A Whale of a Tale Nickyhelp
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0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
1 DVD-Bestand Patientenbibliothek Charité Mitte
DVD-Bestand Patientenbibliothek Charité Mitte ... Denn sie wissen nicht, was sie tun DVD .. Denn sie wissen nicht, was sie tun : Warner Brothers, 2000. - 1 DVD FSK: 16, Jugendgruppe, Rebellion Standort(e): KB 13 Semester DVD 13 Semester. - Frankfurt/Main : Twentieth Century Home Entertainemet, 2010. - 1 DVD ISBN 4-010232-050823 FSK 12, Komödie, Studentenleben Standort(e): KB 2012: Doomsday DVD 2012: Doomsday, Everhart, Nick. - Hamburg : HMH Home Entertainment, 2008. - 1 DVD ISBN 4260157711068 FSK: 16, Katastrophenfilm, Weltuntergang Standort(e): KB Die 3 Tage des Condors DVD Die 3 Tage des Condors : Kinowelt Home Entertainment, 2001. - 1 DVD FSK: 16, Thriller Standort(e): KB Der 90. Geburtstag oder Dinner for One DVD Der 90. Geburtstag oder Dinner for One. - Hamburg : Studio Hamburg, 2008. - 1 DVD ISBN 4-031778-810351 FSK 0, Komödie, Kultszene Standort(e): KB Abenteuer Airport DVD Abenteuer Airport, Huby, Felix : WDR, 2010. - 4 DVDs FSK 12, Fernsehserie, Flughafen, Krimi Standort(e): KB Acht Mann und ein Skandal DVD Acht Mann und ein Skandal. - Frankfurt/Main : Twentieth Century Fox Home Entertainement, 2007. - 1 DVD ISBN 4-045167-266063 FSK 12, Amerika, Baseball, Profisport, Bestechlichkeit Standort(e): KB Adams Äpfel DVD Adams Äpfel, Jensen, Anders Thomas : EuroVideo, 2007. - 1 DVD ISBN 4-009750-245996 FSK 16, Komödie, Dänemark, Landpfarrer Standort(e): KB 1 Adelheid und ihre Mörder DVD1 DVD Adelheid und ihre Mörder DVD1. - Berlin : Universal Film, 2004. - 1 DVD FSK: 6, Krimi, Serie Standort(e): KB Der Adler der neunten Legion DVD Der Adler der neunten Legion. - Grünwald : Cioncode Home Entertainement, 2011. - 1 DVD ISBN 4-010324-028648 FSK 12, Römisches Heer, Neunte Legion, Nordbritannien Standort(e): KB Das Adlon. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
35000 Booty of No Interest to Honest Finalist
Leeds Student January 29, 1999 www.leedsdotstudent.co.uk Volume 29: Issue No.13 IT'S THE SPICE 'WHAT YEAR PANTS AT OF LIFE PULLING? Tickle your tastebuds with AM I IN?' The who, what and' where' our guide to oriental cuisine Mercury Prize winners Gomez guide to mating in Leeds • Pages 15-17 live the high life in JUICE • Pages 12 and 13 £35,000 booty of no interest to honest finalist `THE CASH JUST KEPT COMING' By MATT WIEVER A GOBSMACKED finalist who went to withdraw the final COO from his bank account was amazed when cash machines spewed out over 05,000. Dan Knox was anempting to close the account he had opened during his year in Panama when he used his card in the Barclays Bank cash machine opposite the Parkinson Building. But the Leeds University Spanish finalist was astonished when the machine kept giving him more and more money. 1-k explained: wanted to close the account so I kept asking tier money until it would give me no more. First I asked for a hundred pounds each time. then two hundred pounds. and then five hundred pounds a time.- Eventually Dan bagged £10.0(X) from the Barclays machine before it ran out of money and he instantly nipped into the Blenheim Terrace bank to open an Instant Saver account to put it in. He then moved next door to the Midland Bank machine which proved to be equally generous. But after he had made his final deposit the bemused student decided it was time to telephone the head office of the Panamanian hank where he held the account to inform them of their error. -
MPAA-WDS-Satellite-1
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Distribution of the ) Docket No. 2012-7 CRB SD 1999-2009 ) (Phase II) 1999, 2000, 2001, 2002, 2003, 2004, ) 2005, 2006, 2007, 2008, and 2009 ) Satellite Royalty Funds ) ) WRITTEN DIRECT STATEMENT OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS VOLUME II OF II DESIGNATED PRIOR TESTIMONY Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Kimberly P. Nguyen D.C. Bar No. 996237 Naomi Straus D.C. Bar No. 1011753 MITCHELL SILBERBERG & KNUPP LLP 1818 N Street, NW, 8th Floor Washington, D.C. 20036 Telephone: (202) 355-7917 Facsimile: (202) 355-7887 [email protected] [email protected] Attorneys for MPAA-Represented May 9, 2014 Program Suppliers TABLE OF CONTENTS DESIGNATED PRIOR TESTIMONY Tab Marsha E. Kessler, Written Direct Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 30, 2012) (admitted as MPAA Exhibit 358) ........................................................................... A Marsha E. Kessler, Written Rebuttal Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 15, 2013) (admitted as MPAA Exhibit 359) ........................................................................... B Marsha E. Kessler, Oral Testimony, Docket No. 2008-2 CRB CD 2000-2003 (Phase II), Transcript pp. 94-221(June 3, 2013) ..................................................... C Paul B. Lindstrom, Written Direct Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 30, 2012) (admitted as MPAA Exhibit 363) ........................................................................... D Paul B. Lindstrom, Oral Testimony, Docket No., 2008-2 CRB CD 2000-2003 (Phase II), Transcript pp. 280-324 and 368-433 (June 3-4, 2013) ........................ -
Bakalářská Práce
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce FROM DUST TO THE STARS : THE AMERICAN DREAM OF WALT DISNEY Denisa Müllerová Plzeň 2019 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor: Cizí jazyky pro komerční praxi Kombinace angličtina – francouzština Bakalářská práce FROM DUST TO THE STARS : THE AMERICAN DREAM OF WALT DISNEY Denisa Müllerová Vedoucí práce: Mgr. Tomáš Hostýnek Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2019 Čestné prohlášení Prohlašuji, že jsem bakalářskou práci na téma „From Dust to The Stars – The American Dream of Walt Disney” vypracovala samostatně a s použitím uvedené literatury a pramenů. V Plzni, duben 2019 ……………………. ……… Denisa Müllerová Acknowledgement I would like to thank my supervisor Mgr. Tomáš Hostýnek for his professional approach and help in processing my thesis, for his time and his work. I would like to thank also my classmates for their mental support, my future husband for his help and support and finally my family for their support. TABLE OF CONTENTS 1 INTRODUCTION ............................................................................................................. 1 2 THEORETICAL SECTION ............................................................................................ 2 2.1 The life of Walt Disney and the beginning of his career in 1928 ........................... 3 2.2 Steamboat Willie and the beginning of Disney production -
Forbidden Marriage Blamed for Death a DESPERATE Student Took by KEVIN PETJMAN of Me Same Religion," He Said
1 2 F EB 1999 Leeds Student February 12, 1999 www.leedsdotstudent.co.uk Volume 29: Issue No.15 SUICIDE WHEEL YOU RIDE WITH ME? AFTER LOVERS SPLIT Forbidden marriage blamed for death A DESPERATE student took By KEVIN PETJMAN of Me same religion," he said. her life after being told she He told Rakhi that the could never marry her lover together. relationship was over at the scan because of her religion. Lmis con iner Da-id Hinctdiff of the term but the couple LMU second year Rakhi recorded a verdict of death by continued to share a bedroom. Kagdadia was found hanging misadventure. However he was He explained to the court that by a silk scarf by her boyfriend not convinced that Rakhi had she had threatened to kill herself in the couple's bedroom on intended kill herself. Harmsnet. with a kitchen knife before. Monday night. a former LMU student. appeared following an argument, The I9-year-old Hindu had at the inquest on Wednesday. An LMU spokesperson said: wanted to marry her Sikh partner -I did not see her as a long- -Students and staff are extremely Harmmet Sembi, but was time partner. My parents made upset over this. The university devastated when he told her it obvious to me that any bride is providing counselling for I might take would have to be those who would like it.' they would have no future ALL THE FUN OF PIE FAIR • JUICE PAGE FIVE `MAYBE IT'S BECAUSE I'M A LAHNDANAANK. THAT I LIKE LEEDS?!' FIND OUT MORE ON PAGE FIVE UNIVERSITY LIBRARY LEEDS Ir; NEWS Leeds Student, Friday February 12 1999 Trapped at gunpoint in little shop of horror A COURAGEOUS shop fly EVE McGOWAN assistant feared for her life BLOWOUT FOR ANNUAL UNION MEETING during an armed raid at an to know NA hat the: meie doing. -
Thinking Animation: Bridging the Gap Between 2D and CG the Magic of Animation
TEAM LinG ©2007 Angie Jones and Jamie Oliff. All rights reserved. No part of Publisher and General Manager, this book may be reproduced or transmitted in any form or by any Thomson Course Technology PTR: means, electronic or mechanical, including photocopying, recording, Stacy L. Hiquet or by any information storage or retrieval system without written Associate Director of Marketing: permission from Thomson Course Technology PTR, except for the Sarah O’Donnell inclusion of brief quotations in a review. Manager of Editorial Services: The Thomson Course Technology PTR logo and related trade dress are Heather Talbot trademarks of Thomson Course Technology, a division of Thomson Learning Inc., and may not be used without written permission. Marketing Manager: Heather Hurley “OSCAR®,” “OSCARS®,” “ACADEMY AWARD®,” “ACADEMY AWARDS®,” Executive Editor: “OSCAR NIGHT®,” “A.M.P.A.S.®” and the “Oscar” design mark are trade- Kevin Harreld marks and service marks of the Academy of Motion Picture Arts and Marketing Coordinator: Sciences. All other trademarks are the property of their respective owners. Meg Dunkerly Important: Thomson Course Technology PTR cannot provide software Project Editor/Copy Editor: support. Please contact the appropriate software manufacturer’s Cathleen D. Snyder technical support line or Web site for assistance. Technical Reviewer: Thomson Course Technology PTR and the authors have attempted Scott Holmes throughout this book to distinguish proprietary trademarks from PTR Editorial Services Coordinator: descriptive terms by following the capitalization style used by the Elizabeth Furbish manufacturer. Interior Layout Tech: Information contained in this book has been obtained by Thomson Bill Hartman Course Technology PTR from sources believed to be reliable. -
Joint Petition to Participate of the Mpaa-Represented Program Suppliers
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ___________________________________ ) In the Matter of ) ) Docket No. 14-CRB-0010-CD (2013) Distribution of the 2013 ) Cable Royalty Funds ) ___________________________________ ) JOINT PETITION TO PARTICIPATE OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS Pursuant to the notice published in the Federal Register announcing the commencement of a distribution proceeding regarding the 2013 cable royalty funds (“2013 Proceeding”) and requesting petitions to participate from interested parties, 80 Fed. Reg. 32182 (June 5, 2015) (“Notice”), the Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations and retransmitted by cable systems who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 hereby petition the Copyright Royalty Judges (“Judges”) to participate in both Phase I and Phase II of the 2013 Proceeding, as required by 37 C.F.R. § 351.1(b)(2)(ii). Historically, at the Phase I level of each royalty year’s distribution proceeding, MPAA has represented the interests of all Program Suppliers. MPAA intends to represent those same interests in Phase I of the 2013 Proceeding. 1 The definitions of the “Program Suppliers” and other Phase I program categories were adopted by the Phase I parties in a prior proceeding and continue to be followed by the parties. See Joint Motion Of The Phase I Parties To Adopt Stipulation As To Claimant Group Categorization And Scope Of Claims, Docket No. 2007-3 CRB CD 2004- 2005 at Exhibit A (October 2, 2009). 6923119.2/43507-00075 In Phase II of the 2013 Proceeding, MPAA will represent the MPAA-represented Program Suppliers exclusively. -
A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph
A Strange Body of Work: The Cinematic Zombie Emma Dyson Ph.D. 2009 Total number of pages: 325 1 Declaration While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………….. Date…………. 2 Abstract A Strange Body of Work: The Cinematic Zombie This thesis investigates the changing cinematic representations of a particular figure in horror culture: the Zombie. Current critical perspectives on the figure of the Zombie have yet to establish literary and cultural antecedents to the cinematic portrayal of the Zombie, preferring to position it as a mere product of American horror films of the 1930s. This study critiques this standpoint, arguing that global uses of the Zombie in differing media indicate a symbolic figure attuned to changing cultural contexts. The thesis therefore combines cultural and historical analysis with close textual readings of visual and written sources, paying close attention to the changing contexts of global film production and distribution. In order to present the cinematic Zombie as a product of historical, geographical and cultural shifts in horror film production, the thesis begins by critiquing existing accounts of Zombie film, drawing attention to the notion of generic canons of film as determined by both popular and academic film critics and draws attention to the fractured nature of genre as a method of positioning and critiquing film texts. In this, an interdisciplinary approach, drawing on the methods of cultural-historical and psycho-analytical critiques of horror film, is appraised and then applied to the texts under discussion. -
Hellas on Screen Hellas on Screen HABES 45 Alte Geschichte HABES – Band 45
magenta druckt HKS 18 The recent success of Hollywood blockbust- ers such as Troy, Alexander and 300 demon- strates how popular Greek antiquity still is and how well it can be marketed. Today as in the golden age of the peplum- genre, its myths, the Homeric heroes, the Attic tragedies, and – less frequently – historical personages such as Alexander the Great or the Spartan king Leo- nidas represent Hellas. The authors of this volume highlight the many and varied forms of the reception of ancient Hellas in the history of the cinema, from mythology to Roman Greece, from the era of silent films to the new millennium. In this, they are examining classic films, recent releases, and lesser known and often over- looked productions. Hellas on Screen Hellas on Screen HABES www.steiner-verlag.de 45 Alte Geschichte HABES – Band 45 Franz Steiner Verlag Franz Steiner Verlag Cinematic Receptions of Ancient 45 History, Literature and Myth Edited by Irene Berti / Marta García Morcillo García Morcillo ISBN 978-3-515-09223-4 Irene Berti / Marta Irene Berti / Marta Hellas on Screen Edited by Irene Berti / Marta García Morcillo HABES Heidelberger Althistorische Beiträge und Epigraphische Studien – – – – – – – – – – – – – – – – – – Herausgegeben von Géza Alföldy, Angelos Chaniotis und Christian Witschel BAND 45 Hellas on Screen Cinematic Receptions of Ancient History, Literature and Myth Edited by Irene Berti / Marta García Morcillo Franz Steiner Verlag Stuttgart 2008 Coverabbildung: Medea (P.P. Pasolini, 1969) credits: Cinetext Bildarchiv, reg. num. 00164401 Bibliografische Information der Deutschen National- bibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. -
The Greystoke Chronicles: the Adventures of Tarzan in Print, on Screen and on the Stage
The Greystoke Chronicles: The Adventures Of Tarzan In Print, On Screen And On The Stage A CHECKLIST COMPILED BY JOHN A. SMALL (ORIGINALLY COMPILED IN 1983; REVISED 1987, 1994, 1999, 2000, 2001, 2002, 2003, 2005, 2006, 2007, 2008) PART ONE: THE TARZAN BOOKS By Edgar Rice Burroughs: 1. Tarzan Of The Apes 2. The Return Of Tarzan 3. The Beasts Of Tarzan 4. The Son Of Tarzan 5. Tarzan And The Jewels Of Opar 6. Jungle Tales Of Tarzan 7. Tarzan The Untamed 8. Tarzan The Terrible 9. Tarzan And The Golden Lion 10. Tarzan And The Ant Men 11. Tarzan, Lord Of The Jungle 12. Tarzan And The Lost Empire 13. Tarzan At The Earth’s Core 14. Tarzan The Invincible 15. Tarzan Triumphant 16. Tarzan And The City Of Gold 17. Tarzan And The Lion Man 18. Tarzan And The Leopard Men 19. Tarzan’s Quest 20. Tarzan And The Forbidden City 21. Tarzan The Magnificent 22. Tarzan And The “Foreign Legion” 23. Tarzan And The Madman 24. Tarzan And The Castaways (These are the 24 volumes considered to be the “Official Tarzan Canon,” and which are still in print and numbered in chronological order by Ballantine Books. Burroughs also completed two other volumes featuring the jungle hero, which are listed below:) 25. Tarzan And The Tarzan Twins (Although some maintain that Burroughs wrote for a primarily juvenile audience in general, this is a rare example of a work aimed specifically at the same age group that had made such series as “The Hardy Boys” so popular. Chronologically the book - which is actually comprised of two shorter works that were originally publiszhed separately - appears to take place some time between Tarzan, Lord Of The Jungle and Tarzan And The Lost Empire; the young heroine of “The Tarzan Twins” turns out to be a younger sister of a character who later appears in Lost Empire.