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Home , Aditya Chopra, Alam Ara, Anubhav Sinha, Kabir Khan (director), Pyaasa, Sanjay Gadhvi

REFERENCES

Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging ’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55.

Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin.

Dwyer Rachel. 2002. . British Film Institute, London.

______. 2005. 100 Films. British Film Institute, London.

Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Cinema. Sage Publications, .

Kabir Nasreen Munni. 1996. , a Life in Cinema. Oxford University Press, Delhi.

______. 1999/2005. Talking Films/Talking Songs with , Oxford University Press, Delhi.

Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, .

Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009

Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press,

Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K.

Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K.

Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272.

Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey.

Select Filmography:

The Flower of Persia. 1898. Director Hiralal Sen, Producer Hiralal Sen.

The Wrestlers, 1899. Director H.S. Bhatavadekar, Producer H.S. Bhatavadekar.

Pundalik. 1912. Director Dadasaheb Torne, Producer Dadasaheb Torne.

Raja Harishchandra. 1913. Director , Producer Dadasaheb Phalke.

Shiraz. 1928. Director Frantz Osten, Producer Himanshu Rai.

A Throw of Dice. 1929. Director Frantz Osten, Producer Himanshu Rai.

Alam Ara. 1931. Director , Producer Imperial Movietone.

Shirin Farhad. 1931. Director J. J. Madon, Producer Madon Theatres.

Do Bheega Zamin. 1953. Director , Producer Bimal Roy.

Sujata. 1959. Director Bimal Roy, Producer Bimal Roy.

Shri 420. 1955. Director , Producer Raj Kapoor.

Awaara. 1951. Director Raj Kapoor, Producer Raj Kapoor.

Pyaasa. 1957. Director Guru Dutt, Producer Guru Dutt.

Kagaz ke Phool. 1959. Director Guru Dutt, Producer Guru Dutt.

Zindagi Na Milengi Do Baara. 2011. Director Zohya Akhtar, Producer .

Purab aur Paschim. 1970. Director , Producer Manoj Kumar.

Namaste London. 2007. Director Vipul A. Shah, Producer Vipul A. Shah.

Bend it Like Beckham. 2002. Director Gurinder Chadha Producer Gurinder Chadha.

Dilwale Dulhaniya Le Jayenge. 1995. Director . Producer Yash Chopra.

Hum Apke Hain Kaun. 1994. Director Sooraj R. Barjatya, Producer Ajit Kumar Barjatya.

Kabhi Khushi Kabhi Gham. 2001. Director , Producer Yash Johar.

Dhoom. 2004. Director , Producer Aditya Chopra.

Dhoom 2. 2006. Director Sanjay Gadhvi, Producer Aditya Chopra.

Dhoom 3. 2013. Director , Producer Aditya Chopra.

Don. 2006. Director Farhan Akhtar, Producer Farhan Akhtar.

Don2. 2011. Director Farhan Akhtar, Producer Shahrukh and Farhan Akhtar.

Ek Tha . 2012. Director , Producer Aditya Chopra.

My Name is Khan. 2010. Director Karan Johar, Producer Yash Johar.

New York. 2009. Director Kabir Khan, Producer .

Piku. 2015. Director , Producer N.P. Singh.

Margarita with a Straw. 2015. Director Shonali Bose, Producer Shonali Bose.

Ankur. 1974. Director , Producer Blaze Films Enterprises.

Lagaan. 2001. Director Ashutosh Gowarikar, Producer Amir Khan

Kal Ho Na Ho. 2003. Director Nikhil Advani, Producer Yash Johar.

Ra. One. 2011. Director . Producer Gauri Khan.

Robot. 2010. Director S. Shankar, Producer Kalanithi Maran.

Kochadaiiyan. 2014. Director Soundarya R. Ashwin, Producer Sunil Lulla.

Slumdog Millionaire.2009. Director Danny Boyle, Producer Christian Colson.

1. Images of Bollywood Films:

www.beatbajao.com

www.kamiyajani.com

www.santabanta.com

Note: All the above pictures were accessed from online free access sites on 19 May 2015

2. Pictures of Bollywood Film makers

Karan Johar www.ibnlive.in.com

www.topnews.in

Anurag Kashyap www.digitalspy.co.uk

Yash Chopra www.movies..com

Aditya Chopra www.ndtv.com

Note: All the above pictures were accessed from online free access sites on 19 May 2015

3. Pictures of Bollywood Film Stars

Anil Kapoor www.indilens.com

Shahrukh Khan www.apnachoice.com

Salman Khan www.indiatoday.indiatoday.com

Amitabh Bachchhan www.desispy.com

Amir Khan www.pinkvilla.com

Aishwarya Rai www.desktopdress.com

Priyanka Chopra www.ibnlive.in.com

Note: All the above pictures were accessed from online free access sites on 19 May 2015

4. Weblinks to Videos on Bollywood Films

1. Bollywood Movie - Globalisation - YouTube ▶ 5:15 www.youtube.com/watch?v=cJ-i52hzZ70 Jan 29, 2013 - Uploaded by Tippexducks Our Geography assessment on the effect of globalisation on India. Accessed on 16 May 2015

2. Inside Bollywood's Globalisation Playbook - A Personal ... ▶ 5:16 https://vimeo.com/8088370 Dec 9, 2009 paints a vivid and humorous picture of changes inBollywood over the years. From…Accessed on 16 May 2015

3. For Globalisation of Indian Cinema It Is Important Actors ... ▶ 0:50 www.dailymotion.com/.../x18ei3v_for-globalisation-o... Dec 14, 2013 . Accessed on 16 May 2015

4. Bollywood's crossover stars - Video | Zoomtv.com ▶ zoomtv.indiatimes.com › SHOWS Sep 3, 2012 Watch Bollywood's crossover stars video online at Zoom tv. ... who have succeffully made the transition from ...Accessed on 16 May 2015

5. The Impending Bollywood Boom at the U.S. Box Office ... ▶ www.bloomberg.com/.../the-impending-bollywood-bo... Dec 24, 2013 And just like American films, Bollywood's revenues increasingly come from abroad—as much as 60 ... This ...Accessed on 16 May 2015

5. Weblinks to Print Articles on Bollywood Films

1. 'Shining Indians': Diaspora and Exemplarity in Bollywood samaj.revues.org › Thematic Issues › 4. Accessed on 16 May 2015 by I Therwath - 2010 - Cited by 4 - Related articles Commercial Hindi cinema plays a central role in the negotiation of national identity. For decades, the expatriate Indian served as a counter-example for ...Accessed on 16 May 2015

2. gender and nation in the south asian diaspora: transnational ... www.columbia.edu/cu/cujsas/SATHIAN.pdf 22. GENDER AND NATION IN THE SOUTH ASIAN. DIASPORA: TRANSNATIONAL CULTURAL. SPACES IN BOLLYWOOD CINEMA. SANJENA SATHIAN ...Accessed on 16 May 2015

3. contested authenticity in new Indian cinema - Research Online ro.uow.edu.au/cgi/viewcontent.cgi?article=4419&context=theses by RK Kumar - 2011 - Cited by 3 - Related articles Aug 29, 2011 - 1.1 Bollywood, Indian and Crossover film: The muddling of terms… ..... Lalitha Gopalan in her book Cinema of interruptions: action genres in ... Accessed on 16 May 2015

1. Students’ Research Global Media Journal – Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/ www.caluniv.ac.in Summer Issue / June 2012 Vol. 3/No.1 GENDER REFLECTIONS IN MAINSTREAM HINDI CINEMA Nidhi Shendurnikar Tere GENDER REFLECTIONS IN MAINSTREAM HINDI CINEMA ...www.caluniv.ac.in/global-mdia-journal/.../SR4%20NIDHI.pdf by NS Tere - Cited by 4 - Related articles „Bollywood‟1 because such cinema is seen to exercise widespread ... feminist approach to cinema asks a few pertinent questions like how women are .. ] Accessed on 16 May 2015

2. representation of women's identity in bollywood - Shodhganga shodhganga.inflibnet.ac.in/bitstream/10603/22634/10/10_chapter_4.pdf by S Sherafat - 2014 - Related articles To some extent they identify areas where ``modern feminism'' comes into ... Film criticism has a value for literary studies for it allows us to view them differently… Accessed on 16 May 2015

3. Bollywood movies speak to new audience in English | Education ... www.theguardian.com460 × 276Search by image Bollywood movies speak to new audience in English | Education | The Guardian. Accessed on 16 May 2015

4. Bollywood heads for UK mainstream - TNT Magazine www.tntmagazine.com450 × 300Search by image “What has changed in the UK is the wider selection of genre of Bollywood film now being offered and embraced by Bollywood audiences. Accessed on 16 May 2015

5. Bollywood is more successful in UK than British-made films - Telegraph www.telegraph.co.uk299 × 174Search by image Bollywood films to achieve success in Britain include Garam Masala, a romantic comedy, which took £292,033 in its opening weekend, the science fiction epic .. Accessed on 16 May 2015

6. Introduction: Indian Popular Cinema as a Slum's Eye View ... cscs.res.in/dataarchive/textfiles/textfile.2007-09-10.8776797854/file Introduction: Indian Popular Cinema as a Slum's Eye View of Politics. ASHIS NANDY... slum's point of view of Indian politics and society and, for that matter, the ... Accessed on 16 May 2015

7. Saudi Aramco World : Bollywood's Global Faces www.saudiaramcoworld.com Susan Fry. Accessed on 19 May 2015

QUADRANT III

Points to Ponder

Go through at least some of the weblink videos and print articles listed above and then think over the points/questions raised below:

1. Consider the difference between the international appeal of Hindi films like that of Raj Kapoor and the global outreach of Bollywood films. Bollywood films manage to appeal to both Indian as well as Diasporic Indian audiences. There must be an underlying cultural code and emotional connect that they are tapping 2. What in your opinion is the one single most important characteristic of Bollywood cinema that makes it succeed internationally? 3. Do you think the cross-over international audience notes the patriarchal constructs of Bollywood films or does it just valorize the clean romance (no nudity and pre or extra marital sex), music, glamour and family values of these films ?

A Bollywood star like Shahrukh Khan having such an international appeal is a puzzle. Identify some of the qualities of the characters he portrays which you think might appeal to young women in countries such as Germany.