SESSUE H AYAKAWA (ARTICLE ILLUSTRÉ PAGES 6 Et 7)

Total Page:16

File Type:pdf, Size:1020Kb

SESSUE H AYAKAWA (ARTICLE ILLUSTRÉ PAGES 6 Et 7) RÉDACTION ET ADMINISTRATION : 26 M», Rue Traveniire :: PARIS :: SESSUE H AYAKAWA (ARTICLE ILLUSTRÉ PAGES 6 et 7) à CINES POUR TOUS * Captain Q. — 1" Miss Mollie King est née Adm. de D.F. — Les adresses de ces trois i New-York en 1898 ; 2° mariée à un M. A- artistes me sont malheureusement inconnues cents, vient d'être élevé au grade de « star » lexander depuis peu ; 3° Adresse : Ameri- pour le moment. Ecrivez-leur au studio de can Cinéma Corporation, 220 West, 42 nd. par Thos. H. Ince. ENTRE NOUS Fairbanks. On fera suivre. le monde" Street, New-York-City (U.S.A.). O Admiratrice de M.P. — Voilà un pseudony- Adm. de Pearl W.. — 1° Henry Gsell et me que vous partagez avec cinq ou six au- George Fitzmaurice, qui fut longtemps di- .du cinéma. Warner Oland (Wu-Fang) étaient les parte- tres lectrices... 1° Oui, la mère de Mary Pick- recteur de réalisation des films en série de naires de Pearl White dans Par Amour. 2° ford faisait partie d'une troupe théâtrale ; Pcarl White, va tourner, pour la Paramount- Renseignez-vous chez Pathé, 67, faubourg été édité ici. 3° Voir plus haut, ainsi que les 2° Née à Toronto en 1893 ; étoile depuis sept précédents numéros. ç EN FRANCE le.nrs de la mer, Bouclette et Cabiria. Artcraft, L'Homme qui assassina, d'après la Saint-Martin. 3" George Larkin avec Ruth Ro- ans. Viendraient ensuite : J'Accuse, Chariot sol- pièce tirée par Pierre Frondaie, du roman de land, dans le Tigre sacré. Ce n'est pas Suzanne Grandais que l'on ver- Syva. — 1° Répondez à Miss Pearl White, Lason R.R. ■— Adressez-vous aux produc- dat, l'Homme aux yeux clairs, Quo Vadis ?, Claude Farrère. qu'aucune des maisons de cinéma ou autre, v ra dans le rôle principal de l'Eté de la Saint- Daisy. — Margarita Fischer, American Stu- teurs dont nous avons publié la liste ici. le Fils de M. Ledoux, etc... De même que Les Travailleurs de mer, cet- ne vend ici de photos la représentant, et que C'est tout ce que je puis vous dire. Martin, film que tourne actuellement pour la jios, Santa-Barbara (Cal.) U.S.A. Les votes seront reçues jusqu'au 31 janvier. te pièce a déjà été filmée en France. les maisons de location de France considè- Phocéa M. Champavert, d'après l'oeuvre de Boum. — Jack Mulhall n'est nullement Lucette P. —• J'ignore l'adresse personnel- rent le public comme un facteur dont il n'y l'époux de Juanita. Hansen. Son adresse ac- Meilhac et Halévy. le de Mlle. Suzanne Linker. a pas lieu de "tenir compte. C'est Mlle Germaine Syrdet, une nouvelle tuelle m'est inconnue. Max Lindei est depuis quelques semaines en M. André Brunelle, le docteur Howey de la Miss Taire. — 1° Nous avons dit, quand le venue à l'écran. 3. Agniel. — 1° Je ne connais rien de sem- Ami du Ciné. — Eddie Polo est un athlète, Nouvelle Mission de Judex et le Jimmy Bar- Californie. Il est fort probable qu'il va y cons- film a été édité, que La petite Dentellière jlabie à Lyon. 2° Pour être opérateur, il faut acrobate remarquable, mais ce n'est pas un nett de Chignole, vient de rentrer d'Angle- tituer une organisation indépendante pour la était interprété par Gladys Leslie. Adresse : [aire un apprentissage sérieux. artiste. Très apprécié aux Etats-Unis. tere, où il a tourné trois grands films, dont production de comédies dont il sera l'auteur, Vitagraph Studios, Hollywood (Cal.), U.S.A. Les Films Servaës, de Marseille, se propo- Thé priée, of a crime. Il va très probable- le réalisateur et l'interprète à la fois. F. Ladouce. — Douglas Fairbanks, 6.284, 2° Merci de votre obligeance. 3° Oui, quand il Jean G. — 1° Géraldine Farrar, dans Les sent de tourner presque exclusivement des ment signer avec une maison d'édition de Pa- Il est probable aussi que l'éditeur en sera Selma Avenue, Hollywood (Cal.) U.S.A. y aura plus de place... Conquérants. 2° Cela dépend des films, mais films tirés d'œuvres des écrivains proven- ris un contrat pour paraître dans une série Goldwyn. le plus souvent aux environs de Los Ange- çaux, tels que Mistral et Aubanel. Moreno. — 1° Mary Miles Minter est née en George Vfhite. — 1° Déjà dit et redit ici. les. 3° Pina Menichelli est la seule artiste de films, au printemps prochain. O Actuellement on tourne Mireille. jouisiane en 1902. 2° Vous verrez bientôt 2° Dôlorès Cassinelli est d'origine italienne ; dont on ait indiqué" le nom, dans ce film. adresse : Léonce Perret Productions, 220 West, On songe à réaliser, plus tard, un grand Charlie Chaplin vient d'engager pour une Frank Keenan dans Réhabilitation. 42nd Street, New-York-City. 3° George Lar- IÀttle French. — 1° Certainement CBaplin film où sera retracée la vie de Victor-Hugo. longue période, en qualité de « leading-lady « Un Gaumontphile. — Si l'on ne vous a pas kin, dans Le Tigre sacré. vous Lera envoyer sa photo. 2° Non, pas au Les principaux artistes engagés par les Films EN AMERIQUE Miss Beulah Bains, une nouvelle venue dans •épondu la première fois, il n'y a aucune rai- Sahara, en Californie ! 3° Roscoë Arbuckle est Servaës pour interpréter ces diverses produc- La Paramount-Artcraft vient d'acquérir le la comédie filmée. on pour qu'on le fasse la seconde. P. Géo. — 1° Les producteurs qui dirigèrent le nom de Fatty. tions sont : Mmes Mad. Lély et de Boncza ; Il est donc probable, sinon certain, qu'Ed- l'exécution des films de Fairbanks ont chan- droit de filmer Les Travailleurs de la Mer, S. B. — 1° Il ne faut pas juger de la pro- MM. Raphaël Duflos, Joë Hamman, Berton et Mannna. — Dans Fleur des Champs, Char- gé à plusieurs reprises ; les deux principaux de Victor-Hugo, et en fera une « spécial pro- na Purviance quittera bientôt le studio de duction américaine par Le Tigre Sacré. C'est Chevallier. 63 Ray avait pour partenaire Doris May. Je l'ai sont : Allan Dwan (Douglas, le nouveau d'Ar- duction ». Chaplin. absolument comme si les Américains jugeaient éjà dit. tagnan) et Joseph Henaberry (Le sauveur du Il sera intéressant; au plus haut point, de Ranch). 2° William S. Hart. 1215, Bâtes ave- la nôtre, d'après Le Fils de la nuit ou Masca- IV. M. C. — 1° Ces deux films ont été tour- mor. 2° Les Américains ont tourné quantité M. Camille de Morlhon termine actuelle- comparer Les Travailleurs de la Mer d'Améri- David W. Griffith tourne actuellement Ro- nue, Los Angeles (Cal.), U.S.A. lés près de Los Angeles.en Californie.2° Ruth de films inspirés par l'histoire de leurs pays ment Eliane, comédie dramatique interprétée que au film du même nom, que tourna ici mance, avec Doris Keane, l'une des célébrités ioland a divorcé peu de mois après son ma- 3 Adm. de M. P. — 1" Oui c'est son vérita- {La Naissance d'une Nation ; la naissance du Antoine, il y a deux ans, avec Joubé et Andrée du théâtre américain contemporain, pour par Candé et Rolla-Norman ; Sabine Lan- iage, l'an dernier. Son époux n'était pas ar- ble nom. 2° Je ne connais pas l'adresse de Texas ; et tous les films qui se déroulent à ; Brabant pour interprètes principaux. dray et Eugénie Nau. V » star ». iste de cinéma. 3° Son prochain film porte son domicile. 3° Rien encore n'est décidé pour l'époque de la guerre de Sécession) ; quand e titre : The adventures of Ruth. ce film en épisodes. nous produirons beaucoup, peut-être serons- nous aussi obligés de chercher des sujets dans Savez-vous de quel np/n Charlie Chaplin Butterfly. — 1° Simone Genevois,'à la Vi- Ophélie. — 1° Jacques-Robert, dans ce rô- M. Saidreau a tourné pour le Film d'Art, Louise Glaum porte vingt-trois toilettes dif- l'histoire des autres pays ; mais c'est impro- a baptisé sa dernière acquisition, un avion ? io-Filnii 111, faubourg Saint-Honoré, Paris. le du Comte de Monte-Cristo. 2° On peut fài- bable, car notre fonds est pour ainsi dire iné- avec Boucot et Louise Lagrange La folle nuit férentes dans le film qu'elle tourne actuelle- Eh ! bien, il l'a appelé « Hamlet », car il] !° Gaby Deslys a tourné en effet cet été à re un plus mauvais choix. 3° Douzième ar- puisable, tandis que celui de l'Amérique est de Théodore. ment- : Sex. dit qu'il dépend pour lui de cet engin d'èln lauville, sous la direction de Pouctal, qucl- rondissement. limité, les Etats-Unis étant l'une des nations Q [ues scènes de son dernier film : le Dieu du ou ne pas être le lendemain a son studio... les plus jeunes. 3° Vingt-cinq ans environ. iasard ,que l'on verra en mars. 3° Pierre Ma- Morenomane. — 1° et 2° Autant de ques- M. Jean Kemm a terminé pour la S.C.A.G.L. Son prénom m'est inconnu. nier, 86, rue Cardinet, Paris. (17s) tions auxquelles je suis incapable de répon- une adaptation de Miss Rovel, de Cherbuliez, Le gouvernement des Etats-Unis, en la per- dre. Little May. — 1° Nazimova est née en 1879. avec Mmes Geneviève Félix et Jane Faber, sonne de F. K. Lane, sous-secrétaire d'Etat à Janette. — Je ne sais rien sur cette artiste. G. Baderne. — 1° Entre le dernier filin Adresse : 6.124, Carlos Avenue, Los Angeles MM. Jean Worms, Barbier et Lerner, pour prin- l'intérieur, a réuni récemment les représen- Boodic.
Recommended publications
  • Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
    cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • A Reappraisal of Three Character Actors from Hollywood’S Golden Age
    University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar.
    [Show full text]
  • March 2018 REFLECTIONS the Newsletter of the Northwest Airlines History Center Dedicated to Preserving the History of a Great Airline and Its People
    Vol.16, no.1 nwahistory.org facebook.com/NorthwestAirlinesHistoryCenter March 2018 REFLECTIONS The Newsletter of the Northwest Airlines History Center Dedicated to preserving the history of a great airline and its people. NORTHWEST AIRLINES 1926-2010 ______________________________________________________________________________________________________ THE QUEEN OF THE SKIES Personal Retrospectives by Robert DuBert It's hard to believe that they are gone. Can it be possible that it was 50 years ago this September that this aircraft made its first public appearance? Are we really all so, ahem, elderly that we Photo: True Brand, courtesy Vincent Carrà remember 1968 as if it were yesterday? This plane had its origins in 1964, when Boeing began work on a proposal for the C-5A large military airlifter contract, and after Lockheed won that contest, Boeing considered a commercial passenger version as a means of salvaging the program. Urged on by Pan Am president Juan Trippe, Boeing in 1965 assigned a team headed by Chief Engineer Joe Sutter to design a large new airliner, although Boeing at the time was really more focused on its supersonic transport (SST) program. A launch customer order from Pan Am on April 13, 1966 for twenty five aircraft pushed Sutter's program into high gear, and in a truly herculian effort, Joe Sutter and his Boeing team, dubbed “The Incredibles,” brought the program from inception on paper to the public unveiling of a finished aircraft in the then unheard of time of 29 months. We're talking, of course, about the legendary and incomparable Boeing 747. THE ROLLOUT It was a bright, sunny morning on Monday, Sept.
    [Show full text]
  • The Dragon Painter by Daisuke Miyao
    The Dragon Painter By Daisuke Miyao “The Dragon Painter” (William Worthington, 1919) was the first of Robertson-Cole Distributing Corporation’s new series of “Hayakawa Superior Pictures.” In 1919, Sessue Hayakawa, a Japanese-born ac- tor, was at the peak of his superstardom, after the sensation success with the role of a sexy but villainous Japanese art dealer in “The Cheat” (Cecil B. DeMille, 1915). In March 1918, after two years of stardom at the Jesse L. Lasky Feature Play Company, Hayakawa established his own film production company, Ha- worth Pictures Corporation. Despite his popularity, Hayakawa was not fully satis- The “Dragon Painter” (Sessue Hayakawa) studies his model (Tsuru fied with his star image that was created Aoki). Courtesy Library of Congress Collection. at Lasky. Lasky took a double-barreled strate- gy that would make Hayakawa heroic, sympathetic, reactions from Japanese spectators made Hayakawa and assimilated enough to become a star but keep realize the need to at least adjust his star image by his non-white persona safely distanced from white balancing his already established star image for middle-class Americans. Lasky made clear the as- American audiences with his reputation among pect of refinement in Hayakawa’s image, especially Japanese spectators. his embodying of exotic Japaneseness, typified by his acting skill manifested in his performances. Sim- “The Dragon Painter” was an example of such a bal- ultaneously, Lasky emphasized the Americanized ancing act. While Hayakawa was gearing towards characteristics of Hayakawa’s personas (obedience authentic Japaneseness, Robertson-Cole, which to American laws, assimilation to the American way was expanding its influence in the distributing busi- of life, etc.).
    [Show full text]
  • Camera (1920-1922)
    7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Sumitomo Bank of California Photographs, 1976
    http://oac.cdlib.org/findaid/ark:/13030/kt5k4033rg No online items Finding Aid for the Sumitomo Bank of California photographs, 1976 Processed by Tiffany-Kay Sangwand in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, Winter 2008; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Sumitomo 2010 1 Bank of California photographs, 1976 Descriptive Summary Title: Sumitomo Bank of California photographs Date (inclusive): 1976 Collection number: 2010 Creator: Sumitomo Bank of California Extent: 2 oversize boxes (Box 765 and 873) Abstract: The Sumitomo Bank of California Photographs are enlarged and mounted black and white reproductions of photographs depicting the accomplishments and daily life of Japanese Americans from 1887 to 1976. The majority of the photographs document Japanese living on the west coast, particularly in California. These photograph reproductions were originally part of "The Japanese American Contribution" exhibit hosted by the Sumitomo Bank of California in 1976. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research.
    [Show full text]
  • Movie Museum MAY 2009 COMING ATTRACTIONS
    Movie Museum MAY 2009 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! LAST CHANCE HARVEY Buddha Day Mother's Day THIRD MAN ON THE THREE MEN IN A BOAT (2008-UK/US) TRAVELLERS AND LAST CHANCE HARVEY MOUNTAIN (1956-UK) in widescreen MAGICIANS (2008-UK/US) (1959) (2003-Australia/Bhutan) in widescreen with Laurence Harvey, Jimmy with Dustin Hoffman, Emma in Dzongkha with English with Dustin Hoffman, Emma with Michael Rennie, James Edwards, David Tomlinson, Thompson, Eileen Atkins, subtitles & in widescreen Thompson, Eileen Atkins, MacArthur, Janet Munro, with Tsewang Dandup, Shirley Eaton, Lisa Gastoni, Kathy Baker, Liane Balaban, Kathy Baker, Liane Balaban, James Donald, Herbert Lom, James Brolin, Richard Schiff. Sonam Lhamo, Lhakpa Dorji, James Brolin, Richard Schiff. Laurence Naismith. Jill Ireland, Martita Hunt. Deki Yangzom, Sonam Kinga. Written and Directed by Directed by Directed by Written and Directed by Written and Directed by Joel Hopkins. Ken Annakin. Ken Annakin. Joel Hopkins. Khyentse Norbu. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & 8:30pm 7 & 8:30pm 8 & 8:30pm 9 & 8:30pm 10 & 8:30pm 11 QUARTET TRAVELLERS AND THE CURIOUS CASE OF TAKEN Hawaii Premiere! (1948-UK) MAGICIANS BENJAMIN BUTTON (2008-France) ACROSS THE BRIDGE (1957-UK) hosted by W. Somerset (2003-Australia/Bhutan) (2008) in English & in widescreen Maugham, with Dirk Bogarde, in Dzongkha with English in widescreen in widescreen George Cole, Honor Blackman, subtitles & in widescreen with Brad Pitt, Julia Ormond, with Liam Neeson, Famke with Rod Steiger, David Mai Zetterling, Basil Radford, with Tsewang Dandup, Sonam Cate Blanchett, Elias Koteas, Janssen, Leland Orser, Knight, Marla Landi, Noel Naunton Wayne, Cecil Parker, Lhamo, Lhakpa Dorji, Tilda Swinton, Taraji P.
    [Show full text]
  • The Face of a Saint
    one The Face of a Saint From the beginning, Montgomery Clift was hailed as exceptional. In December 1948, Life magazine featured an earnest Clift on its cover over the title “New Male Movie Stars.” While the other candidates for stardom (including Richard Widmark, Ricardo Montalban, Louis Jourdan, Peter Lawford, and Farley Granger) were presented as a group, Clift had already been singled out. 1 “Clift, 28, heads the list of new male movie discoveries,” Life proclaimed. 2 This pronouncement was widely seconded at the time and would be reiterated for decades. One critic, comparing him with con - temporaries Marlon Brando and James Dean fifty years later, asserted that Clift was “the purest, and least mannered of these actors, perhaps the most sensitive, certainly the most poetic. He was also remarkably beautiful.” 3 Spencer Tracy put it more bluntly: “He makes most of today’s young play - ers look like bums.” 4 One distinct advantage Clift had over the other newcomers in Decem - ber 1948 was the recent release of his first two films, The Search and Red River. The first appeared in March, the second in September. As with much of Clift’s legend, the question of which film should be considered his first is subject to debate. Although The Search was the first to appear in theaters, Red River was the first film Clift made, having been produced two years earlier and its release delayed. Choosing to begin with one film over the other has important conse - quences, not least raising the question of whether we give precedence to the actor’s experience or to that of the viewer.
    [Show full text]
  • Report to the U. S. Congress for the Year Ending December 31, 2010
    Report to the U.S. Congress for the Year Ending December 31, 2010 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage April 14, 2011 Dr. James H. Billington The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Billington: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (Public Law 110-336), I submit to the U.S. Congress the 2010 Report of the National Film Preservation Foundation. Twelve years have passed since the NFPF gave its first film preservation grant, and it is tremendously heartening to see how far we have come. At that time, only the largest institutions had the money and know-how to preserve their film collections. Now, thanks to the federal funding secured by the Library of Congress and resources contributed by the entertainment industry, we have broadened the playing field and enabled 217 archives, libraries, and museums across 48 states to step up to the plate. These efforts have rescued 1,706 films that might otherwise have been lost—newsreels, docu- mentaries, silent-era features, avant-garde films, home movies, industrials, and independent productions that record our history and culture. Films preserved through the NFPF programs are used widely in education and reach audiences everywhere through exhibition, television, video, and the Internet. Repatriation is the newest film preservation frontier. In 2009, I reported the beginnings of a ground- breaking collaboration to preserve and make available American silent-era films discovered at the New Zealand Film Archive.
    [Show full text]