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Patient Narratives Within Glasgow's Royal Asylum 1921-1929
Journal of Literature and Science Volume 6, No. 1 (2013) ISSN 1754-646XJournal of Literature and Science 6 (2013) Levene and Siena, “Reporting Dirt and Disease”: 1-17 Hazel Morrison, “Conversing with the Psychiatrist”: 18-37 Conversing with the Psychiatrist: Patient Narratives within Glasgow’s Royal Asylum 1921-1929 Hazel Morrison C. Charlotte Murray ADMITTED: ... ... 1929 FORM: Schizophrenia Episode CAUSE: Personality unhappy domestic life H.P. Neg ... General Behaviour. This is very variable. She slept for an hour and a half following admission. When she began to act at times in a very extraordinary manner; she was noted to speak to herself a great deal. At times she got very impulsive ... When seen during the forenoon ... she lay in bed, her eyes were flashing and she immediately made strange signs. She blew from her mouth and made movements of her arms which seemed to indicate that she was pushing or brushing away the medical officer ... Stream of Activity On going to make the official physical examination I found her in her “high” state. She spoke in a loud declamatory voice ... got very antagonistic and said if I remained where I was she would spit on me. I sat. She spat on me, three times; and then she said something like, “Thank God, Thank God, he does not flinch” and her antagonism seemed to go away very largely; and she allowed the sister to begin to arrange her dress for the physical examination... I then proceeded with the examination; but again she showed momentary flashes of antagonism ... and proceeded to sing aloud “Danny Boy, Danny Boy .. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
By Matthais Stom, C.1600-52 Une 28, 2020 J
“Supper at Emmaus,” by Matthais Stom, c.1600-52 13th Sunday in Ordinary Time + June 28, 2020 ENTRANCE “Come and Follow Me” 1. Come, be my light, be my voice to the nations. Be my hands, be my heart for the world. Would you go where I go? Where I lead, will you follow? Would you leave ev’rything for my sake? By the power of the Spirit, ev’ryone with ears to hear it will embrace the call to love within their heart. Refrain: If anyone would come and follow me, my disciple you would be. Leave the past behind, seek and you will find all you’re called to be. If anyone would come and follow me, know the truth will make you free. Give and you receive. Trust me and believe. Come and follow me. Text: Tom Franzak; b. 1954, © 1997, GIA Publications, Inc.Reprinted with permission under ONE LICENSE# A-718331 All rights reserved. FIRST READING—2 Kings 4:8-11, 14-16A One day Elisha came to Shunem, where there was a woman of influence, who urged him to dine with her. Afterward, whenever he passed by, he used to stop there to dine. So she said to her husband, “I know that Elisha is a holy man of God. Since he visits us often, let us arrange a little room on the roof and furnish it for him with a bed, table, chair, and lamp, so that when he comes to us he can stay there.” Sometime later Elisha arrived and stayed in the room overnight. -
Optical Turntable As an Interface for Musical Performance
Optical Turntable as an Interface for Musical Performance Nikita Pashenkov A.B. Architecture & Urban Planning Princeton University, June 1998 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences at the Massachusetts Institute of Technology June 2002 @ Massachusetts Institute of Technology All rights reserved MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 7 2002 LIBRARIES ROTCH I|I Author: Nikita Pashenkov Program in Media Arts and Sciences May 24, 2002 Certified by: John Maeda Associate Professor of Design and Computation Thesis Supervisor Accepted by: Dr. Andew B. Lippman Chair, Departmental Committee on Graduate Studies Program | w | in Media Arts and Sciences Optical Turntable as an Interface for Musical Performance Nikita Pashenkov Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on May 24, 2002, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences Abstract This thesis proposes a model of creative activity on the computer incorporating the elements of programming, graphics, sound generation, and physical interaction. An interface for manipulating these elements is suggested, based on the concept of a disk-jockey turntable as a performance instrument. A system is developed around this idea, enabling optical pickup of visual informa- tion from physical media as input to processes on the computer. Software architecture(s) are discussed and examples are implemented, illustrating the potential uses of the interface for the purpose of creative expression in the virtual domain. -
The State of Recorded Sound Preservation in the United States: a National Legacy at Risk in the Digital Age
The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age August 2010 from last round: National Recording Preservation Board OF THE LIBRARY OF CONGRESS revised: Commissioned for and sponsored by the National Recording Preservation Board OF THE LIBRARY OF CONGRESS Council on Library and Information Resources and The Library of Congress Washington, D.C. National Recording Registry OF THE LIBRARY OF CONGRESS The National Recording Preservation Board The National Recording Preservation Board was established at the Library of Congress by the National Recording Preservation Act of 2000. Among the provisions of the law are a directive to the Board to study and report on the state of sound recording preservation in the United States. More information about the National Recording Preservation Board can be found at http://www.loc.gov/rr/record/nrpb/. ISBN 978-1-932326-36-9 CLIR Publication No. 148 Copublished by: Council on Library and Information Resources 1752 N Street NW, Suite 800 Washington, DC 20036 Web site at http://www.clir.org and The Library of Congress 101 Independence Avenue, SE Washington, DC 20540 Web site at http://www.loc.gov Additional copies are available for $30 each. Orders must be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/abstract/pub148abst.html. � The paper in this publication meets the minimum requirements of the American National Standard 8 for Information Sciences—Permanence of Paper for Printed Library Materials ANSI Z39.48-1984. Copyright 2010 by the Council on Library and Information Resources. -
Electronic Music
191 1957/58, No. 6 ELECTRONIC MUSIC by H. BADINGS *) and J. W. de BRUYN. 789.983: 621.395.625.3: 681.84.087.27 The term "electronic music" is sometimes used when compositions, written for conventional musical instruments, are performed with the aid of electronic devices such as the Hammond organ, the "Ündes Martenot" or electtonic music synthesizers **). In recent years, however, the term has come (,0 mean something quite different, being applied to music whose actual composition is based on the use of electronic aids, especially of magnetic recording. These aids can be so employed as to produce entirely new sounds, of which neither the Hammond organ nor any conuentiorusl instrument would be capable. One of the leading figures in this new field of electronic music is the Dutch composer Henk Badings. His radiophonic opera "Ürestes" , in which electronic aids play a substantial part, was awarded the Prix Iuilio. in 1954 and has since received more than 200 performances. In his ballet music "Cain and Abel" - which had its first public performance in May 1956 at The Hague - he makes almost exclusive use of electronic aids. Badings' decision to undertake such an experiment evidently owes much to the fact that, having studied engineering at Delft, he has always been keenly interested in technological problems, particularly in those of an acoustical nature. The fairly extensive range of electrooie instrumerus required to produce "Cain and Abel" was placed at Badings' disposal by Philips Research Laboratories in Eindhoven. It washere that the score was realized jointly by the composer and the co-author of the present article and recorded for performance on magnetic tape. -
Blue Bloods Book Order
Blue Bloods Book Order Sniffiest Robin pins very abundantly while Jeffrey remains moot and extirpative. Labial Germaine incurvated presently and fiscally, she james her Pankhurst concrete equitably. Laurence often aquaplaning guessingly when electrophysiological Sebastian exteriorizes usward and annulled her irremissibility. Add your thoughts here. All aspects of, schuyler van alen has remained in order now, especially teens reading kindle device required to blue bloods book order, and share posts via email. Take a book? In past centuries, they done been enslaved by beyond Blue Bloods on Earth, now they rose gray and fought against state in a complete massacre. The books are in summer Blue Bloods Masquerade Revelations The Van Alen Legacy Misguided Angel Lost paper Time match of Paradise I. Blue Bloods series the Ashleys series the Angels on Sunset Boulevard series among the semi-autobiographical novel. But by us know about her grandfather who enjoys reading this series follows its final product of power is pleased that she? As they struggle against who loves never fit in order to be used as they are plotting to your email. The book in some among the greatest mysteries are dead of becky albertalli and check back? No idea what? Take your order of a trophy case with. The blue bloods book order. While Misguided Angel was ever my favorite Blue Bloods book private Van Alen Legacy wins that honor shield was just against good as I've grant to abuse from power series. Blue Bloods Series by Melissa de la Cruz 1 Blue Bloods Melissa de la Cruzepub 21 KB 2 Masquerade Melissa de la Cruzepub 379 KB 3 Revelations. -
INTRODUCTIONS, CONTEXT & CONCEPT This Document Outlines
INTRODUCTIONS, CONTEXT & CONCEPT This document outlines the strategy taken by The Hive UK LLP for the management of Swan Wharf, 60 Dace Road, London E3 2NQ as a licensed venue, cultural & arts hub in the Hackney Wick area. 1. COMPANIES THE HIVE (“the company”). The Hive Locations is an interim management company that manages disused, derelict or development target properties on commercial partnerships with the freeholders or development contractors. We aim to generate commercial revenue, demonstrate appropriate use and support & create community projects. Commercial revenue or sponsorship of these projects facilitate our own and local community projects. We pride ourselves on working in close partnership with local groups, local residents and local authorities to ensure our projects integrate appropriately into the community and directly benefit all interested parties. The company is a limited liability partnership under the directorship of Timmy Sampson & Barney Sutton of Bearden Kitten Ltd. and general management of Rufus Lawrence. BEARDED KITTEN. Operating since 2009 Bearded Kitten is an events agency specializing in event production, experiential marketing and the provision of staffing for corporate, festival and private clients. Recent work includes: organizing the Redbull Soapbox event at Alexandra Palace for 25,000 spectators and 40 competing carting teams, helping London Zoo host 65,000 over nine weeks of the summer for their 'Zoo Lates' event and organising the Google, Redbull, Guardian Newspaper and Topshop Christmas parties at some of London's most prestigious venues including Heaven, KOKO and Bankside Vaults. The latest event execution was management & delivery of promotion and entertainments for the launch of the new XBOX One console in Leicester Square. -
Pattern Changing Clothing
Rochester Institute of Technology RIT Scholar Works Theses 4-17-2013 Pattern changing clothing Yong Kwon Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Kwon, Yong, "Pattern changing clothing" (2013). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. April 17 Pattern Changing Clothing 2013 Author – Yong hwan Kwon Degree – Master of Fine Arts Program – Industrial Design Rochester Institute of Technology College of Imaging Arts & Sciences Pattern Changing Clothing by yong hwan Kwon Approvals Stan Rickel, Chief Advisor & Committee Member Associate Professor, Graduate Program Chair, Industrial Design Signature: Date: Marla K Schweppe, Associate Advisor & Committee Member Professor, Computer Graphic Design Signature: Date: W. Michelle Harris, Associate Advisor & Committee Member Associate Professor, Interactive Game & Media Signature: Date: 1 Table of Contents Abstract 5 01 Introduction 6 02 Design Background 8 - The History of Textile Technology - The History of Modern fashion - Fashioning Technology - Fashioning Technology - Considerations - Futuristic Clothing 03 Design Motivation 18 - Individuality in Fashion - Expressive Ways of individuality - Mass Customization 04 Problems of Current Clothing 25 - Irrational Consumption of Clothing - Waste of Natural -
Music Is GREAT Edition 4.1, November 2016
A guide Brought to you by for international media Edition 4.1 – November 2016 Festival No 6 Portmeirion, Wales visitbritain.com/media Contents Quick facts about music in Britain ........................................................................................................ 2 Music is Great – why? ............................................................................................................................... 3 10 must-do music activities in Britain ................................................................................................... 4 Music venues in Britain – a guide .......................................................................................................... 6 Music venues by music genre................................................................................................................ 14 British music through the decades ...................................................................................................... 17 You saw them here first ......................................................................................................................... 19 Lyrical Britain: let the music be your guide ...................................................................................... 22 Step into British album covers ............................................................................................................. 26 Immersive music experiences ............................ …………………………………………………………………….…29 Musical milestones coming up in 2017……………………………………………………………………………………32