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Spanish Painting 1100 – 1910 JERÓNIMOS BUILDING Information Spanish Painting 1550 – 1810 JERÓNIMOS BUILDING Information Flemish Painting 1600 – 1700 JERÓNIMOS BUILDING Lift German Painting 1450 – 1550 TEMPORARY EXHIBITIONS (A–B) Cloakroom German Painting 1750 – 1800 TEMPORARY EXHIBITIONS (C–D) Cloakroom Dutch Painting 1600 – 1695 SCULPTURE Escalator Sculpture Lectures Room Audio Guide French Painting 1600 – 1800 Audio Guide Spanish Painting 1700 – 1800 LEONI (CLOISTER) Stairs Flemish Painting 1430 – 1570 Auditorium Auditorium Flemish Painting 1600 – 1700 VILLANUEVA BUILDING Lift German Painting 1750 – 1800 Toilets Prado Cafe PAINTINGS 1550 – 1810 Italian Painting 1300 – 1600 Lectures Room Italian Painting 1450 – 1800 Escalator Decorative Arts VILLANUEVA BUILDING Adapted Toilets Prado Shop Temporary Exhibitions Education Sculpture GRECO (8B–10B) Stairs Sculpture PAINTINGS 1700 – 1800 Lift TIZIANO (24–27, 41–44) Toilets AND DECORATIVE ARTS VILLANUEVA BUILDING Temporary Exhibitions TINTORETTO (25, 41, 44) Escalator Adapted Toilets RUBENS (78-79, 83) TEMPORARY EXHIBITIONS CARAVAGGIO (6) REMBRANDT (76) PAINTINGS 1100 – 1910 Stairs POUSSIN (2-4) First Aid JAN BRUEGHEL (83) AND SCULPTURE Toilets LORENA (2) Shop GOYA (85-87, 90-92, 94) Adapted Toilets VOUET (2-3) ROMANESQUE CHAPELS (51C) MENGS (89) RUBENS (28–29) BERRUGUETE (57B) Breastfeeding room TREASURE OF THE DAUPHIN (79B) VAN DER WEYDEN (58) Rest Area VELÁZQUEZ (9A, 10–15, 15A) MAINO (7A, 9A, 8B, 9B) BOSCH (56A) Prado Cafe RIBERA (1, 7-9) DÜRER (55B) Restaurant RAPHAEL (49) MURILLO (16–17) Prado Shop GOYA (64–67) GOYA (32, 34–38) ROSALES (61B) Book Shop MENGS (20) GISBERT (61A) TIEPOLO (19) SOROLLA (60A) Friends of the Museum Room B JERÓNIMOS BUILDING JERÓNIMOS BUILDING Access from Level 0 Access from Level 1 Room A Friends of the Museum Shop Cafe Book Shop JERÓNIMOS ENTRANCE Access with ticket 60A 61A 62A 63A VILLANUEVA BUILDING VILLANUEVA BUILDING Access from Level 0 Access from Level 1 Access from Level 1 60 61 62 63 51A 51B 51C ENTRANCE MURILLO 2 3 4 5 6 83 82 81 80 94 93 92 91 90 58B 61B 62B 63B 16B 79 B 51 50 1 85 Access TICKET OFFICES GOYA ENTRANCE GOYA 52A 52B 52C 40 41 42 43 44 76 77 78 79 89 88 87 86 Room Várez Fisa VELÁZQUEZ ENTRANCE 0711_24_09_2019_FOLLETO_PLANO.indd 1 26/9/19 15:14 PERMANENT COLLECTION 1426 MUSEO MUSEUM OPENING HOURS The information included in this SPANISH PAINTING 1100–1910 DUTCH PAINTING 1579–1800 c. DEL Monday to Saturday: leaflet may be modified. We Arranged in chronological order, The Prado owns an important PRADO 10am – 8pm apologize for any inconvenience the Prado’s Spanish painting Rembrandt painting, as well as 200 Sundays and public holidays: this may cause. collection ranges from 12th-century representative works by some of (detail), AÑOS 10am – 7pm Romanesque murals to Sorolla’s the leading painters of the Dutch 6 January, 24 and 31 December: As an environmentally committed work from the early 20th school: Wtewael, De Bray, Stom, Plan 10am – 2pm museum, the Prado is developing century. Medieval, Renaissance Metsu, Pieter Claesz, Willem Claesz. (Last admission 30 minutes before a complete new lighting system and 19th-century paintings are Heda, Both, Wouwerman, etc. Room 56B Room 56B Room 56B ANTONELLO Room 26 Room 8B Room 10B Room 83 Room 29 Room 29 2019-2020 ENGLISH closing time. Visitors must leave (Lighting the Prado) using displayed on the ground floor. The FRA ANGELICO MANTEGNA VERONESE EL GRECO EL GRECO JAN BRUEGHEL RUBENS RUBENS the galleries 10 minutes before LED technology and with the main floor holds works by El Greco, SCULPTURE The Annunciation The Dormition Venus and Adonis The Holy Trinity The Adoration AND RUBENS The Garden The Three they close). sponsorship of Fundación Ribera, Murillo, Velázquez and Nearly two hundred and fifty of the Virgin of the Shepherds The Five Senses: Sight of Love Graces Iberdrola España. It is the first other Spanish Golden Age masters. sculptures grace the halls of the CLOSED Spanish museum to be included This section culminates in the Goya Prado: over one hundred classical 1 January, 1 May, and 25 December in the National carbon footstep, collection, divided between the sculptures, close to a dozen regal The Virgin of the Pomegranate carbon offsetting and carbon ground floor, first floor and south Renaissance portraits created by CAFE dioxide absorption projects wing of the second floor. the Leoni family, and two carvings Monday to Saturday: Register. attributed to El Greco. Additionally, 10am – 7.30pm FLEMISH PAINTING 1430–1700 the Museum boasts a small set of Sundays and public holidays: Between the 15th and 17th bronzes that Velázquez brought 10am – 6.30pm centuries, the territory of modern- back from his second trip to Italy Room 51A Room 58 Room 8B Room 7A Room 6 Room 16B Room 76 Room 89 BERMEJO VAN DER WEYDEN EL GRECO MAINO CARAVAGGIO VAN DYCK REMBRANDT MENGS 6 January, 24 and 31 December: day Belgium was an epicentre of and a considerable number of Cover: Fra Angelico, Saint Dominic of Silos The Descent from Nobleman with his The Adoration David with the Self Portrait with Judith at the banquet The Adoration 19th-century sculptures, including 10am – 1.30pm pictorial production in Europe, enthroned as a Bishop the Cross Hand on his Chest of the Magi Head of Goliath Sir Endymion Porter of Holofernes of the Shepherds rivalled only by Italy. The art several outstanding examples of MUSEO NACIONAL DEL PRADO created in that region is known the neoclassical style. Paseo del Prado s/n. as Flemish painting. The 15th 28014 Madrid and 16th-century collections— FRENCH PAINTING 1600–1800 [email protected] Weyden, Bosch, Patinir, Pieter Spanish-French relations in the 17th www.museodelprado.es Bruegel, etc.—are located on the century and the acquisitions made Information and ticketing ground floor, while the main and by monarchs like Philip IV and +34 902 10 70 77 second floors house 17th-century Philip V laid the foundations of the Flemish painting, represented by Prado’s French painting collection, Room 56A Room 56A Room 55A Room 3 Room 2 Room 9 Room 19 Room 85 Room 36 HOW TO GET HERE Jan Brueghel, Rubens, Van Dyck, represented on the main floor by BOSCH BOSCH PATINIR POUSSSIN LORENA RIBERA TIEPOLO GOYA GOYA Underground Jordaens and others. the work of Poussin and Claude Table of the Seven The Garden Crossing Parnassus The Embarkation Jacob’s Dream The Immaculate The Threshing The Naked Maja Banco de España and Lorrain. Deadly Sins of Earthly Delights the Styx of Saint Paula Conception Ground, or Summer Atocha Stations ITALIAN PAINTING 1300–1800 Buses FOLLOW US ON The Italian painting section extends DRAWINGS AND PRINTS Routes 9, 10, 14, 19, 27, 34, 37 y 45 from the early Renaissance—Fra The Museum houses nearly four Trains Angelico, Botticelli—to the 18th thousand drawings. Particularly Atocha Station century—Tiepolo. Masterpieces by noteworthy is the collection of Raphael are among the highlights five hundred prints by Goya, the of the ground floor. The creations biggest in the world. Drawings and of the Venetian school—Titian, prints from the Prado’s collection Room 55A Room 55B Room 55B Room 10A Room 10A ZURBARÁN Room 11 Room 32 Room 64-65 GOYA Room 67 Tintoretto, Veronese and Bassano— are shown periodically in the BRUEGEL DÜRER DÜRER ZURBARÁN The Apparition of VELÁZQUEZ GOYA The 3rd of May GOYA constitute one of the Prado’s most museum’s exhibitions. The Triumph Self Portrait Adam and Eve Still Life with Saint Peter to Saint The Feast of The Family 1808 in Madrid, or Saturn compact collections. Works by of Death Vessels Peter Nolasco Bacchus of Charles IV ‘The Executions’ Caravaggio and Gentileschi are also DECORATIVE ARTS displayed on the main floor. The ‘Dauphin’s Treasure’, a collection of carved hardstone GERMAN PAINTING 1450–1800 and rock crystal objects that Few in number but exceptional in belonged to Louis, Grand Dauphin quality, the works in the German of France and son of Louis XIV, painting collection range from the and was inherited by his son, King 16th to the 18th century. An entire Philip V of Spain, is exhibited in room on the ground floor is given the north wing of the second floor. Room 49 Room 49 Room 42 Room 9A On loan Room 12 Room 61B ROSALES Room 61A GISBERT Room 60A over to masterpieces by Albrecht Additionally, pietre dure tables RAPHAEL RAPHAEL TITIAN VELÁZQUEZ VELÁZQUEZ VELÁZQUEZ Queen Isabella the The Execution SOROLLA Dürer, Lucas Cranach and Baldung and consoles made in Florence The Cardinal Madonna of the fish Bacchanal of The Surrender Buffon with books Las Meninas Catholic dictating of Torrijos and Boys on the Beach Grien, while pictures by the and Madrid between the 16th and the Adrians of Breda her Will his Companions BENEFACTOR OF THE PROGRAMME neoclassical painter Anton Raphael 18th centuries, glazed ceramic “VISITOR ATTENTION” Mengs are shown on the first and wares and other decorative items second floors. are distributed throughout various rooms. Room 27 Room 44 Room 25 Room 15A Room 16 Room 16 Room 71 Room 1 LEONE AND Room 79B Information regarding Temporary Exhibitions at the Information Desk. TITIAN TITIAN TINTORETTO VELÁZQUEZ MURILLO MURILLO ANONYMOUS POMPEO LEONI ANONYMOUS You can find the guided tour for these masterpieces in the Visitor’s Guide book, available Emperor Charles V Danäe and the Christ Washing The Spinners, or The Patrician’s The Immaculate Orestes and Pylades, Emperor Charles V Cup with a gold CCTV recording is controlled by the Prado Museum. Law 15/1999 on data protection NIPO 829-19-002-6 from the Museum’s retail outlets, and in the Audio Guide Services at Mühlberg Shower of Gold the Disciples’ Feet The Fable of Arachne Dream Conception or San Ildefonso Group and the Fury mermaid 9/2019 0711_24_09_2019_FOLLETO_PLANO.indd 2 26/9/19 15:14.
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  • Corpus Rubenianum Ludwig Burchard Part Xix

    Corpus Rubenianum Ludwig Burchard Part Xix

    CORPUS RUBENIANUM MC / f / i LUDWIG BURCHARD PART XIX PORTRAITS II. ANTWERP - IDENTIFIED SITTERS BY HANS VLIEGHE CORPUS RUBENIANUM LUDWIG BURCHARD AN ILLUSTRATED CATALOGUE RAISONNÉ OF THE WORK OF PETER PAUL RUBENS BASED ON THE MATERIAL ASSEMBLED BY THE LATE DR LUDWIG BURCHARD IN TWENTY-SIX PARTS TRANSLATED FROM THE DUTCH BY P. S. FALLA SPONSORED BY THE CITY OF ANTWERP AND EDITED BY THE ‘NATIONAAL CENTRUM VOOR DE PLASTISCHE KUNSTEN VAN DE XVIde EN DE XVIUe EEUW’ R.-A. d ’h u ls t, President ■ f. Baudouin, Secretary • r. pandelaers, Treasurer N. DE POORTER • A. STUBBE • H. L1EBAERS • J. K. STEPPE • C. VAN DE VELDE • H. VLIEGHE RESEARCH ASSISTANTS! A. BALIS • H. DEVISSCHER • P. HUVENNE • M. VANDENVEN RUBENS PORTRAITS OF IDENTIFIED SITTERS PAINTED IN ANTWERP BY HANS VLIEGHE HARVEY MILLER PUBLISHERS Originating Publisher h a r vey m iller ltd • 20 Marryat Road • London sw 19 5BD Published in the United States by o x f o r d u n iv e r s it y press • New York © 1987 N ationaal C en trum voor de Plastische Kunsten van de i6dc en de 17de Eeuw British Library Cataloguing in Publication Data Vlieghe, Hans Rubens portraits of identified sitters painted at Antwerp.— (Corpus Rubenianum Lu d w ig Burchard; part 19, v. 2). i. Rubens, Peter Paul “Catalogs I. T itle II. Rubens, P eter Paul III. D e schilder Rubens. E n g lish 759.9493 ND673.R9 ISBN 0-9052.03-57-7 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Harvey Miller Ltd.