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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Philippine Humanities Review, Vol. 13, No
The Politics of Naming a Movement: Independent Cinema According to the Cinemalaya Congress (2005-2010) PATRICK F. CAMPOS Philippine Humanities Review, Vol. 13, No. 2, December 2011, pp. 76- 110 ISSN 0031-7802 © 2011 University of the Philippines 76 THE POLITICS OF NAMING A MOVEMENT: INDEPENDENT CINEMA ACCORDING TO THE CINEMALAYA CONGRESS (2005-2010) PATRICK F. CAMPOS Much has been said and written about contemporary “indie” cinema in the Philippines. But what/who is “indie”? The catchphrase has been so frequently used to mean many and sometimes disparate ideas that it has become a confusing and, arguably, useless term. The paper attempts to problematize how the term “indie” has been used and defined by critics and commentators in the context of the Cinemalaya Film Congress, which is one of the important venues for articulating and evaluating the notion of “independence” in Philippine cinema. The congress is one of the components of the Cinemalaya Independent Film Festival, whose founding coincides with and is partly responsible for the increase in production of full-length digital films since 2005. This paper examines the politics of naming the contemporary indie movement which I will discuss based on the transcripts of the congress proceedings and my firsthand experience as a rapporteur (2007- 2009) and panelist (2010) in the congress. Panel reports and final recommendations from 2005 to 2010 will be assessed vis-a-vis the indie films selected for the Cinemalaya competition and exhibition during the same period and the different critical frameworks which panelists have espoused and written about outside the congress proper. Ultimately, by following a number PHILIPPINE HUMANITIES REVIEW 77 of key and recurring ideas, the paper looks at the key conceptions of independent cinema proffered by panelists and participants. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
KBS World – August Schedule
KBS World – August Schedule Program Schedule for 2009.08.01, Saturday 00:20 Two days and One night 01:50 Green, the Color of Survival 02:25 The Road Home 03:00 KBS News 9 03:30 Hometown over the Hill 04:30 Saturday Challenges 06:00 News Plaza 06:50 KBS World Hannet 07:20 Green, the Color of Survival 07:50 Screen Album - The Mountain 08:30 Conversations with the Past 09:30 News 10:00 Love and Obsession 10:30 Summer Scent 15:20 Love and Obsession 15:50 VJs on the Scene 17:00 News 17:10 Happy Together 18:30 Open Concert 19:50 My Too Perfect Sons 21:00 KBS News 9 21:40 The Iron Empress 22:50 First Love Program Schedule for 2009.08.02, Sunday 00:50 Chitchat of Beautiful Ladies 02:00 Science Cafe 03:00 KBS News 9 03:40 My Too Perfect Sons 04:50 Concert 7080 06:00 Backpack Travels 07:00 Quiz Show : The Golden Ladder 08:10 Petit Petit Muse 08:40 Bristol Expedition 09:10 News 09:50 The Iron Empress 12:10 He who Can't Marry 14:30 KBS World Hannet 15:00 Green, the Color of Survival 15:30 Yu Huiyeol's Sketchbook 17:00 News 17:10 VJs on the Scene 17:30 Happy Sunday 19:50 My Too Perfect Sons 21:00 KBS News 9 21:40 The Iron Empress 22:50 First Love Program Schedule for 2009.08.03, Monday 00:50 Being Green 01:00 KBS Special 02:00 Conversations with the Past 03:00 KBS News 9 03:40 My Too Perfect Sons 04:50 Korea Sings 06:00 News Plaza 06:50 Hometown over the Hill 07:45 Screening Humanity 08:25 Morning Forum 09:30 News 10:00 Love and Obsession 10:30 Landscape in My Heart 11:05 Environment Special 12:00 News 12:25 2009 Song Competition 13:25 Being Green -
KBS World – December Schedule
KBS World – December Schedule Program Schedule for 2009.12.01, Tuesday 00:30 Mysteries of the Human Body 01:20 Love in Asia 02:15 Hometown over the Hill 03:10 Jolly Widows 03:50 The Queen Returns 05:00 News Plaza 05:50 Hometown Report 06:45 Screening Humanity 07:25 Morning Forum 08:30 Landscape in My Heart 09:05 Love and Obsession 09:35 Reversal of Fate 10:05 Mysteries of the Human Body 11:00 News 11:25 Food Variety : Korean Food Expedition 12:35 KBS World Highlight 12:45 Love in Asia 13:45 You Are My Destiny 14:25 Landscape in My Heart 15:00 Love and Obsession 15:30 Reversal of Fate 16:00 KBS World News Today 16:20 Screening Humanity 17:00 The Star Golden-Bell Challenge 18:15 Invincible Youth 19:25 Jolly Widows 20:00 KBS News 9 21:00 The Queen Returns 22:10 The Golden Apple 23:20 Entertainment Weekly Program Schedule for 2009.12.02, Wednesday 00:30 Environment Special 01:20 Backpacking Korea 01:50 Open Concert 03:10 Jolly Widows 03:50 The Queen Returns 05:00 News Plaza 05:50 Hometown Report 06:45 Screening Humanity 07:25 Morning Forum 08:30 Landscape in My Heart 09:05 Love and Obsession 09:35 Reversal of Fate 10:05 Wednesday Special 10:50 Go Go! Green Tour 11:00 News 11:25 Champagne 12:35 KBS World Highlight 12:45 TV Kindergarten Funny Funny 13:45 You Are My Destiny 14:25 Landscape in My Heart 15:00 Love and Obsession 15:30 Reversal of Fate 16:00 KBS World News Today 16:20 Screening Humanity 17:00 Roundtable Plus 18:10 Let's Go! Dream Team Season 2 19:25 Jolly Widows 20:00 KBS News 9 21:00 Iris 22:10 The Golden Apple 23:20 The Star Golden-Bell -
KBS World – November Schedule
KBS World – November Schedule Program Schedule for 2009.11.01, Sunday 01:00 Voyage of Healing 01:50 Han Network Plus 02:00 KBS News 9 02:40 My Too Perfect Sons 03:50 Concert 7080 05:00 Backpack Travels 06:00 Quiz Show : The Golden Ladder 07:10 Apple Candy Girl 07:40 Bristol Expedition 08:10 News 08:50 The Iron Empress 10:00 Four Colors of Love 11:10 Special Investigative Log 12:20 Special Investigative Log 13:30 Encore KBS World Han Network 14:00 Green, the Color of Survival 14:30 Yu Huiyeol's Sketchbook 16:00 News 16:10 Han Network Plus 16:20 Go Go! Green Tour 16:30 Happy Sunday 18:50 My Too Perfect Sons 20:00 KBS News 9 20:40 Four Colors of Love 21:50 Terms of Endearment 22:50 Terms of Endearment 23:50 Being Green Program Schedule for 2009.11.02, Monday 00:00 KBS Special 01:00 Conversations with the Past 02:00 KBS News 9 02:40 My Too Perfect Sons 03:50 Korea Sings 05:00 News Plaza 05:50 Hometown over the Hill 06:45 Screening Humanity 07:25 Morning Forum 08:30 News 09:00 Love and Obsession 09:30 Landscape in My Heart 10:05 Environment Special 11:00 News 11:25 Gag Star 12:25 Being Green 12:35 KBS World Highlight 12:45 You Are My Destiny 13:25 Landscape in My Heart 14:00 Love and Obsession 14:30 TV Kindergarten Funny Funny 15:00 Love in Asia 16:00 KBS World News Today 16:20 Screening Humanity 17:00 Quiz Show : The Golden Ladder 18:10 The Star Golden-Bell Challenge 19:25 Jolly Widows 20:00 KBS News 9 21:00 The Queen Returns 22:10 Golden Apple 23:20 Entertainment Weekly Program Schedule for 2009.11.03, Tuesday 00:30 Three Days 01:25 Jolly -
Cinema) History
Campos / Ghostly Allegories 611 GHOSTLY ALLEGORIES: HAUNTING AS CONSTITUTION OF PHILIPPINE (TRANS) NATIONAL (CINEMA) HISTORY Patrick Campos University of the Philippines Film Institute [email protected] Abstract By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the OFW (overseas Filipino worker) film, and horror. In the process, the essay constitutes an alternative map of Philippine cinema premised on inter-national transactions across states and film industries, on the one hand, and on the nodal and spectral bodies of Filipinas that network these states and industries, on the other hand. Dwelling on multiform hauntings, it ultimately focuses on how nations/cinemas – through (de)localized genres – are constituted and called into account by specters of (cinema) histories. Keywords Philippine cinema, Singapore cinema, transnational cinema, Asian horror, OFW film About the Author Patrick Campos is Assistant Professor at the University of the Philippines Film Institute. He is currently Director of the Office of Extension and External Relations of the College of Mass Communication, University of the Philippines, Diliman, where he previously served as College Secretary. Kritika Kultura 21/22 (2013/2014): –643 © Ateneo de Manila University <http://kritikakultura.ateneo.net> Campos / Ghostly Allegories 612 I came here to see the world. I ended up looking into the saddest and darkest part of the human heart. Here my journey ends. -
Korean Broadcasting System
Not ogged in Ta k Contributions Create account Log in Artic e Ta k Read Edit Hiew history Search Wikipedia Korean Broadcasting System From Wikipedia, the free encyclopedia Coordinates : 3,.52538GN 12A.91A3A1GE This article may be expanded with text translated [show ] from the corresponding article in Korean . (September 2014) Click [show] for important translation instructions. Korean Broadcasting System ( KBS ) Korean Broadcasting System (KBS) Main page Contents (Hangul : 한국방송공사 ; Hanja : 韓 7eatured content Current e2ents 國放送公社 ; RR : Han-guk Bangsong Random artic e Ionate to Gongsa ; MR : Han'guk Pangsong Kongsa ) is 6ikipedia 6ikipedia store the national public broadcaster of South Korea . It was founded in 1927, and operates Logo used since 2 October 1984 1nteraction radio , television , and online services, being He p one of the biggest South Korean television About 6ikipedia Community porta networks . Recent changes Contact page Contents [ hide ] Too s 1 History 1.1 Beginnings in radio 6hat inks here Re ated changes 1.2 1950s–1960s - Move into Up oad K e television Specia pages Permanent ink 1.3 1970s - Expansion Page information 1.4 1980s - Advertising started after Main building of Korean Broadcasting System 6ikidata item controversial merger Native name 한국방송공사 Cite this page 1.5 1990s - SpinoE of EBS Hanja 韓國放送公社 Print/eCport 2 Structure Revised Han-guk Bangsong Gongsa Create a book 3 CEOs Romanization Iown oad as PI7 Printab e 2ersion 4 Channe s McCune– Han'guk Pangsong Kongsa 4.1 Terrestria te evision Reischauer 1n other projects -
2004 01 Inside Pages
UP Film Institute Filmography of Filipino Films 2003 Introduced by Lucenio Martin L. Lauzon Compiled by Virginia D. Cuyugan and Lucenio Martin L. Lauzon with assistance from Pol del Mundo of the Movie and Television Review and Classification Board (MTRCB) Ana Fajardo of the Film Academy of the Philippines (FAP) Edwin Joaquin of the MOWELFUND Film Institute The Filipino film celebrates this year its 85th anniversary but its activities and achievements through the years still need to be documented and assessed fully and systematically. Today, the country is still wanting not only in the capability to preserve its film heritage but also in the determined and sustained efforts to collect and preserve existing data on Filipino film for posterity. It does not help that the conservation of Filipino heritage, taxing and tedious as it is already, is appreciated by only a few individuals even within the industry. As an institution dedicated to the study of films, the UP Film Institute (UPFI) shall try to help in the task of gathering, classifying and disseminating data on the Filipino film. As part of its commitment to the public, the UPFI shall make these data available to everyone through the publication of a systematic and comprehensive listing of Filipino films, beginning with those produced in 2003. This year is most apropos as it was also in 2003 that the UPFI was formally established by virtue of the UP Board of Regents resolution. The UPFI realizes that such filmographies are indispensable for anyone who wants to gain an overview of the film landscape in the country and to make necessary, informed and authoritative observations on the state of the Filipino film industry. -
Fall of Grace: Nora Aunor As Cinema 46
Flores / Fall of Grace: Nora Aunor as Cinema 46 FALL OF GRACE: NORA AUNOR AS CINEMA Patrick D. Flores University of the Philippines [email protected] Abstract Nora Aunor is enlisted in this speculation as a medium in the register of both the cinema and the transmission of spirit. The key trajectory is the oft-cited film Himala, which opens up a conceptual space for mediumship, the technology of the actress, her biography and corpus of art, and the devotion to her person. The essay constellates a set of texts including the sculpture in honor of Elsa, the main character of Himala, the film Silip, and the life of a fan. Nora, the performative vessel of Elsa, becomes fundamentally cinematic. It is through her that Elsa is fleshed out as a miracle worker of vexing potency. Nora is herself a testament to the transformative potential of the technology of the cinema. Keywords devotion, film, image, medium, spirit, voice About the Author Patrick D. Flores is Professor of Art Studies at the Department of Art Studies at the University of the Philippines, which he chaired from 1997 to 2003, and Curator of the Vargas Museum in Manila. He is Adjunct Curator at the National Art Gallery, Singapore. He was one of the curators of Under Construction: New Dimensions in Asian Art in 2000 and the Gwangju Biennale (Position Papers) in 2008. He was a Visiting Fellow at the National Gallery of Art in Washington, D.C. in 1999 and an Asian Public Intellectuals Fellow in 2004. Among his publications are Painting History: Revisions in Philippine Colonial Art (1999); Remarkable Collection: Art, History, and the National Museum (2006); and Past Peripheral: Curation in Southeast Asia (2008). -
YCC 2019.Indb
The Film Desk of the Young Critics Circle The 29th Annual “During currently trying times, Circle Citations it is imperative to look for for Distinguished spaces of resistance such as Achievement those offered by the arts, and cinema in particular. Aside in Film for from attempting to challenge 2018 the status quo, filmmakers need to negotiate the very + spaces from which they can SINE SIPAT: pose this interrogation.” Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2019 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus | Diliman, Quezon City } The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2018Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. -
Super Junior
Super Junior From Wikipedia, the free encyclopedia For the professional wrestling tournament, see Best of the Super Juniors. Super Junior Super Junior performing at SMTown Live '08 in Bangkok,Thailand Background information Origin Seoul, South Korea Genres Pop, R&B, dance, electropop, electronica,dance-pop, rock, e lectro, hip-hop, bubblegum pop Years active 2005–present Labels S.M. Entertainment (South Korea) Avex Group (Japan) Associated SM Town, Super Junior-K.R.Y., Super Junior-T,Super acts Junior-M, Super Junior-Happy, S.M. The Ballad, M&D Website superjunior.smtown.com,facebook.com/superjunior Members Leeteuk Heechul Han Geng Yesung Kangin Shindong Sungmin Eunhyuk Donghae Siwon Ryeowook Kibum Kyuhyun Korean name Hangul 슈퍼주니어 Revised Romanization Syupeojunieo McCune–Reischauer Syupŏjuniŏ This article contains Koreantext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Hangul or Hanja. This article contains Chinesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Chinese characters. This article contains Japanesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of kanji and kana. Super Junior (Korean: 슈퍼주니어; Japanese: スーパージュニア) is a South Korean boy band from formed by S.M. Entertainment in 2005. The group debuted with 12 members: Leeteuk (leader), Heechul, Han Geng, Yesung, Kangin, Shindong, Sungmin, Eunhyuk, Donghae, Siwon,Ryeowook, Kibum and later added a 13th member named Kyuhyun; they are one of the largest boy bands in the world. As of September 2011, eight members are currently active,[1] due to Han Geng's lawsuit with S.M.