DOCSLIB.ORG

Violin Judith

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Violin Judith IngolfssonJUDITH VIOLIN www.judithingolfsson.com Judith Ingolfsson, Violin Violinist Judith Ingolfsson made her first appearances on the in- ternational music scene as a prize winner of the celebrated Pre- mio Paganini Competition in Genoa and the Concert Artists Guild Competition in New York. Winning the Gold Medal at the prestigious International Violin Competition of Indianapolis in 1998 provided her with the final breakthrough as an internatio- nally sought-after soloist. In 1999, National Public Radio's "Per- formance Today" named her "Debut Artist of the Year" for her "remarkable intelligence, musicality, and sense of insight.” The New York Times has since characterized her playing as produ- cing “both fireworks and a singing tone,” the Washington Post praised the “finely honed bowing and stylistic finesse” of her playing, and Strings Magazine described her tone as “gorgeous, intense, and variable, flawlessly pure and beautiful in every regis- ter.” Judith Ingolfsson has concertized throughout North and South America, Asia, and Europe, per- forming as a soloist with such prestigious orchestras as the Philadelphia Orchestra, the National Symphony Orchestra, the Indianapolis Symphony Orchestra, the St. Louis Symphony Orchestra, the Royal Chamber Orchestra of Tokyo, the Budapest Philharmonic Orchestra, the Jena Philhar- monic, the Philharmonischen Staatsorchester Mainz, the Bollington Festival Orchestra (UK), and the Brandenburgisches Staatsorchester Frankfurt-Oder. She had collaborated with conductors such as Wolfgang Sawallisch, Raymond Leppard, Gilbert Varga, Jesús López-Cobos, Rico Saccani, Gerard Schwarz, and Leonard Slatkin. She was also heard as soloist with the Iceland Symphony Orchestra in 2000 on its highly acclaimed 15-city North American tour, highlighted by performan- ces at Carnegie Hall, and the Kennedy Center. Judith Ingolfsson's recital performances have taken her to many of the world's leading stages in- cluding Konzerthaus Berlin, New York’s Carnegie Hall, the National Gallery of Art in Washington, D.C., Cleveland Museum of Art, La Jolla Chamber Music Society, Reyjavík Arts Festival, Pro Arte Musicale of Puerto Rico, La Asociación Nacional de Conciertos de Panamá, Macao Cultural Center and the Tokyo Metropolitan Art Center. An avid chamber musician, she has collaborated with the Avalon, Miami and Vogler String Quartets, the Broyhill Chamber Ensemble, and has ap- peared as a member of the Chamber Music Society of Lincoln Center Two on tour and at Lincoln Center for the Performing Arts. A welcome guest at music festivals, she has been invited to festivals in the USA, Poland, Finland, Germany, Switzerland, France, and the Netherlands. In 2010 she was artist-in-residence in Villa Esche in Chemnitz. Judith Ingolfsson’s current discography includes five CDs. She was the recipient of the 2001 Chamber Music America/WQXR Record Award for her debut CD on Catalpa Classics. Her recor- ding of Tchaikovsky Violin Concerto with the Budapest Philharmonic Orchestra, available on the BPO Live label, was released in 2007. The CD "En Hommage: Simon Laks" was released on EDA in 2010. In 2011 Judith Ingolfsson released a highly acclaimed recording of the Ysaye Solo Sonatas on the GENUIN label and, together with the pianist Vladimir Stoupel, a CD on the AUDITE label including works of Shostakovich and Stravinsky. www.judithingolfsson.com Born in Reykjavik, Iceland to an Icelandic father and Swiss mother, Judith Ingolfsson began her violin studies at the age of three and gave her first public performance on Icelandic State Television at age five. At the age of eight she recorded as soloist with the Iceland Symphony for Icelandic Sta- te Radio and a few weeks later performed her orchestral solo debut in Germany. Her family immi- grated to the United States in 1980, and at the age of 14, she was admitted to The Curtis Institute of Music in Philadelphia, where she studied with Jascha Brodsky. She went on to earn her Master's degree and Artists Diploma from the Cleveland Institute of Music as a student of David Cerone and Donald Weilerstein. Recent and upcoming engagements and projects include Judith Ingolfsson’s special interest in twentieth-century composers. Together with pianist Vladimir Stoupel she performs and records ex- tensively as the Duo Ingolfsson-Stoupel. The Duo has four upcoming CD releases planned in 2016 on Accentus Music, including works of Sergei Prokofieff, Gabriel Fauré, Louis Vierne, Alberic Magnard and Rudi Stephan. With the Jena Philharmonic and the Staatsorchester Mainz, she re- cently performed the Violin Concertos by Einojuhani Rautavaara and Nikolai Roslavets. Another upcoming CD release includes the Violin Concerto “The Grasshopper” by Joseph Holbrooke, re- corded with the Brandenburgisches Staatsorchester Frankfurt for the CPO label. She is currently Professor at the State University of Music and Performing Arts Stuttgart and co- artistic director and founder of Festival International "Aigues-Vives en Musiques" in France. She performs on a Lorenzo Guadagnini violin, crafted in 1750, and a viola by Yair Hod Fainas. She also uses a baroque bow made by the modern German maker Bastian Muthesius. Contact Judith Ingolfsson Tel: +1 212 923 - 3285 Tel: +49 151 2300 7529 Email: [email protected] Web: www.judithingolfsson.com www.judithingolfsson.com Violin Concerto Repertoire Johann Sebastian Bach Joseph Holbrooke Maurice Ravel • Concerto in a BWV 1041 • Concerto “The Grasshopper” • Tzigane (1924) • Concerto in E BWV 1042 • Concerto for two violins in d, Joseph Haydn Camille Saint-Saëns BWV 1043 • Concerto No. 1 in C • Concerto Nr. 3 in b, Op. 61 • Havanaise, Op. 83 Samuel Barber Aaram Khatchaturian • Introduction & Rondo capriccio- • Concerto op. 14 • Concerto in d (1940) so, Op. 28 Bela Bartok Erich Wolfgang Korngold Pablo de Sarasate • Concerto No. 2 (1938) • Concerto in D, Op. 35 (1946) • Carmen Fantasy op. 25 • Zigeunerweisen op. 20 Ludwig van Beethoven Simon Laks • Concerto in D, Op. 61 • Poème for violin and orchestra Alfred Schnittke • Romance No. 1, Op. 40 • Concerto Grosso No. 1 (1977) • Romance No. 2, Op. 50 Felix Mendelssohn Bartholdy • Triple Concerto in C, Op. 56 • Concerto in e, Op. 64 Robert Schumann • Concerto for Violin, Piano • Concerto in d (WoO23) Alban Berg and Strings • Concerto (1935) Dmitri Shostakovich • Chamber Concerto for Violin, Wolfgang Amadeus Mozart • Concerto No. 1, Op. 77 Piano and 13 Winds • Concerto No. 1 in B-flat, K. 207 • Concerto No. 2, Op. 129 • Concerto No. 2 in D, K. 211 Johannes Brahms • Concerto No. 3 in G, K. 216 Jean Sibelius • Concerto in D, Op. 77 • Concerto No. 4 in D, K. 218 • Concerto in d, Op. 47 • Double Concerto in a, Op. 102 • Concerto No. 5 in A, K. 219 • 6 Humoresques • Rondo in C Major, K. 373 Benjamin Britten • Adagio in E Major, K. 261 Karol Szymanowski • Concerto Op. 15 in d • Sinfonia Concertante for Violin • Concerto No. 2, Op. 61 and Viola in E-flat Major, K. 364 Max Bruch Pyotr Ilyich Tchaikovsky • Concerto No. 1 in g, Op. 26 Niccolo Paganini • Concerto in D, Op. 35 • Scottish Fantasy, Op. 46 • Concerto No. 1 D Major, Op. 6 • Valse-Scherzo, Op. 34 • Concerto No. 2 b minor, Op. 7 • Sérénade Mélancholique, Op. 26 Ernest Chausson • Méditation, Op. 42 • Poème op. 25 Sergei Prokofieff • Concerto No. 1 in D, Op. 19 Henri Vieuxtemps Antonin Dvorak • Concerto No. 2 in g, Op. 63 • Concerto No. 5 in a, Op. 37 • Concerto in a, Op. 53 • Romance in f, Op. 11 Joachim Raff Antonio Vivaldi • Concerto No. 2 in a, Op. 206 • Four Seasons, Op. 8 Heinrich Wilhelm Ernst • Concerto“Pathétique” Op. 23 Einojuhani Rautavaara Henri Wieniawski • Concerto (1977) • Concerto No. 1 in f#, Op. 14 Alexander Glazunov • Concerto No. 2 in d, Op. 22 • Concerto in a, Op. 82 Nikolai Roslavets • Fantaisie brilliante nach • Concerto No. 1 Gounod’s Faust Op. 20 Haflidi Hallgrimsson • Poemi (1984) www.judithingolfsson.com Reviews Westdeutsche Allgemeine Zeitung Hamburger Abendblatt A Bohemian Paganini “The violinist from Iceland movingly performed Judith Ingolfsson Shines as Interpreter Chopin’s Nocturne in C sharp minor with a clearly “Born in Bohemia, Heinrich Wilhelm Ernst is unknown chiseled and yet languorous sound. Laks’s lost version of to most music lovers, although his contemporaries the “Trois Pieces de concert” for cello and piano she compared the virtuoso and composer to his role model reconstructed for violin and piano. Her playing was Paganini. One of his main works is the Violin Concerto accordingly intense and authentic. The first movement in F-sharp Minor, which is informed not by Paganinian came across dance-like, fanciful, and with subtle humor. “italianitá,” but rather by German Romanticism, displays In the “Romance” her crystal clear playing enthralled a verve that at times is reminiscent of Weber, is with a mournfully beautiful melody, while in the last calculated for great impact, but never at the expense of movement she allowed lots of room for the comical the musical substance. A glance at the solo part shows accents. why it hardly appears on concert programs: it is simply In Ravel’s Sonata for violin and piano, the duo displayed fiendishly difficult and on a par with what the devil’s wonderful unity. Ingolfsson particularly brought out the violinist from Genoa demanded from the instrument. light, lapidary, resigned character of the blues. The For this reason, the achievement of soloist Judith boisterous ballad-like character of the composition Ingolfsson, who provoked thunderous applause with her succeeded so well that it almost seemed like Kurt Weill’s radiant sound and stupendous virtuosity, deserves all the Pirate Jenny was singing. The duo played fabulously.” more praise.” The Monterey County Herald Greenwich Citizen "Ingolfsson possesses artistic fire to be sure, but her Icelandic violinist turns up the heat with GSO playing is not flamboyant nor is it infused with hot “The stunning soloist… for the Violin Concerto of Alban theatrics. Rather she is a performer who projected Berg was Icelandic violinist Judith Ingolfsson.
Load more

Recommended publications
  • Thesis October 11,2012
    Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation. Elena Nalimova 10 October 2012 Submitted in partial requirement for the Degree of PhD in Performance Practice at the Goldsmiths College, University of London 1 Declaration The work presented in this thesis is my own and has not been presented for any other degree. Where the work of others has been utilised this has been indicated and the sources acknowledged. All the translations from Russian are my own, unless indicated otherwise. Elena Nalimova 10 October 2012 2 Note on transliteration and translation The transliteration used in the thesis and bibliography follow the Library of Congress system with a few exceptions such as: endings й, ий, ый are simplified to y; я and ю transliterated as ya/yu; е is е and ё is e; soft sign is '. All quotations from the interviews and Russian publications were translated by the author of the thesis. 3 Abstract This thesis presents a performer’s view of Galina Ustvolskaya and her music with the aim of demystifying her artistic persona. The author examines the creation of ‘Ustvolskaya Myth’ by critically analysing Soviet, Russian and Western literature sources, oral history on the subject and the composer’s personal recollections, and reveals paradoxes and parochial misunderstandings of Ustvolskaya’s personality and the origins of her music. Having examined all the available sources, the author argues that the ‘Ustvolskaya Myth’ was a self-made phenomenon that persisted due to insufficient knowledge on the subject. In support of the argument, the thesis offers a performer’s interpretation of Ustvolskaya as she is revealed in her music.
    [Show full text]
  • Concert Program
    CONCERT PROGRAM 1 Концертная программа Санкт-ПетербургСкая гоСударСтвенная конСерватория им. н. а. римСкого-корСакова THE ST. PETERSBURG N. A. RIMSKY-KORSAKOV STATE CONSERVATORY Санкт-Петербург ST. PETERSBURG 2014 2 УчреДитель FOUNDER Владимир СТОПИЧЕВ Vladimir STOPICHEV декан оркестрового факультета Dean of the Orchestra Department Санкт-Петербургская государственная The St. Petersburg N. A. Rimsky-Korsakov леонид ЗАЙЧИК Leonid ZAICHIK консерватория им. Н. А. Римского-Корсакова State Conservatory декан фортепианного факультета Dean of the Piano Department Юрий ЛАПТЕВ Yury LAPTEV При поддержке With support from декан вокально-режиссерского факультета Dean of the Vocal and Directing Department Министерства культуры Российской Федерации the Ministry of Culture of the Russian Federation олег ШАРОВ Oleg SHAROV Комитета по культуре Санкт-Петербурга the St. Petersburg Committee for Culture декан факультета народных инструментов Dean of the Folk Instruments Department Комитета по внешним связям Санкт-Петербурга the Committee for External Relations of St. Petersburg наталья АГАБаБоВа Natalia AGABABOVA декан по работе с иностранными учащимися Chief of the Dean`s Office for International Students ирина БОГАЧЕВа Irina BOGACHEVA заведующая кафедрой сольного пения Head of the Recital Division ПОПЕЧИТЕЛЬСКий СоВет THE BOARD OF TRUSTEES екатерина мУрина Ekaterina MURINA заведующая кафедрой специального фортепиано Head of the Special Piano Division ГЕНЕРАЛЬНЫЕ КОНСУльСтВа: THE CONSULATES GENERAL OF: александр ТИТОВ Alexander TITOV Соединенных Штатов Америки в Санкт-Петербурге the United States in St. Petersburg заведующий кафедрой оперно-симфонического Head of the Opera and Symphony дирижирования Conducting Division Федеративной Республики Германия в Санкт-Петербурге the Federal Republic of Germany in St. Petersburg антон ТАНОНОВ Anton TANONOV Азербайджанской Республики в Санкт-Петербурге the Republic of Azerbaijan in St.
    [Show full text]
  • EYM Programmheft.Pdf
    1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is.
    [Show full text]
  • 14 March 2008 Page 1 of 18 SATURDAY 08 MARCH 2008 with Susan Sharpe
    Radio 3 Listings for 8 – 14 March 2008 Page 1 of 18 SATURDAY 08 MARCH 2008 With Susan Sharpe. SAT 01:00 Through the Night (b0092dlm) 5.00am With Susan Sharpe. Corelli, Arcangelo (1653-1713): Sonate da chiesa in F, Op 1 No 1 1.00am London Baroque Tchaikovsky, Pyotr Il'yich (1840-1893): Three Characteristic Pieces 5.06am Sofia Soloists Chamber Ensemble Chopin, Fryderyk (1810-1849): Variations in E on a German Vassil Kazandijiev (conductor) National Air (Op. posth) Ludmil Angelov (piano) 1.12am Tchaikovsky: Symphony No 4 in F minor, Op 36 5.14am Sofia Philharmonic Orchestra Sarasate, Pablo de (1844-1908): Zigeunerweisen, Op 20 (arr. Vladimir Ghiarov (conductor) for violin and orchestra) Moshe Hammer (violin) 1.56am Winnipeg Symphony Orchestra Schubert, Franz (1797-1828): Piano Quintet in A (Trout) Kazuhiro Koizumi (conductor) Nikolai Demidenko (piano) Marianne Thorsen (violin) 5.23am Are Sandbakken (viola) Mendelssohn, Felix (1809-1847): Psalm 22, Op 78 No 3 Leonid Gorokhov (cello) Radio France Chorus (unnamed tenor soloist) Dan Styffe (double bass) Donald Palumbo (conductor) 2.40am 5.32am Dvorak, Antonin (1841-1904): Mass in D, Op 86 Guilain, Jean-Adam (ca.1680-na.1739): Suite du premier ton Ludmila Vernerova (soprano) Norbert Bartelsman (organ) Olga Kodesova (alto) Vladimir Okenko (tenor) 5.42am Ilja Prokop (bass) Haydn, Joseph (1732-1809): Symphony No 4 in D Miluska Kvechova (organ) Slovak Radio Symphony Orchestra Bratislava Choir of the Czech Radio Ondrej Lenard (conductor) Radio Orchestra of Pilzen Lubomir Matl (conductor) 5.53am Diepenbrock,
    [Show full text]
  • Nº12enero 2010
    Nº12 enero 2010 DOSSIER Lang Lang y Tan Dun: una revolución después de la Revolución II Ciclo de Música Coral El hijo del pueblo POSTALES ILUMINADAS Dos bicentenarios y dos grandes partituras rusas LANG LANG Rafael Frühbeck de Burgos junto a Alicia de Larrocha en un ensayo de la ONE en el Suntory Hall de Tokio, 1989 © Robledo-Hara Lang Lang y Tan Dun: una revolución después de la Revolución En su documental De Mao a Mozart así como el contacto con la música grabado en 1979, el gran violinista tradicional china se convertirían en Isaac Stern constató en primera el lenguaje de su expresión musical. persona los devastadores efectos Con su incesante fluir, el agua es que la Revolución Cultural había fundamental para comprender generado en el tejido musical de la música de Tan Dun; está tan la República Popular China. Hasta presente en la obra del compositor el fallecimiento en 1976 de Mao que en 1998 la Orquesta Filarmónica Lang Lang. Pianista. Tse-Tung, la música occidental ha- de Nueva York le encargó la com- bía estado oficialmente proscrita. posición del Concierto del agua, Aunque era evidente que había un obra que no es desconocida para retraso en la pedagogía musical, el público de la ONE, ya que se comenzaba a entreverse un inmenso interpretó en la temporada 2005- potencial entre los estudiantes más 2006 de la mano de uno de nues- jóvenes. Pocos podían imaginar tros solistas de percusión, Juanjo que en apenas unos años nacería Guillem. un prodigio del piano llamado Lang Lang. Recientemente nombrado Al igual que su maestro Toru embajador de buena voluntad de Takemitsu, Tan Dun rompe con UNICEF y uno de los cien personajes los estereotipos estilísticos que más influyentes en 2009 según la separan la música oriental de la revista TIME, se ha convertido en occidental.
    [Show full text]
  • Leonid Gorokhov Cello
    Leonid Gorokhov Cello The Russian cellist Leonid Gorokhov studied at the St. Petersburg Conservatoire with Anatoli Nikitin and took part in masterclasses with Daniil Shafran. Winner of Concertino Praga (First Prize) and Paris Chamber Music Competition (Premier Grand Prix), Leonid Gorokhov is the only Russian cellist to be awarded the Grand Prix and the First Prize of the Geneva Concours (1986). In 1995 the European Association for Encouragement of the Arts awarded the Cultural Achievement Prize to Leonid Gorokhov for exceptional talent and outstanding artistic accomplishment. In 1991, Leonid Gorokhov appeared as soloist with the St. Petersburg Philharmonic conducted by Lord Menuhin; their strong musical rapport led to further concerto engagements with the Bergen, Berlin & Royal Philharmonic Orchestra, English Symphony Orchestra, Sinfonia Varsovia and the Zurich Tonhalle. In 1995, he made a triumphant return to Russia in performances of the Elgar Cello Concerto with the Philharmonia Hungarica, again conducted by Lord Menuhin. Apart from his work as a soloist, he is a founder member of the Hermitage String Trio (playing with Boris Garlitsky, violin, and Alexander Zemstov, viola) and plays regularly as a duo with the pianists Nikolai Demidenko, Niklas Sivelov and Kathryn Stott. Duo recitals have included the Båstad, Belfast, Eilat Winter, Oslo Chamber Music and Petworth Festivals, Munich and Wigmore Hall. Recent engagements have included the Elgar concerto with the Enescu Philharmonic in Bucharest and the Walton Concerto with the Philharmonia Orchestrain the UK. In Australia, his residence at the Townsville Festival found him playing a wide variety of chamber music; in Russia he has performed the rarely played Davidoff Concerto No 2 with the St.
    [Show full text]
  • 21 January 2011 Page 1 of 22
    Radio 3 Listings for 15 – 21 January 2011 Page 1 of 22 SATURDAY 15 JANUARY 2011 Kreisler, Fritz (1875-1962) Rondino on a theme by Beethoven for violin and piano SAT 01:00 Through the Night (b00x8b6x) Taik-Ju Lee (male) (violin), Young-Lan Han (female) (piano) Susan Sharpe presents a concert of classical and popular guitar music 4:02 AM Paganini, Nicolò (1782-1840) 1:01 AM Introduction and Variations on a theme from Rossini's "Mosè in Fossa, François de (1775-1849) Egitto" (MS.23) Fantasy (Op.5) Monika Leskovar (cello), Ivana Schwartz (piano) Sabrina Vlaskalic (guitar) 4:10 AM 1:11 AM Martinu, Bohuslav (1890-1959) Sor, Fernando (1778-1839) Variations on a theme by Rossini for cello and piano Andantino No.22 Leonid Gorokhov (cello, USSR), Irina Nikitina (piano) Kaare Norge (guitar) 4:18 AM 1:15 AM Goleminov, Marin (1908-2000) Tarrega, Francisco (1852-1909) Symphonic Variations on a theme by Dobri Hristov (1942) Adelita; Lagrima Sofia Philharmonic Orchestra, Kamen Goleminov (conductor) Kaare Norge (guitar) 4:35 AM 1:19 AM Mozart, Wolfgang Amadeus (1756-1791) Praetorius, Michael (1571-1621) String Quartet in G major (K.156) Ballet Australian String Quartet Kaare Norge (guitar) 4:48 AM 1:24 AM Lassus, Orlande de (1532-1594) Bach, Johann Sebastian (1685-1750) Omnes de Saba venient Jesu, meine Freude (BWV.227) Studio de Musique Ancienne de Montréal (voices only), Danish National Radio Choir, Stefan Parkman (conductor) Christopher Jackson (director) 1:45 AM 4:51 AM Manen, Juan (1883-1971) Telemann, Georg Philipp (1681-1767) Fantasia Sonata Mercoledi
    [Show full text]
  • Clavier-Salon Im November
    Gerrit Zitterbarts Clavier-Salon im November Konzert internationaler junger Preisträger Freitag 2. November 19:30 h Haydn, Beethoven, Smetana Klaviertrio „Elpis Trio“, Korea Steinweg 1898 Konzert internationaler junger Preisträger Mittwoch 7. November 19:30 h Cimarosa, Beethoven, Brahms Clavierabend Dongjoohn Lee, Korea Steinweg 1898 Donnerstag 15. November 19:30 h Schubert, Mendelssohn Clavierabend Gerrit Zitterbart Ehrbar 1882 Konzert internationaler junger Preisträger Sonnabend 17. November 19:30 h Haydn, Chopin, Beethoven Clavierabend Gi Ran Jung, Korea Steinweg 1898 Konzert internationaler junger Preisträger Mittwoch 21. November 19:30 h Schubert, Debussy, Brahms Clavierabend Mark Taratushkin, Russland Steinweg 1898 Konzert internationaler junger Preisträger Freitag 23. November 19:30 h Bach, Brahms, Debussy, Ravel Clavierabend Kirill Yashin, Russland Steinweg 1898 Sonntag 25. November 11:15 h Es wird Winter Kinderkonzert mit Gerrit Zitterbart Steinweg 1898 Mittwoch 28. November 19:30 h Beethoven , Schubert Trioabend Steinweg 1898 Solenne Paidassi, Violine, Leonid Gorokhov, Violoncello, Gerrit Zitterbart, Klavier jeweils Sonnabend Historische Flügel von Karten: 10.11. 12:00 h Walter, Dulcken, Ehrbar, Notabene Burgstr. 33 Érard & Theodor Steinweg im 24.11. 12:00 h Tonkost Theaterstr. 22 „Musik Clavier-Salon Göttingen Tourismus zum Mittag“ Stumpfebiel 4 e.V. (Altes Rathaus) 30 Minuten Preise: 15 € Soloabende Göttinger Tageblatt 5 € Einheitspreis 20 € Kammermusik www.reservix.de Abendkasse kein Vorverkauf 10/5 € Kinderkonzerte immer 10 €: Schüler & Studenten www.clavier-salon-goettingen.de Gi Ran Jung wurde 1990 in Südkorea geboren. Sie studierte den Dirigenten Shlomo Mintz, Jacek Kaspszyk und Jaime in an der Pohang Arts High School, bevor sie 20011 nach Martin zusammengearbeitet. Frau Païdassi ist auf zahlreichen Hannover an die Hochschule für Musik, Theater und Medien Festivals zu Gast, wie beispielsweise dem „La Folle Journée“ in die Klasse von Prof.
    [Show full text]
  • Chopin: Konzerte 2020
    chopin: konzerte 2020 Konzerte 2020 und Rückblick 2019 CHOPIN-GESELLSCHAFT HANNOVER 1 editorial 2 as Konzertjahr 2019 ist zu Ende gegangen und nun In unserem 40. Jubiläumsjahr 2020 prä- blicken wir gemeinsam wieder gespannt auf das sentieren wir Ihnen Preisträger unserer vergangenen Klavierwettbewerbe. D nächste Jahr. Die Konzertsaison 2020 wird erneut voller musikalischer Höhepunkte sein! Das Programm haben wir mit viel Freude und Engagement für Sie zusammengestellt und hoffen sehr, dass wir uns trotz der Vielzahl anderer Konzertangebote in Hannover auch weiterhin auf Ihre regelmäßige Anwesenheit freuen dürfen! Auch in diesem Jahr werden wir unsere Förderung junger Ausnahmetalente fortsetzen. Aber gleichzeitig möchten wir eini- ge der Gewinner unserer Wettbewerbe vergangener Jahre wieder auf die Bühne bringen, denn im Jahr 2020 feiert die Chopin-Ge- sellschaft Hannover ihr 40-jähriges Jubiläum! Ja, bereits 40 Jahre lang schon fördern wir junge Künstler und bei dieser Tätigkeit zählen wir auf Sie, um diese aufstrebenden Talente mit Begeis- terung anzufeuern. Kommen Sie zahlreich in die Konzerte und entdecken Sie diese großartigen Interpreten gemeinsam mit uns. Im Konzertjahr 2019 haben wir mit Studenten der Hoch- © Anett Seidensticker schule für Musik, Theater und Medien Hannover eng zusammen gearbeitet. Mit der engagierten Unterstützung von Professor Sookie Schober, Präsidentin Leonid Gorokhov und seinen Kollegen ist es uns gelungen, eine wunderbare Aufführung des Karnevals der Tiere auf die Bühne zu bringen. Für dieses besonders anspruchsvolle Projekt haben wir so viel positive Resonanz von Ihnen erhalten, dass wir diese Serie mit ähnlichen Produktionen fortsetzen möchten. Wir freuen uns im übrigen sehr, dass unser „Karneval“ durch das Kinderlitera- turfestival „Salto Wortale“ übernommen und für Schulkinder im Zirkuszelt zur Aufführung kommen wird.
    [Show full text]
  • Cello Biennale 2016 Is the Acting Cello, Bulgakov´S Masterwork the Cello As Actor
    Principal benefactors Subsidised by Cellists Nicolas Altstaedt Harald Austbø Other musicians Directors Matthias Bartolomey Lucie Chartin Sjaron Minailo Anner Bijlsma Agustin Diassera Dagmar Slagmolen Funds Karel Bredenhorst Jérôme Ducros Jochem Stavenuiter Jörg Brinkmann Hans Eijsackers Albert Brüggen José Gallardo Composers world premieres Fonds Henri Fock Ans Otten-Nypels Fonds Bredius Fonds Amber Docters- Paolo Giacometti Joël Bons Middelbeek Stortenbeker Fonds Hausta Donans Fonds van Leeuwen Astrid Haring Brendan Faegre Maya Fridman Maarten den Hengst Oene van Geel Larissa Groeneveld Daniël Kramer Galina Grigorjeva Katharina Gross Leonor Leal Pete Harden Stjepan Hauser Ere Lievonen Guus Janssen Jeroen den Herder Efrén López Hilary Jeffery Gregor Horsch Claudio Martínez Mehner Jan Kuijken Monika Leskovar Claron McFadden Chiel Meijering Pepijn Meeuws Szymon Marciniak Genevieve Murphy Antonio Meneses Joey Marijs Mayke Nas Ivan Monighetti Rocío Márquez Martijn Padding Daniel Müller-Schott Henk Neven Rob Zuidam Jan Bastiaan Neven Saeko Oguma ▪ PAYS-BAS MAISON DESCARTES Jelena Očić Maarten Ornstein Orchestras and ensembles Jonas Pap Rosanne Philippens Amsterdam Sinfonietta Sponsors Aurélien Pascal Jan-Paul Roozeman Atlas Ensemble Jérôme Pernoo Drew Santini Artvark Saxophone Quartet Bruno Philippe Bram van Sambeek BartolomeyBittmann Raphaël Pidoux Shunske Sato Biënnale Cello Band Ella van Poucke Emmy Storms Cappella Amsterdam Jean-Guihen Queyras Fedor Teunisse Cello8ctet Amsterdam Jonathan Roozeman Candida Thompson Die 12 Cellisten der Berliner
    [Show full text]
  • EINMAL SAGAS UND ZURÜCK Eine Musikalisch-Literarische Zeitreise
    EINMAL SAGAS UND ZURÜCK Eine musikalisch-literarische Zeitreise 09. Oktober 2011, 20 Uhr Staatliche Hochschule für Musik und darstellende Kunst Stuttgart 10. Oktober 2011, 20 Uhr Alte Oper Frankfurt, Mozart-Saal 1 Unser Dank gilt den Sponsoren: Familien Dagmar und Bodo Bimböse, Frankfurt am Main Kristina und Marc Herzog, Frankfurt am Main Irina und Klaus Mössle, Frankfurt am Main Judith und Hanns Jochen Siegrist, Wiesbaden Ulrike und Herbert Walter, Frankfurt am Main Grußworte: Stuttgart - Botschafter a.D. Ólafur Davíðsson, Formaður Stuðningsfélags „Sagenhaftes Island“ / Erster Vereinsvorsitzender Förderverein „Sagenhaftes Island e.V.“ Alte Oper Frankfurt - Halldór Guðmundsson, Verkefnisstjóri / Projektleiter Sagenhaftes Island: Ehrengast der Frankfurter Buchmesse 2011 Wir danken für Ihre Beachtung Um den Verlauf des Konzerts nicht zu stören, können Besucher nach Beginn des Konzerts nicht mehr eingelassen werden. Das Filmen oder Fotografieren während des Konzerts ist nicht gestattet. Es ist untersagt, während des Konzerts Tonträger-Aufnahmen zu machen. Textnachweise Textquelle „Laxdæla Saga“ : Isländer Sagas, Band 2. Verlag S. Fischer, 2011. Der Artikel von Vladimir Stoupel ist ein Originalbeitrag für dieses Programmheft. Bildnachweise Marko Priske; Jill Furmanovsky; Helmut Rühl; Ragnheiður Gröndal; Privat. Impressum Ein Programmheft von „Sagenhaftes Island“: Ehrengast der Frankfurter Buchmesse 2011 Projektleiter: Halldór Guðmundsson Ministerium für Bildung und Kultur Sölvhólsgata 4 / 150 Reykjavík Programmgestaltung und Redaktion: Judith Ingolfsson & Vladimir Stoupel ERFISM HV ER M K U I Oddi Ecolabelled Printing Company 141 776 PRENTGRIPUR 2 PROGRAMM Trad./María Bjarnadóttir „Ferskeytlan“ Lesung Laxdæla Saga, Auszug I Áskell Másson Klavierquartett (2011) - Uraufführung (1953*) Lesung Laxdæla Saga, Auszug II Robert Schumann Klavierquartett Es-Dur op. 47 (1842) (1810 -1856) I. Sostenuto assai - Allegro ma non troppo II.
    [Show full text]
  • 14 August 2009 Page 1 of 21 SATURDAY 08 AUGUST 2009 Audrone Kisieliute (Piano) ERATO ECD88236 Tr 5
    Radio 3 Listings for 8 – 14 August 2009 Page 1 of 21 SATURDAY 08 AUGUST 2009 Audrone Kisieliute (piano) ERATO ECD88236 tr 5 SAT 01:00 Through the Night (b00lxvf2) 5.26am 07.52 1.00am Grieg, Edvard Hagerup (1843-1907): Holberg Suite, Op 40 Dvorak, Antonin (1841-1904): From the Bohemian Forest, Op Bergen Philharmonic Orchestra GRIEG 68 Andrew Litton (conductor) Four Psalms Op.74 Konstantin Lifschitz, Diana Ketler (pianos) – God’s Son hath set me free 5.46am David Wilson Johnson (baritone) 1.17am Handel, Georg Frideric (1685-1759): Organ Concerto No 1, Op Polyphony Brahms, Johannes (1833-1897): Quintet in B minor for clarinet 4, No 1 Stephen Layton and strings, Op 115 Concerto Copenhagen HYPERION CDA 66793 tr 10 Reto Bieri (clarinet) Lars Ulrich Mortensen (organ/director) Daishin Kashimoto, Corinne Chapelle (violins) 08.03 Razvan Popovici (viola) 6.02am Bernhard Naoki Hedenborg (cello) Brahms, Johannes (1833-1897): 25 Variations and fugue on a TCHAIKOVSKY theme by GF Handel for piano, Op 24 Piano Concerto No.1 in B Flat minor 1.54am Simon Trpceski (piano) final movt Sibelius, Jean (1865-1957): Hostkvall, Op 38, No 1 Martha Argerich (piano) Soile Isokoski (soprano) 6.27am Berlin Philharmonic Finnish Radio Symphony Orchestra Stanford, Charles Villiers (1852-1924): When Mary thro' the Claudio Abbado Jukka-Pekka Saraste (conductor) garden went, Op 127, No 3 DG 449 816-2 tr 3 BBC Singers 1.59am Bob Chilcott (conductor) 08.10 Schmitt, Matthias (b.1958): Ghanaia for solo percussion Colin Currie (marimba) 6.30am Mikis THEODORAKIS Hartmann, Johann Peter Emilius (1805-1900): Blomstre som en The Train leaves at eight 2.07am rosengard Agnes Baltsa (mezzo) Paganini, Niccolo (1782-1840): Concerto No 1 in D for violin Fionian Chamber Choir Athens Experimental Orchestra, and orchestra, Op 6 Alice Granum (director) Stavros Xarhakos (conductor) Jaap van Zweden (violin) DG 477 7428 tr 5 Netherlands Radio Symphony Orchestra 6.36am Kenneth Montgomery (conductor) Debussy, Claude (1862-1918): La mer 08.15 BBC Scottish Symphony Orchestra 2.34am Ilan Volkov (conductor).
    [Show full text]