Vice Presidential Candidates Make Last State Stops
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Appendix File Anes 1988‐1992 Merged Senate File
Version 03 Codebook ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ CODEBOOK APPENDIX FILE ANES 1988‐1992 MERGED SENATE FILE USER NOTE: Much of his file has been converted to electronic format via OCR scanning. As a result, the user is advised that some errors in character recognition may have resulted within the text. MASTER CODES: The following master codes follow in this order: PARTY‐CANDIDATE MASTER CODE CAMPAIGN ISSUES MASTER CODES CONGRESSIONAL LEADERSHIP CODE ELECTIVE OFFICE CODE RELIGIOUS PREFERENCE MASTER CODE SENATOR NAMES CODES CAMPAIGN MANAGERS AND POLLSTERS CAMPAIGN CONTENT CODES HOUSE CANDIDATES CANDIDATE CODES >> VII. MASTER CODES ‐ Survey Variables >> VII.A. Party/Candidate ('Likes/Dislikes') ? PARTY‐CANDIDATE MASTER CODE PARTY ONLY ‐‐ PEOPLE WITHIN PARTY 0001 Johnson 0002 Kennedy, John; JFK 0003 Kennedy, Robert; RFK 0004 Kennedy, Edward; "Ted" 0005 Kennedy, NA which 0006 Truman 0007 Roosevelt; "FDR" 0008 McGovern 0009 Carter 0010 Mondale 0011 McCarthy, Eugene 0012 Humphrey 0013 Muskie 0014 Dukakis, Michael 0015 Wallace 0016 Jackson, Jesse 0017 Clinton, Bill 0031 Eisenhower; Ike 0032 Nixon 0034 Rockefeller 0035 Reagan 0036 Ford 0037 Bush 0038 Connally 0039 Kissinger 0040 McCarthy, Joseph 0041 Buchanan, Pat 0051 Other national party figures (Senators, Congressman, etc.) 0052 Local party figures (city, state, etc.) 0053 Good/Young/Experienced leaders; like whole ticket 0054 Bad/Old/Inexperienced leaders; dislike whole ticket 0055 Reference to vice‐presidential candidate ? Make 0097 Other people within party reasons Card PARTY ONLY ‐‐ PARTY CHARACTERISTICS 0101 Traditional Democratic voter: always been a Democrat; just a Democrat; never been a Republican; just couldn't vote Republican 0102 Traditional Republican voter: always been a Republican; just a Republican; never been a Democrat; just couldn't vote Democratic 0111 Positive, personal, affective terms applied to party‐‐good/nice people; patriotic; etc. -
Qualitative Freedom
Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Translated by Richard Fincham Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Institute of Political Science University of Tübingen Tübingen, Baden-Württemberg, Germany Translated by Richard Fincham American University in Cairo New Cairo, Egypt Published in German by Published by Transcript Qualitative Freiheit – Selbstbestimmung in weltbürgerlicher Verantwortung, 2016. ISBN 978-3-030-04722-1 ISBN 978-3-030-04723-8 (eBook) https://doi.org/10.1007/978-3-030-04723-8 Library of Congress Control Number: 2018964905 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Acknowledgments
Acknowledgments Producer Scott Christian The East Coast Contemporary Ensemble Cover art: “Four Seasons” by Roberta Aylward Maria Wildhaber, Executive Director John Aylward John Aylward & Dominique Schafer, Producer (Bolamkin)Photo of Matthias Pintscher by Andrea Medici Artistic Directors John AllemeierPhoto of Jo Ellen Miller by Mark Bradley Miller Photo of John Aylward by Derek Jacoby Recording Engineer: Joel Gordon RecordingPho Engineertos of Paint Trail and Parker River National Assistant Recording Engineer: David CorcoranRick Dior Wildlife Refuge by John Aylward Producers: John Aylward and Joel Gordon DesignThe following grants through Clark University All music is available directly Steve Criadohelped in part to fund this album: from John Aylward Faculty Development Grant , Higgins School of Humanities, For William Gerard Aylward Photo Credit Sarah Buie, Director (December 12th 1936 – July 30th 2009) The Oberports Faculty Research Grant, Thanks to ThoAllma of sthe an dpieces Monik werea, recorded at AcousticOce of Barn Spo nStudios,sored Pr Charlotte,ograms an dNC, Res earch, and to Helen Mulligan in October 2014 Naandncy June Budwig 2015., Dean of Research Thanks alsASSEM3LYo to Martin gratefully Boykan, acknowledges WestVis uaVirginial and Pe Staterformi Universityng Arts Departm for supportent , David Rakowski, Eric Chawithsalo wthe, PEER Grant to partiallyMatt Ma fundlsky, Chthisai rproject. Eric Chafe and George Tsontakis, and to Louise Glück johnaylward.com Recording © 2017 Albany Records. All Rights Reserved. WWW.ALBANYRECORDS.COM TROY1676 ALBANY RECORDS U.S. WWW.ALBANYRECORDS.COM915 BROADWAY, ALBANY, NY 12207 TROY1283 ALBANY RECORDSTEL: 518.436.8814 U.S. FAX: 518.436.0643 915 BROADALBANYWAY, ALBAN RECORDSY, NY 12207 U.K. TEL: 518.436.8814BOX 137, F KENDAL,AX: 518.436.0643 CUMBRIA LA8 0XD East Coast Contemporary Ensemble ALBANY RECORDSTEL: 01539 U.K. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
Ulivo,Trevoltesìallalistaunitaria Fassinodice:Perbattereberlusconi
l'Unità + € 3,30 libro "Giorni di storia vol 14": tot. € 4,30 l'Unità + € 3,10 "Per un'Europa migliore": tot. € 4,10 € € ARRETRATI EURO 2,00 anno 80 n.315 domenica 16 novembre 2003 euro 1,00 l'Unità + 3,30 libro "Giorni di storia vol. 13": tot. 4,30 www.unita.it SPEDIZ. IN ABBON. POST. 45\% l'Unità + € 2,20 rivista "No Limits": tot. € 3,20 ART. 2 COMMA 20/B LEGGE 662/96 – FILIALE DI ROMA l'Unità + € 2,20 rivista "Sandokan": tot. € 3,20 «La comunità internazionale non può polacchi. Quanti morti dobbiamo Iraq?». Dominique De Villepin, più aspettare. Morti americani, morti ancora contare prima di capire che ministro degli Esteri francese, italiani, morti inglesi, spagnoli, è cruciale cambiare strategia in La Repubblica, 14 novembre. Bombe in sinagoga, il terrorismo continua a colpire Due attentati a Istanbul nell’ora della preghiera: 23 morti, più di trecento feriti Iraq, un elicottero Usa colpito da un razzo si scontra con un altro velivolo: 17 vittime Il terrore arriva in Turchia, in due I caduti di Nassiriya sinagoghe di Istanbul nell’ora della preghiera: due autobombe sono esplo- se ieri mattina provocando 23 morti e LE RADICI UNA PACE DEMOCRAZIA oltre trecento feriti. Israele, sotto Il giorno triste del ritorno shock, accusa: vogliono annientare gli DEL TERRORE TRE GUERRE E ebrei. Altre vittime anche in Iraq. Un elicottero americano è stato abbattuto Siegmund Ginzberg Franco Angioni* da un razzo, un secondo è precipitato OCCUPAZIONE per evitarlo: 17 morti e 4 feriti. agli incubi ci si risveglia: ba- isogna guardare la realtà D sta un pizzicotto. -
John Cale & Band GB
John Cale & Band GB Mario Batkovic BA Ve 01.09 20:30 John Cale © DR Alhambra Ouverture des portes à 19h30 Line up : 20h30 Mario Batkovic / 21h30 John Cale Configuration de salle assis et debout, tarif identique pour toutes les places Peut-on, doit-on encore présenter John Cale ? Membre du mythique et influent Velvet Under- ground, il est un pionnier ayant changé la vie de milliers de personnes et celle d’illustres musiciens: aussi longue que sa liste d’albums solo (une vingtaine), celle de ses collabora- tions, de Brian Eno à Terry Riley en passant par Patti Smith et The Stooges, indique autant son pédigrée que son envergure artistique, le faisant passer d’un style à l’autre. Malgré tout, et peu importe son statut d’Officier de l’Ordre de l’Empire britannique, Cale reste fondamentalement rock. Avec son band, il se penchera sur son immense répertoire pour un concert sensationnel. En ouverture, vous resterez scotchés par les prouesses de Mario Batkovic, un helvético-bos- niaque à l’approche inclassable qui fait son- ner son accordéon comme du Philip Glass. Sur- prenant ! La Bâtie 2017 Dossier de presse John Cale Les débuts John Cale naît le 9 mars 1942 à Garnant, au sud du Pays de Galles, d’un père mineur de fond qui ne parle que le gallois, et d’une mère institutrice. Très tôt, il montre de bonnes dispositions pour la musique ; envoyé au Goldsmith College de Londres pour une formation classique, il apprend l’alto, le piano et la guitare. En 1963 la bourse Leo- nard Bernstein lui permet d’intégrer le conservatoire Eastman à Tanglewood, dans le Massachusetts, pour y apprendre la composition contemporaine. -
V Ol .3 New Society
ISBN 978-3-9504740-0-8 VOL.3 NEW SOCIETY 78 Florian Malzacher Theater als Versammlung 4 Thomas Edlinger Das gespaltene Netzwerk 92 Dietmar Dath Inhalt 20 Isolde Charim Vier Experimente in falscher Gesellschaft Gesellschaft als Phantomschmerz 104 Thomas Edlinger im Gespräch mit Dirk Baecker 30 Jens Balzer Was ist „die nächste Gesellschaft“? Eine Flut aus hungrigen Freaks 120 Helen Hester 42 Christian Höller Aufstieg der Roboter-Teenager Damn Life oder: Sind Millenials Menschen? 54 Eva Maria Stadler Wir machen uns Sorgen um Dich 136 James Bridle Sehen wie eine Staatsmaschine 64 Caroline Busta und Anke Dyes im Gespräch mit Sarah Schulman Echte und falsche Opfer 148 Über die Autor*innen Legalize Freedom! Dieser Satz steht am Himmel über Louisiana, auf einem Transparent, das von einem Flugzeug gezogen wird. Die Sze- ne stammt aus dem Dokumentarfilm The Other Side von Robert Minervini. Die andere Seite: das White-trash-Milieu im US-ame- rikanischen Süden. Einige der Männer mit Bierdose und Knarre in der Hand ballern gern auf Obama-Masken. (Höchstwahr- scheinlich haben die meisten von ihnen 2016, ein Jahr nach dem Dreh des Films, Donald Trump zum Präsidenten gewählt.) Neben Ex-Präsident Obama, der als der Mann gilt, der die Freiheiten der (weißen, männlichen) Amerikaner beschneidet, gilt auch die UNO als Hauptfeind. Sie wird als verkappte Invasionstruppe verstanden, die die USA unter dem Deckmantel von Demokratie und Antirassismus unter Kuratel einer irgendwie linken, irgendwie Das sozialistischen Weltgesellschaft stellen will. ‚Die andere Seite‘, so legt es dieser Film zumindest nahe, gespaltene schätzt Freiheit höher ein als Demokratie. Diese Einschätzung steht in der Tradition des konservativen Liberalismus (der ver- wirrender Weise in den USA von den ‚liberals‘ unterschieden Netzwerk werden muss, die aus der rechten, republikanischen Perspek- tive als links orientiert gelten). -
OZ 35 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD. -
The Debussy Effect
THE DEBUSSY EFFECT KATHLEEN SUPOVÉ, PIANIST What is it about Debussy that evokes such a reaction in audiences and musicians alike? Maybe it’s their childhood memories of playing something from “Children’s Corner”; maybe it’s hearing “Claire de Lune” in a movie soundtrack; or maybe it’s something deeper. There is a primal connection with those harmonies, one shared by people all over––when we hear his music in the concert hall, when we hear its traces in a Balinese gamelan, in baby boomer American rock music, in jazz harmonies, and elsewhere. His music seems to suggest a state of mind, too, envisioned in a very crystalline and per- sonal way. We’re each sure we’ve got the scoop on it, but each of us sees it differently! Two things conspired to give me the idea for this project: the first was curating the “Mu- sic With A View” series at The Flea Theater in NYC. After each event, composers were interviewed and asked who their influences were. Of course, they ranged far and wide, across genres and cultures, but almost everyone mentioned Claude Debussy! The sec- ond was hearing and performing “The Other Piano”, a work for solo piano and sound processing by Morton Subotnick. I often found myself thinking it sounded like some- thing Debussy would have written had he been around in the 21st Century. I asked a select group of composers to write something for solo piano (with or without electron- ics) based, in some way, on Debussy, and to make a piece that would bring him into our century. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
4-Filtermx-Marzo-2012.Pdf
CONTENIDO ™ www.FILTERMexico.com /FILTERMexico @FILTERMexico Parece que fue ayer cuando arrancaban Los Simpson. La primera impresión al verlos hace más de 20 años, era que estaban locos o que simplemente eran unos personajes que muchos no habíamos visto en alguna serie animada con anterioridad. La imagen de Homero, Bart, Maggie, Lisa y Marge, de inmediato fue adoptada en la cultura popular de todo el mundo, convirtiendo a estos personajes en culto y parte fundamental para entender una nueva era en cuanto a dibujos animados se refería. La incongruencia de sus actos, la lujuria de todo Springfield, era el parte aguas de generaciones de telemaníacos que diariamente los veíamos sin falta y no importaba que fuera un capítulo repetido. ¿Cuántas veces no vimos a Homero con los Borbotones? Siempre era triste ver cómo le arrancaban el corazón a Bart y lo tiraban al bote de la basura. Se volvió en lúdico ver a los Ramones cantándole al señor Burns, mientras éste mandaba sacar a los “Rolling Stones”. Todos esos 500 capítulos definieron parte de nuestras vidas y se convirtieron en un referente para los melómanos porque, si en Los Simpson aparecía una banda, seguramente era porque estaban en un gran momento… Los Simp- son también son líderes de opinión, ¿qué no? En este número de FILTER México, nos honra presentar una entrevista exclusiva con Matt Groening, creador del fenómeno amarillo que hoy es simplemente, parte de nuestras vidas. Bienvenidos al cuarto capítulo de esta revista. Milton Barboza Arriaga Director Editorial 28 LOS SIMPSON 24 WE HAVE BAND 36 DR. ALDERETE 39 JOHN CALE 21 LONDRES: La ciudad melómana 12 THE ASTEROIDS GALAXY TOUR 13 CLOUD NOTHINGS 14 ELECTRIC GUEST 15 EL MAÑANA 16 FURLAND 17 EL GUINCHO ESTACION F 18 SHARON VAN ETTEN 48 SONIDO GALLO NEGRO POR DR. -
The Ascendance of Contemporary Democratic Congressional Leaders Ira Steinberg University of Connecticut
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program May 2005 Paths to Power: The Ascendance of Contemporary Democratic Congressional Leaders Ira Steinberg University of Connecticut Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Recommended Citation Steinberg, Ira , "Paths to Power: The Ascendance of Contemporary Democratic Congressional Leaders" (2005). Honors Scholar Theses. 7. https://opencommons.uconn.edu/srhonors_theses/7 Paths to Power: The Ascendance of Contemporary Democratic Congressional Leaders Ira Steinberg: University of Connecticut Advisor: Evelyn Simien: University of Connecticut Acknowledgements As the culmination of my career at the University of Connecticut, I wish to use this thesis to thank those that made my career at University of Connecticut so successful. I would like to thank my thesis advisor Dr. Simien and Honors Program advisor Dr. Hettinger for their tireless work in assisting me with the preparation of this thesis. I could not have done it without them. I would like to thank my family, including my Parents, Step-Parents, Aunts, Uncles, and Grandparents for their support through four years of College. I hope this thesis will serve as a down payment for the enormous debt I owe them. This experience would not have been the same without the amazing friends I have had at UConn. I want to thank all my and significant others for making UConn the most fun and unforgettable years of my life so far. Lastly I want to acknowledge the University of Connecticut for its generosity towards me and the opportunities it has opened up to me. 2 Paths to Power: The Ascendance of Contemporary Democratic Congressional Leaders Ira M.