DOCSLIB.ORG

Jacobson, Oscar Brousse (1882–1966)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jacobson, Oscar Brousse (1882–1966) University of Oklahoma Libraries Western History Collections Oscar Brousse Jacobson Collection Jacobson, Oscar Brousse (1882–1966). Papers, 1916–1950. 1.33 feet. Professor. Newspaper editorial cartoons (1918–1930) regarding World War I and the post- war period; civilian defense correspondence (1917–1920) and publications (1942–1945), including plans, papers, and blueprints detailing civilian defense of the University of Oklahoma in the event of enemy attack; biographies (n.d.); and Jacobson’s unpublished manuscript (ca. 1954) regarding Oklahoma artists and the status of art in Oklahoma through 1930. ______________________ Box 1 (J-1) Folder: 1 Issue of Utlandssvenskarna magazine of 1955. See article within regarding Jacobson. Catalogues: 2nd-4th Annual Exhibition, the Art of the Southwest, University of Oklahoma, 1917, 1918 and 1919. Typescript, in English, of article in magazine. Pictures of our Country, Exhibit, Chicago Art Institute, 1919. 2 Materials regarding the Association of Oklahoma Artists dating from the nineteen teens. Includes organizational constitution, original typed version by Jacobson. 3 Re: World War One. League of the Allies materials. 4 Re: World War One. League of the Allies materials, and information packet from the national Treasury Dept. regarding a national poster competition to promote war savings campaigns. 5 Re: World War Two. Papers regarding civilian defense operations and initiatives at the University of Oklahoma. 6 Re: World War Two. Booklet: "Suggested Regulations For Retail Stores For Blackouts and Air Raids." By the U.S. Office of Civilian Defense. 7 Re: World War Two. Booklet: "Civilian Defense Protective Concealment." By U.S. Office of Civilian Defense. 8 Re: World War Two. Booklet: "The United States Civilian Defense Corps." By U.S. Office of Civilian Defense. 9 Re: World War Two. Booklet: "Protection of Industrial Plants and Public Buildings." By U.S. Office of Civilian Defense. 1 10 Re: World War Two. Booklet: "Suggested Regulations for the Theaters For Blackouts and Air Raids." By U.S. Office of Civilian Defense. 11 Constitution and By-Laws of the Newcomer's Club. Original typed copy. 12 Biographical information regarding Oklahoma artists, all from 1916. 13 Jacobson Correspondence: 1917-1920. 14 Handwritten notes regarding artists. 15 Information regarding Indian painters. 16 Information regarding Indian Painters. 17 Biographical information regarding Oscar B. Jacobson. Box 2 (J-13) Folders 1 - 60 contain Jacobson's unpublished manuscript. 1 Newspaper article by Nan Sheets on Dr. O.B. Jacobson. 2 Index: Art and Artists in Oklahoma 3 Foreword and Introduction 4 The Ancients 5 Catlin 6 Heinrich Baldwin Molhausen, Elbridge Ayer Burbank 7 Frederic Remington 8 John Mix Stanley 9 E.W. Lenders, R.P. Harrison, Henrietta Clopath 10 Samuel Holmberg I, Patricio Gimeno, Narcissa C. Owen, Lawrence Pickett Williams 11 Gerrer 12 Nellie Sheppard, John Noble, Mrs. Linley M. Tompkin 2 13 Robert Garrison 14 Dr. W.J. Boyd, Mrs. Minta Jackson, Marshall Lackey 15 Gayle Evans McKnight, Glen and Treva Wheete, Gwendolyn Meux 16 Marjorie Dodge Tapp, Daisy McCool, Edna Bradley Stevenson 17 William Harold Smith, Joseph De Sigall, Nan Sheets 18 W. Rex Gorey, Ralph Shead, Dr. Basil A. Hayes 19 Melcina Thomas Sampson, Jo Lee Rodke, Adah M. Robinson 20 Doel Reed, Madeline G. Ritz, Mrs. Edith Reed 21 Augusta J. Metcalfe, Anita Moore, Edith Mahier 22 Harriet Kritser, Florence Brown Joslyn, Alexandre Hogue, Myrle E. Kelly 23 S. Deborah Haines, Eula Grimes, Fr. Overton Colbert, Alice Fleming 24 Clyde C. Clack, Frederic Becker, Harriet George Barclay, Francis Fite Armbrister 25 E.R. Abbott, May Todd Aaron, Joseph R. Taylor, Gwen Hendrickson 26 Julius Struppeck, Dorothea Stvenson, Lawrence Tenney Stevens, Dorothy Kirk 27 John O'Neil, Edith Ogle, Eugene J. McFarland, J.J. McVicker 28 Paul Mannen, Mary Lamb Lewis, Anita Howard Kramer, Eugene Kingman 29 Elizabeth Janes, Willa Baze Lane, Robert Evans, Lowell and Stanley Hess 30 Olinka Hrdy, Patty Patterson, Leonard Phelps Good, Bernand Frazier. 30a. Ina Annett, Paul Emerson, Eugene Jesse Brown, Minnie Baker. 31 Emilo Amero, Jessy Stone Archer, Edgar A. Albin, Louis Weinberg 32 Don Loewen, Willard Stone, Yeffe Kimball, Robert Massey 33 Charles Banks Wilson, Joe S. Morris, Riley White, Anna H. Miller 34 Martha Avery, Rev. John L. Walch, Richard H. Taflinger, J. Craig Sheppard. 3 35 Patric Rowley, Martha Francis Ratcliffe, John W. Randolph, Loraine Moore 36 Stuart H. Mong, Jeanne Haughton Lawrence, Yolande Jacobson, Richard V. Goetz 37 Duncan Stuart, Owen Keith Harry, Edgar Roy Huxley, Robert Earl Gardner 38 Sylvia A. Flynn, Richard S. DeFalco, Quinton L. McCristy, Elmer Capshaw 39 Eugene Bavinger, Leroy Bond, Mary Todd Aaron 40 Indians and art 41 Woodrow Crumbo, G.C. Keahbone (A-san-ta) 42 Carl Sweezy, Ernest Spybuck, Monroe Tsa-to-ke, Steve Mopope 43 Spencer Asah, Lois Smoky, James Auchiah, Jack Hokeah 44 Francis Blackbear Bosin, Cecil Murdock, Chief Saul, Archie Black Owl 45 Woody Big Bow, Leonard Riddles, Larry Saupity, Victor Pepion 46 Roland Whitehorse, Herman Toppah, Oscar Howe, Paul Goodbear 47 Fred Beaver, Acee Blue Eagle, Allen Houser 48 Allen Bushyhead, Franklin Gritts, Cecil Roy Dick, C. Earl Poodry 49 Solomon McCombs, Dick West 50 The Government in art 51 Murals in public buildings 52 Museums: University of Oklahoma museums of art and history 53 Museum: St. Gregory's and Father Gregory 54 Museums: Oklahoma State Historical Museum, Oklahoma State Historical Society 55 Museum: Osage Museum 56 Museum: Philbrook Art Center 4 57 Museum: Woolaroc 58 Pioneer Woman 59 Ponca City Library 60 Art Exhibitions and art schools Jacobson's unpublished manuscript ends here. Any remaining folders are in relation to other matters. 61 Indian biographies dating from the nineteen teens. Box 3 (J-18) Folder: 1 Cartoons: 1918 (re: World war One) 2 Cartoons: 1919 (re: World War One) 3 Cartoons: 1920 4 Cartoons: 1921 5 Cartoons: 1922 6 Cartoons: 1928-1930 7 Miscellaneous, plus cartoons 8 Personal correspondence 9 Miscellaneous 10 Exposition of Indian Tribal Arts 11 Correspondence regarding coin collecting 12 Rough draft of “North American Indian Costumes, 1564-1950” by O.B. Jacobson and illustrated by Oscar Howe, 1950. Also includes a 3-page article on transparencies: “Indian Artists of Oklahoma” by Oscar B. Jacobson from The Oklahoma Almanac. 13. Notebook 1: Images of paintings [1 of 2] 14. Notebook 1: Images of paintings [2 of 2] 5 15. Notebook 2: Images of paintings [1 of 2] 16. Notebook 2: Images of paintings [2 of 2] 17. Notebook 3: Images of paintings [1 of 2] 18. Notebook 3: Images of paintings [2 of 2] 19. Notebook 4: Images of paintings 20. Notebook 5: Images of paintings [1 of 2] 21. Notebook 5: Images of paintings [2 of 2] 6 .
Load more

Recommended publications
  • MS 7536 Pochoir Prints of Ledger Drawings by the Kiowa Five
    MS 7536 Pochoir prints of ledger drawings by the Kiowa Five National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Numbers................................................................................................................. 3 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical...................................................................................................
    [Show full text]
  • The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
    2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission.
    [Show full text]
  • Native American Painters and Sculptors in the Twentieth Century, 1991
    BILLIE JANE BAGULEY LIBRARY AND ARCHIVES HEARD MUSEUM 2301 N. Central Avenue ▪ Phoenix AZ 85004 ▪ 602-252-8840 www.heard.org Shared Visions: Native American Painters and Sculptors in the Twentieth Century, 1991 RC 10 Shared Visions: Native American Painters and Sculptors in the Twentieth Century 2 Call Number: RC 10 Extent: Approximately 3 linear feet; copy photography, exhibition and publication records. Processed by: Richard Pearce-Moses, 1994-1995; revised by LaRee Bates, 2002. Revised, descriptions added and summary of contents added by Craig Swick, November 2009. Revised, descriptions added by Dwight Lanmon, November 2018. Provenance: Collection was assembled by the curatorial department of the Heard Museum. Arrangement: Arrangement imposed by archivist and curators. Copyright and Permissions: Copyright to the works of art is held by the artist, their heirs, assignees, or legatees. Copyright to the copy photography and records created by Heard Museum staff is held by the Heard Museum. Requests to reproduce, publish, or exhibit a photograph of an art works requires permissions of the artist and the museum. In all cases, the patron agrees to hold the Heard Museum harmless and indemnify the museum for any and all claims arising from use of the reproductions. Restrictions: Patrons must obtain written permission to reproduce or publish photographs of the Heard Museum’s holdings. Images must be reproduced in their entirety; they may not be cropped, overprinted, printed on colored stock, or bleed off the page. The Heard Museum reserves the right to examine proofs and captions for accuracy and sensitivity prior to publication with the right to revise, if necessary.
    [Show full text]
  • The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952
    1 The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952 Janet Catherine Berlo October 2008 2 Table of Contents Introduction . 3 Native American Painting as Modern Art The Publisher: l’Edition d’Art C. Szwedzicki . 25 Kiowa Indian Art, 1929 . .27 The Author The Subject Matter and the Artists The Pochoir Technique Pueblo Indian Painting, 1932 . 40 The Author The Subject Matter and the Artists Pueblo Indian Pottery, 1933-36 . 50 The Author The Subject Matter Sioux Indian Painting, 1938 . .59 The Subject Matter and the Artists American Indian Painters, 1950 . 66 The Subject Matter and the Artists North American Indian Costumes, 1952 . 81 The Artist: Oscar Howe The Subject Matter Collaboration, Patronage, Mentorship and Entrepreneurship . 90 Conclusion: Native American Art after 1952 . 99 Acknowledgements . 104 About the Author . 104 3 Introduction In 1929, a small French art press previously unknown to audiences in the United States published a portfolio of thirty plates entitled Kiowa Indian Art. This was the most elegant and meticulous publication on American Indian art ever offered for sale. Its publication came at a time when American Indian art of the West and Southwest was prominent in the public imagination. Of particular interest to the art world in that decade were the new watercolors being made by Kiowa and Pueblo artists; a place was being made for their display within the realm of the American “fine arts” traditions in museums and art galleries all over the country. Kiowa Indian Art and the five successive portfolios published by l’Edition d’Art C.
    [Show full text]
  • Automobiles Performing the Trickster in Modern and Contemporary Work by Artists
    Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures By AARON MOSES Bachelor of Arts in History A&M University Corpus Christi Corpus Christi, Texas 2014 Submitted to the Faculty of the Graduate College of Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2017 NOT YOUR GRANDFATHER’S HORSE: AUTOMOBILES PERFORMING THE TRICKSTER IN MODERN AND CONTEMPORARY WORK BY ARTISTS FROM PLAINS CULTURES Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Irene Backus Dr. Douglas Miller *--Delete this paragraph before submission—Type Committee Member names on the Approval page of the electronic copy. If Dr. is used for one name, a similar title must appear on all names. ii ACKNOWLEDGEMENTS A special thanks to Dr. Louise Siddons, Dr. Douglas Miller, and the entire Art History department of Oklahoma State University for supporting the creation of this thesis; to my father and grandfather, for inspiring my interest in automobiles at a young age; and to my Jeep, whose regular maintenance issues never ceased to promote an appreciation for the importance of mobility. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: Aaron Moses Date of Degree: May, 2017 Title of Study: Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern Modern and Contemporary Work by Artists from Plains Cultures Major Field: Art History Abstract: The automobile is a recurring motif among modern and contemporary Native American artists that has gone severely understudied.
    [Show full text]
  • Doctoral Dissertation Template
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life.
    [Show full text]
  • ENGR. S. C. R. NO. 11 Page 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
    1 ENGROSSED SENATE CONCURRENT 2 RESOLUTION NO. 11 By: Easley, Adelson, Aldridge, Anderson, Ballenger, 3 Barrington, Bass, Bingman, Branan, Brogdon, Brown, 4 Burrage, Coates, Coffee, Corn, Crain, Crutchfield, 5 Eason McIntyre, Ellis, Ford, Garrison, Gumm, 6 Halligan, Ivester, Johnson (Constance), Johnson 7 (Mike), Jolley, Justice, Lamb, Laster, Leftwich, 8 Lerblance, Marlatt, Mazzei, Myers, Newberry, 9 Nichols, Paddack, Reynolds, Rice, Russell, 10 Schulz, Sparks, Stanislawski, Sweeden, 11 Sykes, Wilson and Wyrick of the Senate 12 and 13 Sherrer of the House 14 15 16 17 A Concurrent Resolution recognizing the artistic ability of Willard Stone; encouraging viewing of the 18 Stone exhibit at the Gilcrease Museum; and directing distribution. 19 20 21 WHEREAS, Sculptor Willard Stone was born on February 29, 1916, 22 at Oktaha, near Muskogee, Oklahoma. He was educated in Oktaha 23 public schools. His father died when Willard was an infant, leaving 24 his mother to support the family by working as a sharecropper. As ENGR. S. C. R. NO. 11 Page 1 1 an early teen, he suffered the loss of nearly half of his right hand 2 in an accident and withdrew from school. However, his natural 3 talent as a sculptor prevailed and, at the urging of his friends, 4 Stone entered his works at fairs in Muskogee and Okmulgee. Oklahoma 5 historian Grant Foreman saw Stone’s work and, impressed with his 6 artistic abilities, successfully convinced the young man to enroll 7 at Bacone College; and 8 WHEREAS, Stone stayed at the school from 1936 to 1939 where he 9 was mentored by Acee Blue Eagle and Woodrow Crumbo.
    [Show full text]
  • University of Oklahoma Libraries Western History Collections Indians
    University of Oklahoma Libraries Western History Collections Indians for Indians Collection Indians for Indians was a radio program that aired on WNAD, the University of Oklahoma’s radio station. The program began in April 1941, and aired from 1:00pm to 1:30pm on Tuesdays. It was a 30-minute broadcast until 1951, when it expanded to a full hour. The program presented Oklahoma Indian music, the latest Indian news, and announcements about local events including powwows. Indians for Indians was created by Sac and Fox chief, Don Whistler, who served as emcee from 1941 to 1951. The Indians for Indians Collection contains 125 reel-to-reel tapes, all recorded from the 1940s through the 1970s. The collection records over 100 hours of original Indian music by individuals and groups from many different tribes. Whistler invited selected tribal members to Norman and recorded their live performances. These broadcasts contain ceremonial, social, and religious songs and music of Apache, Comanche, Cheyenne, Arapaho, Kiowa, Creek, Seminole, Sac and Fox, Shawnee, Caddo, Pawnee, Osage, Ponca, Otoe, Iowa, Wichita, Sioux, Hopi, Cherokee Indians and other tribes. The programs were originally recorded on discs with some later re- recorded on reel-to-reel tapes. Each tape contains recordings of several broadcasts and some may contain only the performance portions of a program. ****************************************************************************** The earliest Indians for Indians original discs (1943-1950) were given to the Library of Congress for permanent preservation in 1987. They are located at the American Folklife Center of the Library of Congress. This is the citation for their IFI Collection: Title: Indians for Indians Hour Collection Description: One hundred twenty-one discs of the radio program, "Indians for Indians Hour," hosted by Don Whistler.
    [Show full text]
  • Horace Poolaw, Photographer of American Indian Modernity / Laura E
    HORACE POOLAW Photographer of American Indian Modernity HORACE POOLAW Photographer of American Indian Modernity Laura E. Smith · Foreword by Linda Poolaw University of Nebraska Press Lincoln and London © 2016 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on page xvi, which constitutes an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Names: Smith, Laura E. (Laura Elizabeth), 1962– author. Title: Horace Poolaw, photographer of American Indian modernity / Laura E. Smith; foreword by Linda Poolaw. Description: Lincoln: University of Nebraska Press, [2016] | Includes bibliographical references and index. Identifiers: lccn 2015034795 isbn 9780803237858 (cloth: alk. paper) isbn 9780803288072 (pdf) Subjects: lcsh: Poolaw, Horace, 1906– 1984. | Kiowa Indians — Biography. | Indian photographers — Biography. | Kiowa Indians — Social life and customs — 20th century. | Indians of North America — Great Plains — Social life and customs — 20th century. | Kiowa Indians — Ethnic identity. | Indians of North America — Great Plains — Ethnic identity. | Documentary photography — United States — History — 20th century. Classification: lcc e99.k5 s58 2016 | ddc 978.004/974920092 — dc23 lc record available at http://lccn.loc.gov/2015034795 Set in Arno by L. Auten. Designed by N. Putens. Contents List of Illustrations vii Foreword by Linda Poolaw xiii Acknowledgments xv Introduction xvii 1. Homeland 1 2. Family 17 3. History and Pageantry 47 4. Warbonnets 71 5. Postcards 93 6. Art 115 Epilogue 137 Notes 141 Bibliography 175 Index 189 Illustrations 1. Joseph K. Dixon. Plenty 5. Horace Poolaw. Kaw- au- on- Coups (Crow) and wife tay and great- grandson Jerry in car, c.
    [Show full text]
  • Tribe on the Move in 2018
    SWEARING-IN CEREMONY There will be a swearing ceremony on January 19, 2018 at 11am in the Kiowa Tribe Legislature Conference Room. Interim Judge Mark Henricksen will swear in two (2) Housing Commissioners, Donnie Ahhaitty and Daniel Cozad, Sr.; one (1) Elec- tion Commissioner, Scott Kauahquo; and two (2) Interim Judges, Kirke Kickingbird and Arvo Mikkenan Carnegie OK January 12, 2018 Vol. 1 Issue 5 TRIBE ON THE MOVE IN 2018 __________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ Geimausaddle Named Coordinator News From The Chairman KIC meeting Chairman Mary Helen Deer introduces Davetta Geimausaddle as the new KIC Meeting Coordinator. Right– Kiowa Election Commission Chair- man Burnett Pewenofkit. Carnegie - Fifteen votes separated the agenda for the KIC meeting. winner and runner-up in the Kiowa “As part time Coordinator, I will attend Indian Council (KIC) Special meeting and participate with scheduled KIC to elect a Coordinator for future KIC community meetings and serve as rec- meetings. ord keeper for maintaining all resolu- Davetta Geimausaddle emerged as the tions presented, discussed, and drafted first Coordinator under the new Con- for the upcoming first Annual KIC stitution. meeting, April 7, 2018.” According to the Ballot Report, pro- Geimausaddle said that the KIC may vided by the Kiowa Election Commis- schedule several meetings before Feb- “By providing services we will also pro- about our Red River Kiowa Casino. The vide jobs and improve the lives of our sion, Davetta received 126 votes, with ruary 24th. One KIC meeting will be new administration has and is examining Tahnee Marie A.H. GrowingThunder scheduled for early January. elders and children.” all the financial information from the Chairman Komalty getting 111 of the tally, followed by Kiowas are welcome to attend and par- Casino.
    [Show full text]
  • Bacone College's
    EVOLVING STATES Michael Elizondo Jr. and the Reemergence of the Bacone College School of Indian Art By Cedar Marie (Standing Rock Lakota descent) ACONE COLLEGE’S Peoria) depicted images and stories of the INFLUENCE on Michael Native American Church, a regular and Elizondo Jr. has evolved over important influence for Elizondo’s family. Btime. The oldest continuing As a young man and art student, Elizondo American Indian college in what is looked to these artists for inspiration. now Oklahoma, Bacone College was He wanted to express himself in his own chartered in 1880 and its campus was way while also keeping his culture as the later established in Muskogee within central subject matter in his artwork. the Muscogee (Creek) Nation. Unlike Even though he did not attend Bacone’s many schools for Native students of its art school, when Elizondo researched time, Bacone College supported expres- artists and artworks that he could relate to sions of Native identity, cultures, and and learn from, his research nearly always visual arts. Its storied School of Art was led him back to Bacone College and the directed by Native artists and gave birth art department’s history of prominent to the Bacone school, a form of Flatstyle directors. painting that flourished in the 20th Elizondo received his BFA from century and continues today. Michael Oklahoma Baptist University (OBU) in Elizondo Jr. (Cheyenne/Kaw/Chumash) 2008 and his MFA from the University now serves as the new art director of the of Oklahoma (OU) in 2011. At OBU Bacone College School of Indian Art.
    [Show full text]
  • Vol. 34 No. 3 Seal of the Seminole Nation by the Editor
    Vol. 34 No. 3 Seal of the Seminole Nation by the Editor --------------------------------------------- 262 The Jumper Family of the Seminole Nation By Carolyn Thomas Foreman --------------------------------------------------- 272 The Cultural Relation Between Two Pioneer Communities By T.L. Ballenger ------------------------------------------------------------------ 286 Some Personal Reminiscences about Lynn Riggs by Joseph Benton ---------------- 296 Virgil Andrew Wood, M.D. by Mrs. H. Robert Wood --------------------------------- 302 The Founding of Oklahoma A. & M. College By Alfred Edwin Jarrell ----------------------------------------------------------- 315 Custer’s Hunting Horse by Mary Ellen Ryan ------------------------------------------- 326 Notes and Documents ---------------------------------------------------------------------- 336 Necrology Robert Britton Burford – by E.C. Hopper -------------------------------------- 370 Carrie Howell Abernathy by Florence Drake ---------------------------------- 371 Welcome Cecil Moore – by Fred P. Branson ---------------------------------- 372 Minutes -------------------------------------------------------------------------------------- 375 Chronicla of OldaAoma SEAL OF THE SEMINOLE NATION The design in colors on the front cover of this number of The Chronicles is a reproduction of the original painting of the Seminole Seal on exhibit in the :Museum of the Historical Society, one of the paintings of the official seals of the Five Civilized Tribes in the history of Oklahoma. The central
    [Show full text]