DOCSLIB.ORG

Culture Club Albums Download Culture Club Albums Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Culture Club Albums Download Culture Club Albums Download culture club albums download Culture club albums download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a50360ac74d721 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Boy George & Culture Club – Studio Albums (1982 – 2013) Boy George & Culture Club – Studio Albums (1982 – 2013) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included Total Size: 8.93 GB | 3% RAR Recovery Label: EMI, Virgin, High Note, Black Door, Very Me | Genre: Pop. British singer Boy George combined a strong, soulful singing voice with a provocative sense of fashion, both of which were first brought to the attention of English and American audiences in the group Culture Club, for whom he served as lead singer from 1982 to 1986. The group wrote and played impeccable pop music, and Boy George’s androgynous persona — heavy makeup and outrageous costumes — gave the group a distinct video image in the dawn of MTV. That very distinctiveness, however, made the group date quickly, and at the same time Boy George encountered highly publicized personal difficulties. He re-emerged as a solo singer in 1987 with Sold, which contained a U.K. number one cover of Bread’s “Everything I Own,” but was unable to duplicate this success in the U.S. Boy George enjoyed four British singles’ chart entries in 1987 and another three in 1988. His second album, Tense Nervous Headache (1988), was not picked up for release in the U.S.; his third, Boyfriend (1989), was a Europe-only release, though Virgin Records cobbled the second and third albums together to present a second U.S. album, High Hat (1989). In 1991 came The Martyr Mantras, another patchwork album largely made up of previously non-LP dance singles. In the U.K., it was credited to a new group, Jesus Loves You, and released on Boy George’s own More Protein record label, though Virgin in the U.S. billed it as a Boy George album. By 1992, Boy George had faded at home, and in the U.S. his solo career had never taken off. Then he was brought in to sing a version of the ’60s chestnut “The Crying Game” in a production by the Pet Shop Boys, as the title song for a movie that became the sleeper hit of the winter of 1992-1993, resulting in his first substantial U.S. hit as a solo artist. Cheapness and Beauty followed in 1995, and four years later Boy George resurfaced with the rarities collection Unrecoupable One Man Bandit. Throughout the ’90s, he delved back into the club scene that birthed his early romanticism, and made a name for himself as DJ in demand. It became more than a hobby toward the end of the millennium, and Boy George garnered attention in the U.K. and U.S. club circuits; such musical creativity was captured on Essential Mix, released in fall 2000. In 2002 he released U Can Never B 2 Straight – a collection of unplugged and acoustic songs it was only released in the UK and Japan. From 2002 and 2004, he recorded under the moniker The Twin and recorded and released more electronic sounds that were to chime with the Electroclash sound of the time. Throughout the ’00s, he saw plenty of legal issues and controversies, including drug possession in New York in 2005 and in 2008 for assault and false imprisonment of a male escort, for which he received a 15 months prison sentence. After overcoming these personal challenges, a new generation of musicians declared him as a major influence. One memorable collaboration included Anthony and the Johnsons on the track “You Are My Sister” in 2006. In 2007, he released the single “Time Machine” on Plan A Records and was co-written by Ivor Novello Award winner Amanda Ghost. He also collaborated with the dance act Dark Globe on the track “Atoms” and saw several of his other previous unheard tracks remixed by long term dance collaborator Kinky Roland. Roland would subsequently release the album Ordinary Alien – The Kinky Roland Files with Boy George in 2010. In 2013, he announced that he was to release a full-length solo studio album. Entitled This Is What I Do, came after a twenty year wait since his last record. Culture Club Members: • Boy George – vocals • Roy Hay – guitar, sitar, electric sitar, keyboards, synthesizer, piano, backing vocals • Mikey Craig – bass guitar, keytar, piano, backing vocals • Jon Moss – drums, percussion, electronic drums, steel drum, congas, backing vocals. Boy George – Disc List: [su_accordion] [su_spoiler title=”1987. Sold (1987, Virgin, CDV2430, UK)” icon=”plus-square-1″ style=”fancy”] 1987. Sold (1987, Virgin, CDV2430, UK) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Tracklist: 01. Sold – 03:54 02. I Asked For Love – 04:43 03. Keep Me In Mind – 04:05 04. Everything I Own – 03:53 05. Freedom – 03:49 06. Just Ain’t Enough – 04:18 07. Where Are You Now? – 04:16 08. Little Ghost – 03:13 09. Next Time – 03:28 10. We’ve Got The Right – 03:46 11. To Be Reborn – 04:26. [su_spoiler title=”1988. Tense Nervous Headache (1988, Virgin, CDV2546, UK)” icon=”plus-square-1″ style=”fancy”] 1988. Tense Nervous Headache (1988, Virgin, CDV2546, UK) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Tracklist: 01. Don’t Cry – 07:03 02. You Are My Heroin – 06:19 03. I Go Where I Go – 04:42 04. Girl With Combination Skin – 06:02 05. Whisper – 05:40 06. Something Strange Called Love – 06:02 07. I Love You – 04:46 08. Kipsy – 06:06 09. Mama Never Knew – 04:56 10. What Becomes Of The Broken Hearted – 03:42 11. American Boyz – 06:20 12. Happy Family – 05:07. [su_spoiler title=”1989. High Hat (1989, Virgin, 86100 2, USA)” icon=”plus-square-1″ style=”fancy”] 1989. High Hat (1989, Virgin, 86100 2, USA) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Tracklist: 01. Don’t Take My Mind On A Trip – 05:21 02. Whisper – 05:40 03. Whether They Like It Or Not – 05:10 04. You Found Another Guy – 04:27 05. You Are My Heroin – 06:21 06. I’m Not Sleeping Anymore – 04:20 07. Kipsy – 06:06 08. Don’t Cry – 04:09 09. Girl With Combination Skin – 06:00 10. Something Strange Called Love – 04:00. [su_spoiler title=”1995. Cheapness And Beauty (1995, Virgin, 8 40492 2, Holland)” icon=”plus-square-1″ style=”fancy”] 1995. Cheapness And Beauty (1995, Virgin, 8 40492 2, Holland) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Tracklist: 01. Funtime – 03:05 02. Satans Butterfly Ball – 03:03 03. Sad – 03:52 04. God Don’t Hold A Grudge – 02:49 05. Genocide Peroxide – 03:44 06. If I Could Fly – 04:04 07. Same Thing In Reverse – 03:33 08. Cheapness And Beauty – 03:59 09. Evil Is So Civilised – 03:32 10. Blindman – 04:12 11. Your Love Is What I Am – 04:42 12. Unfinished Business – 03:33 13. Il Adore – 06:12. [su_spoiler title=”1999. The Unrecoupable One Man Bandit. Volume One (1999, Black Door Rec., EFA 16200-2, UK)” icon=”plus-square-1″ style=”fancy”] 1999. The Unrecoupable One Man Bandit. Volume One (1999, Black Door Rec., EFA 16200-2, UK) EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Tracklist: 01. GI Josephine – 03:29 02. Mr. Strange – 03:52 03. She Was Never He – 03:34 04. Number One – 03:36 05. Spooky Truth – 03:47 06. In Maya – 05:07 07. Vanity Case – 03:40 08. Broken Spirit – 04:44 09. Suffragette City – 03:40 10. Who Killed Rock n’ Roll – 03:16. [su_spoiler title=”2011. Ordinary Alien (2011, Decode Rec., High Note, HN833CD, Germany, 2CD)” icon=”plus-square-1″ style=”fancy”] 2011. Ordinary Alien (2011, Decode Rec., High Note, HN833CD, Germany, 2CD) EAC Rip | 2xCD | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included. Disc 1 01. Turn 2 Dust – 05:42 02. Yes We Can – 06:32 03. Brand New – 05:31 04. Amazing Grace – 05:00 05. Don’t Wanna See Myself – 05:41 06. If I Were You – 05:43 07. Go Your Own Way – 05:44 08. Here Come The Girls (Feat. Ave D) – 05:45 09. Seconds (Feat. Phiiilip Something) – 06:22 10. After Dark – 06:14 11. Kill The A&R – 04:55 12. Human Racing – 05:54 13. Look Pon U – 04:16. Disc 2 01. Out Of Fashion – 06:41 02. Sanitized – 07:05 03. Time Machine – 06:36 04. Psychology Of The Dreamer – 07:02 05. Ragga Music – 05:00. [su_spoiler title=”EAC Log” icon=”plus-square-1″ style=”fancy”] [su_spoiler title=”EAC Log Disc 1″ icon=”plus-square-1″ style=”fancy”] Click Here[__/su_spoiler] [su_spoiler title=”EAC Log Disc 2″ icon=”plus-square-1″ style=”fancy”] Click Here[__/su_spoiler][_/su_spoiler] [su_spoiler title=”CUETools 2.1.5″ icon=”plus-square-1″ style=”fancy”] [su_spoiler title=”CUETools 2.1.5 Disc 1″ icon=”plus-square-1″ style=”fancy”] Click Here[__/su_spoiler] [su_spoiler title=”CUETools 2.1.5 Disc 2″ icon=”plus-square-1″ style=”fancy”] Click Here[__/su_spoiler] [_/su_spoiler] [/su_spoiler] [su_spoiler title=”2013.
Load more

Recommended publications
  • Music and the American Civil War
    “LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans.
    [Show full text]
  • 1; Iya WEEKLY
    Platinum Blonde - more than just a pretty -faced rock trio (Page 5) Volume 39 No. 23 February 11, 1984 $1.00 :1;1; iyAWEEKLY . Virgin Canada becomes hotti Toronto: Virgin Records Canada, headed Canac by Bob Muir as President, moves into the You I fifth month flying its own banner and has become one of the hottest labels in the Cultu country. action THE PROMISE CONTINUES.... Contributing to the success of the label by th has been Culture Club with their albums of th4 Basil', Kissing To Be Clever and Colour By Num- bers. Also a major contributor is the break- W. out of the UB40 album, Labour Of Love, first ; boosted by the reggae group's cover of the forth Watch for: old Neil Diamond '60s hit, Red Red Wine. sampl "Over100,000 Colour By Numbers also t albums were shipped in the first ten days band' -the new Images In Vogue video of 1984 alone," said Muir. "The last Ulle40 Tt album only did about 13,000 here. Now, The' albun ... with Labour Of Love, we have the first gold Lust for Love album outside of Europe, and the success ships here is opening doors in the U.S. The record and c; broke in Calgary and Edmonton and started Al -Darkroom's tour (with the Payola$) spreading." Colour By Numbers has just surpassed quintuple platinum status in Canada which Ca] ...Feb. 17-29 represents 500,000 units sold, which took Va. about 16 weeks. The album was boosted and a new remixed 7" and 12" of San Paku by the hit singles Church Of The Poison Toros Mind, now well over gold, and the latest based single, Karma Chameleon, now well over of Ca the platinum mark in less than ten weeks prom This - a newsingle by Ann Mortifee of release.
    [Show full text]
  • I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
    General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course.
    [Show full text]
  • CBS International's Study
    BEFORE THE COPYRIGHT ROYALTY TRIBUNAL WASHINGTON, D.C. In the Matter of ) ) 1984 Juke-Box Royalty ) Docket No. Distribution Proceedings ) SUPPLEMENTAL STATEMENT PURSUANT TO 37 C.F.R. SECTION 305.4 Asociacion de Compositores y Editores de Musica Latino- americana ("ACEMLA"), having duly filed a claim of entitlement pursuant to 37 C.F.R. Sections 305.2, 305.3 and having filed a statement pursuant to 37 C.F.R. Section 305.4 on November 5, 1985, submits this supplemental statement and documentation on November 5th filing. 1. In Paragraph 4 of ACEMLA's November 5th Statement, I ACEMLA cited a study undertaken by Discos CBS International as cited in the publication "Music Video Retailer" in January 1983. Attached hereto as Exhibit 1 is the article concerning Discos CBS International's study. 2. In Paragraph 5 of ACEMLA's November 5th Statement, an article entitled "Spanish Speaking Market on the Move" from the January 1983 issue of "Music Video Retailer" was also cited. This article is attached as Exhibit 2. 3. Paragraph 7 of ACEMLA's November 5th Statement noted that "throughout 1984 a significant number of hits whose copy rights were owned or administered by ACEMLA appeared in trade charts both in 45 rpm or LP form. These trade charts reflect the major songs in the United States Hispanic market." 4. Attached hereto as Exhibit 3 are hit Latin record charts from the publication "Canales", published in New York City, for the months of January 1984 through November 1984. The circled numbers next to the title and the circled titles in- dicate titles that are in in ACEMLA's catalogue.
    [Show full text]
  • 1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
    1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE
    [Show full text]
  • BBC 4 Listings for 5 – 11 June 2021 Page 1 of 4
    BBC 4 Listings for 5 – 11 June 2021 Page 1 of 4 SATURDAY 05 JUNE 2021 Sarah and Jan are convinced that there is a link between fashion and hip-hop scenes that have fed off historic power Nanna's murder and an unsolved case from 15 years earlier. It is struggles and culture clashes, both between ancient empires and SAT 19:00 How the Celts Saved Britain (b00ktrby) now a race against time to nail the evidence. Pernille and Theis against French colonisers. She traces the story of Leopold Salvation are puzzled as they realise the case is far from closed. Troels is Senghor, a poet who became the father of Senegalese counting on winning the election and is willing to put everything independence and redefined what Africa is. She explores cities Provocative two-part documentary in which Dan Snow blows on the line. with exuberant murals and street culture that respond to the the lid on the traditional Anglo-centric view of history and past, and she meets internationally acclaimed choreographer reveals how the Irish saved Britain from cultural oblivion during Germaine Acogny, griot musician Diabel Cissokho and hip-hop the Dark Ages. SAT 00:45 The Killing (b00zth0c) legend DJ Awadi. Series 1 He follows in the footsteps of Ireland's earliest missionaries as they venture through treacherous barbarian territory to bring Episode 18 SUN 23:00 Searching for Shergar (b0b623r9) literacy and technology to the future nations of Scotland and The story of one of the world's most valuable racehorses, England. Sarah and Jan check out an abandoned warehouse to look for Shergar, who disappeared in 1983 at the height of the Troubles.
    [Show full text]
  • Battle for the Floodplains
    Battle for the Floodplains: An Institutional Analysis of Water Management and Spatial Planning in England Thesis submitted in accordance with the requirements of the for the Degree of Doctor in Philosophy by Karen Michelle Potter September 2012 Abstract Dramatic flood events witnessed from the turn of the century have renewed political attention and, it is believed, created new opportunities for the restoration of functional floodplains to alleviate the impact of flooding on urban development. For centuries, rural and urban landowning interests have dominated floodplains and water management in England, through a ‘hegemonic discourse alliance’ on land use development and flood defence. More recently, the use of structural flood defences has been attributed to the exacerbation of flood risk in towns and cities, and we are warned if water managers proceeded with ‘business as usual’ traditional scenarios, this century is predicted to see increased severe inconveniences at best and human catastrophes at worst. The novel, sustainable and integrated policy response is highly dependent upon the planning system, heavily implicated in the loss of floodplains in the past, in finding the land for restoring functioning floodplains. Planners are urged to take this as a golden opportunity to make homes and businesses safer from flood risk, but also to create an environment with green spaces and richer habitats for wildlife. Despite supportive changes in policy, there are few urban floodplain restoration schemes being implemented in practice in England, we remain entrenched in the engineered flood defence approach and the planner’s response is deemed inadequate. The key question is whether new discourses and policy instruments on sustainable, integrated water management can be put into practice, or whether they will remain ‘lip-service’ and cannot be implemented after all.
    [Show full text]
  • Weißer Mann, Was Nun?
    Freiburg · Mittwoch, 15. Januar 2020 http://www.badische-zeitung.de/weisser-mann-was-nun-die-tagung-queer-pop-in-freiburg Weißer Mann, was nun? Die Tagung „Queer Pop“ in Freiburg will nicht nur die Grenzen des Geschlechter-Denkens erweitern, sondern stellt dem Denken auch das Tanzen zur Seite F F O O T T O Als die Pet Shop Boys 1984 mit ihrem Al- ordnung als das Selbstverständnis quee- Unis Seminare zu Queer Pop stattgefun- O : : A C N bum „West End Girls“ ihre erfolgreichste rer Popstars wider, das immerzu chan- den, sondern die Party wird mit Perfor- H N R I E S T T T Zeit erlebten, waren sie noch Teil einer giert, sich neu erfindet und starres Scha- mances Studierender eröffnen, die quee- O E P K H O S schwul-lesbischen Subkultur, die sich in R blonen-Denken bewusst durchkreuzt. re Ästhetik auf die Bühne bringen. Dar- C O H L M Codes ausdrückte. Für das Publikum, das L Bei „Queer Pop“ geht es nicht nur um auf, wie auch heterosexuelle Menschen I D T sie an die Spitze der Charts hievte, stand Musik: Queere Strategien finden sich in sich queer inszenieren, darf man ge- ( D P A die geschlechtliche Identität der Musiker allen medialen Bereichen, vom Film über spannt sein, doch weist diese Frage auch ) zumindest nicht im Vordergrund. Anders Literatur und Mode bis zur Kunst und auf einen anderen Umstand hin: Queeres war das bei Boy George und seiner Band Fotografie. „Wir wollen uns mit queerer Denken hat sich von der reinen Auseinan- Culture Club, die etwa zur gleichen Zeit Ästhetik beschäftigen, aber auch aufzei- dersetzung mit Genderrollen hin zu durch ihr androgynes Auftreten zu welt- gen, wie diese inzwischen Diskussionen grundlegenden sozialkritischen Fragen weiten Pop-Ikonen wurden.
    [Show full text]
  • LJMU Research Online
    LJMU Research Online Krüger, S In Conversation with Steve Levine http://researchonline.ljmu.ac.uk/id/eprint/1676/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Krüger, S (2016) In Conversation with Steve Levine. Journal of Popular Music Studies, 27 (4). pp. 101-125. ISSN 1533-1598 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Forthc. “In Conversation with Steve Levine”. Journal of Popular Music Studies. In Conversation with Steve Levine Simone Krüger, Liverpool John Moores University Abstract This interview with internationally acclaimed music producer and sound engineer Steve Levine explores numerous pertinent issues surrounding the changes within the music industries over the
    [Show full text]
  • Culture Club Announced Alongside Jessica Mauboy, Dami Im and Paul Kelly for 6Th AACTA Awards Presented by Foxtel
    MEDIA RELEASE Strictly embargoed until 12.01am on Tuesday 22 November 2016 Culture Club announced alongside Jessica Mauboy, Dami Im and Paul Kelly for 6th AACTA Awards presented by Foxtel In the lead up to Australia’s biggest film and television Awards, the Australian Academy of Cinema and Television Arts (AACTA) has announced that iconic UK pop group Culture Club will be performing at the 6th AACTA Awards presented by Foxtel, alongside Australian artists Paul Kelly, Jessica Mauboy and Dami Im like you’ve never seen her before. Culture Club’s performance at the Awards Ceremony will be their only televised performance and will feature the original band line up: singer Boy George, guitarist and keyboardist Roy Hay, bassist Mikey Craig and drummer Jon Moss. Culture Club are returning to Australia for an Encore Tour in mid- December, which will see them perform in some capital cities and several winery shows. Australia’s love affair with Culture Club continues and their June tour saw them sell out shows and perform to rave reviews. Boy George said he was “Thrilled to be coming back to Australia and to be performing at Australia’s biggest celebration of film and television.” The Grammy Award winning group will bring their own unique style and performance to the AACTA Awards. Selling more than 150 million records worldwide, with multiple worldwide number one singles including Do You Really Want to Hurt Me and the BRIT Award-winning Karma Chameleon, Culture Club are one of the true icons of the world music scene. ARIA Award winning actress and Sony Music recording artist Jessica Mauboy will return to perform at the AACTAs four years since her show-stopping performance at the 2nd AACTA Awards, where she also won the AACTA Award for Best Supporting Actress for her role in THE SAPPHIRES.
    [Show full text]
  • Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
    Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2
    [Show full text]
  • Culture Club Kissing to Be Clever Mp3, Flac, Wma
    Culture Club Kissing To Be Clever mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Kissing To Be Clever Country: Hong Kong Released: 1982 Style: Synth-pop MP3 version RAR size: 1555 mb FLAC version RAR size: 1338 mb WMA version RAR size: 1628 mb Rating: 4.2 Votes: 536 Other Formats: MP4 MMF AHX VOX AAC VQF FLAC Tracklist Hide Credits White Boy (Dance Mix) 1 4:41 Engineer [Assistant] – Gordon Milne 2 You Know I'm Not Crazy 3:37 3 I'll Tumble 4 Ya 2:36 4 Take Control 3:11 Love Twist 5 4:21 Featuring – Captain Crucial 6 Boy Boy (I'm The Boy) 3:51 7 I'm Afraid Of Me (Remix) 3:17 8 White Boys Can't Control It 3:44 Do You Really Want To Hurt Me 9 4:24 Vocals [Additional] – Helen Terry Bonus Tracks 10 Love Is Cold 4:24 Murder Rap Trap 11 4:23 Featuring – Captain Crucial 12 Time (Clock Of The Heart) 3:45 13 Romance Beyond The Alphabet 3:49 Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Published By – EMI Music Publishing Ltd. Engineered At – Red Bus Recording Studio Pressed By – EMI Uden Credits Backing Vocals – Colin Campsie, Denise Spooner, Phil Pickett Bass, Other [Heavy Culture] – Michael Craig Cover, Design, Typography – Jik Graham Drums, Percussion, Drum Programming [Linn Drum] – Jon Moss Guitar, Keyboards, Piano, Sitar [Electric] – Roy Hay Keyboards [Additional] – Phil Pickett Mixed By – Jon Moss, Steve Levine Photography By – Mark Lebon Producer, Engineer – Steve Levine Saxophone, Flute, Harmonica – Nick Payne* Synthesizer [Synclavier Ii], Programmed By [Synclavier Ii] – Keith Miller Vocals – Boy George Vocals [Talkover Dub Star] – Captain Crucial Written-By, Performer – Culture Club Notes All tracks remaster ℗ 2003 Virgin Records Ltd except tracks 3, 5, 9, 11 & 12 digital remaster ℗ 2002 Virgin Records Ltd.
    [Show full text]