DOCSLIB.ORG

Baylor in Italy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Baylor in Italy Program Overview Student Praise Courses “...one of the best months of my life.” The Baylor in Italy Program will offer 3 courses: ~ Aaron Borsellino, 2007 Topography of Rome and Pompeii (CLA 3321) “Baylor in Italy provides the opportunity for immense Baylor The Archaeology of Sicily and Southern Italy (CLA 4331) Epistles and Epigraphy of Rome (LAT 3311) growth both academically and as a person; students will These courses will introduce students to the archaeology, never forget the sights and experiences of beautiful Italy.” history, art, and mythology of ancient Rome. Students take ~ Anna Sitz, 2007 either 3 or 6 credit hours. In Italy The sights, sounds, monuments, and places you visit in Italy “Studying Classics at Baylor and knowning the history of become your classroom. In this academic program, you Italy do not prepare you for the magnificence of the sites. study at ancient sites, visit excavations, and see things off- When you look up at the Pantheon, or when you first step 2009 limits to the general public. into the Forum, you approach the grandeur of the ancients 2009 from a new perspective.” Schedule ~ Bill Wilson, 2007 Students fly to Rome for 10 days of on-site study. The trip then moves southward, spending several days at sites in “BII is the experience of a lifetime: I had the opportunity the Bay of Naples and then into Sicily for another 10 days. to take highly interesting courses while being immersed in We return to Rome for the final night. the powerful and imposing remains of the classical world. Neither the sites nor the experiences of this trip will be Accommodations soon forgotten.” The Hotel Sant’ Anna in Rome is just a short walk from ~ Daniel Walin, 2004 St. Peter’s Basilica. Our accommodations in the Bay of Naples and on Sicily offer superb views of the “I had always assumed that I could learn history from Mediterranean. textbooks but nothing in a textbook can really compare with strolling through 2500-year-old ruins or experiencing Program Cost(s) a Sunday morning in St. Peter’s Basilica. I didn’t merely $5295, Full Program (includes flight, hotels, site fees, and learn history, I experienced, felt, and touched history. I partial board) highly recommend this program to anyone with interest in North only (Rome, Bay of Naples), $4195 the Roman, Greek, Biblical, Italian, or medieval time South only (Bay of Naples, Sicily), $3495 periods.” Program fee does not include Baylor tuition and student ~ Garrett Phillips, 2004 fees. Amphitheatre at Pompeii, 2007 Contact Department of Classics One Bear Place #97352 Baylor University Waco, TX 76798-7352 Phone: 254-710-1399 June 2-July 7 Paestum, 2008 Fax: 254-710-1367 E-mail: [email protected], [email protected], Rome, Bay of Naples, [email protected] and Sicily www.baylor.edu/italy www.baylor.edu/italy Schedule* • Syracuse • All Museum entries (except optional excursions) 2 June • Morgantina • All tips and taxes • Depart for Rome (from DFW or AUS) • Gela Tuition is paid separately. Tuition prices for 2009 should be • Agrigento announced in October.† 3-11 June, Rome • Selinunte †Students not from Baylor must also pay an application fee. In • Roman Forum & Imperial Fora • Marsala addition, all Baylor summer students are charged a processing fee • Palatine Hill & Imperial Palaces • Motya of approximately $40.00. • Upper & Lower Campus Martius • Segesta • Pantheon • Palermo Registration To register, complete an application in the Department of • Colosseum • Cefalu Taormina Theater • Domus Aurea • Soluntum Classics (333 Morrison) or online at our website: • Circus Maximus • Return to Rome www.baylor.edu/italy/ • Meta Sudans • Ludus Magnus 28-29 June, Return to Rome Students admitted to the program must submit an $800 • Arch of Constantine • Return to Rome non-refundable deposit by February 27, 2009. Unless arrangements are made through the Financial Aid Office, • Capitoline Hill & Museum The Pantheon • Return to U.S. • Mamertine Prison *A detailed daily schedule is available at the Baylor in Italy the balance of the Program Fee must be received by April • Theatre of Marcellus website. Final schedule may change at Director’s discretion. 24, 2009. Pay tuition separately and to the Registrar. • Ostia Scholarship aid is available for Baylor students; for details • Hadrian’s Mausoleum Program Directors contact [email protected] . Make deposit checks payable to Baylor in Italy and send to: • Vatican Museums Director • Basilica di San Clemente Antonios Augoustakis (Ph.D., Brown, 2001) has published a Department of Classics • St. Peter’s Square and Basilica number of works on Latin Imperial epic and has extensive One Bear Place #97352, Baylor University • Trevi Fountain field experience in Italy and Sicily. Waco, TX 76798-7352. • Tarquinia and Hadrian’s Villa • Day trip to Florence (optional) Associate Directors • Cancellations after May 1 are subject to a penalty fee. • Catacombs (optional) Simon Burris (Ph.D., Cornell, 2004), is an expert in Latin philology, Latin poetry, and Greco-Roman Mythology. His 12-17 June, Bay of Naples research interests include Pindar’s Sicilian odes. House of Augustus • Capua Rome, BII 2008 • Pompeii Timothy Heckenlively (Ph.D., University of California, Santa • Villa of the Mysteries Barbara, 2004), has considerable expertise in Imperial Rome • Oplontis and early Late Antiquity. His research interests include Epic • Herculaneum Trajan’s Column Tradition, Ancient Religion, and Mythology. • Naples Museum • Capri (Mt. Solaro, Blue Grotto, Villa Iovis) Costs and Registration • Paestum Program Cost $5295 (excluding tuition) Stated price includes: • Double or triple rooms in fine hotels 18-27 June, Sicily Hiking to the Villa Iovis • Reggio Museum • All breakfasts and dinners; some lunches Capri, BII 2006 • Taormina • Round-trip airfare on a major carrier • Ortygia • All travel in Italy .
Load more

Recommended publications
  • Ancient Rome
    A History of Knowledge Oldest Knowledge What the Jews knew What the Sumerians knew What the Christians knew What the Babylonians knew Tang & Sung China What the Hittites knew What the Japanese knew What the Persians knew What the Muslims knew What the Egyptians knew The Middle Ages What the Indians knew Ming & Manchu China What the Chinese knew The Renaissance What the Greeks knew The Industrial Age What the Phoenicians knew The Victorian Age What the Romans knew The Modern World What the Barbarians knew 1 What the Romans knew Piero Scaruffi 2004 "We declare, proclaim and define that subjection to the Roman authority is absolutely necessary for the salvation of every human creature" (Pope Boniface, 1302) 2 What the Romans knew • Bibliography – Henri Sierlin: The Roman Empire (2002 – David Abulafia: The Mediterranean in History (2003) – Duby & Perrot: A History of Women in the West vol 1 (1992) – John Norwich: A short history of Byzantium (1995) – Kevin Butcher: Roman Syria (2003) – Tomlinson: Greek And Roman Architecture (1995) – Giovanni Becatti: The Art of Ancient Greece and Rome (1968) – Marvin Tameanko: Monumental Coins (1999) – Will Durant: Caesar and Christ (1944) 3 The Villanovans • 1000 BC: Iron civilization lives in northern Italy, probably not Indo-European • Cremation of the dead, and urns for ashes • 1000 BC: Indo-Europeans invade northern Italy 4 The Etruscans • 850 BC: Middle-eastern people (Villanovans?) settle inTuscany • 750 BC: first Etruscan inscriptions • Only one manuscript survives • Not Indo-European • Confederation
    [Show full text]
  • VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
    138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet.
    [Show full text]
  • Roman Entertainment
    Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion .....................................................................................................................
    [Show full text]
  • Nordlit 33, 2014 TOMBA DEI TORI at TARQUINIA
    TOMBA DEI TORI AT TARQUINIA: A RITUAL READING J. Rasmus Brandt Introduction: the Tomba dei Tori One of the best known, but also among the most enigmatic tombs at Tarquinia, is the so- called Tomba dei Tori (Tomb of the Bulls), dated to about 540–530 BC.1 It contains a series of paintings of different thematic content including two erotic scenes, which from a modern point of view have either been ignored or considered shameless and not congruent with death and funerary practices. In this article modern morale shall not be discussed, rather funerary rituals in an Etruscan setting. The tomb was of the tumulus type with a long, stepped dromos descending into the calcareous bedrock, ending in a large rectangular funerary chamber (A) (4.31 x 4.52 m, H. 2.52 m) with a saddle roof. In the back wall two doors opened into two smaller, parallel chambers, also with saddle roofs: to the left (B) (3.47 x 2.52 m, H. 2.10 m), to the right (C) (3.26 x 2.52 m, H. 2.00 m). The back wall of chamber A was decorated with four zones of paintings, one above the other, two panels (1–2) between the doors to chambers B and C, a band above the doors across the whole width of the room (3), and on top the pediment/tympanon area created by the saddle roof (4) (Fig. 1):2 1. Bottom panel (dado) (Figs 1–2): Simply sketched trees with stem and branches with and without foliage; wreaths and ribbons hang from the branches.
    [Show full text]
  • The Eternal Fire of Vesta
    2016 Ian McElroy All Rights Reserved THE ETERNAL FIRE OF VESTA Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy A thesis submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Classics Written under the direction of Dr. Serena Connolly And approved by ___________________________________________ ___________________________________________ ___________________________________________ New Brunswick, New Jersey October 2016 ABSTRACT OF THE THESIS The Eternal Fire of Vesta: Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy Thesis Director: Dr. Serena Connolly Vesta and the Vestal Virgins represented the very core of Roman cultural identity, and Augustus positioned his public image beside them to augment his political legitimacy. Through analysis of material culture, historiography, and poetry that originated during the principate of Augustus, it becomes clear that each of these sources of evidence contributes to the public image projected by the leader whom Ronald Syme considered to be the first Roman emperor. The Ara Pacis Augustae and the Res Gestae Divi Augustae embody the legacy the Emperor wished to establish, and each of these cultural works contain significant references to the Vestal Virgins. The study of history Livy undertook also emphasized the pathetic plight of Rhea Silvia as she was compelled to become a Vestal. Livy and his contemporary Dionysius of Halicarnassus explored the foundation of the Vestal Order and each writer had his own explanation about how Numa founded it. The Roman poets Virgil, Horace, Ovid, and Tibullus incorporated Vesta and the Vestals into their work in a way that offers further proof of the way Augustus insinuated himself into the fabric of Roman cultural identity by associating his public image with these honored priestesses.
    [Show full text]
  • The Imperial Cult and the Individual
    THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister.
    [Show full text]
  • Euheritagetour — "Differences and Commonalities"
    EUROPEAN COMMISSION ENTERPRISE AND INDUSTRY DIRECTORATE-GENERAL Directorate E - Service Industries Financial Team & Unit E2: Tourism & Cultural Instruments EUHeritage TOUR Name of the project: Network for European Cultural Heritage Tourism Acronym: EUHeritage Tour GA Number: SI2.655608 Consortium Co-ordinator X23 Ltd “Differences and Commonalities". e definitive identity of a Pan-European cultural touristic project. Setting-up the itineraries • [1st Focus Level] (REVIEW) March 31, 2014 José Portugal1, Elisa Perez Babo1 1st reviewed by the Coordinator: G. Laquidara2, M. Mazzi Boém2, M. Colombani2 2Quaternaire Portugal, Quaternaire Portugal is a corporate society owned predominantly by Portuguese shareholders, working on the following fields of expertise: (i) Evaluation; (ii) Culture; (iii) Employment, Compe- tences and Vocational Training; (iv) Spatial Planning; (v) Strategic Planning; (vi) Urban Projects and Policies. - (Av. 5º de Outubro, 77 - 6º esq. 1050-049 Lisboa - Portugal)̶ José Portugal : [email protected] 2X23 Ltd, MIUR Research Archive #60954DHH 23 Ltd ̶ Artificial Intelligence, Physics and Cybernetics, Com- puter Science, Network Science, Non-linear and Complex Systems; Financial Quantitative Modeling, Systems’ Dynamics Qualitative Analysis, Quantified Politics - (Rome, Salerno - Italy; Lisbon - Portugal) ̶ [email protected]; [email protected] 1. Elements for the construction of a tourism product 1.1. Taking the World Tourism Organisation definition of tourism as its basis: the ATLAS. Association for
    [Show full text]
  • HSAR 252 - Roman Architecture with Professor Diana E
    HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 6 – Habitats at Herculaneum and Early Roman Interior Decoration 1. Title page with course logo. 2. Map of Italy in Roman times. Credit: Yale University. 3. Herculaneum, aerial view of ancient remains. Credit: Google Earth. 4. Herculaneum, view of ancient remains with modern apartment houses. Image Credit: Diana E. E. Kleiner. 5. Herculaneum, view of ancient remains. Image Credit: Diana E. E. Kleiner. 6. Casa a Graticcio, Herculaneum, general view. Image Credit: Diana E. E. Kleiner. Wooden partition, Herculaneum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Herculaneum_Casa_del_Tramezzo_di_Legno_-8.jpg (Accessed January 29, 2009). Bed, Herculaneum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Herculaneum_Casa_del_Tramezzo_di_Legno_Letto.jpg (Accessed January 29, 2009). 7. Skeletons, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 556. Photograph by O. Louis Mazzatenta. Skeletons, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 562. Photograph by O. Louis Mazzatenta. 8. Rings, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 560 (bottom). Photograph by O. Louis Mazzatenta. Bracelets, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 561. Photograph by O. Louis Mazzatenta. Skeleton of woman, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 560 top. Photograph by O. Louis Mazzatenta. 9. Skeleton of pregnant woman with fetus, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 564. Photograph by O. Louis Mazzatenta. 10. Crib with skeletal remains of an infant, Herculaneum.
    [Show full text]
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/85949 Please be advised that this information was generated on 2021-10-07 and may be subject to change. KLIO 92 2010 1 65––82 Lien Foubert (Nijmegen) The Palatine dwelling of the mater familias:houses as symbolic space in the Julio-Claudian period Part of Augustus’ architectural programme was to establish „lieux de me´moire“ that were specifically associated with him and his family.1 The ideological function of his female relativesinthisprocesshasremainedunderexposed.2 In a recent study on the Forum Augustum, Geiger argued for the inclusion of statues of women among those of the summi viri of Rome’s past.3 In his view, figures such as Caesar’s daughter Julia or Aeneas’ wife Lavinia would have harmonized with the male ancestors of the Julii, thus providing them with a fundamental role in the historical past of the City. The archaeological evi- dence, however, is meagre and literary references to statues of women on the Forum Augustum are non-existing.4 A comparable architectural lieu de me´moire was Augustus’ mausoleum on the Campus Martius.5 The ideological presence of women in this monument is more straight-forward. InmuchthesamewayastheForumAugustum,themausoleumofferedAugustus’fel- low-citizens a canon of excellence: only those who were considered worthy received a statue on the Forum or burial in the mausoleum.6 The explicit admission or refusal of Julio-Claudian women in Augustus’ tomb shows that they too were considered exempla.
    [Show full text]
  • Building in Early Medieval Rome, 500-1000 AD
    BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages.
    [Show full text]
  • Quod Omnium Nationum Exterarum Princeps Sicilia
    Quod omnium nationum exterarum princeps Sicilia A reappraisal of the socio-economic history of Sicily under the Roman Republic, 241-44 B.C. Master’s thesis Tom Grijspaardt 4012658 RMA Ancient, Medieval and Renaissance Studies Track: Ancient Studies Utrecht University Thesis presented: June 20th 2017 Supervisor: prof. dr. L.V. Rutgers Second reader: dr. R. Strootman Contents Introduction 4 Aims and Motivation 4 Structure 6 Chapter I: Establishing a methodological and interpretative framework 7 I.1. Historiography, problems and critical analysis 7 I.1a.The study of ancient economies 7 I.1b. The study of Republican Sicily 17 I.1c. Recent developments 19 I.2. Methodological framework 22 I.2a. Balance of the sources 22 I.2b. Re-embedding the economy 24 I.3. Interpretative framework 26 I.3a. Food and ideology 27 I.3b. Mechanisms of non-market exchange 29 I.3c. The plurality of ancient economies 32 I.4. Conclusion 38 Chapter II. Archaeology of the Economy 40 II.1. Preliminaries 40 II.1a. On survey archaeology 40 II.1b. Selection of case-studies 41 II.2. The Carthaginian West 43 II.2a. Segesta 43 II.2b. Iatas 45 II.2c. Heraclea Minoa 47 II.2d. Lilybaeum 50 II.3. The Greek East 53 II.3a. Centuripe 53 II.3b. Tyndaris 56 II.3c. Morgantina 60 II.3d. Halasea 61 II.4. Agriculture 64 II.4a. Climate and agricultural stability 64 II.4b. On crops and yields 67 II.4c. On productivity and animals 70 II.5. Non-agricultural production and commerce 72 II.6. Conclusion 74 Chapter III.
    [Show full text]
  • Susan Lebourg LATIN 4770 – Methods and Materials for Teaching
    Susan LeBourg LATIN 4770 – Methods and Materials for Teaching Latin Professor R. A. LaFleur February 16, 2009 1 TABLE OF CONTENTS Preface – Who I am---------------------------------------------------------------------------------p. 3 Philosophy Statement Why I Teach Latin -------------------------------------------------------------------------p. 4 How I Teach Latin--------------------------------------------------------------------------p. 5 Pronunciation Handout (first day of class)-------------------------------------------------------pp. 6-7 Lesson Plans – Cambridge Book I, Stage 2------------------------------------------------------pp. 8-9 Student Packet – Cambridge Book I, Stage 2----------------------------------------------------pp. 10-13 Test- Stages 1-3, Cambridge Book I & Key -----------------------------------------------------pp. 14-17 Oral Latin Dialogue ---------------------------------------------------------------------------------p. 18 TPR Lesson (based on “In Arena”, Cambridge Book I, Stage 8------------------------------pp. 19-21 INTERNET ACTIVITIES/WEB QUESTS Google Earth – Ancient Rome 3-D-------------------------------------------------------pp. 22-25 V-Roma – the Forum-----------------------------------------------------------------------pp. 26-27 Dressed to Kill-------------------------------------------------------------------------------p. 28 Build an Aqueduct-------------------------------------------------------------------------- p. 29 Death in Rome-------------------------------------------------------------------------------p.
    [Show full text]