2015 Film and Literature Association
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California Film Institute Sponsorship Opportunities
MILL VALLEY FILM FESTIVAL | CALIFORNIA FILM INSTITUTE SPONSORSHIP OPPORTUNITIES THE CALIFORNIA FILM INSTITUTE celebrates film as art and education by presenting the annual MILL VALLEY FILM FESTIVAL, exhibiting film year-round at the non-profit CHRISTOPHER B. SMITH RAFAEL FILM CENTER, and building the next generation of filmmakers and film lovers through CFI EDUCATION. The MILL VALLEY FILM FESTIVAL is an The SMITH RAFAEL FILM CENTER is a CFI EDUCATION is building the next eleven-day celebration of the finest inde- beautifully restored Art Deco theater with generation of filmmakers and film lovers pendent and international films, tributes three screens and state-of-the-art presen- through its creative film programs which and galas. A hot stop on the Oscar® cir- tation, offering year-round programming annually serve over 8,000 students, educa- cuit, MVFF attracts the most talented and of internationally acclaimed screenings, tors, adults and families. Using film as an celebrated industry elite. The Festival an- special community events and in-person educational tool, programs reach across nually welcomes more than 200 filmmakers filmmaker appearances. In 2015, the Smith social, cultural and economic boundaries representing more than 50 countries, and Rafael Film Center welcomed 145,000 film to support and encourage youth toward hosts an audience of 68,000+ guests. lovers and 123 filmmaker guests. critical thinking, media literacy and a nuanced worldview. As a sponsor of CFI: THE RAFAEL, MVFF or CFI EDUCATION, you will contribute to the success of the mission and associate your business with distinctive and internationally recognized programs. Individual packages are designed around the unique needs of your company to more keenly focus on areas relevant to your brand such as product sampling, talent access and brand awareness, product placement, brand immersion and on-site activation. -
SETDECOR Magazine – Online 2015 Nominations
SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Charles Ramírez Berg Joe M. Dealey, Sr. Professor in Media Studies
Charles Ramírez Berg Joe M. Dealey, Sr. Professor in Media Studies University Distinguished Teaching Professor Board of Regents' Outstanding Teacher Top Ten Great Professor at the University of Texas at Austin Distinguished University Lecturer Department of Radio-Television-Film The University of Texas at Austin Austin, Texas 78712-1091 (512) 471-4071 (RTF Dept.) (512) 471-4077 (RTF fax) [email protected] http://rtf.utexas.edu/faculty/charles-ramirez-berg __________________________________________________________________ Education 1987 University of Texas at Austin Ph. D. Communication 1975 University of Texas at Austin M.A. Communication 1969 Loyola University, New Orleans, La. B.S. Biological Sciences Teaching Experience 2003- Professor, Department of Radio-Television-Film, UTexas-Austin 1993-2003 Associate Professor, Department of Radio-Television-Film, UTexas-Austin 2007, 1993-96 Graduate Adviser, Department of RTF, UTexas-Austin 1987-1993 Assistant Professor, Department of RTF, UTexas-Austin 1983-1987 Assistant Instructor, Department of RTF, UTexas-Austin 1979-1983 Lecturer, Departments of English, Communication, Linguistics, UTexas-El Paso 1970-1972 Edgewood High School, San Antonio, TX; Biology, Chemistry, Physiology Publications Books The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, University of Texas Press, 2015. Grand Prize Winner, 2016 University Co-Op Robert W. Hamilton Book Awards. Choice Magazine Outstanding Academic Title, American Library Association, 2016. Latino Images in Film: Stereotypes, Subversion, and Resistance. Austin: UTexas Press, 2002. Poster Art from the Golden Age of Mexican Cinema, 1936-1957. U. Guadalajara Press/IMCINE (Mexican Film Institute)/Agrasánchez Film Archive, 1997. Second Ed., 1998. Third Ed. published as Cine Mexicano: Posters from the Golden Age, 1936-1956. -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct. -
Sunday Morning Grid 4/18/21 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/18/21 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News SunPower Dest LA Bull Riding 25 Years of Tiger (N) PGA Golf 4 NBC Today in LA Weekend Meet the Press (N) Å Hockey Washington Capitals at Boston Bruins. (N) IndyCar Pre IndyCar 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch David Relief 7 ABC News This Week Ocean Sea Rescue Hearts of Free Ent. QB21 MLS Soccer 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Harvest Gold Coin Danette Icons The World’s 1 1 FOX PROTECT Jack Hibbs Fox News Sunday The Issue PBA Bowling Super Slam. (N) RaceDay NASCAR Cup Series 1 3 MyNet Bel Air Presbyterian Fred Jordan Freethought In Touch Jack Hibbs Paid Prog. Silver Shark News The Issue 1 8 KSCI Relief Dental SmileMO AAA Relief PROTECT Kenmore Bathroom? Paint Like A Can’tHear Transform Sex Abuse 2 2 KWHY Programa Programa Revitaliza Programa Programa Programa Programa Programa Programa Programa Programa Programa 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Nick Lidia Milk Street Cook 2 8 KCET Darwin’s Cat in the SciGirls Odd Squad Cyberchase Biz Kid$ Great Performances (TVG) Å Easy Yoga: The Secret Colorado 3 0 ION Law & Order (TV14) Law & Order (TV14) Criminal Minds (TV14) Criminal Minds (TV14) Criminal Minds (TV14) Criminal Minds (TV14) 3 4 KMEX Conexión Programa Programa Programa Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN R. -
Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall
This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. -
A Most Violent Year
A MOST VIOLENT YEAR Yönetmen J.C. Chandor Yapımcılar J.C. Chandor Neal Dodson Anna Gerb Türü Suç, Aksiyon Oyuncular Oscar Isaac Jessica Chastain Albert Brooks Elyes Gabel Catalina Sandıno Moreno Alessandro Nivola David Oyelowo Yapım Yılı 2014 İthalat/Dağıtım Pinema Vizyon Tarihi: 10 Temmuz 2015 SİNOPSİS Akademi ödüllü J. C. Chandor’un yönetmenliğini ve yapımcılığını üstlendiği “A MOST VIOLENT YEAR”, 1981 kışında New York’ta geçen dokunaklı bir suç filmi. 1981, istatistiklere göre şehrin tarihindeki en tehlikeli yılıdır. Abel Morales ( Oscar Isaac); şiddet dolu bu şehirde, Amerikan rüyasının peşinde olan bir Latin Amerikalı göçmendir. Abel, Brooklynli eşi Anna’nın (Jessica Chastain) gangster babasından satın aldığı küçük bir kalorifer yakıtı işini büyütmeye çalışmaktadır. İşini kurallara uygun şekilde yönetmeye kararlıyken, başarıya çıkan merdivenlerin eğri olduğunu fark eder. Bu sırada meydana gelen rekabetler ve nedensiz saldırılar işini, ailesini ve hepsinden önemlisi, yolunun doğruluğuna olan inancını tehdit etmektedir. YAPIM HAKKINDA J.C. Chandor son filmi “A MOST VIOLENT YEAR” ile izleyiciyi bir kez daha tehlikenin ve ahlaki kasvetin eşiğine getiriyor. Film, New York’un kayıtlara göre en şiddetli yılı olan 1981’de beş ilçesinde geçiyor. 1920’lerin yükselen metropolü olan, 1970’lerdeki petrol krizinden çıkan şehir, dramatik bir süreç geçirmiş ve bütçe kesintileri yüzünden duraklama dönemine girmiştir. Bu arada suç oranı ve siyasi yolsuzluklar artmıştır. 80’lerin başı güvenli çevre banliyölere doğru yapılan “Beyaz Göç”ün zirvesiydi. Göçmenler fırsat arayışıyla kasabalara akın ederken şehrin dokusunu ciddi düzeyde değiştiriyorlardı. Gerilim ve karmaşa yüzünden, kapitalizmin merkezinde ticaret yapmak endişeli bir hâl almıştı. Belediye, mafya ve iş dünyası arasındaki kuralların işlediği günler geride kalmıştı. Daha yüksek endüstri ve ticaret düzeyine çıkmaya çalışan küçük iş sahipleri, her ayrıntıdan kendileri sorumlu olacaktı. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
T H E N at I O N a L C at H O L I C W E E K Ly Feb. 24, 2014
THE NATIONAL CATHOLIC WEEKLY FEB. 24, 2014 $3.50 OF MANY THINGS Published by Jesuits of the United States state in the Abbey: it is an opportunity lived in London for nearly 106 West 56th Street three years before I set foot in for the truth of revelation to scandalize New York, NY 10019-3803 Westminster Abbey. Since the humankind’s nationalist fictions. Ph: 212-581-4640; Fax: 212-399-3596 I Yet does that happen? Throughout Subscriptions: 1-800-627-9533 16th-century English reformations, the my visit, I couldn’t help but wonder www.americamagazine.org Abbey has been the most prominent facebook.com/americamag and cherished place of worship in whether the Abbey was enacting the twitter.com/americamag the Church of England. Americans “comedy” of the city of God or the will know the Abbey from television “tragedy” of the city of man. The PRESIDENT AND EDITOR IN CHIEF coverage of the funeral of Princess monuments to the tragic figures of Matt Malone, S.J. Diana and the wedding of her son empire share cherished space with those EXECUTIVE EDITORS Prince William. The place is a curious to the equally tragic figures of a gloomy Robert C. Collins, S.J., Maurice Timothy Reidy admixture of church and state, Catholic modernity. In some ways, the Abbey has MANAGING EDITOR Kerry Weber and Protestant, self-adulation and simply swapped one metanarrative for LITERARY EDITOR Raymond A. Schroth, S.J. transcendent beauty. As a Roman another. Yet is either story truly inspired SENIOR EDITOR & CHIEF CORRESPONDENT Catholic, I experienced an unexpected, by, indeed authored by, the Gospel? I Kevin Clarke almost visceral parochial anxiety as wondered whether an ecclesial body so EDITOR AT LARGE James Martin, S.J. -
Inside Llewyn Davis Blog
DOES LLEWYN SAVE THE CAT? STC Analysis of Inside Llewyn Davis by Tom Reed The latest Coen Brothers movie has divided audiences and critics. Some call it a poetic and profound masterpiece; others find it dull, off-putting and depressing. Considering the paltry box office it’s clear mainstream moviegoers have ignored it. Along with the Academy. Why? What’s the explanation? Is this greater or lesser Coen Brothers? When I found out that a cat figured prominently in the action, I was immediately intrigued by the prospect of applying the BS2. Given the narrative prominence of a feline (an orange tabby, no less), this was a must-do. Not that I ever thought the Coens consciously applied it themselves – they’re too iconoclastic for that. They go their own way. On the other hand, they are master craftsmen at the height of their powers, which is why I was irresistibly drawn to see where and how the worlds of Blake Snyder and Joel and Ethan Coen intersected, if at all, and if that exploration could shed light on the movie and its performance. I think it can. Inside Llewyn Davis is a small, somber film, especially by mainstream standards. It feels like a character study, as Oscar Isaac, the actor portraying Llewyn, occupies virtually every frame, and doesn’t do much more than bounce around NYC looking for a place to sleep and a few bucks, playing some tunes along the way while alienating family and friends wherever he goes. Though unmistakably character-driven, it is far more than a mere character study.