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Home , Alex Gaumond, Burt Caesar, Carolyne, Charles Hart (actor), Cunobeline, Danny Lee Wynter

Annual Review. 2017 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical theatrical experiment. 4 Chief Executive’s Welcome Inspired and informed by the unique 6 historic playing conditions of two 6 Wonder Noir beautiful iconic , our diverse programme of work harnesses the 11 The Summer of Love power of performance, cultivates 16 The Winter Selection intellectual curiosity and excites learning to make Shakespeare 19 Beyond the Globe accessible for all. 21 Inspiring young – and not so young – people ‘And let us… on your imaginary 23 Learning for all forces work’ , Prologue 29 Widening access #Globe2018 30 Exhibition & Tour 020 7401 9919 31 Behind the scenes shakespearesglobe.com 32 How we made it 33 How we spent it 35 Looking forward 36 Learning for all 38 Project Prospero 40 Thanks, thanks and ever thanks 40 Supporters 42 Staff 45 Trustees and Globe Councillors 46 Cast members and Creatives 2017

The Shakespeare Globe Trust. Registered in and Wales No. 1152238. Registered charity No. 266916.

2 3 2017 marked 20 years since the royal opening of the Globe. We marked that anniversary with a special Reconstructing the Globe exhibition, but we also celebrated it by simply doing what we do every year: which is to offer year-round, whether on the stage, or in the exhibition, or as part of an education programme, the best possible experience of Shakespeare and of his time. Over 923,000 visited the Globe site this year, including a record 138,000 students (of all ages), while Emma Rice’s last Globe season achieved an overall capacity of 92% – or a share of approximately 11% of ’s play-going audience. I am grateful to the huge commitment made by our staff and volunteers and the loyalty, energy and enthusiasm of our many audiences in achieving this. The following pages pick out a few highlights from another great year on . But 2017 was also a year in which it seemed natural to reflect on the different periods the Globe, in its eventful history, has passed through, and the different artistic values and ideas attached to those periods. The last two years have certainly been among our most eventful, but the difficulties and challenges Emma and her artistic colleagues – indeed the whole organisation – have passed through since her resignation in autumn 2016 cannot obscure the vivid character of her artistic tenure here, which has been above all festive, playful and poetic. I know she will put her unceasing energy and wonderfully active imagination at the service of her new venture, Wise Children, and we wish her well. Finding a successor to Emma was the most important challenge the Globe had to face this year because it could not be met without a serious and searching period of reflection on our cause and direction as an organisation. Our wholly new visual identity and brand, which is now revealing itself throughout the site, online and in publications such as this review, is one outcome of this, as was, in July, the appointment of Michelle Terry as our new artistic director. I am confident that, under Michelle’s artistic leadership, we have set the Globe on a bold, but steady new course – a course already reflected in the ambitious programme for 2018. Historically inflected, but radically new; closely integrated with our other activities, but artistically distinct, our forthcoming season of plays and events ushers in a great new era of artistic and educational endeavour on Bankside and beyond.

Neil Constable CEO

4 5 Theatre. Wonder Noir 2017 – and the months immediately preceding and following – offered three wonderful seasons of artistic exploration and experimentation at the Globe. Wonder Noir – our fourth season in the Playhouse – brought together some bold interpretations of 17th- century drama: Milton’s Comus, Webster’s The White Devil and Shakespeare’s , and a selection of contemporary work – a revival of Nick Drake’s All the Angels and a tender new adaptation of Hans Andersen’s The Little Matchgirl (and Other Happier Tales). The Wonder Noir season played to a total audience of 75,000.

Comus The Little Matchgirl (and Other Happier Tales) (Akiya Henry as the Princess and «««« . Edie Edmundson (Puppeteer) as the Little Matchgirl) Photo: Steve Tanner ‘Lush and sexy reframing of Milton’s chastity play.’ «««« ‘Staged with glittering exuberance.’ The Times

The Little Matchgirl (and Other Happier Tales) «««« ‘An exquisite spell of a show…irreverent and funny.’ The Telegraph

All the Angels «««« ‘All the Angels feels like a genuine treat. Hallelujah for that.’ The Telegraph «««« ‘Funny and uplifting, most moving as it depicts the way human frailties go into making sublime music.’ Comus (Theo Cowan as the Younger Brother, Rob Callender as the elder brother, All the Angels (David Horovitch as Handel, with members of The Sixteen). Photo: Marc Brenner and Phil Snowden and Suzie Chard as Monstrous Rout). Photo: Sheila Burnett

6 7 The White Devil «««« ‘A production that does full justice to Webster’s sinewy, aphoristic language.’ The Guardian «««« ‘The perfect setting for…deceit, treachery and revenge.’ Independent

Othello «««« ‘Urgent, eloquent staging… powerful and revealing.’

Financial Times «««« ‘Dark feminist energy…furiously smart.’

Time Out

We complemented this Othello with an exhibition exploring past productions of the play at the Globe and Sam Wanamaker’s own celebrated performance as Iago.

The White Devil (Kate Stanley-Brennan as Vittoria). Photo: Marc Brenner Othello (Natalie Klamar as Desdemona). Photo: Marc Brenner

8 9 ShakespeareThe ruled Summer in the summer, with of two greatLove tragedies of romantic and filial love – Romeo & Juliet and King «««« ‘A raucous, brash, and death-soaked take on – complemented by two evergreen romantic comedies – Shakespeare’s play of young love.’ and . The Stage We also welcomed the return of Jessica Swale’s hit comedy Nell Gwynn, a revival of Kneehigh’s celebrated Tristan & Yseult and two brand new plays: Boudica, by Tristan Bernays and Lions Twelfth Night and Tigers, by Tanika Gupta, which crowned a short season of events marking the anniversary of Indian independence. «««« ‘Awash with glitter, songs and smiles’ The Summer of Love season played to an audience of 390,000. Time Out

40% of our tickets are still only £5 – a price we have Our film of Twelfth Night was launched on Globe Player maintained for twenty years! We sold 160,000 this year, making it one of nearly 70 productions now Groundling tickets this year. available to view on our digital platform.

Romeo and Juliet (Kirsty Bushell as Juliet and Edward Hogg as Romeo). Photo: Robert Workman Twelfth Night (Marc Antolin as ). Photo: Hugo Glendinning

10 11 Much Ado About Nothing ««««« ««« ‘A glorious way to spend a summer evening.’ ‘An unlocking of every last nuance of Shakespeare’s text The Times – the sublime imagery of universal loss, the pity of madness, and the play’s comic potential.’ «««« WhatsOnStage ‘Dunster’s Much Ado is about as much theatrical fun as it’s possible to have.’ The Arts Desk King Lear was our first production to be filmed and broadcast live to cinemas worldwide.

Much Ado About Nothing (Beatriz Romilly as Beatrice and Matthew Needham as Benedick). Photo: Tristram Kenton King Lear (Kevin R McNally as Lear and Burt Caesar as Gloucester). Photo: Marc Brenner

12 13 Lions and Tigers Nell Gwynn «««« ««««« ‘An impressive piece – warm, ‘Gloriously funny and touching bio-drama.’

humorous, stirring, and deeply sad.’ Independent ««««« We also marked the anniversary of Indian Independence ‘Bawdy and brilliant.’ with evenings celebrating the music of Soumik Datta (with The Stage the City of London Sinfonia) and Nitin Sawhney. Tristan & Yseult Boudica ««««« «««« It wilfully, shamelessly, and entirely successfully ‘Packed with sword fights and exuberant filth.’ mixes the ancient with the modern.’

Evening Standard The Daily Telegraph

Lions and Tigers (Shubham Saraf as Dinesh Gupta). Photo: Marc Brenner «««« This exuberant show spins an ancient myth…into a giddy whirl of inventiveness.’

The Stage

Tristan & Yseult (Dominic Marsh as Tristan and Hannah Vassallo as Yseult). Nell Gwynn (Laura Pitt-Pulford as Nell). Photo: Tristram Kenton Photo: Steve Tanner Boudica (Anna- Nabirye as Roman Woman and Natalie Simpson as Blodwynn). Photo: Steve Tanner

14 15 Romantics Anonymous The Secret Theatre «««« «««« ‘Romantics Anonymous is a multifaceted gem, ‘Matthew Dunster’s finely acted production chock-full of love, generosity and joy.’ uses the shadowy intimacy of the Playhouse The Guardian to powerful effect.’ The Independent

The Winter SelectionThe – Emma Rice’s Winter final season –Selection mixed up a rich and varied collection of the old and the new: Romantics Anonymous, adapted by Emma Rice, was the first musical specially written for the , and was succeeded by two other thrilling premieres: The Secret Theatre, by Anders Lustgarten and Vivaldi’s Four Seasons: A Reimagining, combining the music of Max Richter with the puppets of Gyre & Gimble. In the midst of these came All’s Well That Ends Well and The Captive Queen, a rare revival of ’s restoration tragedy Aureng-zebe, co-produced with Northern Broadsides. Half way through the season, we saw the riotous return of Meow Meow, with her Christmas show Apocalypse Meow, and the season was concluded with a revival of The Little Matchgirl (and Other Happier Tales), which closed its UK tour, co-produced with , at the Sam Wanamaker Playhouse.

Romantics Anonymous (Gareth Snook, Dominic Marsh as Jean-Reno, The Secret Theatre (Tara Fitzgerald as Elizabeth I and Aidan McArdle as Sir Francis Walsingham). Photo: Marc Brenner Bawden as Angelique and Joanna Riding). Photo: Marc Brenner

16 17 The Captive Queen «««« ‘Exquisite... a sauntering sensuality.’ Beyond the Globe. The Globe was very much at large again this year. We revived our Olivier-Award-winning The Observer production of Nell Gwynn, which went on the road with English Touring Theatre. In association with Sonia Friedman Productions, we also revived our hugely successful production of Farinelli Vivaldi’s The Four Seasons: and the King at the , New York in December 2017. King Lear was our first live Globe production to be screened in cinemas, reaching 200 venues A Reimagining across the UK. «««« We also extended the reach of Globe on Screen to China, rolling out our work in eight major ‘Spellbinding in its simplicity and for the cities and building on the success of Globe Player by launching eight productions on iQuyi, a breadth of its emotional canvas… a creatively video-on-demand platform with over 200 million subscribers in China. Our past productions nimble, deeply moving experience.’ have now reached nearly 90 countries on Globe Player. The Stage

Vivaldi’s The Four Seasons: A Reimagining (Elisa de Grey, Ben Thompson, Craig Leo, John Leader and Avye Leventis. Puppet by Gyre & Gimble). Photo: Steve Tanner Farinelli & the King ( as King Phillipe V of Spain). Photo: Simon Annand

18 19 This year, we provided Globe Education Inspiring young – and outreach workshops in Singapore, France, the UAE, Denmark, India and in several cities across the USA. Nearer home, we created not so young – people. many longer-term projects for primary and We welcomed 73,000 students to Lively Action – our year-round programme of workshops secondary schools across the UK. for schools – this year. In all, 138,000 people of all ages and nationalities participated in Globe Education workshops, courses and events in 2017. Our outreach work with teachers included a summer programme for trainee teachers The annual Concert for Winter in the Globe involved choirs drawn from 2 to 96-year-olds, based at the University of California, Davis celebrating our immediate Community and the age range of the people we work and the launch of our Teach Shakespeare with throughout the year. website, to which over 5,000 teachers have now subscribed. More generally, we now enjoy the following of 400,000 people on social media and recorded 4.6 million visits to our website in 2017.

A Globe Education outreach workshop in Hornbill School, Brunei. A Concert for Winter. Photo: Cesare de Giglio

20 21 Our 11th Playing Shakespeare with Deutsche Bank production was and played to 25,000 people. An amazing 17,000 free tickets were given to secondary schools in London and Birmingham.

Shakespeare’s Telling Tales. Photo: Cesare de Giglio

Learning for all. We had a wonderful time exploring stories with families this year in the school holidays, with our half-term story-telling events and our Shakespeare’s Telling Tales Festival in the summer. The plays of represented the climax of this year’s Read not Dead series of staged readings. These wonderful 17th-century plays were complemented by an exhibition of early published play texts presented to the Globe Library by John Wolfson. The performance of Othello’s last speech by the 100-year- old actor, Earl Cameron CBE, celebrating the career and influence of the Black American actor Ira Aldridge, was one highlight amongst many memorable public engagement events in the Sam Wanamaker Playhouse.

The 2017 Playing Shakespeare with Deutsche Bank production of The Taming of the Shrew. Photo: Cesare de Giglio Earl Cameron. Photo: James Edmondson

22 23 A copy of A Divine Tragedy by Henry Burton from The Wolfson Collection. Photo: Andy Bradshaw

38 students – our highest enrolment yet – attended our joint MA course in Shakespeare Studies with King’s College London, now in its 17th year. In the course of the year, we welcomed over 1,000 students from across the world to participate in undergraduate, MA conservatory and English courses. We were also delighted to see every major drama school in the UK represented at the annual Sam Wanamaker Drama School Festival this year. Our research projects in 2017 included explorations of poetry and prose by Spenser, , Thomas Nashe, William Davenant and John Dryden as well as plays written ‘Before Shakespeare’. Sam Wanamaker Festival. Photo: Cesare de Giglio A Concert for Winter. Photo: Cesare de Giglio Backstage, Sam Wanamaker Festival. Photo: Cesare de Giglio

24 25 Sam Wanamaker Festival. Photo: Cesare de Giglio 26 27 Widening access. With eight British Sign Language performances for Deaf patrons, 17 captioned performances, 16 audio-described performances and 13 relaxed performances, we maintained our strong reputation for access this year. Among other highlights, we welcomed several groups with Tourette’s syndrome, Asperger’s syndrome and autism into selected performances – and we completed the first film in a British Sign Language Shakespeare synopses series for Deaf students attending Lively Action workshops, thanks to funding from ICAP Charity Day. We’re also working with Guide Dogs for the Blind, who are using the Globe as a training ground for young dogs.

An autistic student who attended the first relaxed performance of Playing Shakespeare with Deutsche Bank in 2012 was accepted this year onto a training course at – a remarkable achievement for someone who had previously thought a career in theatre would be completely inaccessible to them.

A touch tour for visually impaired patrons in the Sam Wanamaker Playhouse. Photo: Cesare de Giglio

28 29 Exhibition & Tour. We welcomed 312,000 visitors to the exhibition and tour this year and provided 3,000 demonstrations of costume dressing, stage combat and renaissance printing. We also refreshed areas of the permanent exhibition while we look forward to its much more comprehensive transformation as part of our plans for Project Prospero. We put on a range of temporary exhibitions, including Shakespearean designs by David Gentleman, oil paintings by Alain Senez and archive materials Ria-renee Wallace Pedro Martins relating to previous productions of Othello at the Globe, the Phoebus Cart production of in 1991, and a display celebrating the 20th anniversary of the completion of the Globe.

In common with many other attractions in London, the exhibition and tour suffered from the impact of terrorist attacks on and , but we are proud of the ways in which our staff and volunteers kept the exhibition, shop and all other areas of the Globe site open for business during a very challenging summer. Joshua Nwokike Jadzia Francis Our 2017 / 18 apprentices

Behind the scenes. Notice anything different? We’ve Like most organisations, perhaps especially in the arts, we know that we can always do more transformed our look: new logo, new for the wellbeing of our staff and volunteers and to make ourselves an open and welcoming typeface, a wholly new approach to employer to people from all areas of society. our visual identity – all as part of a long, hard review of our cause and This year we signed up to an apprenticeship scheme as part of our long-term ambition to brand, which we undertook over the course of the year. make Shakespeare’s Globe a more diverse and inclusive employer. Following a comprehensive review last year, we continued to implement plans to engage and develop our staff and we reviewed our current governance and organisational leadership. And we didn’t lose sight of the importance of our precious material assets, maintaining the fabric of our unique buildings, developing a ten-year sustainability plan and reforming our digital infrastructure.

Twelfth Night, 2002: one of many past productions celebrated in an exhibition celebrating our 20th anniversary in 2017. Photo John Tramper

30 31 EDUCATION 9% FUNDRAISING 11%

EXHIBITION 13% COMMERCIAL 14%

TOTAL INCOME £24.6M

How we made it. We delivered a surplus of over £1.4m in 2017, which we are reinvesting in our activities and projects this year.

EDUCATION 9% FUNDRAISING 11% THEATRE 53% How we spent it.

EXHIBITION 13% FUNDRAISING 3% COMMERCIAL 14% EDUCATION 17% COMMERCIAL 10%

TOTAL INCOME £24.6M

EXHIBITION 15% TOTAL EXPENDITURE £23.2M

THEATRE 53%

FUNDRAISING 3% THEATRE 55% EDUCATION 17% COMMERCIAL 10% 32 33

EXHIBITION 15% TOTAL EXPENDITURE £23.2M

THEATRE 55% Looking forward. With the opening words of – the first to be uttered on the Globe stage in the summer of 2018, and the first under the artistic directorship of Michelle Terry – we enter another exciting phase of our story, in a renewed spirit of curiosity and discovery. Our programme for 2018 is ambitious and diverse, launched by the work of a newly formed Globe Ensemble, who will tackle Hamlet and ; a touring who will take to the road with a repertory of no less than three great plays – , The Taming of the Shrew and Twelfth Night – and brand new full productions of , The Winter’s Tale and Othello on the Globe stage and Love’s Labour’s Lost in the Sam Wanamaker Playhouse. We also look forward to a more closely integrated programme which will explore on stage and off some of the urgent issues of our day: the history and future of censorship; attitudes towards hostility and refuge in Shakespeare’s time and our own; and the ways in which race has been represented in the theatre.

‘Who’s there?’

34 35 Learning for all. 2018 is the twelfth year in which we will have worked with Deutsche Bank on our Playing Shakespeare production. Our choice this year is Much Ado About Nothing. We have a range of work to look forward to in Southwark, including not just our annual Our Theatre project, which this year will culminate in a production of As You Like It, but also a programme of pilot workshops for a Southwark Elders Company, work with the St Mungo’s homeless charity and a range of projects with London South Bank University. We look forward to a new cohort of students enrolled on our joint MA in Shakespeare Studies with King’s College London, who will join us to study early modern plays and playhouses. A highlight in our further education programmes will be the annual Globe production by students from Rutgers University, who this year will perform Richard II and Henry IV part 1. 2018 will also see the launch in the USA of our Center for Shakespeare in the Classroom, created in partnership with the School of Education at the University of California (Davis).

36 37 This year, weProject took some important steps towardsProspero. realising Project Prospero, which will combine a library and research centre with improved production facilities, rehearsal and education studios and a new exhibition, to create a fully integrated campus on Bankside. Most importantly, in the summer we were granted formal planning consent from Southwark Council. We now have a very clear idea of the risks and costs of the project and we are in the process of selecting contractors for the building and planning around the interruption to our everyday work during the course of construction. In 2018 we will move into the next phase of our already very active fundraising efforts, having raised £12 million towards our target of £30 million.

Architect’s impression of our projected building combining library, archive, teaching, rehearsal and exhibition spaces to the right of the Globe theatre. Photo: Allies & Morrison

38 39 Circle Clive Butler USA Patrons The Harold Hyam Wingate The Blakey Foundation David & Jane Butter Anonymous Supporters Foundation Andrew & Elizabeth Brown JMT Callaghan Christopher Andreas The Ian Mactaggart Trust Bruce & Jane Carnegie-Brown Iain Clark & Jan Share Patricia Begley The John Coates Charitable Trust Dominic Christian & Kate Birch Douglas Connor Nancy& David Blachman Joyce Carr Doughty Charitable Dr Martin Clarke Nance Coleman Alice Boyne Foundation Marcus Coles Neil Constable & Chris Martin Mark & Simone Bye John Lyon’s Charity Robert & Sara Erith Robert & Lynette Craig Audre D Carlin Noël Coward Foundation Peter J Hall Ian Jones & Virginia Crum-Jones Gerald H Cromack II The Richard Reeves Foundation Dina & Stephen Lucas Anthony & Lawrie Dean Jack & Sandra Davis Foundation Brian Mitchell Dr Diana Devlin Laura DeMarco & Neil Allen St Olave’s & St Saviour’s Foundation Glenys Palmer Mary Jane Donaldson Sally Dyk Sidney E Frank Charitable Foundation Janet Rodenhouse Jeanne & Peter Fellowes Bradford Edgerton Stephen & Hahn Foundation Mel Tsiaprazis Les Franklin John Forlines III United St Saviour’s Charity Alan & Lyn Williams Andrew & Jane Fraser Ella M. Foshay Westminster Foundation Ros & Alan Haigh Beth Glynn Major Partners Printer’s Circle Malcolm Herring & Jane Goldman David & Eleanor Holloway Robert & Hollie Holden Leslie, Claire & John Goosey Deutsche Bank Karen Minto John & Pauline Hunter Jim & Conway Henderson PwC Philippa Seal & Philip Jones QC Pranay Jhunjhunwala Michael & Mercedes Hoffman Official London Hotel Partner Peter & Sarah King Grange Hotels Illustrator’s Circle Maxine Isaacs Clive & Julia Lampard Alan Jones & Ashley Garrett Media Partner Anonymous Supporter Jessica Lee Wayne Kabak & Marsha Berkowitz Financial Times Meenakshi Adams John Leonida David Kavanaugh Corporate Supporters Adrian Babbidge & Rosemary Ewles Calvin & Patricia Linnemann Michael Lebovitz & Ana Paludi Delancey Gail Beer Michael & Catherine Loubser Roy & Jill Levien Haddenham Healthcare Limited David Dutton & Mave Turner Doug McCallum Lori Lucas Maviga UK Limited Tim Everett Andrew McIntyre Ken Ludwig Spotlight David Fein & Liz Oestreich Ruth McLean Peter Macon Deborah Fisher In-kind Supporters Anthony Medwell Laurie Anne Marie Margaret Ford Ford & Katharina Mendez de Vigo Stephen McGrath Martin Gill M.A.C Cosmetics Brian & Sheila Morris Sara Miller McCune James Harvey White & Case LLP We say a huge thank you to our amazing Trustees, volunteers Mr S & Dr H Morris Richard & Pamela Mones Marion G Jagodka Season Partners Georgia Oetker Halsey & Alice North (who this year numbered 650) and our wonderfully committed David & Sarah Kowitz AIG Susan Olin Natalie Pray staff for their work over the last year. Some of those staff and The Loveday Charitable Trust American Express Robert Pardo Daniel L Rabinowitz & Ann F Thomas Ms M Mahan & Mr K Berezov Autograph Sound volunteers have been with us since before the opening of the Martin Payne & Trudy Lowe Cynthia Rapp Rhona & Tim Pearson Globe in 1997 and we were delighted to honour them with a Lynn & Lionel Persey Carolyne Roehm Steven & Emma Penketh Corporate Members William Pidduck Jon & NoraLee Sedmak specially struck medal in the summer. Sir Michael & Lady Perry Bates Wells & Braithwaite London LLP Andrew Pitt George B Stauffer Patricia Ranken Bloomberg LP Trevor Price Susan Schwab We receive no regular public subsidy from for our artistic Dyrk Riddell Cenkos Securities plc Arlene Rabin Christie-Anne Weiss and educational work, or for current capital projects. So we Yann Samuelides Delancey Alison Reeve Jo Weiss Jeremy & Kiran Sandford IG extend our thanks to all those supporters and partners whose Michael Rich Warren Whitaker Andrew Simmonds & Kathy Moyse Levison Meltzer Pigott generosity made so much happen in the course of 2017. Jacqueline Roe George & Patti White Frederick Smith Proskauer Rose LLP Brian Rudd Alan & Irene Wurtzel Tony Swinnerton SAGE Publishing Mark Sadler Trusts & Foundations Davis L Taggart Sapphire Systems plc Christopher Shawdon Anonymous Trusts Robert & Temple White & Case LLP Colin & Brenda Soden Foundation John & Madeleine Tucker Globe Education Centre China Brian Symons The Boris Karloff Charitable Chris & Vanessa Turpin Arts Council England Claire Thorogood & Martin Finnegan Foundation Toby Wallis Sandi Toksvig The Boshier-Hinton Foundation Ailsa White Legacy Gifts Harriet Tyce The Brian Mitchell Charitable Jo Windsor Mary Campbell X N C Villers Settlement Danny & Spinny Witter Al Cohen Simon Weil The Catalyst Charitable Trust Andrew & Jacqueline Wright Diana Denley Marcia Whitaker The Chear Foundation Marian Jolowicz David Whitley The Deborah Loeb Brice Foundation Scribe’s Circle Margaret Nicholson Gail Wiegman The D’Oyly Carte Charitable Trust A M J Aubry Jonathan Taylor Samantha William Edgerton Foundation David & Beverley Banks Mary Tribe Danny Marc Williams The Eranda Foundation Elisabeth Banner Roy Albert Vickery Neil Benson OBE & Ann Benson Martin Williams The Ernest Cook Trust Miriam & Richard Borchard Dr John Wright The Foyle Foundation Lord Browne of Madingley The Golden Bottle Trust

40 41 Commercial Director FOR Tania Newman Graphic Designer Manager Higher Education Faculty Giles Block Globe Associate – Text Visitor Experience (maternity leave) Jess Harris Digital Content Deputy Company Visitor Experience Head of Outlets Joshua Nwokike Eve Matthews Assistant to the Adam Coleman, Tom Davey, Jacky Kristy Bloxham Pedro Martins Sandra Kiauleviciute SHAKESPEARE’S GLOBE Apprentice Manager Apprentice Bar & Director, Globe Education Defferary, Fiona Drummond, Tas Benoit Massonneau Marketing Manager Props Manager Exhibition & Event Duty Restaurant General Manager Executive Team Emma Pizzey Hannah Mayblin Learning & Teaching Emiabata, Margo Gunn, Colin Hurley, Katy Brooks Tony Peck Head of Periodicals Coordinator Director of Theatre Manager Executive Chef Chief Executive Nicholas Robins Conor Short, Mary McNulty, Lotte Buchan Alan Pickett Neil Constable Group Bookings Officer Learning Head of Wardrobe Acting Visitor Operations Chief Finance & Karen Simon Dorothy McDowell Chris Nayak, Deborah Newbold, Megan Cassidy Nicola Slaughter Alexandra Thorne Ian Dixon Exhibition Projects Assistant Learning Consultants Head of Film Experience Manager (Exhibition Manager Operations Officer Hester Van Hien Chu Omambala Chui-Yee Cheung Sales Manager Learning Projects Distribution & Tour) Restaurant Manager Director of Nyree Mellersh Nadia Albina, Suzanne Ahmet, Morgan Thrift Anthony Hewitt Communications Coordinator Touring & Events Security Team Leader Head of Events Development Michelle Yagi Fay Barrett, Simon Bridge, Scott Pippa Davis Chris Stead Branka Vuskovic Projects Officer Higher Education & Coordinator Exhibition & Event Duty Owner Artistic Director Elspeth North Brooksbank, Hal Chambers, Alasdair Ben Vercesi Diccon Wright Emma Rice Design Manager Events Coordinator Associate Director Manager Director, Hannah Yates Craig, Philip Cumbus, Adam Cunis, Matthew Dunster Patrick Spottiswoode Operations Manager Producer Globe Education Development Joe O’Neill Steffan Donnelly, Kate Elliot, Will Claire Godden Joshua Adcock, Olivia Calman, Emily Learning Projects General Manager Commercial Director Savitri Patel Featherstone, Mike Fenner, Susie Jo Hawkes Dempsey, Emma Finch, Ailis Garner, Mark Sullivan Friends Volunteer Manager Head of Wigs, Hair & Artistic Director Bob Barker Freeman, Dominic Gerrard, Lori Pam Humpage Catherine Giles, Edward Haines, Michelle Terry Coordinator Learning & Teaching Make Up Designate Becky Rathkey Hopkins, Joanne Howarth, Alex Kaye, Alice Hewitt, Rosie Howell, Callum Capital Campaign Manager Head of Sound Amy Cody Manager (maternity leave) Tracy Keeling, Tom Latham, Pieter Jay Jones McCartney, Laura Purdie, Robin Assistant to the Events Coordinator Theatre Assistant Jonathan Hann Tara Cooper Craig Ritchie Higher Education Lawman, Sarah Llewellyn-Shore, Sharni Lockwood Purdie, Claire Reeves, Ewen Stratton Chief Finance & Operations Officer Campaign Coordinator Literary Manager Exhibition Assistants Jennifer Ebrey Coordinator Kate McGregor, Olivia Mace, Freddie Jessica Lusk Executive Director of Globe Associate – Sarah Mannion Anthony Hewitt Nina Romancikova Research Machin, Marcello Marascalchi, Brian Glynn MacDonald Julie Addy, Milly Anderson, Angela Administrator Development Movement Administrator Martin, Yolanda Mercy, Simon Muller, Bain, Lawrence Bennie, Emma Bown, Assistant to the Friends Coordinator Music Associate Ruth Meekings Holly Keen Layla Savage Learning Projects Joanna Nevin, Deborah Newbold, James Maloney Vivienne Brown, Glenis Carlton, Llyr Chief Executive Partnerships Film & Digital Charlotte Leonard Assistant Sam Oatley, David Palmstrom, Andrei Manta Carvana, Natalia Clarke, Callum Manager Distribution Officer Box Office Paul Shuter Head of Business Carlyss Peer, Emily Plumtree, Arne Coates, Mel Coghlan, Allie Croker, Head Company Manager Colin Mackenzie-Blackman Development Pohlmeier, Emmeline Prior, Jack Marion Marrs Maria Domenica Arcuri, Dena Box Office Supervisor of Revenue Fundraising Senior Producer Peter Bradshaw Ryo Tabusa Digital Coordinator Stigner, Beru Tessema, Geoffrey Tamsin Mehta Domminney, Heather Everitt, Kaja Deputy Box Office Trusts & Foundations Touring & Events Rachael Dodd Jo Matthews Dr Miranda Fay Thomas Post- Towers, Susan Vidler, Liana Weafer, Helena Miscioscia Franck, Annette Franklin, Tim Frost, Manager Associate Manager Doctoral Research Fellow Kate Webster, Rachel Winters, Susie Freeman, Janette Froud, Gerard Box Office Supervisor Patrons Coordinator Deputy General Manager Philip Dunning Clare McCulloch Dr Will Tosh Lecturer & Research Fellow Jonathan Woolf, Amanda Wright Sarah Murray Gilroy, Matthew Greenhough, Box Office Manager Membership Manager Theatre and Casting Justin Giles Anna Sampson Jenny Ward Learning & Teaching Globe Education Practitioners Lottie Newth Vanessa Hammick, Lauren Holden, Deputy Box Office Fundraising Assistant Matthew Hodson Nick Virk Manager (maternity cover) Assistant Jon Kaneko-James, Thomas Jobson, Manager Finance Head of Lighting Globe Education Vicky West Project Archivist Ben Nichols Ffion Jones, Tracy Keeling, Tony Finance Officer Production Operations Simon Bradshaw, Megan Cronin, Joanna Woznicka Higher Education Robert Ferguson Harry Niland Kirwood, Anthony Lewis, Hanna Librarian Assistant Management Gregory Forrest, Katie Jones, Rossella Black Assistant Olga Govor Manager Lingman, Jane Loftin, Cara McMahon, Archives Recording Accountant Head of Stage Lewis Mackinnon, Jonny Muir, Mathilde Blum Jon Greenfield, Prof. , Bryan Paterson Sam Meleady, Rosanna Moore, Coordinator Finance Officer Deputy Head of David Palmstrom, David Stothard, Prof. Franklin J. Hildy, Peter McCurdy, Marie Lath Fay Powell-Thomas Hannah Morely, Javier Perez Opi, Deputy Head of Head of Finance Production Frankie Wakefield, Nicola Westwood Charlotte Bourne Sir Mark Rylance, Claire van Kampen, Rima Nasser-Ferris Nicholas Osmond, David Pearce, Box Office Assistants Learning Senior Accountant Music Administrator Prof. Martin White Senior Research Francine Quee Annique Reynolds Nicola Pollard, Jan Poole, Emmeline Learning & Teaching Accountant Building Operations Beth Bowden Fellows Sarah Szmidt Paul Russell Candle Consultant Prior, Dominic Riley, Mark Rowland, Assistant Finance Officer Deputy Head of Building Operations Bill Buckhurst, Philip Bird, Dickon Stephanie Yamson Hayley Thompson Joe Saunders, Jeremy Sheffer, Ruth Martha Jordan Rebecca Casey Events Manager Higher Wigs, Hair & Make-Up Coordinator Tyrrell Yolanda Vazquez Human Resources Sillers, Joe Solomon, Colin Street, Research Education Consultants Theatre Finance Jennifer Edwards Human Resources Charlie Titterrell Steph Tickner, Michael Tilling, Alice Paul Mullins Head of Building Coordinator Louise Chui Officer Operations Dr Shanyn Altman, Joseph Atkins, Assistant Trickey, Norma Van Krinks, Janet Georghia Ellinas Head of Learning Theatre Apprentice Building Operations Emily Baines, Fiona Banks, Hattie Pathways Coordinator Ria-Renee Wallace Walker, Simon Webb, Maryam Wilsker, Alan Scollan Alice Evans Learning Coordinator Ella Cohen Head of Production Exhibition Guides Manager Barsby, Alex Bingley, Philip Bird, Human Resources Wills Emma Woodhouse Rosie Fenning Learning Projects Kate Hamlin Coordinator Giles Block, Sarah Case, Richard Manager Visitor Experience Sylvie Brasier, Alexander Covell, Communications Cave, Maria Clarke, Simone Coxall, Karen Hooper, Simon Kerr, Jenny Events Assistant Andrew Lawson Head of Human Head of Visitor Shiri Fileman Philip Cumbus, Tom Davey, Dr Peter Cadley Kiek, Hanna Lingman, Louise Jordan Ahmadzadeh Head of Digital Operations Apprentice Resources Experience (maternity cover) Access Manager Jadzia Francis Callan Davies, Simon Dormandy, Human Resources Officer Montague, Benjy Ogedegbe David Bellwood Operations Coordinator Marian Spon Duty Manager Visitor Services Anna Franek Michael Elliot, James Garnon, Chris Costa Doug Buist Head of CRM and Brand (Interim) Front of House Manager Peter Hamilton Dyer, Anna Healey, Retail Carly Davies Louise Bailey, Francesca Battinieri, Lucy Butterfield Senior Press & Learning & Front of House Katherine Guttridge Federay Holmes, Joanne Howarth, Head of Retail Englishby Simon Hiler, Chelsea Holmberg, PR Officer Teaching Assistant Meghan Cole Volunteer Manager Mary Howland, Colin Hurley, Nick Shop Floor Supervisor Tanya Page, Javier Perez Opi, Ian Phoebe Coleman Press & Senior Events Paul Elwick Security Manager Publications Assistant Emma Hayes Hutchison, Emily Jenkins, Dr Gwilym Mark Ford Pettitt, Verna Tucker, David Wright Coordinator Rowanne Anderson, Emma Bower, Front of House Duty Managers Jones, Glynn MacDonald, Dr Katrina Lily Heathcock Marcia Clement Exhibition Senior Higher Luke Bower, Catherine Brown, Ryan Coordinator Isabelle Hetherington Marchant, Dr Tristan Marshall, Juned Ahmed, Dave Bayes, Robert Sales Manager Education Coordinator Clark, Kay Golding, Cheree Johnstone, Front of House Volunteer Marketing & Gemma Miller, Gabrielle Moleta, Kate Hill Bowker, Les Chave, Vincent Mabo, Julia Dorrington Outreach Fran MalletPaul Murphy, Mala Mutinta, Coordinator Security Team Melissa Hutchinson Anna Morrissey, Yvonne Morley, Retail Assistants Zach Williams Internal Communications Officer Manager Jeannie Skelly Exhibition & Event Michael Oakley, Brendan O’Hea, Alexandra Joseph Emma Dowley Marketing Assistant Head of Duty Manager Swan at Shakespeare’s Globe Dr Farah Karim-Cooper Bryan Paterson, Michael Pavelka, Theatre Sarah Fox Communications Assistant Higher Education & Research Front of House Assistant Financial Controller Huw Prall, Matthew Romain, Simon Assistant to the Rosie Lawton Sandeep Atwal Miki Govedarica Digital Assistant Digital Manager Monica Bakir Volunteer Manager Operations Director Rona Kelly Scardifield, Philip Stafford, Rob Artistic Directors Michael Clark Ariel Haber Head of Theatre Marketing Head of Business Exhibition Design & Marketing & Madeline Knights Swain, Dr Miranda Fay Thomas, Casting, Creative Pete Le May Gabi Daroczi Clemmie Hill Senior Marketing Officer Development Karishma Balani Administration Communications Manager Junior Group Bookings Archivist Vik Sivalingam, Timothy Walker, & Filming Associate Roslyn Hill Victoria Lane Sandra Lynes-Timbrell Head of Alice Gardner Bar Manager Officer Higher Education Jonathan Waller, Dr Emma Whipday, Bill Barclay Director of Music Joanne Luck Adrian Woodward, Lucinda Worlock 42 43 Thank you to our Chair, Lord Bichard, who stepped down as a Trustee in January 2018, after nine years of great support for all areas of our work. And thank you to Philip Kirkpatrick and Professor Laurie Maguire, who were reappointed as Trustees for a further three years. And a very warm welcome to Alex Beard, Guarav Kripalani and Nell Leyshon, who joined the Trustees in 2017 and to Margaret Casely-Hayford, who succeeded Lord Bichard as Chair in February 2018.

The Globe Trust The Shakespeare’s Globe Council Barbara Gaines Hon.OBE Maureen Murdoch Celia Gilbert Philip Murphy Shakespeare’s Globe is the vision of Lord Bichard of Nailsworth KCB Peter Gill OBE Heather Neill Sam Wanamaker CBE, 1919 – 1993 Chair Anne Gilmour Lady Rupert Nevill Dr Diana Devlin Deputy Chair HRH The Duke of Edinburgh Patron Emma Gilpin-Jacobs Richard Olivier Lyn Williams Convenor Zoë Wanamaker CBE Honorary Julian Glover Roger Parry CBE Mrs Gene Andersen President Charles Goldman Sir Michael Perry GBE Adrian Babbidge Trustees Kenneth Grange CBE David Pickard Jon Greenfield Ian Plenderleith CBE Chair Merrick Baker-Bates CMG Margaret Casely-Hayford Prof. Andrew Gurr Natalie Pray Deputy Chair Robert Banks Iraj Ispahani Daniel Hahn Prof. Richard Proudfoot Deputy Chair Keith Baxter Emma Stenning Jackie Haighton Velma Pursehouse Treasurer Linda Beaney Danny Witter Patrick Haighton Dr Martin P Read CBE Lucy Beevor Alex Beard Rosemary Harris Dame Mary Richardson Henry Beltran Lord Blair of Boughton Sue Harrison Nelson Skip Riddle Christina Blair David Butter Sandra Hepburn Sue Robertson Lyle Blair Dr Martin Clarke Prof. Frank Hildy John Rodwell Chief Executive Rudi Bogni Neil Constable Valerie Hill-Archer Anne Rowley Liz Brewer Lady Cynthia Hall Anastasia Hille Dawn Sanders ONZM, QSM Tony Britton Daniel Heaf Peter Hilton Prunella Scales CBE Robert Brooke Philip Kirkpatrick Thelma Holt CBE Stuart Sessions MBE CBE Gaurav Kripalani Jeffrey Horowitz Barry Shaw Alan Butland Nell Leyshon Rt. Hon. Lord Howell of Guildford Jack Shepherd Lord Butler of Brockwell GCB CVO Joanna Mackle Lady Clare Howes Robert D Smith CMG Deborah Callan Prof. Laurie Maguire Sir Simon Hughes Tom Stephens Audre D Carlin Dame Anne Pringle Graham Jackson Prof. Ann Thompson Bruce Carnegie-Brown Dame Rachel de Souza Lennie James Jenny Tiramani Jeremy Child Jenny Topper OBE Jean Jayer Patrick Tucker Alan Cox US Board Peter Jolly Claire van Kampen CBE Michael Kahn Yolanda Vazquez Audre D Carlin Life President Ken Kelling Abby Wanamaker Jo Weiss Chair Jonathan David Peter CMG Zoë Wanamaker CBE Gerald H Cromack II Treasurer Gordon Davidson Norbert Kentrup John Forlines III Barry Day OBE Alan King Jo Weiss Michael Hoffman Sir Evelyn de Rothschild Geoffrey King Prof. CBE Mike Lebowitz Prof. Alan Dessen Peter Kyle OBE Martin Westwood Steve McGrath Tom Deveson Prof. Martin White Joseph Marcell Stephen Dingle Robert Leaf Spencer Wigley Sarah Miller McCune Joe Dowling Jerome Link OBE Michael Willcox Daniel L. Rabinowitz Mark Engelman Christopher Luscombe Alan Williams Tom Smedes Robert Erith Peter McCurdy Annie Wolfe George B. Stauffer Rosemary Ewles John McEnery Michael York CBE Christie-Anne Weiss Rt Hon Lord Falconer of Thoroton Prof. Gordon McMullan G. Warren Whitaker Secretary Paul Farnsworth Joseph Marcell All current Trustees are also Neil Constable CEO Anton Franks Valerie Mitchell Shakespeare’s Globe members of the Council Andrew Fraser CMG Dominic Muldowney

This year’s Globe stewards. Photo Pete Le May

44 45 Cast & Creatives 2017 The Little Matchgirl (and Other Crazy Crow / William Cavendish / Flamineo Musical Director Composer Assistant Director Globe Associate – Text Jeremy Avis Happier Tales) Cast Charles Jennens and others Joseph Timms Olly Fox Hannah Hauer-King Giles Block Sean Campion Comus Cast Hortensio / Lawyer / Servant Musician Choreographer Deputy Text Associate Globe Associate – Movement Thumbelina’s Mother/ Field Mouse / Peter Brathwaite Ensemble Soprano / Signora Avoglio Sarah Vevers Siân Williams Christine Schmidle Glynn MacDonald Sir John Egerton / Monstrous Rout The Princess Lucy Peacock Andrew Bridgmont Akiya Henry Marcello / Ensemble Musician Costume Supervisor Voice & Dialect Joyce Moholoagae Romeo & Juliet Cast Ensemble Mezzo-Soprano Jamael Westman Anna Josephs Martin McKellan The Rt Hon William Egerton / Ole Shuteye / The Emperor Saskia Strallen Paul Hunter Musician Dancer Flying Consultancy Assistant Director The Elder Brother Musical Director / Violin / Hammered Malinda Parris Siobhan Athwal Rob Callender Thumbelina / Trickster Ensemble Tenor / Charles Burney Freedom Flying Keziah Serreau Lawrence Smith Dulcimer / / Guitar Bettrys Jones Juliet Deputy Text Associate The Rt Hon Thomas Egerton / Stephen Bentley-Klein Othello Creatives Kirsty Bushell Twelfth Night Cast Ensemble Bass Christine Schmidle The Younger Brother Lead Vocalist / Jackson Paul Kemble Accordion Director Theo Cowan Japjit Kaur Tybalt Sir Andrew Aguecheek Costume Supervisor Mark Bousie Ellen McDougall Ricky Champ Marc Antolin Music Director / Harpsichord Ed Parry The Rt Hon Lady Alice Egerton / Toad / Beetle / Swallow / Soldier Michael Haslam Cello Dramaturg Kyle Lima Paris Maria The Lady Maddie Cutter Joel Horwood Tim Chipping Carly Bawden Much Ado About Nothing Cast Emma Curtis Violin I Beetle / Mole / Trickster / The Prince Jorge Jimenez Designer Jack Shalloo The White Devil Creatives Nurse Fabian Antonia Marjorie / Sabrina / Monstrous Rout Fly Davis Blythe Duff Nandi Bhebhe Doreene Blackstock Natasha Magigi Violin II Puppeteer / The Little Matchgirl Naomi Burrell Director Composer Edie Edmundson Annie Ryan Dancer Conrade Mrs Brown / Monstrous Rout Orlando Gough Keith Gilmore Tony Jayawardena Ashley Campbell Suzie Chard Cello Joanna Levine Text Editor / Dramaturg Movement Director Musical Director Michael West Romeo Hero Jackson / Monstrous Rout Ian ‘Fluff’ Ross Ayse Tashkiran Edward Hogg Joshua Lacey Anya Chalotra Paul Bullion Trumpet Adrian Woodward Designer Fight Director Dafydd / Monstrous Rout Guitars / Oud Jamie Vartan Lady Capulet Antonio Claudio Dario Rossetti-Bonell Kevin McCurdy Martina Laird Pieter Lawman Marcello Cruz Phil Snowden Members of The Sixteen Composer Double Bass Tom Castle, Nancy Cole, Camilla Globe Associate – Text Balthasar / Musician Daniel / Comus Carina Cosgrave Tom Lane Giles Block Benvolio Danny Lee Wynter Harris, Rebekah Jones, Angus Jonathan Livingstone Le Gateau Chocolat Oliver Cudbill McPhee, Ben Vonberg-Clark, Movement Director Globe Associate – Movement The Little Matchgirl (and Other Sue Mythen Lady Montague Olivia Borachio / Friar Francis Henry Lawes / The Attendant Spirit, Glynn MacDonald Charlie de Melo Happier Tales) Creatives Daisy Walford, Jamie Wright Sian Martin Annette McLaughlin afterwards Thyrsis Fight Directors Assistant Director Philip Cumbus Rachel Bown-Williams & Ruth Anna Himali Howard Dancer Ensemble Juana Director & Co-Adaptor All the Angels Creatives Jac O’Kody Kandaka Moore Jo Dockery Cooper-Brown of RC Annie Ltd Composer / Border Bagpipes / Emma Rice Deputy Text Associate Writer Christine Schmidle Friar Lawrence Leonato Saxophone / Flutes / Shawm / Writer & Co-Adaptor Nick Drake Globe Associate – Text Harish Patel Katy Owen Martin Marquez Giles Block Percussion Joel Horwood Costume Supervisor Director Lisa Aitken Mercutio Sebastian Benedick Paul James Designer Jonathan Munby Globe Associate – Movement Golda Rosheuvel John Pfumojena Matthew Needham Glynn MacDonald Musical Director / Violin / Vicki Mortimer Candle Consultant Designer Paul Russell Lord Capulet Ensemble Ursula Fiona Barrow Composer & Additional Lyrics Mike Britton Voice & Dialect Gareth Snook Theo St. Claire Ammara Niwaz Martin McKellan Mandocello / Virginal Stephen Warbeck Rigging Movement Director Jez Wingham for Freedom Flying Voice-Over (Prince) Viola Beatrice Chris Green Choreographer Knight Assistant Director Paul Rider Anita-Joy Uwajeh Beatriz Romilly Etta Murfitt Keziah Serreau Hurdy-gurdy Globe Associate – Movement The Taming of the Shrew Cast Margaret / Verges Steve Tyler Puppet Director Glynn MacDonald Deputy Text Associate Musical Director / Cello Musical Director / Bass Clarinet / Sarah Seggari Christine Schmidle Playing Shakespeare with Deutsche Bank Laura Moody Sarah Wright Clarinet / Whistle Comus Creatives Voice & Dialect Sarah Homer Don Pedro Puppet Designer Martin McKellan Costume Supervisor Bianca / Female Usher Percussion Steve John Shepherd Laura Rushton Magnus Mehta Director Lyndie Wright Layo-Christina Akinlude Guitar / Keyboards Lucy Bailey Assistant Director Dave Johnsy Dog Berry Associate Choreographer Martin Leonard Candle Consultant Lucentio Violin Ewan Wardrop Paul Russell Emma Smith Additional Material Annie-Lunette Deakin-Foster James Backway Percussion Patrick Barlow Costume Supervisor Alex Lupo Child Soldier Candle Consultant Sydney Florence Othello Cast Baptista Romeo & Juliet Creatives Lucy Brandon Designer Malcolm Rippeth Michael Fenner Guitar William Dudley The White Devil Cast Director Dario Rossetti-Bonell Child Soldier Sound Consultant Bianca Christopher Sly / Petruchio Daniel Kramer Zaiya Omamori Composer Simon Baker Nadia Albina Alex Gaumond Paul James Bracciano Twelfth Night Creatives Jamie Ballard Ensemble Grumio / Merchant Designer Musical Director / Percussion Fight Director Natasha Cowley Soutra Gilmour Movement Director Kate Waters Richard James-Neale Director Zands Duggan Liam Steel Francisco Composer Emma Rice Globe Associate – Movement Paul Bazely Othello Tranio Ben de Vries Guitar Fight Directors Glynn MacDonald Kurt Egyiawan Samuel Martin Matt Bacon Rachel Bown-Williams & Ruth Cooper- Monticelso Additional Text & Lyrics Ensemble Choreographer Carl Grose Brown of Rc-Annie Ltd Voice & Dialect Garry Cooper Gremio Tim Claydon Trumpet Martin McKellan Ashley Gayle Clive Mendus Miguel Gorodi Cornelia Designer Globe Associate – Movement Brabantio / Montano Lighting Designer Lez Brotherston Glynn MacDonald Assistant Director Anna Healy Hortensio / Vincentio Charles Balfour Much Ado About Nothing Creatives Keziah Serreau Jon Foster Alex Mugnaioni Giovanni Composer Voice & Dialect Roderigo / Duke Lodovico Sound Designer Ian Ross Michael Corbidge Costume Supervisor Mollie Lambert Katherina Paul Groothuis Director Lucy Martin Peter Hobday Gloria Onitiri Matthew Dunster Lodovico / Camillo Choreographer Assistant Director Cassio Fight Director Etta Murfitt Amy Draper Flying Consultancy Fergal McElherron Widow / Tailor Kate Waters Designer Lee Stephenson for Freedom Flying Joanna Horton Viss Elliot Safav Anna Fleischle Isabella / Gasparo Lighting Designer Costume Supervisor Mercy Ojelade Desdemona Globe Associate – Text Malcolm Rippeth Composer Hilary Lewis All the Angels Cast Natalie Klamar The Taming of the Shrew Creatives Giles Block Sound Designer James Maloney Zanche Playing Shakespeare with Deutsche Bank Simon Baker Flying Consultancy George Frideric Handel Shanaya Rafaat Iago Globe Associate – Movement Choreographer Lee Stephenson for Freedom Flying Sam Spruell Glynn MacDonald Charlotte Broom David Horovitch Director Fight Directors Vittoria Jacqueline Defferary Rachel Bown-Williams & Ruth Candle Consultant Susannah Cibber Kate Stanley-Brennan Emilia Voice Coach Lighting Designer Oliver Fenwick Thalissa Teixeira Janis Price Philip Gladwell Kelly Price Designer Cooper-Brown of RC-Annie Ltd Michael Pavelka 46 47 Sound Designer King Lear Creatives Lions and Tigers Creatives Designer Violin / Woodwinds Tristan & Yseult Creatives Designer Fight Directors George Dennis Tom Piper Sharon Lindo Lez Brotherston Rachel Bown-Williams & Ruth Director Writer Adaptor & Director Fight Directors Nancy Meckler Tanika Gupta MBE, FRSL Composer Woodwinds / Hurdy-Gurdy Emma Rice Music Supervisor Cooper-Brown of RC Annie Ltd Rachel Bown-Williams & Ruth Jules Maxwell Nicholas Perry Nigel Lilley Dramaturgy Director Writers Globe Associate – Movement Cooper-Brown of RC-Annie Ltd Patrick Sandford Pooja Ghai Choreographer Carl Grose & Anna Maria Murphy Choreographer Glynn MacDonald Tom Jackson Greaves Nell Gwynn Creatives Etta Murfitt Globe Associate – Text Designer Designer Composer & Music Director Voice Coach Giles Block Rosanna Vize Rosa Maggiora Lighting Designer Playwright Stu Barker Orchestrator Janis Price Malcolm Rippeth Jessica Swale Simon Hale Globe Associate – Movement Composer Composer Designer Assistant Director Glynn MacDonald Simon Slater Arun Ghosh Sound Designer Director Bill Mitchell Lighting Designer Isabel Marr David Gregory Christopher Luscombe Malcolm Rippeth Voice Coach Movement Director Movement Director Lighting Designer Assistant Designer Janis Price Shona Morris Wayne Parsons Fight Directors Designer Malcolm Rippeth Sound Designer Rachel Stone Rachel Bown-Williams and Ruth Hugh Durrant Simon Baker Assistant Director Costume Supervisor Lighting Designer Fight Directors Cooper-Brown of RC Annie Ltd Sound Designer Anthony Simpson-Pike Anna Watson Rachel Bown-Williams & Ruth Composer Simon Baker Assistant Director Laura Hunt Nigel Hess Laura Keefe Globe Associate – Movement Deputy Text Associate Sound Designer Cooper-Brown of RC Annie Ltd Associate Director Dialect Coach Christine Schmidle Glynn MacDonald Original Producer Simon Harvey Assistant Designer Jonathan Dawes Matt McKenzie Assistant Director Voice Coach Colin Falconer Assistant Designer Fight Director Milli Bhatia Associate Lighting Designer Flying Liam Bunster Janis Price Choreographer Victoria Brennan Freedom Flying Philip d’Orleans Costume Supervisor Charlotte Broom Music Copyist Assistant Director Simon Nathan Casting Director Globe Associate – Text Sydney Florence Associate Sound Designer Farinelli & the King Cast Amy Ball Martin Leonard Lighting Designer Jay Jones Giles Block Candle Consultant Nick Richings Costume Supervisor Belasco Theatre, New York. Produced Costume Supervisor Paul Russell Costume Supervisor Lucy Martin by Sonia Friedman Productions and Globe Associate – Movement Lucy Martin Choreographers Ilona Karas Glynn MacDonald Sound Designer Etta Murfitt, Tom Jackson Greaves Bungees Shakespeare’s Globe, in association with Dialect Coach Jeremy Dunn Tulchin Bartner Productions and 1001 Nights Dialect Edda Sharpe Sound Associate Alex Harvey Jonathan Dawes Voice Coach Jay Jones Musical Supervisor Romantics Anonymous Cast Janis Price Observing Designer James Maloney The Secret Theatre Cast Farinelli Niku Archer Aerial Consultancy Sam Crane King Lear Cast Assistant Director Freedom Flying & High Performance Ludo / Loizeau / Remi Tess Seddon Globe Associate – Movement Marc Antolin Elizabeth Dr. José Cervi Boudica Cast Glynn MacDonald Tara Fitzgerald Huss Garbiya Emily Bruni Deputy Text Associate Nell Gwynn Cast Angélique Christine Schmidle Ensemble Associate Director Carly Bawden Robert Pooley Isabella Farnese Gloucester Bethan Clark Nell Gwynn Matthew Dann Edmund Kingsley Melody Grove Burt Caesar Costume Supervisor Laura Pitt-Pulford Father / Pierre / Receptionist Laura Rushton Catus Deciamus Assistant Choreographer Philip Cox Frances Walsingham / Mary of Scots Jethro / Miguel Edmund Samuel Collings Rose Gwynn Maddy Brennan Cassie Layton Lucas Hall Ralph Davis Casting Pepter Lunkuse Salesman / Fred / Swing Ginny Schiller CDG Ensemble Costume Supervisor Joe Evans Sir Francis Walsingham John Rich Edgar Owen Findlay Nancy Binnie Bowerman Aidan McArdle Colin Hurley Joshua James Dialect Mossie Smith Suzanne / Mimi Lucius Wigs Supervisor Natasha Jayetileke Sir Philip Sidney / Robert Southwell Jonathan Dawes Victoria Young Don Sebastian De La Cuadra Lear Jenny Fitzpatrick Old Ma Gwynn / Queen Catherine / Adam Edward Peel Kevin R McNally Joanne Howarth Jean-René Sam Marks Lions and Tigers Cast Silvia Casting Director Dominic Marsh Charlotte Sutton Philippe V Oswald / Burgundy Kate Handford Lady Castlemaine / Louise de Anthony Babington / Miles / Howard Mark Rylance Chris Nayak Mahatma Gandhi / Ensemble Magda / Brigitte / Dr Maxim David Partridge Esh Alladi Alonna Kérouaille French Dialect Coach Joanna Riding Pandora Clifford Sam Alexander Singers Joan Iyiola John Ballard / Tom / Topcliffe / Doctor Iestyn Davies, James Hall Loren O’Dair Badal Gupta / Ram Young Woman / Self-Help Tape / Abraham Popoola Raj Bajaj Sestus / Sejanus Ensemble Portuguese Dialect Coach Thea Collings Alexander Morgan Swing Albany Brian Martin Lauren Samuels Sir William Cecil / Palmer Musical Director & Harpsichord Thomas Padden Swann / Mills / Colonel Davis / Lord Ian Redford Robert Howarth Ensemble Birkenhead Phillipa Flynn Tristan & Yseult Cast Mercier / Mumbler / Marini Kent Adam Best Forbes Masson Gareth Snook Phelippes / Davy Violins Saskia Reeves Colin Ryan Pavlo Beznosiuk, Chloe Fedor Boudica Charles II Brangian Bimala / Ensemble Ben Righton Niall Ashdown Sudha Bhuchar Gina McKee Musical Director / Viola Sirine Saba Jim Henson Musical Director / Baroque Violin Kyle Miller Andraste / Roman Woman Charles Hart Musician Jawaharlal Nehru / Binoy Bose Sam Marks Stu Barker Jorge Jimenez Cornwall Jaz Deol Anna-Maria Nabirye Woodwind Theorbo, Baroque Guitar Faz Singhateh Sophie Creaner Daniel Swenberg Love Spotter / Brute / Animator Baroque Cello Subhash Chandra Bose / Jyotish Badvoc Omari Douglas Jennifer Bullock France Abraham Popoola Clive Hayward Percussion Cello Buom Tihngang Gupta / Watchman Mike Porter Jonathan Byers Edward Kynaston Love Spotter / Brute / Animator Hurdy-Gurdy Tony Jayawardena Tom Jackson Greaves Steve Tyler Clifford Samuel Esh Alladi Cello Bass Anjania Vasan Charles Tegart / Lord Irwin / Llinos Richards Pippa Macmillan Blodwynn John Dryden Frocin The Secret Theatre Creatives Executioner Nicholas Bishop Kyle Lima Ensemble / Musician Jonathan Keeble Natalie Simpson Farinelli & the King Creatives Louisa Beadel Romantics Anonymous Creatives Playwright Cato / Clothen Lord Arlington Tristan Anders Lustgarten Kamala Michael Cochrane Dominic Marsh Ensemble Shalini Peiris Tok Stephen Book Writer Kenton Thomas Emma Rice Director Claire van Kampen Musical Director Ned Spigget Musician Matthew Dunster Dinesh Gupta George Jennings Pat Moran Shubham Saraf Louise Anna Duggan Original Screenwriters Director Musical Director / Hang / Cornetto Jean-Pierre Ameris, Philippe Blasband Composer John Dove Adrian Woodward Musician William Musician Alexander Balanescu Musical Director / Clarinet / Lute / Calie Hough Jack Helsby Justin Radford Lyricist Designer Percussion Jonathan Fensom Harmonium / Percussion King Mark Christopher Dimond Designer Jeremy Barnett Arun Ghosh Boudica Creatives Ensemble Jon Bausor Leon Stewart Mike Shepherd Composer Musical Arranger Cello Claire van Kampen Percussion Yseult Michael Kooman Music Supervisor Midori Jaeger Sarathy Korwar Writer James Maloney Tristan Bernays Musical Director / Woodwinds Hannah Vassallo Director Emily Baines Emma Rice Lighting Designer Director Musician Malcolm Rippeth Eleanor Rhode Guitar / Theorbo / Percussion Elizabeth Westcott Arngeir Hauksson Producer Whitehands Radio Mouse Entertainment Choreographer Kirsty Woodward Charlotte Broom 48 49 The Captive Queen Cast All’s Well That Ends Well Cast Jez Wingham Violin 2 Alice Earll Diana The Little Matchgirl (and Other Arimant Paige Carter Silas Carson Viola / Violin Happier Tales) Cast (Tour) Aliye Cornish King of France Asaph Chawn Nigel Cooke Ole Shuteye / The Emperor Karan Gill Violoncello Niall Ashdown Sarah McMahon Paroles Nourmahal Imogen Doel Puppeteer / The Little Matchgirl Angela Griffin Harpsichord / Synthesizer Edie Edmundson Satoko Doi-Luck Countess of Rossillion / Widow Aureng-zebe Martina Laird Ralph / Beetle / Mole / Trickster / Naeem Hayat Vivaldi’s The Four Seasons: A The Prince Reimagining Creatives George Dumaine Guy Hughes Abas / Ambassador Buchan Lennon Safiyya Ingar Thumbelina’s Mother / Field Mouse Directors Edward Dumaine Indamora Finn Caldwell & Toby Olié Shaun Mason / The Princess Neerja Naik Kezrena James for Gyre & Gimble Bertram Morat Will Merrick Thumbelina / Trickster Dharmesh Patel Composer Katy Owen Max Richter Mariana Zayda Louise Mai Newberry Toad / Beetle / Swallow / Soldier Sarah Quist Set & Costume Designer Karl Queensborough Paul Wills Lafeu Solyman Robert Pickavance Jackson Selva Rasalingam Puppet Design Elizabeth Westcott Finn Caldwell & Toby Olié Clown Melesinda Onstage Musical Director / Guitar / Sarah Ridgeway Music Arranger & Supervisor Hannah Ringham Bill Barclay Oud / Banjo / Percussion Helena The Old Emperor Jon Gingell Barrie Rutter Puppet Supervisor Ellora Torchia Daisy Beattie Vocals / Guitar / Bass / Percussion Musical Director / Violin / Viola / Alex Heane Musical Director / Guitar Candle Consultant Vocals Laurence Corns Paul Russell Una Palliser Bass / Percussion / Accordion Dave Johnzy Violin / Harmonium / Voice Globe Associate – Movement Bass Clarinet Nawazish Ali Khan Glynn MacDonald Chris Cundy The Little Matchgirl (and Other Tabla / Percussion Costume Supervisor Cello Happier Tales) Creatives (Tour) Keval Joshi Lorraine Ebdon-Price James Douglas Writer & Co-Adaptor Percussion Joel Horwood The Captive Queen Creatives Phil Hopkins Director & Co-Adaptor Director / Dramaturg Emma Rice Barrie Rutter All’s Well That Ends Well Creatives Designer Designer Director Vicki Mortimer Jessica Worrall Caroline Byrne Composer & Additional Lyrics Composer Dramaturg Stephen Warbeck Niraj Chag Annie Siddons Choreographers Candle Consultant Designer Etta Murfitt, Annie-Lunette Paul Russell Colin Richmond Deakin-Foster Globe Associate – Movement Composer Glynn MacDonald Theo Vidgen Puppet Director Sarah Wright Voice Coach Choreographer Janis Price Eddie Kay Puppet Designer Lyndie Wright Dialect Coach Candle Consultant Jonathan Dawes Ben Ormerod Lighting Designer Malcolm Rippeth Costume Supervisor Globe Associate – Text Laura Rushton Giles Block Sound Designer Simon Baker Globe Associate – Movement Vivaldi’s The Four Seasons: Glynn MacDonald Rehearsal Room Musical Director Ian Ross A Reimagining Cast Voice Coach Janis Price Fight Directors Puppeteers Rachel Bown-Williams & Ruth Elisa de Grey Assistant Director Cooper-Brown of Rc-Annie Ltd John Leader Andrea Ling Craig Leo Globe Associate – Movement Deputy Text Associate Glynn MacDonald Avye Leventis Christine Schmidle Ben Thompson Assistant Director Costume Supervisor Keziah Serreau Sydney Florence Swing Puppeteer / Rehearsal Room Costume Supervisor Assistant Casting Director Lucy Martin Hugh Purves Polly Jerrold Associate Sound Designer Rehearsal Music Director & Jay Jones Solo Violin / Music Direction Additional Vocal Arrangements Jorge Jimenez Jan Winstone Programmer / Relighter Will Frost Violin 1 Freedom Flying James Toll

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