DOCSLIB.ORG

Acdsee Proprint

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Acdsee Proprint BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon­ I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. I'm sure you won't mind. C. Haggle, Rev. Dwight Frizzell, up before you can sink your teeth in." I picked up the first issue of Charles Chance,Jr., Sheryl Niernberger, In Buddhism, the fifth perfection is Penny PITCH last week (actually Rosie Scrivo, Sally Hamilton, Brookes COURAGE. As the lion, king of beasts, three weeks ago now) and there DeSoto, Jay Mandeville, H.B. Prophet, whether lying down or standing up, lacks he was---in black and white--­ Joe Steinger, Jeff Miller, Broadway no courage, but is ever light-hearted, LeRoi!! ! Rex, Rodney Franks, Lane Turner and so <'_Iso shall we in each of our indi­ You all may remember me as Dave Trabue (Trivia Quiz) , Willy vidual existences hold fast to our the blonde looking for Human the Electrician and Willi I-Reet. courage. Napoleon fell; he was a tyrant. Sexual Response-Fig. 14. I keep I think Bob Marley ,would join us in say­ asking people for it, but all @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ing, "All religions that uphold tyranny I've gotten so far is smiles INSPIRATION FOR THIS ISSUE: shall likewise fall.") and offers for dates (17 so far!) There really is an album by that Warren Stylus name. $4.49 LP's, Mohawk Hair, & Chains Then, 10 and behold, on a @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ cloudy, overcast Saturday, I Dear Warren & Pitch: ",'as at a neighboring' record Send letters and comments to: I salute Penny Lane for their wide establishment in Westport and Charles Chance, Jr. selection of $4.49 Ips. It is one of the who did I meet?---LeRoi in full c/o PENNY PITCH best values in Ka~as City. I add it to and living color! I was thrilled, 4128 Broadway my list of other good deals, such as $1.02 but not speechless. I suggested K.C., Mo. 64111 concerts, twilight movies, general admission a poetry corner to be added to at the Royals' games, burritos and chili at each Penny PITCH pUblication. In-A-Tub north of the river, and, lest we But, before we could talk much Music Lessons forget, the coveted Penny !:itch. more, an employee of the store Also, good luck\_~ Wendy O. Williams, the whisked him off for a drink at 4 BRYAN HICKS (BASSIST-GUITARIST) girl who is trying to bring the "Mohawk" a local pub and our conversation haircut back. She's not the kind of girl you was abruptly ended. Such is the BROAD PROFESSIONAL EXPERIENCE take home to Mother unless, of course, your life of a celebrity, neve_r mother is into ,-.mips'and -chain~. I'm not time for his fallIS_ ~ (~~ 1EACHES IN HIS HOME into Wendy's music, but I like the excitement Anyway to start I on Tom r Tom said that after the show went 'S-<EMPHASlS ON JAZZ EMPHASIS ON JAZZ Plasmatics made so much smoke There you were with your long the NBC stUdios were on fire. hair streaming, so loud that Huntley and Brinkley's coffee The light was gleaming off cups got vibrated off of their table and your dark glasses. POSTUllES for THE PENNY PITCH PAGE 3 -"= Friday Night In San Francisco c:=.. live Jo~ ..\.1)\ MEOl.A ~cl."UGHl.l,.y />,fcoDflUC/A C'igarette poised, as if you P. S . --Nothing is wrong with the were about to toss it, But, picture of LeRoi and Edie at SOCIALIST PERSONS + INDIVIDUALITY I knew you wouldn 't. ANTISOCIAL SOCIALIST You would smoke it down to the Souper except that I am not sitting next to LeRoi. So there!! the butt. and throw it on the HOW floor, HOWDY Mashing it out with your HOWDO tennies, Calling DAVID BYRNE HOW YA BE Being careful not to mel t MY VEHICLE IS YELLOW, I PARKED the rubber. IN FRONT OF THE CITY MOVIE CENTER. LATER A YOUNG INDIVIDUAL RELATED You looked at me, just for a TO THIS SOCIAL ESTABLISHMENT, second it seemed, COMES FORTH WITH HITING (sic), Then you turned to talk to MY EAR DRUMS WITH HARSH WORDS a friend. SUCH AS; YOUR CAR LOOKS LIKE I didn I t know who you were, Just SHIT, YOU HAVE' STUPID FOOTWEAR, a customer I guessed, YOU LOOK LIKE A CLOWN. Just another customer. I CALL THAT BAD BUSINESS PRO­ CEDURE IN THE FIRST DEGREE, I MEAN I WAS A POTENTIAL CUSTOMER. SERIOUSLY, AN ENTERTAINER I picked up a Penny PITCH, It was free. (Dear Entertainer: We have great I ambled slowly home, and f ai th in your po ten tial . ) when I was there, Played Grace I s latest and fixed a Coke. LETTEIOS GALMUD Listened for awhile, sat back, Guiro Warren! . and opened up the PITCH. Enfal ni pibra incha ni AND THERE YOU WERE!!! publicca LETTEROS galmud. Hara AND YOUR NAME WAS LEROI!! guin frecca pinoma, es binoma alber filig-oruss. Guaid pibra, LeRoi at the mike ..... ni pibra docce, bone pibra ust LeRoi smoking a cig, looking baiud renta es talb. Am LETTEROS tough ...•. LeRoi driving out Penny PITCH j i muingos! Llaid of Good Buy Motors with rocce incha pibra ust sontea. another cig (you smoke too Starra guesto llimiud encharad much) dangling between your hara folone, hara macce-hus, lips, giving the thumbs up hara guesto pargamud. sign ... LeRoi sitting back Blesta fargus Penny PITCH holding an album up and mili guen LE ROIS? giving me that "1 ' m mean­ Arfa gobus llecce hara es. as-Hell-LoQk" ..... LeRoi finally Shingone pibra fatte more chom­ gi ving the keys to the winner less briva odra minminius aUlippe. of the Cooder Car..• Popria mal orchadal pibra, pibra, focce mui tes blari nocesa Where, oh where, did this man andamud. ~~ in overalls come from? Guiordo Ramasdd How did he come to be PennyLane I s own Mr. Personality? My head swims with que stions , but all I can ask is ••. Who 'are you LeRoi??????????? Miss Caryn (Dear 3727 Washington: If money talks, David (Hussy with a Heart) Byrne will probably be phoning you!) PJ'llJE 4 CHANCE'S ENCOURAGES ITS READERS TO BE ITS WRITERS. CHOICE SEND CONTRIBUTIONS THE PENNY PITCH 4128 BROADWAY KANSAS CITY, MISSOURI 64111 the TUnUS2nJUIT When the twin girls who had been born joined at their skull tops finally got separated, one neuron from each brain fired a nervous impulse into the fluor­ escent hospital air. Like hummingbird knuckles (only smaller), the impulses hovered and darted about, happy, if a little edgy, to be part of something bigger than usual. Back at the brains, a couple of syna­ pses were having a hard time of it. Whew. The twins were fast asleep and knew nothing of this. One of them dreamed of a great, glowing light. There is always work to be done in a hospital, because doctors haven't been able to get everyone to sleep, die, and eliminate wastes at the same time every­ one else does. A recent medical esta­ blishment manifesto, "Functional Simul­ taneity", has made strides in that ·direction, but no cigar. Keep working. Freud smoked a cigar. same one, over and over. "Yes, ita phallic symbol," he admitted. "But it is also a cigar." And upon the ravings of such& a man we base Western culture. The twin who dreamed of light has stopped dreaming now. If her mind were ;h:e~~he?~w~~J,l~~e~!k~!he (she is), and that in this TH~_ ... head floats off like a huge Now that would be something. u.faJ~ LS.~LO.A R~GE. .,. A hospital like this one cannot escape ' ];N IIIIIPE· AN· ~:tfIIf.. E F the ticking sound of a streetlight in front of the nearby (call it irony if tfIa CRiti" £: DSH - E you will) cemetery. There is no escape, PATi~.~IL-e:-..rS .. ~~ because it goes on, regular as a clock. ,.. T ~ SE p.UJ..s~S (The twins' parents don't know about It'l S A.N~ this--they're looking at the twins, rr. sleeping in separate beds for the first time. Things look pretty good here; back to the streetlight).
Load more

Recommended publications
  • Xlsemanal.Pdf
    MIKE OLDFIELD Odio i punk, sempre violenti e arrabbiati! LE PROPRIETÀ DI OLDFIELD La loro nuova casa a Maiorca è la decima che Oldfield ha acquistato in dieci anni. Oggi vive tra l'isola ed il Principato di Monaco, dove è proprietario di un appartamento. Nel ‘90, acquistò una casa a Ibiza vicino al mare. Finì per essere sedotto da club come “Pachà”. Una notte, Ha registrato Tubular Bells a 19 anni diventando si schiantò con la sua milionario. Ma mentre i dischi si vendevano Mercedes contro un come pane caldo, condusse una vita solitaria albero. Due anni più tardi condita da droga e alcol. Ora ha trovato la pace vendette la sua casa e nel suo rifugio a Maiorca. registrò Tubular Bells III. Capelli corti, viso rosso dal sole marino; a 55 anni Mike Oldfield possiede un’immensa fortuna, ma difficilmente lo farebbero entrare in un club per milionari. Il musicista di Reading (Inghilterra) si è sempre sentito uno straniero in un mondo ostile: infanzia difficile, l'alcolismo e il suicidio della madre, i primi successi, la solitudine, la depressione, la droga, l'alcool, le crisi dei 40 anni a Ibiza… essere Oldfield non deve essere stato facile. Questa settimana pubblica “Music of the Spheres”, il primo disco che ha registrato con un orchestra sinfonica, il suo disco numero 24. Nel salotto del suo rifugio a Maiorca, la signora Oldfield cerca di far addormentare Eugene, il suo neonato. Invece di toglierci le scarpe per non fare rumore, abbiamo scoperto che qui è preferibile camminare con i piedi di piombo.
    [Show full text]
  • Still on the Road 1980 Saved Sessions
    STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017.
    [Show full text]
  • Billy Bob Thornton Interview
    A Conversation with Billy Bob Thornton by Frank Goodman Puremusic 1/2002 I had known that Billy Bob was slated to star in the new Travis Tritt video, “Modern Day Bonnie and Clyde.” Brother JB is our publisher, and he and my brother-in-law Gary Falcon manage Travis, so I’d been privy to the video developments. Everybody was up about it, it was obviously not going to be your average Country video. It doesn’t take much to get me to pack a suitcase and go almost anywhere, my gypsy ways never changed. So when it occurred to JB that flying me out to L.A. might land us a Puremusic interview with Billy Bob Thornton about his new record, I was basically in the air. I didn’t mind waiting for JB to turn up at LAX a couple of hours after me, I was engrossed in Ann Patchett’s The Magician’s Assistant, and having a big time. We got out to the high desert location, outside Palmdale. There’s an old abandoned little motel out there called The Four Aces, it’s used exclusively for videos and movies today. The desert’s funny like that. Something goes out of business, they just leave it there and walk away, let the elements have at it. I took some pictures of this old Spanish-style mortuary, I liked the sign that said “Open.” I really enjoyed the record, Private Radio. I know, we don’t usually cotton to records by actors. Visions of William Shatner singing “Lucy in the Sky with Diamonds” or the shocking crooning of Jim Nabors comes to mind.
    [Show full text]
  • Patient Narratives Within Glasgow's Royal Asylum 1921-1929
    Journal of Literature and Science Volume 6, No. 1 (2013) ISSN 1754-646XJournal of Literature and Science 6 (2013) Levene and Siena, “Reporting Dirt and Disease”: 1-17 Hazel Morrison, “Conversing with the Psychiatrist”: 18-37 Conversing with the Psychiatrist: Patient Narratives within Glasgow’s Royal Asylum 1921-1929 Hazel Morrison C. Charlotte Murray ADMITTED: ... ... 1929 FORM: Schizophrenia Episode CAUSE: Personality unhappy domestic life H.P. Neg ... General Behaviour. This is very variable. She slept for an hour and a half following admission. When she began to act at times in a very extraordinary manner; she was noted to speak to herself a great deal. At times she got very impulsive ... When seen during the forenoon ... she lay in bed, her eyes were flashing and she immediately made strange signs. She blew from her mouth and made movements of her arms which seemed to indicate that she was pushing or brushing away the medical officer ... Stream of Activity On going to make the official physical examination I found her in her “high” state. She spoke in a loud declamatory voice ... got very antagonistic and said if I remained where I was she would spit on me. I sat. She spat on me, three times; and then she said something like, “Thank God, Thank God, he does not flinch” and her antagonism seemed to go away very largely; and she allowed the sister to begin to arrange her dress for the physical examination... I then proceeded with the examination; but again she showed momentary flashes of antagonism ... and proceeded to sing aloud “Danny Boy, Danny Boy ..
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • Biography :: Discography :: Tour History Asadinho
    asadinho biography :: discography :: tour history asadinho _releases: over 100,000 units sold across over 150 single releases _labels include: om / drop / global underground / king street / wall of sound / loveslap! / tango / urbantorque / the end / nrk / vizual / loaded / visitor / multiply / wiggle / wrong _remixes include: lana del rey / blaze / mr c / the fog / doc martin / tjr / mateo & matos / swag / galaxy group / spencer grey / harold heath _press features include: mixmag (producer of the year”) / dj (feature) / muzik (feature) / jockeyslut (covermount mix) / the face (“dj to watch”) / m8s (in “best compilations of the year”) / xlr8r (feature) / RA (feature) / future music (covermount tech video) _compilation licenses include: fabric / defected / global underground / kickin’ / om / balance / pagan / hed kandi / cabrio / clubstar selected info & audio links _recent supporters _venues include seth troxler / damian lazarus / maya jane coles / dusky / m.a.n.d.y. fabric (london) / pacha (buenos aires) / stereo (montreal) / folies / maceo plex / mark farina / terry francis / mr. c / laura jones / brett pigales (paris) / d-edge (brazil) / king king (la) / sullivan room (nyc) / end up (sf) / roxy & mecca (prague) / comics & culture beat (bulgar- johnson / heather / dj t / doc martin / aeroplane / bill brewster / chris ia) / maniac love (tokyo) / crystal (istanbul) / the end, the egg, east duckenfield / danny tenaglia / inland knights / fred everything / danny village (london) howells / alex gopher / the glimmers / and more... _gigs audio
    [Show full text]
  • John Cale & Band GB
    John Cale & Band GB Mario Batkovic BA Ve 01.09 20:30 John Cale © DR Alhambra Ouverture des portes à 19h30 Line up : 20h30 Mario Batkovic / 21h30 John Cale Configuration de salle assis et debout, tarif identique pour toutes les places Peut-on, doit-on encore présenter John Cale ? Membre du mythique et influent Velvet Under- ground, il est un pionnier ayant changé la vie de milliers de personnes et celle d’illustres musiciens: aussi longue que sa liste d’albums solo (une vingtaine), celle de ses collabora- tions, de Brian Eno à Terry Riley en passant par Patti Smith et The Stooges, indique autant son pédigrée que son envergure artistique, le faisant passer d’un style à l’autre. Malgré tout, et peu importe son statut d’Officier de l’Ordre de l’Empire britannique, Cale reste fondamentalement rock. Avec son band, il se penchera sur son immense répertoire pour un concert sensationnel. En ouverture, vous resterez scotchés par les prouesses de Mario Batkovic, un helvético-bos- niaque à l’approche inclassable qui fait son- ner son accordéon comme du Philip Glass. Sur- prenant ! La Bâtie 2017 Dossier de presse John Cale Les débuts John Cale naît le 9 mars 1942 à Garnant, au sud du Pays de Galles, d’un père mineur de fond qui ne parle que le gallois, et d’une mère institutrice. Très tôt, il montre de bonnes dispositions pour la musique ; envoyé au Goldsmith College de Londres pour une formation classique, il apprend l’alto, le piano et la guitare. En 1963 la bourse Leo- nard Bernstein lui permet d’intégrer le conservatoire Eastman à Tanglewood, dans le Massachusetts, pour y apprendre la composition contemporaine.
    [Show full text]
  • Informationen Als
    Abbildung: „A Garland of Light II“ © Alan Jaras / Reciprocity, http://www.flickr.com/photos/alanjaras/465037590 Pressemitteilung 1. Internationales Kölner LiveLooping - Festival 31. Mai 2008 im LOFT (Köln), Eintritt 8 Euro, Einlaß 17 Uhr, Beginn 18 Uhr Kontakt und Information: Michael Peters, [email protected], Tel. 02207-912144 Was ist denn „Livelooping“? Livelooping-Musiker sind meist Solo-Musiker, die digitale Loop-Geräte (im Prinzip Echogeräte mit u.U. sehr langer Laufzeit) benutzen, um sich selbst in Echtzeit zu „multiplizieren“, d.h. die live erzeugten Klänge zu wiederholen und zu komplexen Klangschichten aufzutürmen. Das können rhythmische Gebilde sein, aber auch dichte Wolken von Ambient-Klängen. Auch ganze Songstrukturen können live mit Loops aufgebaut und dann als Grundlage für Soli benutzt werden. Der erste Livelooper (damals noch mit Hilfe von Tonbandgeräten = Tape Loops) war der amerikanische Minimalist Terry Riley, der in den späten 60ern mit seinem psychedelischen Loop- Stück „A Rainbow in Curved Air“ und nächtelangen loop-basierten „All Night Flights“ weltbekannt wurde. Später brachte der Ambient-Musik-Erfinder Brian Eno, dessen erstes Ambient-Werk "Discreet Music" mit Tape Loops realisiert wurde, dem King-Crimson-Gitarristen Robert Fripp diese Technik bei. Fripp erzeugte dann in den späten 70ern mit seiner elektrischen Gitarre und seinem „Frippertronics“- Tonbandsystem ungewöhnliche Klanggebilde und machte die Möglichkeiten des Livelooping vor allem Gitarristen bewußt, die nach neuen musikalischen Wegen suchten. Seit den 80ern kann Livelooping mit Hilfe von analogen, später digitalen Loop-Delays erzeugt werden; es gibt mittlerweile eine reichhaltige Auswahl an einfachen und komplexen Loop-Geräten sowie an Software für das Livelooping aus dem Computer. Eine wachsende weltweite Community von Loop-Musikern diskutiert seit über 10 Jahren die technischen und musikalischen Aspekte des Livelooping auf der Loopers Delight-Internet-Mailingliste, und in Amerika, Europa und Japan finden regelmäßig Festivals für Loop-basierte Musik statt.
    [Show full text]
  • New Mexico Daily Lobo, Volume 078, No 41, 10/21/1974." 78, 41 (1974)
    University of New Mexico UNM Digital Repository 1974 The aiD ly Lobo 1971 - 1980 10-21-1974 New Mexico Daily Lobo, Volume 078, No 41, 10/ 21/1974 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1974 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 078, No 41, 10/21/1974." 78, 41 (1974). https://digitalrepository.unm.edu/daily_lobo_1974/121 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1974 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. .. ... a ' ~- ........ .. .. ....rift_..,.,.~·· -··. ( ' u! c: ~· -StudY ' '.· Talk OfFtJ.iqg.lJnfon By SARAH SEIDMAN organize· the fiut. m.e.eti:ng · aren't ·gift.," they're work and we . : ., .1\bou t 20 work-study and '11UU'Iday, said, ••The P.roblem ii . &bould be .re11pected u workers," ':..part··ti me student workers that students aJe cloing:hard WQllk .be Pid. .. · ·. conc:e.med with their low wages and aren't getting paid fnoulilb foi Co-organi~r Geoff Beckett said . are trying to form an independent 'it." . ·. that most campu.atudent workeis :atudent Workers Union at UNM. "We ·ne!'d an oJ~anization that would object to the dues required ·. ·Michael-· Hersh,. who hela:ted will protect oua: rilhtl •.. jobl by Ute nation4111aoor unions, "so we'd "like to organize an · H ·· A. J independ,ent union of our own." <>\N o ·· ·· em pen ·.-_· po -Qgy.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • OZ 35 Richard Neville Editor
    University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD.
    [Show full text]
  • Icebreaker: Apollo
    Icebreaker: Apollo Start time: 7.30pm Running time: 2 hours 20 minutes with interval Please note all timings are approximate and subject to change Martin Aston looks into the history behind Apollo alongside other works being performed by eclectic ground -breaking composers. When man first stepped on the moon, on July 20th, 1969, ‘ambient music’ had not been invented. The genre got its name from Brian Eno after he’d released the album Discreet Music in 1975, alluding to a sound ‘actively listened to with attention or as easily ignored, depending on the choice of the listener,’ and which existed on the, ‘cusp between melody and texture.’ One small step, then, for the categorisation of music, and one giant leap for Eno’s profile, which he expanded over a series of albums (and production work) both song-based and ambient. In 1989, assisted by his younger brother Roger (on piano) and Canadian producer Daniel Lanois, Eno provided the soundtrack for Al Reinert’s documentary Apollo: the trio’s exquisitely drifting, beatific sound profoundly captured the mood of deep space, the suspension of gravity and the depth of tranquillity and awe that NASA’s astronauts experienced in the missions that led to Apollo 11’s Neil Armstrong taking that first step on the lunar surface. ‘One memorable image in the film was a bright white-blue moon, and as the rocket approached, it got much darker, and you realised the moon was above you,’ recalls Roger Eno. ‘That feeling of immensity was a gift: you just had to accentuate the majesty.’ In 2009, to celebrate the 40th anniversary of that epochal trip, Tim Boon, head of research at the Science Museum in London, conceived the idea of a live soundtrack of Apollo to accompany Reinert’s film (which had been re-released in 1989 in a re-edited form, and retitled For All Mankind.
    [Show full text]