Noticing the Dead: the Biographical Sketch in Victorian Periodicals
Noticing the dead: The biographical sketch in victorian periodicals Author Macleod, Jock Published 2017 Journal Title Victorian Periodicals Review Version Accepted Manuscript (AM) DOI https://doi.org/10.1353/vpr.2017.0040 Copyright Statement © 2017 The Johns Hopkins University Press. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/374236 Griffith Research Online https://research-repository.griffith.edu.au Noticing the Dead: The Biographical Sketch in Victorian Periodicals JOCK MACLEOD Writing about Harriet Martineau in Macmillan’s Magazine in May 1877, John Morley drew attention to the importance of her “biographic sketches” of significant figures in the field of journalism. Martineau, who had died the previous year, had published numerous sketches of the recently dead for the Daily News between 1852 and 1863, many of which were collected in Biographical Sketches (1869).1 For Morley, these were “masterpieces in the style of the vignette. Their conciseness, their clearness in fact, their definiteness in judgment, and above all the rightly-graduated impression of the writer’s own personality in the background, make them perfect in their kind.”2 In reviewing Martineau’s work, Morley was himself writing a biographical sketch, a genre that was widespread in periodical literature by the middle of the nineteenth century. Accounts of recently dead editors and contributors ranged from obituaries and memoirs to reviews of books (especially biographies, memoirs, and autobiographies), but many were simply brief sketches of recent or earlier nineteenth century journalistic figures.
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