23 December 2011 Page 1 of 11

Total Page:16

File Type:pdf, Size:1020Kb

23 December 2011 Page 1 of 11 Radio 3 Listings for 17 – 23 December 2011 Page 1 of 11 SATURDAY 17 DECEMBER 2011 Trio No.6 from Essercizii Musici, for Transverse Flute, Viola SAT 13:00 The Early Music Show (b018582g) da Gamba, and continuo The Worshipful Company of Musicians SAT 01:00 Through the Night (b0180fgn) Camerata Köln John Shea presents a recital from the tenor Christoph Lucie Skeaping explores the history of the Worshipful Pregardien, with lieder by Schumann and Mahler. 4:49 AM Company of Musicians, founded in 1500. Lucie talks to two Mozart, Wolfgang Amadeus (1756-1791) Past Masters, Paul Campion and Richard Crewdson. Richard 1:01 AM 5 movements from the ballet music "les Petits riens" (K.299b) has written a book, "Apollo's Swan and Lyre", which charts the Schumann, Robert [(1810-1856)]; arranged Reissenberger, Danish Radio Sinfonietta/DR; Adám Fischer (conductor) history of the Musicians' Company. The programme looks back Marcus Maria to the roots of the organisation, which provided protection for Lieder selection, arr for voice & ensemble 5:01 AM professional musicians in the City of London, and the Act of Christoph Pregardien (tenor), Kontraste Ensemble Goldmark, Károly (1830-1915) Incorporation of the Company in the 17th Century. The Night on the Lake with Moonlight (Op.52 No.5) programme explores the world of London's medieval minstrels, 1:37 AM Ilona Prunyi (piano) and the guild's relationship between the Royal Household and Mahler, Gustav [1860-1911] the City Waits. Quartet movement in A minor for piano and strings 5:05 AM Kontraste Ensemble Handel, Georg Friedrich (1685-1759) Alceste: Gentle Morpheus, son of night SAT 14:00 Radio 3 Lunchtime Concert (b018090k) 1:46 AM Emma Kirkby (soprano), Academy of Ancient Music, Andrew Veronique Gens, Susan Manoff Mahler, Gustav [1860-1911]; arranged Schoenberg, Arnold Manze (director) [1874-1951] Live from London's Wigmore Hall, soprano Véronique Gens Lieder eines fahrenden Gesellen, for voice and chamber 5:14 AM and pianist Susan Manoff transport us to a French salon in the orchestra Corelli, Arcangelo (1653-1713) early years of the 20th-century. Their programme consists of Christoph Pregardien (tenor), Kontraste Ensemble Sonata da Chiesa in B minor (Op.1 No.6) songs by Massenet, Gounod - and Reynaldo Hahn who, as well London Baroque as being a composer, conductor and critic was the lover of 2:04 AM Marcel Proust. Schumann, Robert [(1810-1856)]; arranged Reissenberger, 5:21 AM Marcus Maria Suk, Josef (1874-1935) Presented by Fiona Talkington. Sehnsucht der Waldgegen (12 Poems of Justinus Kerner), Pohadka Zimniho Vecera (Op.9) Op.35 no.5 Prague Radio Symphony Orchestra, Rudolf Vasata (conductor) Massenet: Chant provençal; Rondel de la belle au bois; L'âme Christoph Pregardien (tenor), Kontraste Ensemble des oiseaux; 5:37 AM La mort de la cigale; Soleil couchant; Nuit d'Espagne 2:07 AM Ravel, Maurice (1875-1937) Gounod: O ma belle rebelle; Prends garde; Lamento; Où voulez- Schumann, Robert [(1810-1856)]; arranged Reissenberger, Introduction and allegro for harp, flute, clarinet and string vous aller?; Sérénade Marcus Maria quartet Hahn: Quand je fus pris au pavillon; Trois jours de vendange; Es leuchtet meine Lieber (5 Songs, Op.127 no.3) Tinka Muradori (flute), Josip Nochta (clarinet), Paula Ur?ic Lydé from 'Études latines'; Tyndaris from 'Études latines'; Christoph Pregardien (tenor), Kontraste Ensemble (harp), Zagreb String Quartet Pholoé from 'Études latines' ; A Chloris; Le printemps 2:09 AM 5:49 AM Véronique Gens (soprano) Schubert, Franz (1797-1828), Mahler, Gustav (1860-1911) Poulenc, Francis (1899-1963) Susan Manoff (piano). Death and the Maiden Un Soir de neige - cantata for 6 voices Sofia Soloists, Plamen Djourov (conductor) BBC Singers, Yan Pascal Tortelier (conductor) SAT 15:00 Saturday Classics (b018582j) 2:49 AM 5:56 AM John Wilson: Screen Music Greats of Hollywood Benoit, Peter (1834-1901) Beethoven, Ludwig van (1770-1827) Overture to Charlotte Corday (1876) Sonata quasi una fantasia for piano (Op.27 No.2) in C sharp Episode 1 Vlaams Radio Orkest, Jan Latham-Koenig (conductor) minor 'Moonlight' Aldo Ciccolini (piano) Conductor John Wilson presents the first of four programmes 3:01 AM offering a personal selection of music written for film, Gal, Hans (1890-1987) 6:12 AM beginning with a focus on the some of the Hollywood greats. Serenade for string orchestra (Op.46) Brahms, Johannes (1833-1897) Symphony Nova Scotia, Georg Tintner (conductor) Abendständchen (Op.42 No.1) His selection includes music from composers such as Franz The Hungarian Radio Chorus, Ferenc Sapszon (conductor) Waxman, Alfred Newman, Eric Korngold, Max Steiner, Miklos 3:17 AM Rozsa, Bernard Herrmann, Elmer Bernstein and Jerry Poulenc, Francis (1899-1963) 6:15 AM Goldsmith from film favourites such as "Gone With The Sextet for piano and winds Veremans, Renaat (1894-1969) Wind", "King Kong", "Sunset Boulevard", "Robin Hood", "The Zoltán Kocsis (piano), Anita Szabó (flute), Béla Horváth Nacht en Morgendontwaken aan de Nete Omen" and "The Magnificent Seven" among others. (oboe), Zsolt Szatmári (clarinet), Pál Bokor (bassoon), Tamás Vlaams Radio Orkest , Bjarte Engeset (conductor) Zempléni (horn) 6:27 AM SAT 17:00 Jazz Record Requests (b018582l) 3:34 AM Schumann, Robert (1810-1856) Geoffrey Smith presents a selection of listeners' jazz requests. Nielsen, Carl (1865-1931) Gesänge der Frühe (Chants de l'Aube) (Op.133) String Quartet No.1 in G minor, Op.13 Sylviane Deferne (piano) Vertavo Quartet SAT 18:00 Opera on 3 (b018582n) 6:41 AM Live from the Met 4:00 AM Haydn, Joseph (1732-1809) Grieg, Edvard (1843-1907) String Quartet in D major (Op.64 No.5) 'The Lark' Puccini's Madama Butterfly 3 Lyric Pieces: Erotik (Love Poem), Op.43/5; Troldtog (March Yggdrasil String Quartet. of the Trolls), Op.54/3; Nocturne (Notturno), Op.54/4 Puccini's Madama Butterfly Juhani Lagerspetz (piano) Live from the Met SAT 07:00 Breakfast (b018571v) 4:10 AM Saturday - Martin Handley It's never an easy life being a heroine in a Puccini opera and Cio- Wassenaer, Count Unico Van (1692-1766) Cio-San (Butterfly to her friends) is no exception. The Concerto armonico for 4 violins, viola and continuo No.5 in B Martin Handley presents Radio 3's classical Breakfast show, inevitable downward spiral begins when fifteen-year-old flat major including the Scherzo from John Gardner's First Symphony Butterfly marries American sailor Pinkerton. Denounced and Academy of Ancient Music, Andrew Manze (director/violin) performed by the Royal Scottish National Orchestra conducted cursed by her distinguished but hard-up family for giving up her by David Lloyd-Jones, pianist Martha Argerich performs Liszt's ancestral religion in favour of Christianity, it's not long before 4:20 AM Hungarian Rhapsody No.6, and the Cambridge Singers with the she's left by her husband who promises to return 'when the Mendelssohn, Fanny Hensel (1805-1847) City of London Sinfonia perform John Rutter's The Very Best robins build their nests'. A single parent, courtesy of Pinkerton, Lied (Lenau): Larghetto; Wanderlied: Presto (Op.8 Nos.3 & 4) Time of Year. Butterfly has to wait three years before she sets eyes on him (1840) again. And who can blame her if she doesn't like what she sees: Sylviane Deferne (piano) not only Pinkerton but his American wife, Kate. There's only SAT 09:00 CD Review (b018571x) one way out for a Puccini heroine in a situation like this: 4:27 AM Building a Library: Schumann: Piano Trio No 1 in D minor suicide. Berlioz, Hector (1803-1869) Hungarian March - from 'The Damnation of Faust' With Andrew McGregor. Including Building a Library: With its celebrated set pieces (including 'Un bel dì') and Melbourne Symphony Orchestra, Jorge Mester (conductor) Schumann: Piano Trio No 1 in D minor, Op 63; Rob Cowan, gripping dramatic narrative, 'Madama Butterfly' is one of Simon Heighes and Harriet Smith on the best new recordings of Puccini's greatest operas. Butterfly is a signature role for 4:32 AM 2011. Chinese-born soprano Liping Zhang and she's joined by leading Trad. Hungarian American tenor Robert Dean as the fickle American seaman. Dances from Csiksomelyo They're conducted by a man who knows 'Butterfly' from the Csaba Nagy (tárogató), Viktória Herencsár (cimbalom) SAT 12:15 Music Matters (b018582d) inside - and who was no mean Pinkerton himself: Plácido Andreas Staier, The Enchanted Island, Ligeti, Christmas Choral Domingo. 4:36 AM Music Trad. Hungarian Presented by Margaret Juntwait with guest commentator Ira Dances from Esztergom Tom Service talks to Andreas Staier about Bach's Goldberg Siff Csaba Nagy (tárogató), Viktória Herencsár (cimbalom) Variations; a new pasticcio The Enchanted Island opens at New York's Metropolitan Opera; and a book reassessing Ligeti. Cio-Cio San..... Liping Zhang (soprano) 4:41 AM Suzuki..... Maria Zifchak (mezzo-soprano) Telemann, Georg Philipp (1681-1767) Pinkerton.....Robert Dean Smith (tenor) Supported by bbc.co.uk/programmes/ Radio 3 Listings for 17 – 23 December 2011 Page 2 of 11 Sharpless..... Luca Salsi (baritone) Tim Parkinson: Orchestra Piece 4:44 AM Goro.....Joel Sorensen (tenor) basel sinfonietta. Durante, Francesco (1684-1755) Prince Yamadori.....Luthando Qave (tenor) Concerto No.5 in A major The Bonze.....Daniel Sumegi (bass) Concerto Köln Yakuside.....Craig Montgomery (bass) The Imperial Commissioner..... David Crawford (bass) SUNDAY 18 DECEMBER 2011 4:52 AM The Official Registrar..... David Lowe (bass) Svendsen, Johan (1840-1911) Cio-Cio San's mother..... Belinda Oswald (mezzo-soprano) SUN 00:00 Jazz Library (b00sbvh6) Norsk kunstnerkarneval (Op.14) The aunt.....Jean Braham (soprano) Michael Garrick Norwegian Radio Orchestra, Ari Rasilainen (conductor) The cousin.....Laura Fries (soprano ) Kate Pinkerton.....Jennifer Johnson (mezzo-soprano) PIanist Michael Garrick died in November 2011. In this archive 5:01 AM interview, he joins Alyn Shipton to look back over a fifty year Grieg, Edvard (Hagerup) [1843-1907] New York Metropolitan Opera Orchestra and Chorus span of some of the finest big band and small group records in Norwegian Dance No.1 (Op.35) for piano duet Conductor....
Recommended publications
  • Thesis October 11,2012
    Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation. Elena Nalimova 10 October 2012 Submitted in partial requirement for the Degree of PhD in Performance Practice at the Goldsmiths College, University of London 1 Declaration The work presented in this thesis is my own and has not been presented for any other degree. Where the work of others has been utilised this has been indicated and the sources acknowledged. All the translations from Russian are my own, unless indicated otherwise. Elena Nalimova 10 October 2012 2 Note on transliteration and translation The transliteration used in the thesis and bibliography follow the Library of Congress system with a few exceptions such as: endings й, ий, ый are simplified to y; я and ю transliterated as ya/yu; е is е and ё is e; soft sign is '. All quotations from the interviews and Russian publications were translated by the author of the thesis. 3 Abstract This thesis presents a performer’s view of Galina Ustvolskaya and her music with the aim of demystifying her artistic persona. The author examines the creation of ‘Ustvolskaya Myth’ by critically analysing Soviet, Russian and Western literature sources, oral history on the subject and the composer’s personal recollections, and reveals paradoxes and parochial misunderstandings of Ustvolskaya’s personality and the origins of her music. Having examined all the available sources, the author argues that the ‘Ustvolskaya Myth’ was a self-made phenomenon that persisted due to insufficient knowledge on the subject. In support of the argument, the thesis offers a performer’s interpretation of Ustvolskaya as she is revealed in her music.
    [Show full text]
  • Concert Program
    CONCERT PROGRAM 1 Концертная программа Санкт-ПетербургСкая гоСударСтвенная конСерватория им. н. а. римСкого-корСакова THE ST. PETERSBURG N. A. RIMSKY-KORSAKOV STATE CONSERVATORY Санкт-Петербург ST. PETERSBURG 2014 2 УчреДитель FOUNDER Владимир СТОПИЧЕВ Vladimir STOPICHEV декан оркестрового факультета Dean of the Orchestra Department Санкт-Петербургская государственная The St. Petersburg N. A. Rimsky-Korsakov леонид ЗАЙЧИК Leonid ZAICHIK консерватория им. Н. А. Римского-Корсакова State Conservatory декан фортепианного факультета Dean of the Piano Department Юрий ЛАПТЕВ Yury LAPTEV При поддержке With support from декан вокально-режиссерского факультета Dean of the Vocal and Directing Department Министерства культуры Российской Федерации the Ministry of Culture of the Russian Federation олег ШАРОВ Oleg SHAROV Комитета по культуре Санкт-Петербурга the St. Petersburg Committee for Culture декан факультета народных инструментов Dean of the Folk Instruments Department Комитета по внешним связям Санкт-Петербурга the Committee for External Relations of St. Petersburg наталья АГАБаБоВа Natalia AGABABOVA декан по работе с иностранными учащимися Chief of the Dean`s Office for International Students ирина БОГАЧЕВа Irina BOGACHEVA заведующая кафедрой сольного пения Head of the Recital Division ПОПЕЧИТЕЛЬСКий СоВет THE BOARD OF TRUSTEES екатерина мУрина Ekaterina MURINA заведующая кафедрой специального фортепиано Head of the Special Piano Division ГЕНЕРАЛЬНЫЕ КОНСУльСтВа: THE CONSULATES GENERAL OF: александр ТИТОВ Alexander TITOV Соединенных Штатов Америки в Санкт-Петербурге the United States in St. Petersburg заведующий кафедрой оперно-симфонического Head of the Opera and Symphony дирижирования Conducting Division Федеративной Республики Германия в Санкт-Петербурге the Federal Republic of Germany in St. Petersburg антон ТАНОНОВ Anton TANONOV Азербайджанской Республики в Санкт-Петербурге the Republic of Azerbaijan in St.
    [Show full text]
  • The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
    20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating.
    [Show full text]
  • WMS 2021 Int. Meisterkurse
    DOZENT*INNEN LECTURERS Beschäftigung mit Neuer Musik, Zusam- Intensive study of contemporary music, Für Ihre verbindliche Online-Anmeldung Your binding online-registration has Alle Kursdozent*innen unterrichten am All lecturers are teaching at the menarbeit mit prominenten Komponisten working with prominent composers (Boulez). Teilnahme Participation benötigen Sie: to comprise: Standort Wuppertal der HfMT Köln. Wuppertal campus of HfMT Köln. (Boulez). Mitglied des Ensemble Intercon- Member of Ensemble Intercontemporain > einen kurzen künstlerischen Lebenslauf > a short curriculum vitae KURSORT VENUE FOR THE MASTERCLASSES temporain und des Lions Gate Trio. and Lions Gate Trio. > eine Liste mit dem gewünschten > a list of the repertoire for the Hochschule für Musik und Tanz Köln, Wuppertal campus of the Hochschule www.florencemillet.com www.florencemillet.com Repertoire (zwingend nötig!) course teaching (absolutely necessary!) Standort Wuppertal für Musik und Tanz Köln DIRK PEPPEL studierte in Essen bei DIRK PEPPEL studied in Essen with > für Teilnehmer*innen unter 18 Jahren ist > participants under the age of 18 must Günter Wand Haus Günter Wand Haus Matthias Rütters. Meisterkurse besuchte Matthias Rütters. He attended master DOROTHEA BRANDT studierte an der DOROTHEA BRANDT studied at the Hoch- zusätzlich die Unterschrift eines also provide a legal guardian’s Sedanstraße 15 Sedanstrasse 15 er u.a. bei M. Larrieux und J.P. Rampal. classes among others at M. Larrieux and Hochschule für Musik Saar bei Professor schule für Musik Saar with Professor Yaron gesetzlichen Vertreters notwendig signature (via e-mail) 42275 Wuppertal 42275 Wuppertal Über 25 Jahre war er Solo-Flötist der J.P. Rampal. More than 25 years, he was Yaron Windmüller.
    [Show full text]
  • EYM Programmheft.Pdf
    1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is.
    [Show full text]
  • 14 March 2008 Page 1 of 18 SATURDAY 08 MARCH 2008 with Susan Sharpe
    Radio 3 Listings for 8 – 14 March 2008 Page 1 of 18 SATURDAY 08 MARCH 2008 With Susan Sharpe. SAT 01:00 Through the Night (b0092dlm) 5.00am With Susan Sharpe. Corelli, Arcangelo (1653-1713): Sonate da chiesa in F, Op 1 No 1 1.00am London Baroque Tchaikovsky, Pyotr Il'yich (1840-1893): Three Characteristic Pieces 5.06am Sofia Soloists Chamber Ensemble Chopin, Fryderyk (1810-1849): Variations in E on a German Vassil Kazandijiev (conductor) National Air (Op. posth) Ludmil Angelov (piano) 1.12am Tchaikovsky: Symphony No 4 in F minor, Op 36 5.14am Sofia Philharmonic Orchestra Sarasate, Pablo de (1844-1908): Zigeunerweisen, Op 20 (arr. Vladimir Ghiarov (conductor) for violin and orchestra) Moshe Hammer (violin) 1.56am Winnipeg Symphony Orchestra Schubert, Franz (1797-1828): Piano Quintet in A (Trout) Kazuhiro Koizumi (conductor) Nikolai Demidenko (piano) Marianne Thorsen (violin) 5.23am Are Sandbakken (viola) Mendelssohn, Felix (1809-1847): Psalm 22, Op 78 No 3 Leonid Gorokhov (cello) Radio France Chorus (unnamed tenor soloist) Dan Styffe (double bass) Donald Palumbo (conductor) 2.40am 5.32am Dvorak, Antonin (1841-1904): Mass in D, Op 86 Guilain, Jean-Adam (ca.1680-na.1739): Suite du premier ton Ludmila Vernerova (soprano) Norbert Bartelsman (organ) Olga Kodesova (alto) Vladimir Okenko (tenor) 5.42am Ilja Prokop (bass) Haydn, Joseph (1732-1809): Symphony No 4 in D Miluska Kvechova (organ) Slovak Radio Symphony Orchestra Bratislava Choir of the Czech Radio Ondrej Lenard (conductor) Radio Orchestra of Pilzen Lubomir Matl (conductor) 5.53am Diepenbrock,
    [Show full text]
  • 2016/17 Season Preview and Appeal
    2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No.
    [Show full text]
  • 95.3 FM Debussy: Prélude À L’Après-Midi D’Un Faune; Boulez, Cleveland Orchestra (DG) Rachmaninoff: Symphony No
    N March/April, 2019 Volume 47, No. 3 95.3 FM Debussy: Prélude à l’après-midi d’un faune; Boulez, Cleveland Orchestra (DG) Rachmaninoff: Symphony No. 1 in d, Op. 13; Jansons, St. WHRB Program Guide Petersburg Philharmonic Orchestra (EMI) March 1 - April 30 4:00 pm BEYOND THE STAGE Have you ever wondered what your favorite musicians, composers, and conductors think about on the stage? What about their lives beyond the stage? What motivates them to create mu- Friday, March 1 sic, what shapes their musical philosophies, and what are their favorite recordings? In this feature, WHRB Classical will speak 5:00 am JAZZ SPECTRUM to your favorite classical music artists to answer these questions. 12:00 pm NEW JAZZ HOUR This season, we’ll be interviewing violinist Lisa Batiashvili, 1:00 pm AFTERNOON CONCERT pianist Kirill Gerstein, bassist Edgar Meyer, and more. This Chopin: Cello Sonata in g; Scholes, Breitman (Titanic) feature is supported by the Boston Symphony Orchestra and the Bauer: Suite for String Orchestra; Adler, Vienna Orchestra (CRI) Celebrity Series of Boston. Hertel: Concerto for Trumpet, Two Oboes, and Two Bassoons Exclusive interview with and select recordings from violinist in D; Basch, Kärcher, Vetter, Ventulett, Roscher, Orpheus Lisa Batiashvili. Chamber Orchestra (Schwann) 5:00 pm WHEN ART IMITATES ART Widor: Symphony for Organ No. 10, Op. 73, “Roman”; Roth Philosophers may argue over whether art imitates life or (Motette) vice versa, but there can be no question whether art imitates Geminiani: Violin and Continuo Sonata in a; Biondi, Europa art. Throughout history, musicians and visual artists have Galante (Virgin) inspired one another to create.
    [Show full text]
  • Signum Quartett
    Signum Quartet Florian Donderer, violin Annette Walther, violin Xandi van Dijk, viola Thomas Schmitz, violoncello Das Signum Quartett hat durch seine mitreißend lebendigen Interpretationen ein Zeichen in der internationalen Quartettszene gesetzt und sich mit seinen individuellen Programmkonzeptionen als eines der profiliertesten Ensembles seiner Generation etabliert. Intensive Studien mit dem Alban Berg Quartett, dem Artemis Quartett und dem Melos Quartett sowie die Zusammenarbeit mit György Kurtág, Walter Levin, Alfred Brendel, Leon Fleisher und Jörg Widmann prägen die künstlerische Entwicklung des Signum Quartetts, das zahlreiche Preise gewonnen (Deutscher Musikwettbewerb, Premio Paolo Borciani, London International String Quartet Competition) und vielfach Förderung erfahren hat (u.a. BBC New Generation Artists). Konzertauftritte führen das Signum Quartett auf internationale Podien von Madrid und Barcelona bis Basel und Paris, von der Hamburger Laeiszhalle, dem Konzerthaus und der Philharmonie Berlin, dem Gewandhaus Leipzig, der Philharmonie Luxemburg, dem Concertgebouw Amsterdam, dem Konzerthaus Wien, der Wigmore Hall London, der Bostoner Harvard Musical Association bis hin zum Schleswig- Holstein Musik Festival, dem Rheingau Musik Festival, den Schwetzinger Festspielen und den BBC Proms. Die Diskographie des Signum Quartetts belegt seine stilistische Bandbreite: Neben den Großen der Quartettliteratur finden sich hier auch Raritäten wie die Quartette Ludwig Thuilles und eine Einspielung mit Quartettsätzen. Die CD „No. 3“ (Bartók, Berg und Schnittke) erhielt den International Classical Music Awards 2014 als beste Aufnahme in der Kategorie Kammermusik. Nach den darauffolgenden CDs „soundescapes“ (Ravel, Debussy, Adès) und „Alla czeca“ (Suk, Schulhoff, Dvorák) wird in Kürze eine Aufnahme mit Werken Franz Schuberts erscheinen. Die künstlerische Arbeit des Signum Quartetts ist in besonderem Maße durch die regelmäßige Kooperation mit zeitgenössischen Komponisten geprägt.
    [Show full text]
  • August 2019 List
    August 2019 Catalogue Issue 40 Prices valid until Friday 27 September 2019 unless stated otherwise 0115 982 7500 The Wiener Staatsoper, celebrating its 150th birthday this year [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, DG and Decca have pulled out all the operatic stops this month, with three very special releases featuring some of their best soloists. Mexican tenor Javier Camarena’s ‘Contrabandista’ recital marks the first issue in the ‘Mentored by Bartoli’ series on Decca - a partnership between Decca and the Cecilia Bartoli Music Foundation. Arias by Verdi are the focus of DG’s new recording from Russian bass, Ildar Abdrazakov, conducted by Yannick Nezet-Seguin, who also happens to take the lead in a brand new recording of Die Zauberflote, the sixth in DG’s current series of Mozart operas. It is the latter that we have been particularly taken by, so you will find it as our ‘Disc of the Month’ for August, as well as being at a very special price as part of our new DG & Decca Opera Sale (found on pp.13-18). Another recording which was a strong contender for the ‘Disc of the Month’ position, was Mahan Esfahani’s performance of Bach’s Toccatas on a rather fabulous harpsichord - Hyperion have done a sterling job in capturing Esfahani’s consummate skill in interpreting these works. Other highlights for August include the second instalment in The Illyria Consort’s recordings of sonatas by Carbonelli; hi-fi Holst and Elgar from the Bergen Philharmonic and Andrew Litton on BIS; lesser-known Beethoven from the Helsinki Baroque Orchestra, who provide us with a gripping performance of Beethoven’s complete incidental music to Egmont (Ondine); plus we have Messiaen from Tom Winpenny (Naxos), Handel from the Akademie fur Alte Musik Berlin (Pentatone), and Brahms/Dvorak from Jakub Hrusa and the Bamberger Symphoniker (Tudor), to name but a few.
    [Show full text]
  • MARCH 2017 Director’S Introduction
    JANUARY – MARCH 2017 Director’s Introduction ©Frances Marshall Photography Receptive to life and death, and aware of the spiritual depths of both, Schubert probed the heart of the human condition in his unsurpassed, and almost certainly unsurpassable, output of 600-plus songs. Wigmore Hall’s Schubert: The Complete Songs series offers audiences the chance to experience the full range of this extraordinary creative achievement as it continues through 2017. Grammy-nominated pianist, bandleader and composer Vijay Iyer starts his Jazz Residency at Wigmore Hall. The American musician, born in 1971 in New York, has been described by Los Angeles Weekly as ‘a boundless and deeply important young star’ and by the Guardian as being ‘at a dizzying pinnacle of contemporary jazz multitasking’, verdicts reinforced by a string of awards and five-star reviews. Patricia Kopatchinskaja, our Artist in Residence, launches her Wigmore Hall series with the first of three concerts crafted to show the versatility, curiosity and wide musical passions of a true pioneer among today’s performers. The Moldovan-Austrian violinist is equally at home with period performance styles as she is when bringing contemporary compositions to life or casting fresh interpretative light on the most familiar of chamber works. Spread over the course of four seasons, Angela Hewitt: The Bach Odyssey gathers momentum with a concert devoted to Bach’s six French Suites. Angela Hewitt’s affinity for Bach flows naturally from Peter Dazeley her strong connection with the composer’s dance rhythms and from Paul Lewis’s pianism, eloquent and fully alive, is the result of a harmonious her exquisite feeling for lyrical phrasing, contrapuntal clarity and marriage between deep thinking about music and unrestrained physical sensitive articulation.
    [Show full text]
  • 2020 Pda Quatuor Signu
    LUDWIG VAN BEETHOVEN (1770 - 1827) QUATUORS À CORDES, OPUS 130, 133 QUATUOR SIGNUM Florian Donderer, Annette Walther violons Xandi van Dijk alto Thomas Schmitz violoncelle DURÉE TOTALE − 55’35’’ QUATUOR À CORDES N° 13 EN SI BÉMOL MAJEUR, OP. 130 (avec en finale la GRANDE FUGUE EN SI BÉMOL MAJEUR, OP. 133) 1 I. Adagio ma non troppo 13’17’’ 2 II. Presto 1’58’’ 3 III. Poco scherzoso. Andante con moto ma non troppo 6’58’’ 4 IV. Alla danza tedesca. Allegro assai 3’15’’ 5 V. Cavatina. Adagio molto espressivo 5’59’’ 6 Grande Fugue en si bémol majeur, op. 133 (dernier mouvement originel de l'op. 130) 14’08’’ 7 VI. Finale. Allegro (dernier mouvement de l’op. 130) 10’00’’ festival 3 sous la présidence de s.a.r. la princesse de hanovre POURQUOI CRÉER UNE COLLECTION DE CD ? Un festival est par essence éphémère et l'enregistrement reste cette mémoire extraordinaire de moments musicaux exceptionnels. Donner une image durable demeure une idée séduisante d’autant que les labels disparaissent au regard des difficultés de vente et de transformation des supports. C'est pourquoi la collection « Printemps des Arts de Monte-Carlo », en plus d’une diffusion traditionnelle, est également accessible par téléchargement et en streaming sur toutes les plateformes numériques ainsi que sur notre site. Artistes prometteurs ou confirmés interprètent musiques du passé et créations. Une volonté de mémoire qui perdure depuis la création du festival en 1984. Retrouvez l’intégralité de notre collection sur printempsdesarts.mc Marc Monnet 4 AUX FRONTIÈRES DU POSSIBLE Ce que l’on prend chez Beethoven pour l’un des traits distinctifs du romantisme réside dans le fait qu’il ait réussi à théâtraliser son propre génie.
    [Show full text]