Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in The

Total Page:16

File Type:pdf, Size:1020Kb

Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in The REDACTED PUBLIC VERSION Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Docket No. 2012-6 CRB CD 2004-2009 Distribution of the 2004, 2005, 2006 ) (Phase II) 2007, 2008 and 2009 ) Cable Royalty Funds ) ) ) In the Matter of ) ) Docket No. 2012-7 CRB SD 1999-2009 Distribution of the 1999-2009 ) (Phase II) Satellite Royalty Funds ) ) WRITTEN REBUTTAL STATEMENT REGARDING CLAIMS ISSUES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS VOLUME I OF II WRITTEN OBJECTIONS AND EVIDENCE Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Kimberly P. Nguyen D.C. Bar No. 996237 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] A ttorneys for MPAA-Represented Program Suppliers Dated: October 15, 2014 REDACTED PUBLIC VERSION WRITTEN REBUTTAL STATEMENT REGARDING CLAIMS ISSUES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS TABLE OF CONTENTS VOLUME I Page MPAA’S WRITTEN OBJECTIONS REGARDING CLAIMS MADE BY IPG INTRODUCTION .............................................................................................................. 2 II. LEGAL FRAMEWORK FOR DETERMINATION OF VALID CLAIMS ...................... 6 Ill. BURDEN OF PROOF AND EVIDENTIARY PRESUMPTIONS ................................. 10 Ao IPG Intentionally Misled The Judges As To Who It Was Authorized To Represent In A Hearing Concerning The Distribution Of The 2004-2009 Cable And 2004-2009 Satellite Royalty Years ..................................................... 11 No In This Proceeding, IPG Has Included Numerous Entities On Its Petitions To Participate And In Its Written Direct Statements That It Does Not Have Authority To Represent ......................................................................................... 12 IV. THE JUDGES SHOULD DISMISS IPG’S CLAIMANTS FOR WHOM IPG CANNOT ESTABLISH ITS REPRESENTATIONAL AUTHORITY OR THAT ARE INELIGIBLE TO RECEIVE ROYALTIES ............................................................ 20 Certain IPG Claimants That Were Dismissed In The 2000-2003 Cable Phase II Proceeding Should Be Dismissed Here Because IPG Has Not Produced Any New Evidence, Or The New Evidence Produced Does Not Support A Different Result ............................................................................ 21 Certain IPG Claimants That Were Dismissed In The March 21, 2013 Order Should Also Be Dismissed Here On The Same Basis ........... 21 Certain IPG Claimants That Were Dismissed In The Judges’ Final Determination Should Also Be Dismissed Here On The Same Basis ................................................................................................ 28 3. FIFA Should Be Dismissed In All Program Categories ............ .............. 29 No The Judges Should Dismiss IPG’s Claimants That Have Either Terminated Or Disavowed IPG’s Representation ................................................. 30 C° The Judges Should Dismiss IPG’s Claimants Where IPG Produced No Documents To Support Its Claims Of Authority .................................................. 31 IPG’s Recent Email Correspondence And Confirmations Alone Are Not Sufficient Evidence Of IPG’s Agency Relationships With Its Claimants ............ 33 TABLE OF CONTENTS (continued) The Judges Should Dismiss IPG’s Claimants Where IPG Produced Only Recently Executed Confirmations To Support Its Assertions That It Was Engaged By The Claimants At The Time It Filed The Claims ............................................................... 35 The Judges Should Dismiss IPG’s Claimants That Failed To Execute IPG’s Confirmation Of Representation Document ..................... 35 E. The Judges Should Dismiss IPG’s Claimants That Failed To File A Claim ........ 37 No The Judges Should Dismiss IPO’s Claimants That Did Not Verify Their Authority To Collect Retransmission Royalties For The Titles Claimed By IPG .................................................................................................... 37 go IPG’S WITNESSES ARE NOT CREDIBLE ................................................................... 38 IPG FAILED TO MEET ITS BURDEN OF PRODUCTION AND PROOF AS TO THE PHASE I CATEGORY OF MULTIPLE TITLES ...................................... 41 VII. SHOULD THE JUDGES REACH THE ISSUE OF CATEGORIZATION, SEVEN OF IPG’S CROSS-CLAIMED TITLES SHOULD BE CATEGORIZED AS PROGRAM SUPPLIERS PROGRAMS, AND ONE SHOULD BE CATEGORIZED AS A DEVOTIONAL PROGRAM ..................................................... 43 vIIi. CONCLUSION ....................................................................................... i ......................... 45 Tab AFFIDAVITS Nancy R. Alpert A&E Television Networks LLC ("AETN") ............................................. 1 Vernon G. Chu BBC Worldwide Americas, Inc. ("BBC-WA") ........................................ 2 Mikael Borglund Beyond International Limited ("Beyond") .............................................. 3 Ron Devillier Devitlier Donegan Enterprises, LP ("DDE") ........................................... 4 Diane Eskenazi Golden Films Finance Corporation ("Golden Films") ................................. 5 Tim Cook Pacific Family Entertainment ("Pacific") ............................................... 6 ii TABLE OF CONTENTS (continued) Juan Dominguez Pacific Family Entertainment ("Pacific") ................................................. 7 Edward Safa LA TV Networks, successor in interest to Urban Latino TV, LLC ("Urban Latino") ................................................. 8 Fred Nigro Worldwide Pants, Inc. ("WPI") ....................................................................... 9 Tab DECLARATION OF GREGORY O. OLANIRAN 111 TABLE OF CONTENTS (continued) Tab 22 23 ¯ 24 Confirmation of Engagement forms for Adler Media, Inc., Acme Communications, Inc. (by successor-in-interest Mojo Brands Media), Adams Golf, Cappy Productions, Inc., Envoy Productions, Films By Jove, Firing Line (aka National Review, Inc.), Florentine Films/Hott Productions, Inc., InCA Productions, Maureen Millen, et al., JCS Entertainment !I, Inc., Kid Friendly Productions, MBC Teleproductions, MoneyTV.net, Inc., Network Programs International, Productions Pixcom, Inc., Sarrazin Couture Entertainment, Satsuki Ina (aka Hesono O Productions), Sound Venture Productions Ottawa Ltd., Whidby Island Films, Inc ...................................................................................... 25 Declaration of Denise Vernon in Response to Order of July 30, 2014, dated August 4, 2014 ............................................................................................ 26 Text utilized in multiple mass emails that IPG sent to its claimants in March and April of 2014 ...................................................................................... 27 iv TABLE OF CONTENTS (continued) Tab Illegible copies of documents that purport to be printed copies of searches ¯ done on the website http://www.imdb.com ......................................................... 31 REBUTTAL TESTIMONY OF JEFF ROVIN APPENDICES VOLUME II Tab REQUEST FOR JUDICIAL NOTICE OF CERTIFIED COPIES OF PUBLIC RECORDS Joint Notice Of Intent To Participate And Comments On The Existence Of Controversies, Docket No. 2008-2 CARP CD. 2000 (September 30, 2002) (filed by Intermediary Copyright Royalty Services) ................................................................................... 1 Joint Notice Concerning Representation, Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (April 17, .2013) (filed by Intermediary Copyright Royalty Services) ........................................................ 2 True And Correct Copies Of The 2004-2009 Cable And 1999- 2009 Satellite Royalty Claims Filed By Artist Collections Group LLC dba Worldwide Subsidy Group And Worldwide Subsidy Group LLC dba Independent Producers Group (collectively, "IPG") ............................................................................................... 3 V REDACTED PUBLIC VERSION Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Docket No. 2012-6 CRB CD 2004-2009 Distribution of the 2004, 2005, 2006 ) (Phase II) 2007, 2008 and 2009 ) Cable Royalty Funds ) ) ) In the Matter of ) ) Docket No. 2012-7 CRB SD 1999-2009 Distribution of the 1999-2009 ) (Phase If) Satellite Royalty Funds ) ) MPAA’S WRITTEN OBJECTIONS REGARDING CLAIMS MADE BY INDEPENDENT PRODUCERS GROUP The Motion Picture Association of America, Inc. ("MPAA"), on behalf of its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA ("MPAA-represented Program Suppliers"), in accordance with the August 29, 2014 Order Of Consolidation And Amended Case Schedule ("August 29, 2014 Order") issued by the Copyright Royalty Judges ("Judges"), hereby submits its Written Rebuttal Statement Regarding Claims ("WRS’), which sets forth its written objections to the claims presented by Independent Producers Group ("IPG") in this consolidated proceeding ("Written Objections").1 i See August 29, 2014 Order at Exhibit A, n. 1 ("Any participant objecting to distribution to or on behalf of any claimant or claimant’s representative must state the objection in writing and present competent evidence substantiating the objection."). Volume I of the WRS comprises the Written Objections and supporting evidence, including affidavits and other documentary evidence MPAA obtained from copyright owners
Recommended publications
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • Seaquest DSV 4600 UEO Seaquest DSV 4600 First Appearance to Be Or Not to Be Affiliation UEO Launched Seaquest DSV 4600 (2014)
    seaQuest DSV 4600 UEO seaQuest DSV 4600 First appearance To Be or Not to Be Affiliation UEO seaQuest DSV 4600 (2014) Launched seaQuest DSV 4600-II (2021) General characteristics Class seaQuest Registry DSV 4600 Maximum speed 160 knots (300 km/h) Spector Class sub-fighters Fighters Sea Speeder 3 Classes Stinger Auxiliary craft Sea Launch Shuttles Sea Crab Torpedoes: E-Plasma Torpedoes Plasma Torpedoes Armaments EMP Torpedoes Lasers SLBMs Torpedo Intercepts Flash Warheads Defenses Countermeasures Anti-ballistic missile Propulsion Aqua Return Jets Twin Fusion Reactor using Tritium extracted from Power sea water Length 1,007 feet (307 m) The UEO seaQuest DSV 4600 and the UEO seaQuest DSV 4600-II are the two titular submarines featured in the science fiction television series "seaQuest DSV", which ran for three seasons on NBC from 1993-1996. The original seaQuest was featured in the show's first season, while the second boat was featured in the second and third seasons. Design specifications The seaQuest was the brain child of Captain Nathan Bridger, who designed the boat in the early 21st century, but Bridger left the Navy three years before construction on the ship was completed. Upon its completion,seaQuest was the largest submarine and deep submergence vehicle ever constructed, measuring 307.1 m from stem to stern with a crew of 88 military and 124 science personnel. The ship could travel at speeds up to 160 knots (295 km/h) and was propelled by twin fusion reactors. The seaQuest was coated in a genetically engineered bio-skin that remained completely inert against (most) marine bacteria and organisms with a crush depth of more than 9 km of water.
    [Show full text]
  • Seaquest on the Planet of the Apes
    SSSSSSEEEEEEAAAAAAQQQQQQUUUUUUEEEEEESSSSSSTTTTTT OOOOOONNNNNN TTTTTTHHHHHHEEEEEE PPPPPPLLLLLLAAAAAANNNNNNEEEEEETTTTTT OOOOOOFFFFFF TTTTTTHHHHHHEEEEEE AAAAAAPPPPPPEEEEEESSSSSS PPPPPPEEEEEETTTTTTEEEEEERRRRRR KKKKKKAAAAAARRRRRRSSSSSSTTTTTTEEEEEENNNNNN SSSSSSEEEEEEAAAAAAQQQQQQUUUUUUEEEEEESSSSSSTTTTTT OOOOOONNNNNN TTTTTTHHHHHHEEEEEE PPPPPPLLLLLLAAAAAANNNNNNEEEEEETTTTTT OOOOOOFFFFFF TTTTTTHHHHHHEEEEEE AAAAAAPPPPPPEEEEEESSSSSS 222222000000000000999999 The text within this book is copyrighted by the author, with the exception of the wording from ‘The Planet of the Apes’, ‘seaQuest DSV’ and the names of characters used from the two TV-Series of the same name. Including the ‘Planet of the Apes’ films, copyrighted by 20 t h Century Fox, and ‘seaQuest DSV’ TV-Series, copyrighted by Universal. No part of this book may be reproduced by any process and/or by any means or method without written permission from the author. This book may not be sold, traded or auctioned. The author does give permission to reproduce this book for personal/private use: as part of a review and/or as reading material. seaQuest Character Biographies, UEO and seaQuest logos: Retrieved from seaQuest DSV Vault. www.angelfire.com/tv2/seaQuestDSV2032 seaQuest History & Design Specs: Retrieved from www.wikipedia.org Picture of seaQuest DSV ship: Retrieved from www.minimodelmadness.com Picture of seaQuest Crew: Retrieved from www.tv.com Pictures of Virdon, Burke, Galen, Zaius & Urko: Retrieved from www.potatv.kassidyrae.co Drawing of the Orang-utan (Lawgiver) from production art of Planet of the Apes. Reference material of the Mariana Trench: Retrieved from www.wikipedia.org Reference material of Sliders the TV Series: Retrieved from www.imdb.com Excerpt from ‘The Holiness of Sleep’ by Rudolf Steiner from “Verses and Meditations” 1993. ‘Elegy’ by Quasimodo from “Selected Poems” 1965 “The Sons of Horus” by P.S. Karbowski. Selected transcript of the play by permission from a private collection.
    [Show full text]
  • LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
    CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241
    [Show full text]
  • To Explain Link's
    -- THETu DAILYVolume XXXVI, Number 6 [Where You Read It First Tuesday, Januarys 27,1998 Men’s group Se to explain Link’s new set to tackle rates in response to students by ANDREW FREEDMAN Schnirman summarizedthe feelings of non-violence Daily Editorial Board many senators when he said, “I don’t GyDAMDPUJVIOSE After voting 26- 1 last week to ap- know; I am just confused.” Daily Editorial Board prove the new CampusLink rate Freshman senator Neil Farbman, Asthe YearofNon-Violence commences, onegroup changes, at this Sunday’s meeting the who was the only senator to vote of TuAs students is working together to increase the Tufts Community Union Senate heard against the new rate structure, echoed peace. complaints about the changes from Schnirman’ssentiments. “Everyone is The recently-formedTufb Men Against Violence students and vowed to take action to basically confused about this.” held a general interest meeting yesterday to recruit clear up students’ confusion about “If you did not completely under- members and promote their cause, the issue. stand it, how could you possibly have Accordmg to groupmember Hal Ersner-Hershfield, The senate passed a motion to con- voted on it?” Harris asked. Tufts Men Against Violence desires to tell the commu- struct a detailed CampusLink certified “I understood it last week when I nity that there are many men outside their group who chart explaining the new rates. The had the task force report right in front actively advocate non-vioIence. senate also will hold information ses- of me. I will admit it is a complicated Tufts Men Against Violence was founded by sions both uphill and downhill in the policy,” Senator David Rosenberg Armand Mickune-Santos, the Director ofAlcohol and near future to clear up any questions said.
    [Show full text]
  • 1 DVD-Bestand Patientenbibliothek Charité Mitte
    DVD-Bestand Patientenbibliothek Charité Mitte ... Denn sie wissen nicht, was sie tun DVD .. Denn sie wissen nicht, was sie tun : Warner Brothers, 2000. - 1 DVD FSK: 16, Jugendgruppe, Rebellion Standort(e): KB 13 Semester DVD 13 Semester. - Frankfurt/Main : Twentieth Century Home Entertainemet, 2010. - 1 DVD ISBN 4-010232-050823 FSK 12, Komödie, Studentenleben Standort(e): KB 2012: Doomsday DVD 2012: Doomsday, Everhart, Nick. - Hamburg : HMH Home Entertainment, 2008. - 1 DVD ISBN 4260157711068 FSK: 16, Katastrophenfilm, Weltuntergang Standort(e): KB Die 3 Tage des Condors DVD Die 3 Tage des Condors : Kinowelt Home Entertainment, 2001. - 1 DVD FSK: 16, Thriller Standort(e): KB Der 90. Geburtstag oder Dinner for One DVD Der 90. Geburtstag oder Dinner for One. - Hamburg : Studio Hamburg, 2008. - 1 DVD ISBN 4-031778-810351 FSK 0, Komödie, Kultszene Standort(e): KB Abenteuer Airport DVD Abenteuer Airport, Huby, Felix : WDR, 2010. - 4 DVDs FSK 12, Fernsehserie, Flughafen, Krimi Standort(e): KB Acht Mann und ein Skandal DVD Acht Mann und ein Skandal. - Frankfurt/Main : Twentieth Century Fox Home Entertainement, 2007. - 1 DVD ISBN 4-045167-266063 FSK 12, Amerika, Baseball, Profisport, Bestechlichkeit Standort(e): KB Adams Äpfel DVD Adams Äpfel, Jensen, Anders Thomas : EuroVideo, 2007. - 1 DVD ISBN 4-009750-245996 FSK 16, Komödie, Dänemark, Landpfarrer Standort(e): KB 1 Adelheid und ihre Mörder DVD1 DVD Adelheid und ihre Mörder DVD1. - Berlin : Universal Film, 2004. - 1 DVD FSK: 6, Krimi, Serie Standort(e): KB Der Adler der neunten Legion DVD Der Adler der neunten Legion. - Grünwald : Cioncode Home Entertainement, 2011. - 1 DVD ISBN 4-010324-028648 FSK 12, Römisches Heer, Neunte Legion, Nordbritannien Standort(e): KB Das Adlon.
    [Show full text]
  • ©2019 Disney Enterprises, Inc. All Rights Reserved. Elf Serge
    ©2019 Disney Enterprises, Inc. All Rights Reserved. Elf Serge . SEAN AMSING Elf Simon . STEVEN RUDY Elf Bop Beep . JAGEN JOHNSON Santa’s Helper #1 . KURTIS D’AOUST Santa’s Helper #2 . MICHAEL DELLEVA Santa’s Helper #3 . EMMA PEDERSEN Santa’s Helper #4 . CHRIS OLSON Jessie . ALVINA AUGUST Dr . Shelley Sussman . CHELAH HORSDAL Angry Father . TYLER MCCONACHIE Kid In The Crowd . .. BENTLEY HIXSON Clara Torres . JACKIE BLACKMORE Desk Sergeant . CRAIG MARCH Electronics Santa . BRENDAN TAYLOR Lisa . MARISA NIELSEN Mall Santa . ANDY NEZ Michelle . SHAYLEE MANSFIELD A Cop . CHAD RILEY SUZANNE TODD Ajeet . ISHAAN VASDEV Production Omar . JASON ANTOON Phone Woman . VIVIAN LANKO Roberto . RIAN RAFIQ Written and Directed by . MARC LAWRENCE Santa . JAY BRAZEAU Produced by . SUZANNE TODD, p .g .a . Shelter Worker . ANGELA MOORE Executive Producer . JOHN G . SCOTTI Tonya . VIOLA ABLEY Director of Photography . RUSSELL CARPENTER, ASC Tonya’s Mom . .. SHAUNA JOHANNESEN Production Designer . MAHER AHMAD Young Nick . OWEN VACCARO Edited by . HUGHES WINBORNE, ACE News Anchor . ARRAN HENN Costume Designer . GARY JONES Elf Band #1 . CLYDE LAWRENCE Visual Effects Supervisor . ARIEL VELASCO SHAW Elf Carol . GRACIE LAWRENCE Music by . CLYDE LAWRENCE Elf Flobo . SIMON CHIN and CODY FITZGERALD Evelyn’s Dad . ALEX ROCKHILL Casting by . DENISE CHAMIAN, CSA Evelyn’s Mom . LISSA NEPTUNO Young Evelyn . ARIANA NICA Unit Production Managers . JOHN G . SCOTTI Arguing Man #1 . DARCEY JOHNSON HEATHER MEEHAN Arguing Man #2 . KEITH BLACKMAN DALLAS First Assistant Director . PETE WHYTE Homeless Father . THOMAS CADROT Visual Effects Producers . LAUREN RITCHIE Homeless Mother . KELLY METZGER CHARLENE EBERLE DOUGLAS Homeless Daughter . ELEFTHERIA KINFE Associate Producer/ Homeless Son . JESSE FILKOW Post Production Supervisor .
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • 25Jan2021 6032 Films
    DVDjan03 1/25/2021 MOVIE_NAME WIDE_STDRD STAR1 STAR2 Jan25 2021 UpLd GoogleDrive 6032 add Dig Copies YouTube Vudu AMZ iTunes = moviesAn RR for railroad: SURF-separate; DG TRAV MUSIC AmzVidLib Pcar ELVIS DOC was pbs now most (500) day of summer BluRay Joseph Gordon-Levitt zooey deschanel 007 1962 Dr. No (part of james bond collection) sean connery / ursula andress joseph wiseman - dir: terrence 007 1963 From Russia with Love (james bond sean connery / dir: terrence yo 007 1964 Goldfinger james bond ultimate ed & sean connery / gert frobe honor blackman 007 1965 Thunderball 3bond BluRay collection BluR sean connery / adolfo celi claudine auger (domino) 007 1967 Casino Royale 1967 ($25 film collecti ws peter sellers / ursula andress david niven / woody allen 007 1967 You Only Live Twice (part of james b BluRay sean connery / donald pleasen 007 1969 on her majesty's secret service (part george lazenby / diana rigg telly tavalas 007 1971 Diamond are Forever james bond ulti BluR sean connery / jill st. john 007 1973 live and let die (part of james bond c roger moore / yaphet kotto jane seymour (mccartney & win 007 1974 man with the golden gun james bond roger moore / christopher lee britt ekland 007 1977 spy who loved me james bond ultima roger moore / barbara bach curt jurgens 007 1979 moonraker (part of james bond collec roger moore / lois charles michale lonsdale / richard kiel 007 1981 for your eyes only (part of james bon roger moore / carole bouquet topol 007 1983 ? never say never again (sean too ol ws non ca sean connery / klaus maria bra kim basinger / max van sylow 007 1983 octopussy (part of james bond collect roger moore / maud adams louis jourdan / kristina wayborn 007 1985 view to a kill james bond ultimate ed.
    [Show full text]
  • Michigan Department of Tions." Ford from Lotz to Napier
    Your hometown newspaper serving Canton for 29 years WNWMVF May 30,2004 75 cents VOLUME 29 NUMBER 95 wwwJwmetoMvnttfe.com ©2004 HO^ETOWN COMMUNICATIONS NETWORK Up close and personal Local resident publishes Thursday's audience, several issues have "We've talked to the federal govern- a book of his combat Consultants identify problems been identified. ment about access along 1-275," he said. photos from World War II. "We have gathered, concerns about "The bottom line is we're not going to . Ford Road and now we're in the process get a new interchange at Warren or SECTION C on Ford Road, suggest some alternatives of trying to address those concerns" he Palmer." Fewer than a dozen residents and/or The study, which has been ongoing for said. "Tliere are a whole series of issues He said the steering committee business owners showed up at a meeting several months, is being conducted by such as access to stores and driveway involved with the project met a month Thursday night to discuss and listen to The Corradino Group in conjunction controls and a whole bunch of sugges- ago and did a study of the full length of issues concerning the improvement of with the Michigan Department of tions." Ford from Lotz to Napier. access along the Ford Road corridor. Transportation. One of those suggestions - adding a "We did driveway counts up and down While about 4,000 imitations were Other public meetings in February new interchange on 1-275 at either the corridor," he said. "We're looking for sent out attendance was, to say the least, and March also drew small crowds.
    [Show full text]