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Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
Billboard-1997-07-19
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner. -
New Work: Don Van Vliet
DON VAN VLIET JO NOVEMBER 1911 THROUGH 19 JANUARY 1919 SAN FRANCISCO MUSEUM OF MODERN ART A SERIES OF RECENT WORK BY YOUNGER AND ESTABLISHED ARTISTS DON VAN VLIET living on a cliff overlookingthe Pacific since the early eighties amid the redwood forests and wildlife. Don Van Vliet has embraced painting with the same controlled passion that made him. as the avant-garde rock composer and performer Captain Beefheart. a cult figure of conspicuous influence and one of the genuine musical geniuses of the past twenty years. Self-trained as a painter and knowing relatively little about the history of art or the current scene, he is a modernist primitive but also an artist whose remarka ble intuitive gifts and love of nature have combined to create highly charged paintings that are at once jolting as well as lyrical. The essence ofVanVliet's sensibility is a longing for an artistic expression that is direct. intuitive, and bewitching. In the philosoph ical tradition of the eighteenth-century French writer Jean Jacques Rousseau. he is critical of the current. corrupted state of society. Seeking to reaffirmhumanity's inherent virtues like Rousseau,Van Vliet advocates embracing nature and relocating man in a position that stems from natural order rather than an imposed hierarchy. His paintings-most frequently indeterminate landscapes populated by forms of abstracted animals-are intended to effect psychological. spiritual, and magical force. In discussing his musical compositions with a critic, he also affirmed the role of the artist as wizard, saying. "You see. I don't think I do music. I think I do spells:· 1 Image-making to him seems to be an act of reassurance. -
CAPTAIN BEEFHEART SUN ZOOM SPARK: 1970 to 1972
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 012126 – 4688 7233 [email protected] CAPTAIN BEEFHEART SUN ZOOM SPARK: 1970 To 1972 Limitierte Box Sets mit neu gemasterten Versionen von Lick My Decals Off, Baby, The Spotlight Kid, Clear Spot und einer kompletten Disc mit unveröffentlichten Outtakes! Ab 14. November auf 4CD, 4LPs und als Download! Im legendären Katalog des unglaublichen CAPTAIN BEEFHEART überschattet das perfekt ausgeklügelte und experimentell angegangene Album Trout Mask Replica (1969) alles, was Don Van Vliet an weiteren Glanzleistungen vollbracht hat. Dies gilt leider auch für die drei herausragenden Nachfolge-Alben Lick My Decals, Baby (1970), The Spotlight Kid (1972) und Clear Spot (1972), die dem monumentalen Trout Mask Replica musikalisch und kreativ in Nichts nachstehen. Mit Sun Zoom Spark: 1970 To 1972 schaffen Rhino Rec. diesem ungerechtfertigten Zustand nun Abhilfe. Diese Sammlung legt ihren Fokus auf jene Alben, die CAPTAIN BEEFHEART in den frühen siebziger Jahren mit der Magic Band einspielte. Die Box enthält alle drei Alben, die zum ersten Mal seit ihrer Veröffentlichung remastert wurden sowie eine komplette CD mit 14 bisher unveröffentlichten Outtakes aus dem Umfeld der Aufnahmen. Sun Zoom Spark: 1970 To 1972 erscheint als 4-CD-Box, 4 LP-Box und zum Download. Lick My Decals Off, Baby wurde innerhalb weniger Wochen im Sommer 1970 im United Recording Group aufgenommen und erschien im Oktober des Jahres. Stets eines der persönlichen Favoriten Van Vliets, bezeichnet es den Höhepunkt seiner Experimente mit Dissonanzen und enthält so außergewöhnliche Tracks wie das schrullig- humorige „I Love You, You Big Dummy“ und das exquisite Gitarrensolo „One Red Nose That I Mean“ Im darauf folgenden Sommer 1971 entstand im Record Plant in Los Angeles das Album The Spotlight Kid, das Anfang 1972 veröffentlicht wurde. -
Weirdo Eccentrics of the Margins & the Curse of Bel Canto
Nick Hobbs / Weirdo eccentrics of the margins & the curse of bel canto -- 1 Weirdo eccentrics of the margins & the curse of bel canto © Nick Hobbs [email protected] (given at the Centre For Performance Research, Aberystwyth on 8.4.06) by Nick Hobbs This lecture is mostly taken from two lectures I wrote for the Pantheatre Voice Performance School: “Weirdo eccentrics of the margins & the curse of bel canto”, focused on the voice of the star of Popular music hell-canto, Captain Beefheart (nom-de-plume of Don Van Vliet), and "Singing whispers, croaks, growls and roars: An exploration of fractured voices from the Blues to Flamenco", which spoke, amongst many others, about Beefheart’s main mentor, the Chicago Blues singer, Howlin’ Wolf (nom-de-plume of Chester Burnett). During this week we’ve heard both hell and bel canto – Phil Minton and Natalka Polovynka to name two extremes. Enrique Pardo spoke about the image of Wolf as satyr and the myth of Marsyas’s challenge to Apollo - the aulos versus the lyre, and we’ve heard MaryAnn Roberts in Bragod, whose singing engages with the crwth, itself a descendent of lyre, but one whose buzzing timbre led her to use guttural sounds and overtone nasality in Bragod’s vocal palette. Both Wolf and Beefheart are firmly in the camp of hell canto, and I suppose were not capable of singing bel canto if they’d wanted to. Their voices correspond to their subject-matter and to their personae. Starting from their stage names, there’s a buffoon quality to both performers, giving them a kind of license to make barbed commentaries, to be nasty, wolfish, foxy and knowing. -
New Work: Don Van Vliet
DON VAN VLIET Peel, John. "Yellow Brick Road Revisited'.' The Observer. Born in Glendale. California, 1941 6 April 1986, p. 29. DON VAN VLIET Lives and works in northern California Penck, A. R. "Don Van Vliet:' Tem.:i Celeste, no. 2 (April 1987). p. SS. SELECTED INDIVIDUAL EXHIBITIONS Penck, AR. Don Van Vliet (exhibition catalogue), Galerie 1985 Michael Werner, Cologne, 1985. Galerie Michael Werner, Cologne Penck, AR. "Na, Na. Na-forDon Van Vliet'.'Don Van Vliet Mary Boone Gallery, New York (exhibition catalogue), Galerie Mi:hael Werner, Cologne, 1986 1987. Waddington Galleries, London 1987 Rense. Rip. "Captain Beefheart: A Portrait of the Artist o Angeles 15 1982, Galerie Michael Werner. Cologne as Loner." L s Herald Examiner. October - -28. Galerie Brinkman, Amsterdam pp. D 5. D 1988 CHECKLIST Galerie Michael Werner. Cologne The Moon a Pail ofMilk Spilled Dow.1 Black in the Night. 1986 oil on linen SELECTED GROUP EXHIBITIONS 80 x 70" (203.2 x 177.8 cm) 1982 Collection of the artist Performance Video.The Museum of Modern Art, New York 1985 Bat and Cat Panda, 1987 FromOrganism toAr chitecture, New York Studio School oil on linen The Chi-Chi Show, Massimo Audiello Gallery. New York 64 x 511/:i'(162.6 x 130.8 cm) Factura, Gallery Schlesinger-Boisante. New York Collection of Jan Van Vliet, California 1987 Feather Times a Feather, 1987 Byars. Chamberlain. Salle, Fischl, Lasker. 'Ion Vliet, oil on linen Galerie Michael Werner, Cologne 64 x 511/2' (162.6 x 130.8 cm) SELECTED SOURCES Parapliers the Willow Dipped, 1987 BY DON VAN VLIET oil on linen 78 x 58" (198.1 x 147.3 cm) Skeleton Breath, Scorpion Blush. -
WAXED OOP (Cuneiform Rune 277)
Bio information: FAST ‘N’ BULBOUS Title: WAXED OOP (Cuneiform Rune 277) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ROCK / JAZZ / BLUES-ROCK / “THERE AIN’T NO LABEL FOR THIS BOTTLE” – Don Van Vliet "Remarkably, these instrumentals hold onto Beefheart's obsessive strangeness, which is really the best tribute that Lucas, Johnston and the rest of the Fast 'n' Bulbous crew could have given him. This CD is ragged but right, all the way. 4/5 stars" – All Music Guide "[They] recast Captain Beefheart's tunes and make the case for him as a composer the equal of Thelonious Monk." – Nashville Scene "..Fast ‘N’ Bulbous are no next best thing: They are the big brass band [Captain Beefheart] never had. With bellowing horns arranged by saxophonist Phillip Johnston and pinpoint swordplay by ex-Magic Band guitarist Gary Lucas, Fast’N’Bulbous ignite the R&B gunpowder inside the tangled surrealism… The group attacks Van Vliet's songs with the same idiosyncratic precision that he drilled into his own musicians." – Rolling Stone Captain Beefheart's music is the quintessential 'outsider art music' of the second half of the 20th century. The blues-drenched Picasso of rock music, Captain Beefheart (Don Van Vliet) created a series of recordings from the 1960s to early 1980s that shattered assumptions regarding how modern American popular music could, or even should, be composed and interpreted. Before leaving music to pursue a life- long interest in painting, he created 10 albums of astonishingly creative music that shattered conventions in popular music as profoundly as cubism had impacted modern painting a half century before. -
Pop/Rock, Soul, Rap, Reggae, Electronica Etc
POP, ROCK mm. på CD & LP Kulturbibliotekets vinylsamling: Pop/rock, Soul, Rap, Reggae, Electronica etc. 10 000 MANIACS P 2063 In my tribe ........................................................................................................... 1987 10cc P 642 Sheet music ......................................................................................................... 1974 P 156 The original soundtrack ....................................................................................... 1975 P 84 How dare you! ..................................................................................................... 1976 P 175 Deceptive bends .................................................................................................. 1977 P 518 Live and let live .................................................................................................... 1977 P 197 Bloody tourists ..................................................................................................... 1980 801 P 212 Listen now ........................................................................................................... 1975-77 P 124 801 Live ........................................................................................................... 1976 2020-07-28 POP, ROCK mm. på CD & LP Kulturbibliotekets vinylsamling: Pop/rock, Soul, Rap, Reggae, Electronica etc. A CERTAIN RATIO P 2047 To each... ........................................................................................................... 1981 P 1222 Sextet -
NEW RELEASE for the Week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CLEAN "Mister Pop (re-issue 2009)” (MERGE) MRG325 LP January 29 street date. David Kilgour on "Mister Pop": ""Mister Pop" began in Brooklyn, NY, at Gary Olson's Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing "he's a factory man", so I dried off and went down and wrote "Factory Man" while thinking heavily of The Kinks". Robert Scott on "Mister Pop": "I remember thinking at the start of the NY sessions with Gary Olson, "is this the start of a new album?". We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on "Tensile", one of my faves along with the pure pop of "Dreamlife". CLEAN "Unknown Country (re-issue 1996)” (MERGE) MRG739 LP January 29 street date. David Kilgour on "Unknown Country": "The Clean always wanna try something different, but on this LP, we were obsessed with the idea. I remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed. -
BEEFHEART(3Rd)24Pag.Qxd:24 Pag.Qxd
Edit 2009-03-08: line-up corrected 4) Don's only contribution to 'Well Well Well' Captain Beefheart & The Magic Band - 2 new tracks: Circumstances and a new 1) All the line-ups are not confirmed. Maybe are the concluding words "It doesn't taste The Spotlight Kid Outtakes version of Semi-Multicoloured Caucasian John French's book will give us some so well...", no harmonica, saxophone as - 2 tracks uncut: Funeral Hill (Version 1), Low missing details about this era. mentioned before. 3rd Revision Yo Yo Stuff (Instrumental) 2) Following Henry Kaiser John French is the - 1 stereo upgrade: Dirty Blue Gene (Version drummer on all tracks. Any drummer who The Spotlight Kid & Pompadour Sessions 1) before only available in mono can distinguish the style of Art Tripp and October-early November 1971 John French? Record Plant Studios, Los Angeles, CA Lineage: 3) Following Henry Kaiser again the Spotlight Acoustic Blues Session, early 1972 (1) studio->tape 2nd gen->stand alone CD Kid sessions were finished in early probably Amigo Studios, Sherman Oaks, burner->CDR->flac->TLH->wav->Wavelab November 1971, no Brown Star sessions North Hollywood, CA 5.0: sound editing->TLH->flac happened in summer 1972. Roy Estrada (2) studio->tape 3rd gen?->Spotlight Kid DVD joined the Magic Band in March 1972. That A friendly DIME fellow who wants to stay (from puzzleoyster)->wav->Wavelab 5.0: means: no involvement of Roy Estrada anonymous sent his collection of Spotlight sound editing->TLH->flac (2nd revision)- here. Kid outtakes. >TLH->wav->Wavelab 5.0: sound editing- Every Beefheart fan has its own version, but >TLH->flac this time we are talking about a known 2nd (3) studio->tape 3rd gen?->The Spotlight Kid gen! Outtakes CDR (from perebeef)->wav- A former band member received the tapes >Wavelab 5.0: sound editing->TLH->flac on getting the gig, they were made for him in (2nd revision)->TLH->wav-> Wavelab: order to learn the tunes. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.