B O O K S & J O U R N a L S S P R I N G
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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
March 2018 REFLECTIONS the Newsletter of the Northwest Airlines History Center Dedicated to Preserving the History of a Great Airline and Its People
Vol.16, no.1 nwahistory.org facebook.com/NorthwestAirlinesHistoryCenter March 2018 REFLECTIONS The Newsletter of the Northwest Airlines History Center Dedicated to preserving the history of a great airline and its people. NORTHWEST AIRLINES 1926-2010 ______________________________________________________________________________________________________ THE QUEEN OF THE SKIES Personal Retrospectives by Robert DuBert It's hard to believe that they are gone. Can it be possible that it was 50 years ago this September that this aircraft made its first public appearance? Are we really all so, ahem, elderly that we Photo: True Brand, courtesy Vincent Carrà remember 1968 as if it were yesterday? This plane had its origins in 1964, when Boeing began work on a proposal for the C-5A large military airlifter contract, and after Lockheed won that contest, Boeing considered a commercial passenger version as a means of salvaging the program. Urged on by Pan Am president Juan Trippe, Boeing in 1965 assigned a team headed by Chief Engineer Joe Sutter to design a large new airliner, although Boeing at the time was really more focused on its supersonic transport (SST) program. A launch customer order from Pan Am on April 13, 1966 for twenty five aircraft pushed Sutter's program into high gear, and in a truly herculian effort, Joe Sutter and his Boeing team, dubbed “The Incredibles,” brought the program from inception on paper to the public unveiling of a finished aircraft in the then unheard of time of 29 months. We're talking, of course, about the legendary and incomparable Boeing 747. THE ROLLOUT It was a bright, sunny morning on Monday, Sept. -
The Dragon Painter by Daisuke Miyao
The Dragon Painter By Daisuke Miyao “The Dragon Painter” (William Worthington, 1919) was the first of Robertson-Cole Distributing Corporation’s new series of “Hayakawa Superior Pictures.” In 1919, Sessue Hayakawa, a Japanese-born ac- tor, was at the peak of his superstardom, after the sensation success with the role of a sexy but villainous Japanese art dealer in “The Cheat” (Cecil B. DeMille, 1915). In March 1918, after two years of stardom at the Jesse L. Lasky Feature Play Company, Hayakawa established his own film production company, Ha- worth Pictures Corporation. Despite his popularity, Hayakawa was not fully satis- The “Dragon Painter” (Sessue Hayakawa) studies his model (Tsuru fied with his star image that was created Aoki). Courtesy Library of Congress Collection. at Lasky. Lasky took a double-barreled strate- gy that would make Hayakawa heroic, sympathetic, reactions from Japanese spectators made Hayakawa and assimilated enough to become a star but keep realize the need to at least adjust his star image by his non-white persona safely distanced from white balancing his already established star image for middle-class Americans. Lasky made clear the as- American audiences with his reputation among pect of refinement in Hayakawa’s image, especially Japanese spectators. his embodying of exotic Japaneseness, typified by his acting skill manifested in his performances. Sim- “The Dragon Painter” was an example of such a bal- ultaneously, Lasky emphasized the Americanized ancing act. While Hayakawa was gearing towards characteristics of Hayakawa’s personas (obedience authentic Japaneseness, Robertson-Cole, which to American laws, assimilation to the American way was expanding its influence in the distributing busi- of life, etc.). -
Black Williams: a Written History
BLACK WILLIAMS: A WRITTEN HISTORY WILLIAMS COLLEGE BLACK STUDENT UNION INTRODUCTION “In order to know where you are going, you must know where you came from.” It was that very belief that raised questions in the minds of Williams Black Student Union board members in the spring of 2002. The BSU board in 2002–2003 was composed mainly of freshmen who hadn’t yet been acquainted with the oral history of the BSU. This realization led the board to seek out information about the history of the BSU that could be passed on to incoming freshmen and also be made available to all its members. The fact that the history is so rich—and turbulent—further necessitated the writing of this history. However, the search for information in the likeliest places proved futile: there was no summary record of the BSU available. Therefore, that spring the BSU decided to create a complete history of the Union that would include all of the events that led to its creation, the events that led to the acquisition of Rice House, and, as nearly as possible, all that has happened on campus since the creation of the Union that affected its membership. This idea was submitted to Prof. Tess Chakalakal for her evaluation and advice in the summer of 2002. She suggested that we elaborate on an already solid foundation. Not only was there a need for a record of the rich history of the BSU, she said, but also of the blacks who attended Williams: a written, accessible history of Williams’ illustrious black graduates would not only inform current students but would attract prospective students —especially black students—to Williams. -
Great Lakesab
VIOLENCE IN/AND THE GREAT LAKES i Thinking Africa is a series produced by the Department of Political and International Studies at Rhodes University and University of KwaZulu-Natal Press. For more information on the project, visit http://www.ru.ac.za/politics/thinkingafrica/ or write to: Leonhard Praeg: Series Editor Thinking Africa Political and International Studies Rhodes University Private Bag 94 Grahamstown 6139 South Africa Email: [email protected] Previous series titles: The Return of Makhanda: Exploring the Legend by Julia C. Wells (2012) On African Fault Lines: Meditations on Alterity Politics by V-Y Mudimbe (2013) A Report on Ubuntu by Leonhard Praeg (2014) Ubuntu: Curating the Archive edited by Leonhard Praeg and Siphokazi Magadla (2014) ii VIOLENCE IN/AND THE GREAT LAKES The Thought of V-Y Mudimbe and Beyond Edited by Grant Farred, Kasereka Kavwahirehi and Leonhard Praeg iii Published in 2014 by University of KwaZulu-Natal Press Private Bag X01 Scottsville, 3209 Pietermaritzburg South Africa Email: [email protected] Website: www.ukznpress.co.za © 2014 University of KwaZulu-Natal All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior permission in writing from University of KwaZulu- Natal Press. ISBN: 978-1-86914-284-1 Managing editor: Sally Hines Editor: Alison Lockhart Proofreader: Christopher Merrett Typesetter: Patricia Comrie Indexer: Ethné Clarke Cover design: MDesign Cover art: Luc Tuymans, Speech, 2010 (206.4 x 138.4 cm, oil on canvas) Printed and bound in South Africa by Interpak Books, Pietermaritzburg iv C O N T E N T S Acknowledgements viii Introduction: Silhouette of the Unknown Woman 1 Grant Farred 1 For a Common Ascension in Humanity: The Intellectual’s Mission in the Great Lakes Region 16 Kasereka Kavwahirehi 2 Life, ‘Life’ and Death 35 Grant Farred 3 Violence of Details and Details of Violence in Novels by V-Y Mudimbe 54 Justin K. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Sumitomo Bank of California Photographs, 1976
http://oac.cdlib.org/findaid/ark:/13030/kt5k4033rg No online items Finding Aid for the Sumitomo Bank of California photographs, 1976 Processed by Tiffany-Kay Sangwand in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, Winter 2008; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Sumitomo 2010 1 Bank of California photographs, 1976 Descriptive Summary Title: Sumitomo Bank of California photographs Date (inclusive): 1976 Collection number: 2010 Creator: Sumitomo Bank of California Extent: 2 oversize boxes (Box 765 and 873) Abstract: The Sumitomo Bank of California Photographs are enlarged and mounted black and white reproductions of photographs depicting the accomplishments and daily life of Japanese Americans from 1887 to 1976. The majority of the photographs document Japanese living on the west coast, particularly in California. These photograph reproductions were originally part of "The Japanese American Contribution" exhibit hosted by the Sumitomo Bank of California in 1976. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. -
Movie Museum MAY 2009 COMING ATTRACTIONS
Movie Museum MAY 2009 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! LAST CHANCE HARVEY Buddha Day Mother's Day THIRD MAN ON THE THREE MEN IN A BOAT (2008-UK/US) TRAVELLERS AND LAST CHANCE HARVEY MOUNTAIN (1956-UK) in widescreen MAGICIANS (2008-UK/US) (1959) (2003-Australia/Bhutan) in widescreen with Laurence Harvey, Jimmy with Dustin Hoffman, Emma in Dzongkha with English with Dustin Hoffman, Emma with Michael Rennie, James Edwards, David Tomlinson, Thompson, Eileen Atkins, subtitles & in widescreen Thompson, Eileen Atkins, MacArthur, Janet Munro, with Tsewang Dandup, Shirley Eaton, Lisa Gastoni, Kathy Baker, Liane Balaban, Kathy Baker, Liane Balaban, James Donald, Herbert Lom, James Brolin, Richard Schiff. Sonam Lhamo, Lhakpa Dorji, James Brolin, Richard Schiff. Laurence Naismith. Jill Ireland, Martita Hunt. Deki Yangzom, Sonam Kinga. Written and Directed by Directed by Directed by Written and Directed by Written and Directed by Joel Hopkins. Ken Annakin. Ken Annakin. Joel Hopkins. Khyentse Norbu. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & 8:30pm 7 & 8:30pm 8 & 8:30pm 9 & 8:30pm 10 & 8:30pm 11 QUARTET TRAVELLERS AND THE CURIOUS CASE OF TAKEN Hawaii Premiere! (1948-UK) MAGICIANS BENJAMIN BUTTON (2008-France) ACROSS THE BRIDGE (1957-UK) hosted by W. Somerset (2003-Australia/Bhutan) (2008) in English & in widescreen Maugham, with Dirk Bogarde, in Dzongkha with English in widescreen in widescreen George Cole, Honor Blackman, subtitles & in widescreen with Brad Pitt, Julia Ormond, with Liam Neeson, Famke with Rod Steiger, David Mai Zetterling, Basil Radford, with Tsewang Dandup, Sonam Cate Blanchett, Elias Koteas, Janssen, Leland Orser, Knight, Marla Landi, Noel Naunton Wayne, Cecil Parker, Lhamo, Lhakpa Dorji, Tilda Swinton, Taraji P. -
Democracy Dispossessed: Land, Law & the Politics of Redistribution In
Democracy Dispossessed: Land, Law & the Politics of Redistribution in South Africa Amanda Alexander Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2015 Amanda Alexander All rights reserved ABSTRACT Democracy Dispossessed: Land, Law & the Politics of Redistribution in South Africa Amanda Alexander This dissertation concerns the history of land politics in South Africa and, equally, land as a vehicle for understanding the transition from apartheid to the post-apartheid order. In 2004, after a decade in power, the ANC government’s failure to carry out widespread land reform began to test the country’s democratic possibilities. In the lead up to that year’s national election, social movements urged landless people to boycott the polls and occupy land instead as part of a “No Land! No Vote!” campaign. With this clash as its entry point for analysis, this dissertation examines historical factors that have shaped South Africa’s neoliberal democracy and prospects for redistribution. It offers insights into some of the most significant questions facing the country: What is the historical relationship between land dispossession, citizenship, and politics in South Africa? And why, well into the Mbeki years, was the country unable, or unwilling, to reckon with it? Broad in scope, this dissertation examines a number of institutions that shaped the politics of land, economic development, and citizenship in South Africa over the last century. It is particularly focused on period of the 1940s-2004, encompassing the apartheid era and the first ten years of democracy.