Why Streaming Services Need to Embrace Game Design — and Give Users the Illusion of Ownership
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Movies Thatpack a Punch
Movies thatPack a 21 June JulyPunch - 01 2019 www.birminghamindianfilmfestival.co.uk Artist Cary Burman. Photo by Chila Rajinder Sawhney Kumari Celebrating our 5th Birthday, Birmingham Indian Film Festival which is part of the UK and Europe’s largest South Asian film festival is literally stuffed to the rafters with a rich assortment of entertaining and thought provoking independent films. This year’s highlights include Our Film, Power & Politics strand offers a red carpet opening night at a critical insight into the fast moving Cineworld Broad Street with the political changes of South Asia. The exciting premiere of cop whodunit astonishing documentary Reason by Article 15, starring Bollywood star Anand Patwardhan, Bangla suspense READYTO LAUNCH YOUR CAREER Ayushmann Khurrana and directed Saturday Afternoon and Gandhian by Anubhav Sinha. Our closing night black comedy #Gadhvi are a few films IN THE FILM INDUSTRY marks the return of Ritesh Batra, the to look out for. director of The Lunchbox with the premiere of Photograph starring the We are expecting a host of special MA Feature Film Development and legendary Nawazuddin Siddiqui and guests, including India’s most famous Sanya Malhotra. indie director Anurag Kashyap of MA Film Distribution and Marketing Sacred Games fame. Make sure you buy Our themes this year include the Young your tickets in advance for this one! Now open for applications Rebel strand which literally knocks out www.bcu.ac.uk/nti/courses all the stereotypes with a fist of movies We are delighted to welcome back our exploring younger lives. See director regular partners including Birmingham Rima Das’ award-winning teenage hit City University and welcome our new Bulbul Can Sing. -
Page 1 HC Rejects Payal’S Appeal for House Heavy Snowfall in Kashmir, Patnitop; NIA Charge Sheets Ultra Arrested Om Puri Dies at 66 Affairs (MHA), There Was Sonnel
SATURDAY, JANUARY 7, 2017 (PAGE 6) DAILY EXCELSIOR, JAMMU From page 1 HC rejects Payal’s appeal for house Heavy snowfall in Kashmir, Patnitop; NIA charge sheets ultra arrested Om Puri dies at 66 Affairs (MHA), there was sonnel. “Aakrosh” and “City of Shah. no immediate threat to them Payal had also challenged NH blocked, 1000 vehicles stranded from Kashmir Joy”, died here today after he Hailing Puri as an “excep- suffered a massive heart attack. tional talent”, Bachchan said he and this "cannot be ques- the single judge's observation snowfall and rains during the Pahalgam received 1.4 degrees school dropout and original- tions given to them by their han- A giant of parallel and new is in grief after hearing the tioned" as even the single that if her husband and father- next 24-hours. Celsius, Kokernag 0.3 degrees ly a resident of Jia Bagga Village dlers of LeT based in Pakistan wave cinema, the 66-year-old news. judge had concluded that there in-law, both of whom are 'Z The weather warning says Celsius and Kupwara 0.3 degrees of Raiwind in Lahore, Pakistan, and PoK. Celsius. actor, who is survived by “Shocked to learn of Om was only a general threat per- plus' protectees, could be minimum temperatures in all was also provided a map sheet "After crossing the LoC secure in a private accommoda- areas of Kashmir Division will Leh in the frontier region of estranged wife Nandita and son Puri Ji’s passing just now.. A ception regarding them. depicting parts of Jammu and fence, the three terrorists walked tion, there is "no reason" why remain below the freezing point Ladakh was the coldest recorded Ishsan, died at his residence. -
P2m Percept Newsletter
/Issue 2/2006 e-newsletter of Table of Contents In the News 2 Awards & Accolades 3 Events & Happening 4 Up Close 5-6 1 IN THE NEWS Upen Patel in Percept Mr. Shailendra Singh awarded ''24 FPS Picture's action trilogy 2006 Power Personality of the Year” Percept Picture Company (PPC) is taking talent management to Recognising the best animation new arenas. Upen Patel will star in a Rs 25 crore yet-untitled talent in India, Maya Academy of project produced by Percept Picture Company. He will be doing Advanced Cinematics organised 3 action films for PPC. its 24 FPS Animation Awards at the Said Mr Shailendra Singh, "We have identified Upen as the future Ballroom in JW Marriott on Apr 21, action hero. He comes in with lots of style, panache and 2006. The show felicitated fresh attitude.” talent as well as professionals in the field of animation. Mr Shailendra Singh, Jt Managing Ramu’s English patience Director, Percept Holdings, and Experimental filmmaker, Ram Gopal Varma is making his first- the mastermind behind India's ever English film for Percept. blockbuster animation, 'Hanuman', was awarded '24 FPS A three-film deal has already been struck with Ram Gopal 2006 Power Personality of the Year'. Varma who was in Manhattan with Mr Shailendra Singh recently. The 24 FPS awards saw in attendance some of the best in the “We have fantastic scripts," said Mr Singh, "and our idea is to industry assembled at the Ballroom of JW Marriott. Some of take our Indian entertainment industry to the international the attendees included the likes of Ashish Kulkarni, Jai level." This would entail Indian directors using Indian ideas and Natrajan, Jesh Krishnamurthy, Joan Vogelesang, Kirneet international actors to create cinema for a global market. -
REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
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) / : ;<!= 6!<!= = !"#$ VRGR $"#(!#1')VCEBRS WWT!Pa!RT%&!$"#1$# ,- 233 $42 5 61 $*3*1- 01$2 ,'1!. ! " # #)1 # 078#0-1-,)# . )*,1 ""#$!#% %# 9- 1* ,# #0# 1 8 10*,##/1 *-..#/, %#%#&#% %#'%#"# ()#'!## % &' ( % )*+'*,!-.!*/$' % earthen lamps on the bank of faith in the country’s rich reli- Saryu river on Chhoti Diwali. gious and cultural values. * Speaking on the occasion, Yogi Adityanath said that Chief Minister Yogi Adityanath Prime Minister Narendra Modi said that earlier, the govern- had tried to re-establish the , -.# ments feared paying attention Indian tradition and culture to Ayodhya but his government and the government was work- yodhya, the epicentre of was fast changing the face of ing hard to bring ‘Ram rajya’ in Hindutva politics, wit- the pilgrim town by launching the country. Anessed yet another large-scale development works. “Ram rajya will be estab- breathtaking spectacle when “Today, the ‘raj tilak’ of lished only when no one is sad the temple town was decorat- Maryada Purshottam Shree or unhappy,” the Chief Minister ed by over 5.51 lakh diyas Ram was performed and to ful- said, adding that both the (earthen lamps) on the bank of fil the government’s promise of Central and UP governments Saryu river to mark the three- changing the face of this tem- were working in this direction day-long Deepotsav celebration ple town, we have launched by providing free houses, clean- on Saturday. several projects worth over liness, water, better health ser- !"# $ The spectacular evening 226 crore,” he said, adding that vices, various schemes for $ % & paved the way for Uttar now its rich religious culture, farmers and poor. -
Magazine1-4 Final.Qxd (Page 3)
SUNDAY, MARCH 19, 2017 (PAGE 4) MOVIE-REVIEW HERITAGE Royals and Ruins Not much about Machine Aruditya Jasrotia Eberhard Fischer have written a book “Nainsukh of A concerted effort to preserve our heritage is a Guler: A Great Indian Painter from a Small Hill-State”. MACHINE is essentially a love story (written which mars the film in a big way. The film’s screenplay This book glorifies the importance and magnificence of by Sanjeev Kaul) which happens amidst the does not offer anything new and lands up following the vital link to our cultural legacies and it literally the Nainsukh painting style. same path which had been adopted by many films till date. At this time hardly anyone goes to see the beautiful greed for money and mysterious circum- makes us who we are. People tend to believe The weak script also lands up making the film all style and that to be modern you have to disengage from fort which is holding a number of beautiful artworks on stances. The film starts off in picturesque no substance. There’s no denying the fact that the film’s its walls. The condition of the fort is pitiful and brings the North India, with the introduction of the writing could have been notches higher. The film’s dia- your heritage, but it’s not true. feeling of hollowness to the visitors. The walls are falling logues besides being devoid of one liners, are very average one by one, roofs have collapsed, vegetation has taken extremely helpful Saira Thapar (Kiara One of the important heritages of Jammu which is and fail to leave an impression. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Magazine Preview
INDIAN SUBCONTINENT I Vol 5 No 2 I February 2013 Editor-in-Chief Amitabh Taneja The mega hair and beauty show, India Salon & Wellness Editorial Director R S Roy Pro and Beauty Market India 2013, is days away! This is Publisher S P Taneja the second year and we have painstakingly learnt a lot Editor-in-Charge Aradhana V Bhatnagar (Deputy Editor) Chief of Bureau (Mumbai) Nivedita Jayaram Pawar (Sr Assoc. Editor) from last year. Hence, we take great pride in presenting Chief of Bureau (Bangalore) Rajeev Kumar (Assoc. Editor) a show of mammoth proportions, it is an ideal platform Senior Correspondent Isha Gakhar Correspondents Roshna Chandran (Bangalore) for salon professionals, academies, brands and more, Shahona Dutta (Kolkata) to come together and exchange ideas to enhance the Aparna Mudi (Trainee) beauty and wellness industry of the country. Among much Creatives Art Director Pawan Kumar Verma excitement and a frenetic pace of work, we offer you in Sr. Layout Designer Rati Mathur this issue, a bouquet of informative articles. Layout Designer Rajeev Kumar Sr. Photographer Vipin Kardam Circulation & Support The Cover Story is on trends, on make-up, hair, nails and Assoc. VP - Consumer Connect Anil Nagar skin, being predicted at not only our show, ISPW and BMI General Manager - Administration Hemant Wadhawan Sr. Manager - Circulation R P Singh 2013, but also at prestigious ones held internationally Dy. Manager - Operations Rajesh Kumar such as Cosmorpof, HBA Global, Beautyworld Middle Sr. Executive - Subscriptions Kiran Rawat East and more. Production General Manager Manish Kadam Sr. Executive Ramesh Gupta As images speak more than words, there are photo essays by hair designers like Angelo Seminara, ADVERTISING Christophe Gaillet and Neil Barton. -
No No 45058 45217 45203 45109 45174 45144 45218 45116 45096
HINDI SONG Ace Karaoke Corp. NO TITLE SINGER NO TITLE SINGER 45058 Aa bhi ja Lucky Ali 45217 Chand Sa Mukhra Ali Haider(P) 45203 Aadat (P) Jal 45109 Chand sitare Kumar Sanu 45174 Aaj Main Oopar Kavita Krishnamoorthy & Kumar Sanu 45176 Chandu Ke Chacha 45144 Aajmain Oopar Kumar Sanu 45218 Channo ki aankh mein(P) Ali Zafar 45116 Aanewala pal jaanewala hai Kishore Kumar 45096 Chhadh Gayi Sonu Nigam & Anuradha Sriram 45141 Aankhe Khuli ho ya ho band Lata Mangeskar 45130 Chhoti chhoti raatein Sonu Nigam 45001 Aankhon se tune ye kya keh diya Kumar Sanu 45047 Chingari koi Bhadke Kishore Kumar 45201 Aao Na Sadhana Sargam & Udit Narayan 45072 Chinna chinna aasai Minmini 45077 Aap jai sa koi meri Nazia Hassan 45069 Choti si Asha Minmini 45045 Aapke pyar mein Alka Yagnik 45063 Chukar mere hum ko Kishore Kumar 45257 Aashiq Banaya Aapne HIMESH RESHAMMIYA, SHREYA GHOSHAL 45284 Chupke Chupke(P) Ghulam Ali 45061 Aashiq hoon mein Sonu Nigam 45121 Chura liya hai tum ne Asha Bosle 45142 Aate aate Alka Yagnik 45148 Churao na dil Udit Narayan 45002 Aati kya Khandala Aamir Khan & Alka Yagnik 45219 Cinderella Sajjad Ali(P) 45003 Ab tere bin Kumar Sanu & Alka Yagnik 45183 Dam Maaro Dam Asha Bhosle 45004 Ae mere humsafar Udit Narayan & Alka Yagnik 45285 Deedar De SUNIDHI CHAUHAN 45173 Agar Main Kahoon Udit Narayan & Alka Yagnik 45097 Deewana Deewana Udit Narayan 45211 Agar Tum Mil Jao SHREYA GHOSHAL 45177 Dekh Le Sunidhi Chauhan & Anu Malik 45098 Ai ajnabee Babul Supriyo 45059 Dekha na Kishore Kumar 45143 Aisa Jadoo Sunidhi Chauhan 45149 Der Se Hua Nadeem shravan -
Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office. -
Kis Kisko Pyaar Karu Movie Hd Video Download
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The Age of List-Serves & Links This Workshop Points of Focus Rules & Basics
Sound Recordings Cataloging October 14, 2010 William “Mac” Nelson and Nara Newcomer Music Library Association: Educational Outreach Program The EOP of the MLA provides workshops on the basics of music librarianship to all currently working in or considering careers in libraries. These workshops are taught by instructors who are practicing music A Workshop for SEMLA, Columbia, SC October 18, 2012 librarians and active members of MLA. The EOP is Nara Newcomer, Assistant Music Librarian sponsored by the Education Committee of MLA and [email protected] the Music OCLC Users Group (MOUG). Mac Nelson, Cello Music Cataloger, UNCG [email protected] The Age of List-Serves & Links This Workshop Music OCLC Users’ Group: 1. This is a “roll-up-your-sleeves workshop.” [email protected] 2. Information sessions punctuated by hands-on, pencil- Music Library Association: and-paper activities. [email protected] http://www.oclc.org/bibformats/en/default.shtm Points of Focus Rules & Basics Rules and Basics Parts of AACR2 used most in cataloging sound recordings: Sources of Information When to Input a New Record • Chapter 1: General rules • Chapter 6: Sound recording rules Choice of Entry • Chapter 9: Electronic Resources (enhanced CDs 006 and sound files) Dates • Chapter 21: Choosing added entries 007 • Chapter 22: Headings for persons • Chapter 24: Headings for corporate bodies Durations (performing groups) Numbers • Chapter 25: Uniform titles (classical music) Titles • Appendices Statements of Responsibility/Performers/Contents Subject Headings