brother Mr. Seymour Siegel - Father Park East Day School Mr. Leonard Brumberg - Mother Early Childhood Mrs. Ginette Reich - Mother Elementary School: Grades 1-5 Mr. Harvey Drucker - Father Middle School: Grades 6-8 Mr. Jack Shnay - Mother Ask about our incentive program! Mrs. Marjorie Schein - Father Mr. Andrew Feinman - Father Mommy & Me Mrs. Hermine Gewirtz - Sister Taste of School Mrs. Iris Lipke - Mother Tuesday and Thursday Mr. Meyer Stiskin - Father 9:00 am - 10:30 am or 10:45 am - 12:15 pm Ms. Judith Deich - Mother Mr. Joseph Guttmann - Father Providing children 14-23 months with a wonderful introduction to a more formal learning environment. Through Memorial Kaddish play, music, art, movement, and in memory of Shabbat and holiday programming, children learn to love school and Ethel Kleinman prepare to separate from their beloved mother of our devoted members February 7-8, 2020 u 12-13 Shevat, 5780 parents/caregivers. Elly (Shaindy) Kleinman, Leah Zeiger and Register online at ParkEastDaySchool.org Rabbi Yisroel Kleinman. Shabbat Shira - Tu B’Shevat or email [email protected] May the family be comforted among Musical Shabbat with Cantor Benny Rogosnitzky Leon & Gina Fromer the mourners of Zion & Jerusalem. Youth Enrichment Center and Cantor Maestro Yossi Schwartz Hebrew School Parshat Beshalach Pre-K (Age 4) This Shabbat is known as Shabbat Shira Parshat Beshalach Kindergarten (Age 5) because the highlight of the Torah Reading Exodus 13:17-17:16 Haftarah Elementary School (Ages 6-12) is the Song at the Sea. -
The Ronald S. Lauder Collection Selections from the 3Rd Century Bc to the 20Th Century Germany, Austria, and France
000-000-NGRLC-JACKET_EINZEL 01.09.11 10:20 Seite 1 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE PRESTEL 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 1 THE RONALD S. LAUDER COLLECTION 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 2 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 3 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Alessandra Comini, Stuart Pyhrr, Elizabeth Szancer Kujawski, Ann Temkin, Eugene Thaw, Christian Witt-Dörring, and William D. Wixom PRESTEL MUNICH • LONDON • NEW YORK 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 4 This catalogue has been published in conjunction with the exhibition The Ronald S. Lauder Collection: Selections from the 3rd Century BC to the 20th Century. Germany, Austria, and France Neue Galerie New York, October 27, 2011 – April 2, 2012 Director of publications: Scott Gutterman Managing editor: Janis Staggs Editorial assistance: Liesbet van Leemput Curator, Ronald S . Lauder Collection: Elizabeth Szancer K ujawski Exhibition designer: Peter de Kimpe Installation: Tom Zoufaly Book design: Richard Pandiscio, William Loccisano / Pandiscio Co. Translation: Steven Lindberg Project coordination: Anja Besserer Production: Andrea Cobré Origination: royalmedia, Munich Printing and Binding: APPL aprinta, W emding for the text © Neue Galerie, New Y ork, 2011 © Prestel Verlag, Munich · London · New Y ork 2011 Prestel, a member of V erlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich +49 (0)89 4136-0 Tel. -
DEFA Directors and Their Criticism of the Berlin Wall
«Das ist die Mauer, die quer durchgeht. Dahinter liegt die Stadt und das Glück.» DEFA Directors and their Criticism of the Berlin Wall SEBASTIAN HEIDUSCHKE MONTANA STATE UNIVERSITY This article examines the strategies used by directors of the East German film monopoly Deutsche Film-Aktiengesellschaft (DEFA) to voice their disap- proval of the Berlin Wall.1 My aim is to show how it was possible, despite universal censorship in East Germany, to create films that addressed the wall as an inhumane means to imprison the East German people. Although many DEFA films adhered to socialist law and reiterated the official doctrine of the «antifascist protection rampart» on the silver screen, an analysis of three DEFA films will demonstrate how the representation of human crisis was used as a means to criticize the wall.2 The films Das Kleid (Konrad Petzold, 1961), Der geteilte Himmel (Konrad Wolf, 1964), and Die Architekten (Peter Kahane, 1990) address walls in a variety of functions and appearances as rep- resentations, symbols, and metaphors of the barrier between East and West Germany. Interest in DEFA has certainly increased during the last decade, and many scholars have introduced a meaningful variety of topics regarding the history of East Germany’s film company and its films. In addition to book-length works that deal exclusively with the cinema of East Germany, many articles have looked at DEFA’s film genres, provided case studies of single DEFA films, and engaged in sociological or historical analyses of East German so- ciety and its films.3 In order to expand the current discussion of DEFA, this article applies a sociocultural reading to the three DEFA films Das Kleid, Der geteilte Himmel, and Die Architekten with the goal of introducing the new subtopic of roles and functions of the Berlin Wall in East German film to the field of DEFA studies. -
Landesmuseum Mainz
27_008679 bindex.qxp 10/25/06 1:25 PM Page 675 Index Altes Rathaus (Old City Hall) An der Hauptwache Aachen (Aix-la-Chapelle), Bamberg, 219 (Frankfurt), 464 513–517 Göttingen, 590 Annweiler, 494 Abercrombie & Kent, 55 Hannover, 580 An Sibin (Frankfurt), 472 Above and Beyond Tours, 45 Leipzig, 185 Antik & Flohmarkt (Berlin), 147 Abteikirche St. Maria Lindau, 373 Antikensammlung (Berlin), 120, (Amorbach), 255 Munich, 312 122 Accommodations, 46, 63 Regensburg, 237 Antikensammlungen (Munich), best, 12–14 Altes Residenztheater (Cuvilliés 320 Agfa-Historama (Cologne), 528 Theater; Munich), 318, Antiques Airfares, 46, 51–52 330–331 Bamberg, 220 Airlines, 49–50, 59 Altes Schloss (Meersburg), 8, Berlin, 142–143 bankrupt, 41 380 Bremen, 569 Airport security, 50–51 Altes Schloss and Dresden, 204 Aix-la-Chapelle (Aachen), Württembergisches Düsseldorf, 541 513–517 Landesmuseum (Stuttgart), Hamburg, 617 Alamannen Museum 439–440 Leipzig, 188 (Weingarten), 390 Altes Schloss Eremitage Lübeck, 631 Albertinum (Dresden), 202 (Bayreuth), 215 Munich, 327 Albrecht Dürer House Altmarkt (Dresden), 201 Archäologisches (Nürnberg), 227 Altmühltal Nature Park, 210 Landesmuseum (Schleswig), Albrechtsburg Castle Alt-Sachsenhausen (Frankfurt), 637 (Meissen), 209 468 Architecture, 20–27 Alexanderplatz (Berlin), 130 Altstadt (Old Town) Armory (Dresden), 203 Alf, 548 Düsseldorf, 538–539, 542 Arnstadt, 172 Alpengarten (Alpine Garden; Frankfurt, 464–466 Arsenal (Schwerin), 648 Pforzheim), 412 Goslar, 587 Art, 16–20 Alpspitz, 358–359 Hamburg, 612 Art galleries Alsterpark (Hamburg), -
BERLIN Elite Guide to Berlin
DESTINATION GUIDE SERIES BERLIN ELITE GUIDE TO BERLIN HIGHLIGHTS OF BERLIN 3 ONLY ELITE 4 Elite Traveler has selected the most exclusive VIP experiences CONCIERGE RECOMMENDATIONS 5 We asked Berlin’s top concierges to share their personal recommendations SONY CENTER, POTSDAMER PLATZ for the perfect day in the city WHERE TO ➤ STAY 8 ➤ DINE 15 ➤ BE PAMPERED 18 BERLIN SKYLINE WHAT TO DO ➤ DURING THE DAY 19 ➤ DURING THE NIGHT 21 ➤ FEATURED EVENTS 25 ➤ SHOPPING 26 LOCAL ART: ‘LIMIT’, ANTON BURDAKOV NEED TO KNOW ➤ PRIVATE JET TERMINALS 30 ➤ USEFUL INFORMATION 31 ➤ EXCLUSIVE TRANSPORT 31 ‘VERSUS’ AT THE CHAMELEON THEATER TRAVELER DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | BERLIN www.elitetraveler.com 2 HIGHLIGHTS OF BERLIN Don’t miss out on Berlin’s wealth of attractions, adventures and experiences ith an eye toward the future, ‘remaking’ itself, and today you’ll find the Berlin has now bloomed into a modern ‘Wwith resolve in our hearts, let us city in better shape than ever. metropolis, and this new lease of life remember history, and answer our destiny, is infectious. The streets are alive with and remake the world once again.’ Brand new shops, bars, hotels and young, creative types lured here by the restaurants have transformed Berlin from freewheeling spirit, and for art and music Those were the words of Barack Obama battle ground to consumer haven, while there are few better cities to visit right now. as he addressed Berlin in 2008, and they the noblest relics of the past have been go some way to capturing the spirit of the restored to their former glory.