T H E N at I O N a L C at H O L I C W E E K Ly Feb. 24, 2014

Total Page:16

File Type:pdf, Size:1020Kb

T H E N at I O N a L C at H O L I C W E E K Ly Feb. 24, 2014 THE NATIONAL CATHOLIC WEEKLY FEB. 24, 2014 $3.50 OF MANY THINGS Published by Jesuits of the United States state in the Abbey: it is an opportunity lived in London for nearly 106 West 56th Street three years before I set foot in for the truth of revelation to scandalize New York, NY 10019-3803 Westminster Abbey. Since the humankind’s nationalist fictions. Ph: 212-581-4640; Fax: 212-399-3596 I Yet does that happen? Throughout Subscriptions: 1-800-627-9533 16th-century English reformations, the my visit, I couldn’t help but wonder www.americamagazine.org Abbey has been the most prominent facebook.com/americamag and cherished place of worship in whether the Abbey was enacting the twitter.com/americamag the Church of England. Americans “comedy” of the city of God or the will know the Abbey from television “tragedy” of the city of man. The PRESIDENT AND EDITOR IN CHIEF coverage of the funeral of Princess monuments to the tragic figures of Matt Malone, S.J. Diana and the wedding of her son empire share cherished space with those EXECUTIVE EDITORS Prince William. The place is a curious to the equally tragic figures of a gloomy Robert C. Collins, S.J., Maurice Timothy Reidy admixture of church and state, Catholic modernity. In some ways, the Abbey has MANAGING EDITOR Kerry Weber and Protestant, self-adulation and simply swapped one metanarrative for LITERARY EDITOR Raymond A. Schroth, S.J. transcendent beauty. As a Roman another. Yet is either story truly inspired SENIOR EDITOR & CHIEF CORRESPONDENT Catholic, I experienced an unexpected, by, indeed authored by, the Gospel? I Kevin Clarke almost visceral parochial anxiety as wondered whether an ecclesial body so EDITOR AT LARGE James Martin, S.J. I entered the church, as if my body “dominated by and structured on the POETRY EDITOR Joseph Hoover, S.J. contained the relics of centuries of fear principles of liberal tolerance,” as Joseph ASSOCIATE EDITORS and resentment between Protestants Ratzinger once wrote, “in which the Luke Hansen, S.J. and Catholics. This should not have authority of revelation is subordinate ASSISTANT EDITORS Francis W. Turnbull, S.J., Olga come as a surprise, I suppose. Self- to democracy and private opinion” Segura, Joseph McAuley, Ashley McKinless inflicted wounds to the body of Christ is fully capable of publicly bearing ART DIRECTOR Stephanie Ratcliffe continue to gape and mar even today. witness to the obviously countercultural COLUMNISTS John J. Conley, S.J., Daniel P. Horan, imperatives of the Gospel. O.F.M., James T. Keane, John W. Martens, Bill As an American, I was uneasy McGarvey, Angela Alaimo O’Donnell, Margot with the entanglement of church and The eucharistic service in the Abbey Patterson, Michael Rossmann, S.J. state in the Abbey’s furnishings and was beautiful. It was not simply the CORRESPONDENTS ceremonial. Americans have a cultivated lovely music or the fine liturgica that John Carr – Washington, D.C. aversion to this sort of thing. We’ve made it so; it was the fact that an in- MODERATOR, CATHOLIC BOOK CLUB Kevin Spinale, S.J. made a paradoxical religion out of breaking of the Holy Spirit, a divine comedy, was being enacted right there EDITORIAL E-MAIL the separation of church and state, a [email protected] situation that is itself the historical amid the more prominent relics of progeny of what is represented in humankind’s tragic scheming. In front VICE PRESIDENT/CHIEF FINANCIAL OFFICER Westminster Abbey. While I harbor of the monument to George Canning, Edward Spallone the imperial prime minister (who, the some reservations about R. R. Reno’s VICE PRESIDENT/ADVANCEMENT essay in this issue, I concede his basic monument tells us without concern for Daniel Pawlus point that the next phase in that story Christian humility, rose “by his own OPERATIONS STAFF will involve “a shift from individual merit”), and just 100 feet or so from Ted Rosa Del Saz, Chris Keller, Kerry Goleski, Steven Keller, Glenda Castro, Judith Felix freedom from religion to a vision of Hughes in Poets’ Corner (also a place not overly concerned with Christian ADVERTISING CONTACT society as a whole free from religious [email protected]; 212-515-0102 influence.” That would be tragic. humility) there was this in-breaking of SUBSCRIPTION CONTACT/ADDITIONAL COPIES The separation of church and state Christ, a moment when the temporal [email protected]; is both prudent and necessary, but was touched by the eternal, a moment 1-800-627-9533 the separation of the church and the of incarnation. Yet for all its beauty, I © 2014 America Press, Inc. political is inconceivable. For my part, couldn’t help but wonder whether this I am more comfortable these days moment was the “scandal” it should have with the church and the state sharing been, whether it was really lifting our a common space, precisely because “the gaze from the Abbey’s monuments to city of God is not so much a space as a faded and ill-sought glory, to the living performance,” as William T. Cavanaugh and eternal memorial of the glorified has written. In a way, then, I rather Christ who was now among us. appreciate the proximity of church and MATT MALONE, S.J. Cover: Shutterstock.com/trekandshoot Contents www.americamagazine.org VOL. 210 NO. 6, WHOLE NO. 5040 FEBRUARY 24, 2014 ARTICLES 13 OUR SECULAR FUTURE The redefinition of religious liberty in American society R. R. Reno 20 A VIEW FROM ABROAD The shrinking common ground in the American church Massimo Faggioli 24 SUSPICIOUS MINDS The spirituality of the postmodern nones Michael P. Murphy 13 COLUMNS & DEPARTMENTS 4 Current Comment 5 Editorial Rain Delay 6 Reply All 8 Signs of the Times 11 Column A Mercy-Filled Lent Kerry Weber 28 Faith in Focus Lost and Found Carol LaChapelle 39 The Word My Anxious Heart John W. Martens 24 BOOKS & CULTURE 30 FILM “Son of God” OF OTHER THINGS Queer as Folk BOOKINGS Epistolary Treasures BOOKS This Town; Veiled Desires ON THE WEB At “The Living Word,” Brian B. Pinter writes on taunting in Scripture and how Jesus ministered to those who were bullied. Plus, a selection of articles on religious liberty and a podcast discussion of the Oscar nominees. All at americamagazine.org. 30 CURRENT COMMENT called Housing First that identified the chronically homeless Europe’s Nomads and designed strategies to supply permanent or transitional The French government has continued its harsh treatment housing to meet their needs. The state calculated that the of the Roma people in recent months. Despite protests from costs of emergency services and incarceration amount to the international community, President François Hollande $16,670 each year for a chronically homeless person but has followed up on the policies of his predecessor, Nicolas found that it could supply each person with an apartment Sarkozy, by clearing Roma camps. Over 21,000 Roma were and case management services for $11,000. deported in 2013, double the number of the previous year. As a result of the program, the number of chronically Many of them came to France after being evicted from homeless people in Utah has dropped from 1,900 in 2005 to Bulgaria and Romania. fewer than 500 today. How did this happen? The apartment The Roma, also known as gypsies, are unpopular itself, plus the attention of an assigned case worker, gives throughout Europe, where their makeshift camps have long people basic stability and enables them to get their lives in been a source of resentment. Prejudice against them goes order, search for jobs and confront physical and psychological back centuries but took a virulent turn during World War II, problems. And they are allowed to keep the apartment even when an estimated 500,000 Roma were killed at the order of when they fail. Housing is a basic human right. Other states Adolf Hitler. should consider the Utah solution. The United Nations has asked the French government to end the vicious cycle of forced evictions and to work alongside grass-roots groups that minister to Roma Tear Down This Wall migrants. Catholic leaders in France are heeding Pope Just as the peace talks between Israel and Palestine seem to Francis’ call to focus on the plight of the poor by advocating be sputtering, Israel has thrown still another obstacle in the for this persecuted minority. “People of Bulgarian and road: their attempt to extend the separation wall through the Romanian origin have come to live in our country, and Cremisan Valley. In the West Bank, just south of Jerusalem for several years now, we’ve seen no policy offered other and next to Bethlehem, the valley is a beloved oasis, if not than that of refusing acceptance to the greatest number,” stronghold, of Christianity. If the wall is built, a convent Archbishop Georges Pontier of Marseille said in November. of Salesian sisters who run a school with 400 students, a Even those “behaving reasonably and peacefully” were denied monastery of brothers and 58 Christian farmers would be cut basic necessities, the archbishop said, and were subject to acts off from their work, recreational lands and water sources. It of violence and “hateful, unrestrained remarks.” is far from the international border drawn after the Six Day A long-term solution is impossible without the War in 1967. cooperation of the whole European community. The well- Bishop Richard E. Pates of Des Moines, Iowa, along with being of the Roma cannot depend on the vicissitudes of local bishops from Europe, Canada and South Africa, visited the government policies. Continued pressure from the United agricultural valley in January.
Recommended publications
  • California Film Institute Sponsorship Opportunities
    MILL VALLEY FILM FESTIVAL | CALIFORNIA FILM INSTITUTE SPONSORSHIP OPPORTUNITIES THE CALIFORNIA FILM INSTITUTE celebrates film as art and education by presenting the annual MILL VALLEY FILM FESTIVAL, exhibiting film year-round at the non-profit CHRISTOPHER B. SMITH RAFAEL FILM CENTER, and building the next generation of filmmakers and film lovers through CFI EDUCATION. The MILL VALLEY FILM FESTIVAL is an The SMITH RAFAEL FILM CENTER is a CFI EDUCATION is building the next eleven-day celebration of the finest inde- beautifully restored Art Deco theater with generation of filmmakers and film lovers pendent and international films, tributes three screens and state-of-the-art presen- through its creative film programs which and galas. A hot stop on the Oscar® cir- tation, offering year-round programming annually serve over 8,000 students, educa- cuit, MVFF attracts the most talented and of internationally acclaimed screenings, tors, adults and families. Using film as an celebrated industry elite. The Festival an- special community events and in-person educational tool, programs reach across nually welcomes more than 200 filmmakers filmmaker appearances. In 2015, the Smith social, cultural and economic boundaries representing more than 50 countries, and Rafael Film Center welcomed 145,000 film to support and encourage youth toward hosts an audience of 68,000+ guests. lovers and 123 filmmaker guests. critical thinking, media literacy and a nuanced worldview. As a sponsor of CFI: THE RAFAEL, MVFF or CFI EDUCATION, you will contribute to the success of the mission and associate your business with distinctive and internationally recognized programs. Individual packages are designed around the unique needs of your company to more keenly focus on areas relevant to your brand such as product sampling, talent access and brand awareness, product placement, brand immersion and on-site activation.
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]
  • King's Film Society Past Films 1992 –
    King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct.
    [Show full text]
  • Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall
    This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F.
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Inside Llewyn Davis Blog
    DOES LLEWYN SAVE THE CAT? STC Analysis of Inside Llewyn Davis by Tom Reed The latest Coen Brothers movie has divided audiences and critics. Some call it a poetic and profound masterpiece; others find it dull, off-putting and depressing. Considering the paltry box office it’s clear mainstream moviegoers have ignored it. Along with the Academy. Why? What’s the explanation? Is this greater or lesser Coen Brothers? When I found out that a cat figured prominently in the action, I was immediately intrigued by the prospect of applying the BS2. Given the narrative prominence of a feline (an orange tabby, no less), this was a must-do. Not that I ever thought the Coens consciously applied it themselves – they’re too iconoclastic for that. They go their own way. On the other hand, they are master craftsmen at the height of their powers, which is why I was irresistibly drawn to see where and how the worlds of Blake Snyder and Joel and Ethan Coen intersected, if at all, and if that exploration could shed light on the movie and its performance. I think it can. Inside Llewyn Davis is a small, somber film, especially by mainstream standards. It feels like a character study, as Oscar Isaac, the actor portraying Llewyn, occupies virtually every frame, and doesn’t do much more than bounce around NYC looking for a place to sleep and a few bucks, playing some tunes along the way while alienating family and friends wherever he goes. Though unmistakably character-driven, it is far more than a mere character study.
    [Show full text]
  • Musical Films
    Musicals 42nd Street (NR) Damn Yankees (NR) 1776 (PG) A Date with Judy (NR) Across the Universe (PG-13) Deep in My Heart (NR) Alexander’s Ragtime Band (NR) De-Lovely (PG-13) All That Jazz (R) Dirty Dancing (PG-13) An American in Paris (NR) The Dolly Sisters (NR) Anchors Aweigh (NR) Dreamgirls (PG-13) Annie Get Your Gun (NR) Easter Parade (NR) The Band Wagon (NR) El Cantante (R) The Barkleys of Broadway (NR) Everyone Says I Love You (R) Begin Again (R) Evita (PG) Bells are Ringing (NR) The Fabulous Baker Boys (R) Bessie (TV-MA) Fame (1980 – R) Beyond the Sea (PG-13) Fame (2009 – PG) Blue Hawaii (PG) Fiddler on the Roof (G) The Blues Brothers (R) The Five Pennies (NR) Born to Dance (NR) Footloose (1984 – PG) Brigadoon (NR) Footloose (2011 – PG-13) The Broadway Melody (NR) For Me and My Gal (NR) Broadway Melody of 1936 (NR) Forever Plaid (G) Broadway Melody of 1938 (NR) Funny Face (NR) Broadway Melody of 1940 (NR) Funny Girl (G) Bye, Bye Birdie (G) A Funny Thing Happened on the Way to Cabaret (PG) the Forum (NR) Cadillac Records (R) The Gay Divorcee (NR) Calamity Jane (NR) Gentlemen Prefer Blondes (G) Camelot (G) Get On Up (PG-13) Carmen Jones (NR) Gigi (G) Carousel (NR) The Glenn Miller Story (NR) Chicago (PG-13) Going My Way (NR) Cinderella (NR) Good News (NR) Cover Girl (NR) Grease (PG) Crazy Heart (R) Grease 2 (PG) Grease Live! (TV14) Look for the Silver Lining (NR) The Great Ziegfeld (NR) Love & Mercy (PG-13) Guys and Dolls (NR) Love Me Tender (NR) Gypsy (NR) Love’s Labour’s Lost (PG) Hair (PG) Mamma Mia! (PG-13) Hairspray (PG) Meet Me in St.
    [Show full text]
  • Dr. Christopher Donovan Film Culture Associated Faculty: Professor
    Film Culture Cinema 180.301 Spring 2016 Instructor: Dr. Christopher Donovan Film Culture Associated Faculty: Professor Philippe Met, Professor Lance Wahlert Film Culture Managers: Ann Molin, Michael Molisani, Emma Edoga, Breanna Himschoot Description Designed for the participants of Gregory College House’s Film Culture residential program, this course provides a flexible, immersive cinema studies experience, intended to introduce students to a wide range of films and to provide practice both speaking and writing about the art form. There are a number of weekly screening series (generally Sunday through Thursday, with some weekend events); the majority of these screenings are followed by moderated discussions. The screenings/discussions, which take place evenings in the Gregory College House cinema on the first floor of Van Pelt Manor, serve as the coursework for the class; there is no regular weekly meeting time, but rather a quota of screening attendance. To fully engage with contemporary cinema, there are also a minimum of six excursions per semester to area theatres to see and analyze contemporary releases; some past trips have included “12 Years a Slave,” “The Social Network,” “The Artist,” “Black Swan,” "The Martian," “Gravity,” “Hugo,” “Argo,” “Drive,” “Harry Potter and the Deathly Hallows,” “Ex Machina,” “Amour,” “Foxcatcher,” “Lincoln,” “The Skin I Live In,” “Gone Girl,” "Interstellar," "Spotlight," “The Descendants,” “Holy Motors,” “Life of Pi,” “It Follows,” “Inherent Vice,” Inside Llewyn Davis,” “The White Ribbon,” “The Hunger Games” and “The Hunger Games: Catching Fire,” "Room," “A Separation,” “Blue is the Warmest Color,” “Zero Dark Thirty,” “The Hurt Locker,” “The Grand Budapest Hotel,” “The King’s Speech,” “Dallas Buyers Club” and many more.
    [Show full text]
  • Inside Llewyn Davis 2013
    Title card: New York City 1961 The card fades out. We hold in black. Hard cut to a singer accompanying himself on guitar, performing "I've Bet:n All Around This World." He is Llewyn Davis. He is spotlit, seated on the smaU.stag~>ofa New York club, maybe The Gaslight. He finishes the song to applause. Llewyn Thank you. You've probably heard that one before, but what the hell. .. He rises to go but dips back into the mike: ... If it was never new, and it never gets old, then it's a folk song. As the applause abates something fate hes Lle\Vyn' s attention: Nick Porco, the owner of the dub, Greenwhich Village Italian, nods Llewyn over. He is broadly smiling. Nick Boy you were some mess last night. Llewyn Yeah, sorry, Nick. I'm an asshole. Nick Oh I don't give a shit. I even agree about the music. Funny to hear you say it though. Llewyn Yeah, I'm a funny guy. Nick S'very true. Anyways, someone wants to see you out back. 2 Llewyn Who? Nick Guy in a suit? A clatter offscreen attracts Llewyns attention: Backlit in the smoky spotlight someone with a battered guitar is just sitt ng down on the stool onstage. BACK ALLEY The steel door of the club swings open and Llewyn emerges. A thin, an ufar man, older than Llewyn, in a suit a size too big is leaning againslthe far wall of the 'rilley smoking a cigarette. He studies Llewyn for a beat, then, in a Kentucky accent: Man You a funny boy, huh? Llewyn What? The man tosses the cigarette away and pushes himself off the wall.
    [Show full text]
  • Tom Thomson Art Gallery Movie Series
    Inaugural film: Margaret’s Museum, May 1996 Season 1 1996/1997 Season 5 2000/2001 Antonia’s Line, Sept 1996 East is East, Sept 2000 Lone Star, Oct 1996 New Waterford Girl, Oct 2000 Long Day’s Journey into Night, Nov 1996 Saving Grace, Nov 2000 Big Night, Dec 1996 Stardom, Nov 2000 Celestial Clockwork, Jan 1997 Waydowntown, Jan 2001 Secrets and Lies, Feb 1997 Chocolat, Feb 2001 Breaking the Waves, Mar 1997 Goya in Bordeaux, Mar 2001 Hotel de Love, Apr 1997 Crouching Tiger, Hidden Dragon, Apr 2001 Waiting for Guffman, May 1997 The Widow of St. Pierre, Apr 2001 Season 2 1997/1998 Season 6 2001/2002 Ulee’s Gold, Sept 1997 The Dish, Sept 2001 When The Cat’s Away, Oct 1997 The Closet, October 2001 Fire, Nov 1997 The Golden Bowl, Nov 2001 Shall We Dance, Dec 1997 The Uncles, Nov 2001 The Hanging Garden, Jan 1998 Innocence, Jan 2002 The Sweet Hereafter, Feb 1998 The War Bride, Feb 2002 The Full Monty, Mar 1998 Kandahar, Mar 2002 Ice Storm, Apr 1998 Amelie, Apr 2002 Mrs. Dalloway, May 1998 Bread and Tulips, Apr 2002 Season 3 1998/1999 Gala Opening of the new Galaxy, July 2002 The Governess, Sept 1998 Amelie Smoke Signals, Oct 1998 The Importance of being Earnest Last Night, Nov 1998 Iris The Red Violin, Dec 1998 Atanarjuat Jerry and Tom, Jan 1999 Men in Black II Life is Beautiful, Feb 1999 Elizabeth, Mar 1999 Season 7 2002/2003 Nõ, Apr 1999 Atanarjuat, Sept 2002 Little Voice, May 1999 Baran, Oct 2002 Bollywood/Hollywood, Nov 2002 Season 4 1999/2000 Nuit de Noces, Dec 2002 This Is My Father, Sept 1999 Mostly Martha, Jan 2003 Besieged, Oct 1999 8 Femmes, Jan 2003 Earth, Nov 1999 Rabbit Proof Fence, Mar 2003 Felicia's Journey, Jan 2000 The Pianist, Apr 2003 Happy, Texas, Feb 2000 The Russian Ark, May 2003 XIU-XIU: The Sent Down Girl, Mar 2000 All About My Mother, Apr 2000 Straight Story, Apr 2000 Owen Sound’s Reel Festival 1, Feb 2003 Season 10 2005/2006 Marion Bridge Ladies in Lavender, Sept 2005 Bowling for Columbine Sabah, Oct 2005 Frida Brothers, Oct 2005 Standing in the Shadows of Motown Mad Hot Ballroom, Nov 2005 Far from Heaven Water, Jan 2006 Mrs.
    [Show full text]
  • 1.The Quest Tenet: 3.The Initiation 4. Death and Rebirth 5.Battle Between Good
    The Film List, by ARCHETYPES: 1.The Quest • Oh Brother Where art thou: https://www.youtube.com/watch?v=eW9Xo2HtlJI • Employee of the month: https://www.youtube.com/watch?v=v8HrbX0hzX8 • Unforgiven (1992): https://www.youtube.com/watch?v=6_UlfsdGiEc • Easy Rider: https://www.youtube.com/watch?v=iLdTZaKMQ9c • The Lobster: https://www.youtube.com/watch?v=vU29VfayDMw&feature=youtu.be • Tenet: https://www.youtube.com/watch?v=L3pk_TBkihU • The King: https://www.youtube.com/watch?v=yMJnsTx-TBg • The Laundromat: https://www.youtube.com/watch?v=wuBRcfe4bSo • The Truman Show: https://www.youtube.com/watch?v=loTIzXAS7v4 • Ready Player One: https://www.youtube.com/watch?v=cSp1dM2Vj48 • Me and Earl, and the Dying Girl: https://www.youtube.com/watch?v=2qfmAllbYC8 • Stand by me: https://www.youtube.com/watch?v=oYTfYsODWQo 3.The Initiation • Fight Club: https://www.youtube.com/watch?v=qtRKdVHc-cE • Diner: https://www.youtube.com/watch?v=__Q6_27KKEc • The Breakfast Club: https://www.youtube.com/watch?v=9iQOw0dHRZA • Reservoir dogs: https://www.youtube.com/watch?v=2KLZ4fSXtgI • Wonder Boys: https://www.youtube.com/watch?v=sveK_fhIqhs • The King: https://www.youtube.com/watch?v=yMJnsTx-TBg • American Graffiti: https://www.youtube.com/watch?v=Gx7QdFbxr1c • Best in show: https://www.youtube.com/watch?v=94y9n9lNy2Y • JoJo Rabbit: https://www.youtube.com/watch?v=tL4McUzXfFI 4. Death and Rebirth • The Revenant: https://www.youtube.com/watch?v=QRfj1VCg16Y • Groundhog Day: https://www.youtube.com/watch?v=GncQtURdcE4 • The Lobster: https://www.youtube.com/watch?v=vU29VfayDMw&feature=youtu.be
    [Show full text]
  • Hooking up with the Second City, P.15
    Safety First, p.14 Relationship Advice, p.24 Dope Desserts, p.30 cascadia Inside: Cannabis Guide REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 02-*10-2016* • ISSUE: 06 • V.11 y Datey Hooking up with Night the Second City, P.15 DOCTRINE OF DISCOVERY Human Rights Film Festival, P.10 * ROMANCE ROUNDUP Sounds like Valentine's Day, P.18 DANCE Celtic Dance Championship: 9am-5pm, Whatcom 30 cascadia Community College Valentine’s Day Dance: 2-4pm, Leopold Crystal FOOD FOOD ThisWeek Ballroom Contra Dance: 7-10:30pm, Fairhaven Library A glance at this week’s Tango by the Bay: 8-10pm, Squalicum Yacht Club 24 happenings Valentines Salsa Dance: 8-11pm, Bell Tower Studio MUSIC B-BOARD B-BOARD Whatcom Symphony Orchestra: 7pm, Mount Baker Theatre A Musical Evening: 7pm, VFW Post 1585 22 22 WEDNESDAY [02.10.16] COMMUNITY FILM ONSTAGE Cupid’s Folly: 3-5pm, Bloedel Donovan Ballad of Ginger Goodwin: 7:30pm, DUG Theatre, Loving Heart Gala: 5-9pm, Bellingham Golf Club WWU 18 GET OUT MUSIC View heartfelt Swan Watch: 7-10am, Tennant Lake, Ferndale MUSIC Heavy Metal: 7:30pm, Performing Arts Center, WWU Fragrance Lake Half-Marathon: 8:30am, Larrabee performances State Park THURSDAY 11 16 [02. .16] Two for the Road: 10am, Whatcom Falls Park and jaw-dropping Girl.Strong: 1-3pm, Bellingham High School ART ONSTAGE Brian Regan: 7:30pm, Mount Baker Theatre acrobatics when FOOD Ballad of Ginger Goodwin: 7:30pm, DUG Theatre, 15 Anacortes Farmers Market: 9am-2pm, Depot Arts WWU members of the Center Baby: 7:30pm, Bellingham Theatre Guild Vineyard Valentines Weekend: 12-5pm, Mt.
    [Show full text]