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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
BAKS Papers Index: Art, Music, Literature and Language
Papers of the British Association for Korean Studies Art, Music, Literature and Language Indexes Art Keikuchi, Yuko – ‘Yanagi Sōsetsu and Korean Crafts within the Mingei Movement’, v. 5 (1994), pp. 23-38. Kim, Youngna - ‘The Impact of the Korean War on the Arts’, v. 13 (2011), pp. 105-121. Lee, Jiyoon - ‘In the Eye of the Hurricane of Change: Korean Contemporary Art of the New Millennium’, v. 10 (2005), pp. 95-105. Pratt, Keith - ‘The Evolution of Museums in the ROK’, v. 11 (2007), pp. 19-31. Robertson, James C. - ‘North Korean Cinema, 1947-1987’, v. 7 (2000), pp. 253-265. Wood, Nigel – ‘Technological Parallels between Chinese Yue Wares and Korean Celadons’, v. 5 (1994), pp. 39-63. Literature and Language Chung, Hilary – ‘Nationalism and Internationalism in 20th Century Chinese Literature’, v. 6 (1996), pp. 56-70. Daruvala, Susan – ‘Nation and Locality in the Writing of Zhou Zuoren’, v. 6 (1996), pp. 71-88. Drabble, Margaret - ‘The Writing of The Red Queen’, v. 11 (2007), pp. 1-6. Elfving-Hwang, Joanna - ‘The Improper Desire for Knowledge: De-gendering Curiosity in Contemporary Korean Women’s Literature’, v. 10 (2005), pp. 107-118. Finch, Michael - ‘Fire and Ice: The Search for Values in Yi Munyŏl’s Novella Kŭ hae kyŏul? [The winter of that year]’ v. 8 (2003), pp. 57-65. Li, Ruru – ‘Shakespeare Adaptation in China’, v. 6 (1996), pp. 89-100. Logie, Andrew - ‘Ch’oe Inhun’s ‘A Grey Man’: The Struggle for Identity as a Young, Intellectual Male in the Postwar Era’, v. 12 (2008), pp. 1-7. O’Rourke, Kevin – ‘The Traditions of Korean Poetry’, v. -
NEWSLETTER No. 32 October, 2008
AKSE Newsletter 32 ASSOCIATION FOR KOREAN STUDIES IN EUROPE NEWSLETTER No. 32 October, 2008 Table of Contents News from the President……………………………………………….2 A Note from the Editor……………………………………………......3 Association News………………………………………………………..3 Constitution of the Association for Korean Studies in Europe…………………………………………………………………4 Honorary Members of AKSE…………………………………….......6 AKSE Representatives to Annual Meetings of the Association for Asian Studies…………………………………….6 Country Reports Austria……………………………………………………………………7 Czech Republic………………………………………………........ …13 France…………………………………………………………………..14 Germany………………………………………………………………..22 Great Britain…………………………………………………………..30 Hungary…………………………………………………………………41 The Netherlands……………………………………………………....42 Russia……………………………………………………………………44 1 AKSE Newsletter 32 N E W S F R O M T H E PRESIDENT According to the calendar it is summer, but the branches of the tree outside my window violently move up and down in a gale force wind while dark clouds from time to time unleash torrents of rain. Rain or shine, however, the preparations for AKSE activities continue. On 21 August, 2008 the Fifth Korean Studies Convention for Graduate Students in Europe will begin, this year to be held in Leiden. Originally this was not an AKSE activity, the graduate students themselves taking charge of the entire organisation together with local teachers. This will not radically change, but AKSE will every year at the end of July include a request for funding of the convention of the following year to the Korea Foundation in its request for other activities and when necessary encourage graduate students to organise a convention. This will facilitate the work of the graduate students who are organising next year’s conference and promote continuity. Preparations are also under way for the 2009 AKSE Biennial Conference in Leiden. -
Korean Honorific Speech Style Shift: Intra-Speaker
KOREAN HONORIFIC SPEECH STYLE SHIFT: INTRA-SPEAKER VARIABLES AND CONTEXT A DISSERATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (KOREAN) MAY 2014 By Sumi Chang Dissertation Committee: Ho-min Sohn, Chairperson Dong Jae Lee Mee Jeong Park Lourdes Ortega Richard Schmidt Keywords: Korean honorifics, grammaticalization, indexicality, stance, identity ⓒ Copyright 2014 by Sumi Chang ii ACKNOWLEDGEMENTS No words can express my appreciation to all the people who have helped me over the course of my doctoral work which has been a humbling and enlightening experience. First, I want to express my deepest gratitude to my Chair, Professor Ho-min Sohn, for his intellectual guidance, enthusiasm, and constant encouragement. I feel very fortunate to have been under his tutelage and supervision. I also wish to thank his wife, Mrs. Sook-Hi Sohn samonim, whose kindness and generosity extended to all the graduate students, making each of us feel special and at home over the years. Among my committee members, I am particularly indebted to Professor Dong Jae Lee for continuing to serve on my committee even after his retirement. His thoughtfulness and sense of humor alleviated the concerns and the pressure I was under. Professor Mee Jeong Park always welcomed my questions and helped me organize my jumbled thoughts. Her support and reassurance, especially in times of self-doubt, have been true blessings. Professor Lourdes Ortega's invaluable comments since my MA days provided me with a clear direction and goal. -
In Tune with the Ear of the Public Kayagŭm and the Status of Traditional Korean Music in the Twenty-First Century in Korea
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Sunghee Pak (Yonsei University) In Tune with the Ear of the Public Kayagŭm and the Status of Traditional Korean Music in the Twenty-First Century in Korea Every Thursday, I visit Gahwae-dong (Kahoe-dong) in central Seoul, a locale with many traditional Korean houses, to take my weekly kayagŭm lesson. Kayagŭm is a traditional Korean musical instrument with twelve silk strings, which dates back to A.D. 551 (Hwang, Chimhyang-moo 9). It has been several years since I first started learning it, but before I took my first lesson, I had never seen a kayaŭm, apart from a few pictures in the music text book in middle school. Many people in Korea nowadays are not familiar with their traditional musical instruments. Though kayagŭm and kŏmun’go play the most important role in any Korean ensemble, as equivalents of the violin in Western classical orchestra, not many people have seen them up close. During the 1980s and 1990s, Korean classical music experienced a revival, and there have been several attempts to inform the public about this. These attempts achieved some fruit but there are still more to be done in promoting the essence of traditional Korean music. Until the 1990s, traditional Korean music—kugak, in Korean—conveyed an image of something old, decayed, and outdated. People vaguely knew that the tradition was worth keeping, but whereas Western piano or violin were thought to be elegant, and Western pop music such as the Beatles was treated as a symbol of youth and freedom, kugak, was very far from being considered chic. -
The Korea Foundation
The Korea Foundation The Korea Foundation was established on December 30, 1991, pursuant to the Korea Foundation Law, to promote awareness and understanding of Korea throughout the international community, and to enhance goodwill and friendship worldwide through the implementation of various international exchange programs. 03_ Overview of Programs 04_ Message from the President 06_ Support for Korean Studies Overseas 13_ Support for Korean Language Education Overseas 16_ Fellowships Grants 25_ Forums Personnel Exchanges 33_ Cultural Exchanges 40_ Media Publications 47_ Korea Foundation Cultural Center 54_ Organization Overview of Programs Support for Korean Studies Overseas The Korea Foundation extends support to leading universities abroad for the establishment of Korean Studies professorships and offering of Korea-related courses, together with related activities such as research, conferences, and publications. Financial assistance is also provided to policy-research institutes and international exchange organizations for their Korea-related programs. Support for Korean Language Education Overseas To facilitate the teaching of Korean as a foreign language at overseas universities, the Foundation undertakes various support programs for the establishment of Korean language lectureships, maintenance of Korean language courses, and dispatch of visiting Korean language professors. Assistance is also offered for workshops and academic conferences that seek to upgrade the professional expertise of Korean language educators and facilitate the development of personal networks. Fellowships Grants To encourage Korea-related research and scholarship, the Korea Foundation offers a variety of support programs to overseas Korean Studies professors, graduate students, and researchers. These programs include Fellowship for Korean Language Training, Fellowship for Field Research, Fellowship for Graduate Studies, Advanced Research Grants, Fellowship for Postdoctoral Research, Publication Subsidy, and Support for Instructional Materials Development. -
Descriptive Study of Honorific Use in Korean Email Discourse
Indonesian Journal of Applied Linguistics, Vol. 6 No. 1, July 2016, pp. 99-111 DESCRIPTIVE STUDY OF HONORIFIC USE IN KOREAN EMAIL DISCOURSE Jaegu Kim Sekolah Pelita Harapan, Lippo Cikarang, Jakarta [email protected] First received: 22 March 2016 Final proof received: 13 July 2016 Abstract It is a relatively new field that examines how Korean culture affects Korean language use in terms of age difference in a corpus of computer mediated email discourse. The purpose of this descriptive study and experiment is to prove the close relationship between Korean language and culture. This paper shows the descriptive study of Korean culture in relation to language use. Korean culture acknowledges an inherent hierarchy with regard to age, and considers [+age] as relating socially to [+power]. When younger Koreans converse with older ones, they express different morpho-syntactic patterns, which is an age complex. The main task of the experiment was to examine the way through which the age complex is reflected by Korean honorific linguistic system in email discourse. I asked 15 Korean native speakers between the ages of 20 to 25 to write emails expressing an impositive request to [+age (46-50 years old)], [-age (below 25 years old)] and [=age] recipients. The results show significant differences in the use of grammatical features in emails written to [+age] recipients, as compared to emails written to [-age] and [=age] recipients. The implication of the findings is that the cultural values that are attached to age and aging in the Korean society affects Koreans’ language use, which means Korean language and culture are closely intermingled. -
Yun Isang, Media, and the State : Forgetting and Remembering a Dissident Composer in Cold-War South Korea
This is a repository copy of Yun Isang, media, and the state : forgetting and remembering a dissident composer in Cold-War South Korea. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/168294/ Version: Published Version Article: Chang, H.K.H. (2020) Yun Isang, media, and the state : forgetting and remembering a dissident composer in Cold-War South Korea. Asia-Pacific Journal : Japan Focus, 18 (19). 3. ISSN 1557-4660 © 2020 The Author. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Volume 18 | Issue 19 | Number 3 | Article ID 5492 | Oct 01, 2020 The Asia-Pacific Journal | Japan Focus Yun Isang, Media, and the State: Forgetting and Remembering a Dissident Composer in Cold-War South Korea Hyun Kyong Hannah Chang European avant-garde Abstract: Yun Isang (1917-95) was one of Korea’s most prominent composers in the twentieth century. -
Traditional Music and the Work Concept: the Kayagŭm Sanjo of Hwang Byungki
This is a repository copy of Traditional Music and the Work Concept: The Kayagŭm Sanjo of Hwang Byungki. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/115955/ Version: Accepted Version Article: Killick, A.P. (2017) Traditional Music and the Work Concept: The Kayagŭm Sanjo of Hwang Byungki. Yearbook for Traditional Music, 49. ISSN 0740-1558 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Traditional Music and the Work-Concept: The Kayagm Sanjo of Hwang Byungki by Andrew Killick In most of the world, through most of history, music has been conceived as a set of practices and techniques, expressive or religious behaviours, and adaptable repertoire resources, or as an integral part of some larger phenomenon such as theatre or healing. Over the last two hundred years, however, music has increasingly been reconceived as consisting of autonomous musical works. This has surely been one of the most important developments in musical history worldwide; yet it has been relatively little studied. -
A History of Korean Literature
AHISTORYOF KOREAN LITERATURE e dite d by PETER H. LEE publishe d by the pre ss syndicate of the unive rsity of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge unive rsity pre ss The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/12.5 pt. System LATEX 2ε [tb] A catalogue record for this book is available from the British Library isbn 0 521 82858 9 hardback Contents List of illustrations page x List of contributors xi Preface xiii Note on the text xvi Korean dynasties xix Glossary xxi Introduction 1 Peter H. Lee 1. Language, forms, prosody, and themes 15 Ho-Min Sohn and Peter H. Lee 2. From oral to written literature 52 Peter H. Lee 3. Hyangga 66 Peter H. Lee 4. Silla writings in Chinese 87 Peter H. Lee 5. Koryo˘ songs 99 Peter H. Lee 6. Koryo˘ writings in Chinese 118 Peter H. Lee 7. Early Choson˘ eulogies 148 Peter H. Lee 8. Early Choson˘ sijo 168 Peter H. Lee vii viii Contents 9. -
Journal LA Bisecoman
JOURNAL LA SOCIALE VOL. 01, ISSUE 01 (001-004), 2020 A Sociolinguistic Study on the Development of Grammar System of Treatment Expression Akira Yonemoto Faculty of Environment and Information Studies, Keio University, Japan Corresponding Author: Akira Email: [email protected] Article Info Abstract Article history: Analysis of the language in which honorific expressions are developed Received 08 January 2020 has revealed various findings. The social and cultural background can be Received in revised form 15 considered by analyzing the history of the honorifics, etc., but the January 2020 honorifics are often used in colloquial language. Is also an issue of this Accepted 22 January 2020 research. Since honorifics reflect not only their practical aspects but also society, culture, and ideas, it is one clue to know from the history and usage of honorifics, and there is room for sociolinguistic analysis and Keywords: consideration. Is an area where there are still many. Honorific Expression Culture Society Introduction The honorific is a special expression for expressing respect or politeness by changing the way to state the same thing, and is one of the treatment expressions. Expressions of respect can be expressed in any language, but not many languages have grammatical and lexical systematic expressions. Typical languages include Japanese, Korean, Javanese, Vietnamese, Tibetan, Bengali, and Tamil. In order for treatment expressions to become grammatically and lexically systematically form, not only the influence of the original language but also the need for various respect expressions from the social background have emerged as honorific expressions. it is conceivable that. For this reason, in this paper, Japanese is an isolated word, Korean is also an isolated word, Javanese is a Malay-Polynesian Sunda-Sulawesi group, and Pet-Muong is an Austro-Asian Mon-Khmer group. -
AKSE 2012 Newsletter Cover
NEWSLETTER Association for Korean Studies in Europe 4345 No. 36 October 2012 THE ASSOCIATION FOR KOREAN STUDIES IN EUROPE Centre for Korean Studies School of Oriental and African Studies Thornhaugh Street, Russell Square London WC1H 0XG The United Kingdom THE COUNCIL OF THE ASSOCIATION President: Councillor for Public Relations: Prof. Dr. Antonetta Bruno Prof. Dr. Valérie Gélézeau Sapienza Università di Roma École des Hautes Études en Sciences ITALY Sociales [email protected] FRANCE [email protected] Vice-President: Dr. Pavel Leshakov Councillor for Membership Affairs: Moscow State University Prof. Dr. Marion Eggert RUSSIA Ruhr-Universität Bochum [email protected] GERMANY [email protected] Secretary: Prof. Dr. Rüdiger Frank Newsletter Editor: Universität Wien Dr. Michael D. Shin AUSTRIA University of Cambridge [email protected] UNITED KINGDOM [email protected] Treasurer: Dr. Koen De Ceuster Dr. James B. Lewis Universitet Leiden University of Oxford THE NETHERLANDS UNITED KINGDOM [email protected] [email protected] AKSE Newsletter 36 is edited and published by Dr. Michael D. Shin Faculty of Asian and Middle Eastern Studies Sidgwick Avenue Cambridge, CB3 9DA The United Kingdom Cover logo design by Mrs. Sandra Mattielli Printed by Cambridge Print Solutions Copyright by The Association for Korean Studies in Europe AKSE Homepage: http://www.akse.uni-kiel.de AKSE Newsletter 36 AKSE Newsletter 36 ASSOCIATION FOR KOREAN STUDIES IN EUROPE A W O R D F R O M T H E PRESIDENT NEWSLETTER No. 36 AKSE is a supra-national association that handles matters that no national organization or October 2012 individual university can undertake by itself.