Sound Recordings Cataloging October 14, 2010 William “Mac” Nelson and Nara Newcomer Music Library Association: Educational Outreach Program The EOP of the MLA provides workshops on the basics of music librarianship to all currently working in or considering careers in libraries. These workshops are taught by instructors who are practicing music A Workshop for SEMLA, Columbia, SC October 18, 2012 librarians and active members of MLA. The EOP is Nara Newcomer, Assistant Music Librarian sponsored by the Education Committee of MLA and
[email protected] the Music OCLC Users Group (MOUG). Mac Nelson, Cello Music Cataloger, UNCG
[email protected] The Age of List-Serves & Links This Workshop Music OCLC Users’ Group: 1. This is a “roll-up-your-sleeves workshop.”
[email protected] 2. Information sessions punctuated by hands-on, pencil- Music Library Association: and-paper activities.
[email protected] http://www.oclc.org/bibformats/en/default.shtm Points of Focus Rules & Basics Rules and Basics Parts of AACR2 used most in cataloging sound recordings: Sources of Information When to Input a New Record • Chapter 1: General rules • Chapter 6: Sound recording rules Choice of Entry • Chapter 9: Electronic Resources (enhanced CDs 006 and sound files) Dates • Chapter 21: Choosing added entries 007 • Chapter 22: Headings for persons • Chapter 24: Headings for corporate bodies Durations (performing groups) Numbers • Chapter 25: Uniform titles (classical music) Titles • Appendices Statements of Responsibility/Performers/Contents Subject Headings