Marji Campi Photo: Helen Craig

Total Page:16

File Type:pdf, Size:1020Kb

Marji Campi Photo: Helen Craig 1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Marji Campi Photo: Helen Craig Other: Equity Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Auburn Height: 5'3" (160cm) Hair Length: Short Weight: 10st. (64kg) Voice Character: Friendly Playing Age: 56 - 70 years Voice Quality: Warm Appearance: White Television 2020, Television, Barbara (Regular), Cold Feet (Series 9), ITV, Various Directors 2018, Television, Barbara (Regular), Cold Feet (Series 8), ITV, Various Directors 2017, Television, Doreen, Moving On, BBC Television, LA Productions, Reece Dinsdale 2017, Television, Barbara (Regular), Cold Feet (Series 7), ITV, Various Directors 2016, Television, Barbara, Cold Feet, ITV, Juliet May 2015, Television, Suzie Tunnacliff, Doctors, BBC, Simon Gibney 2012, Television, Aunt Charlotte, Way to Go, BBC, Catherine Moorhead 2011, Television, Ma Bishop, The Impressions show, BBC, Angie de Chastelai-Smith 2008, Television, Grace Turnbald, Doctors, BBC, Sean Gleeson 2007, Television, Margaret Carmichael, The Bill, Talkback Thames, Matthew Whiteman 2006, Television, Evie Brown, Eastenders (4 Eps), BBC, Various Directors 2005, Television, Casualty, BBC, Murilo Pasta 2005, Television, Doctors, BBC, Burt Caesar 2005, Television, The Last Laugh, BBC3, Paul Holms 2002, Television, Jessie Shadwick (Regular 1998-02), Brookside, Mersey Television, Various Directors 1998, Television, Picking Up The Pieces, Carlton Television 1997, Television, Joyce, Heartbeat, Yorkshire Television, Gerry Poulson 1997, Television, Gina, The Bill, Thames Television, Martin Hutcheson 1997, Television, Beryl Joy, Things You Do For Love, Granada Television, Bill Pryde 1997, Television, Elaine, Where The Heart Is, Anglia Television, Herbert Wise 1995, Television, Joyce Watson (Regular) 1988-1995, Surgical Spirit, Humphrey Barclay, David Askey Television, Betty Hunt, Brookside, C4 Television, Dulcie Froggatt, Coronation Street, Granada Television, Nick Ferguson/Patrick Lau/Malcolm Taylor Television, The Man From The Pru, BBC, Rob Rohrer Television, Mrs Mac, What Now?, Mersey TV, Phil Redmond Television, The Setbacks, Thames Television Television, All The Worlds A Stage, BBC, Mischa Williams Television, Play For Today, BBC, Ken Loach Television, Wednesday Play, BBC, Ken Loach Television, Grace Turnbald, Doctors, BBC, Sean Gleeson Stage 2016, Stage, Titania, A Midsummer Night's Dream, Creation Theatre Company, Zoe Seaton 2013, Stage, Betty, A Passinate Woman, Queen's Thatre, Hornchurch, Bob Carlton Marji Campi 1/2 2011, Stage, Barbara, Country Life, Player/Playwrights GBS and Old Red Lion theatres, Paul Blinkhorn 2009, Stage, Martha Brewster, Arsenic And Old Lace, Salisbury Playhouse, Philip Wilson 2009, Stage, Martha Brewster, Arsenic & Old Lace, Salisbury Playhouse, Philip Wilson Stage, My Matisse, Paris, Barbara Bray Stage, Doreen Bidmead, Office Suite, Chester Gateway Theatre, Deborah Shaw Stage, Shirley, Shirley Valentine, Hull Truck Theatre Company, Graham Watts Stage, Madge, Bare Necessities, Rob Bettinson Stage, Alan Bennett Double Bill, Chester Gateway Stage, Peter Pan, Ashcroft, Croydon, Brian Hewitt-Jones Stage, Jack and the Beanstalk, Buxton Stage, Relative Values, National Tour Stage, Stitched Up, Palace, Watford, Bob Carlton Stage, East End Romeo, Half Moon, Robert Walker Stage, Go West Young Woman, Round House, Sue Todd Stage, Double Double, Croydon Warehouse, Richard Ireson Stage, The Wedding Ring, Croydon Warehouse, Sam Kelly Stage, City Echoes, Liverpool Playhouse, Andy Jordan / Jimmy McGovern Stage, Spotlights, Liverpool Playhouse, Phil Redmond Stage, The Merchant, Birmingham Repertory Stage, All in Good Time, Bolton Octagon Theatre Further Credits 2016, Radio, Mo, The Bone Orchard, BBC Radio 4, Marion Nancarrow 2017, Short Film, Elsie, Jermaine and Elsie, Leon Lopez Accents & Dialects: (* = native) American-Standard, Australian, Cheshire, French, Irish-Southern, Italian, Lancashire, Liverpool*, London, RP, Spanish, Yorkshire Languages: (* = Native/Fluent) Catalan, English*, French, Spanish Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Marji Campi 2/2.
Recommended publications
  • Shelley King
    14 City Lofts 112-116 Tabernacle Street London EC2A 4LE offi[email protected] +44 (0) 20 7734 6441 SHELLEY KING Coronation Street Television Role Title Production Company Director Yasmeen Nazir (Series Regular) CORONATION STREET ITV Various Awards for her performance in this role * Best Show-Stopper (Inside Soap * Favourite Soap Star (TV Times include: Awards 2020) Awards 2020) * Best Soap Actress (TV Choice Awards 2020) Head of State CRACKANORY Tiger Aspect Richard Pengelley Celadine ATLANTIS BBC Alice Troughton Mrs Kayani EASTENDERS BBC Clive Arnold Nalira Kapur THE BILL Talkback Thames Paul Wroblewski Fadwar Butt HOLBY CITY BBC Carl Hindmarch Dr Ibrahim SILENT WITNESS BBC Maurice Philips Nazreen (Lead) BANGLATOWN BANQUET BBC Hettie MacDonald Mrs Dewan THE BILL Talkback Thames Robert Gabriel Larissa THE MAGISTER BBC Susan Tully Mrs Juttla SILENT WITNESS BBC Renny Rye Nina Pargetter SEE HOW THEY RUN BBC / ABC Television Graeme Harper Bubbly Sharma TANDOORI NIGHTS (SERIES 1 & Channel 4 Jon Amiel 2) Dr D’Cruze REAL WOMEN BBC Phil Davis Kumari A SECRET SLAVE BBC Sally George Nazreen KING OF THE GHETTO BBC Roy Battersby Jay Harper (Series Regular) ANGELS (SERIES 1 & 2) BBC Julia Smith Stage Role Title Production Company Director Rani THE WISDOM CLUB Jenny King Simeilia Hodge-Dallaway Cherise Ventakaram CITY OF THE BLIND Fire Exit Tim Licata Zehrunisia BEHIND THE BEAUTIFUL National Theatre Studio Rufus Norris FOREVERS Stage (cont) Role Title Production Company Director Sylvie CALCUTTA KOSHER Arcola Theatre Janet Steel Aunty 5 THE USUAL AUNTIJIES
    [Show full text]
  • Francesca Jackson
    www.cam.co.uk Email [email protected] Address Francesca 55-59 Shaftesbury Avenue London Jackson W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre Title Role Director Production TINA: The Musical Rhonda Graam Phyllida Lloyd Aldwych Theatre UNRAVELLING (Workshop) Leslie Leah Fogo - THE ILLNESS SHOULD ATTEND (Workshop) Mum/Ani Alex Howarth Charlie Langham KISS ME KATE Lois Lane/Bianca Lee Blakeley Theatre du Chatelet DUSTY Nancy Jones Chris Cowey Charing Cross Theatre INTO THE WOODS Little Red Riding Hood Lee Blakeley Theatre du Chatalet SUNDAY IN THE PARK WITH GEORGE Celeste 2 Lee Blakeley Theatre Du Chatelet New Wolsey Theatre MODS AND ROX Rox Peter Rowe Productions WHAT PRICE LOVEWORKSHOP Cindy Raz Shaw Pure Theatre Productions Wales Millennium Centre/ TOM Linda Geinor Styles Theatr Na Nog Playful Productions, Noel MILLION DOLLAR QUARTET Dyanne Eric Schaeffer Coward Theatre Bob Thompson/Bill DREAMBOATS AND PETTICOATS Sue Bill Kenwright LTD Kenwright THE WOMAN IN WHITE Laura Fairlie Tom Littler Primavera Productions Keith Strachan/Bill No 1 Tour, Bill Kenwright CAN'T SMILE WITHOUT YOU Lucy Kenwright LTD ALL THE FUN OF THE FAIR Alice Nikolai Foster David Essex/Jon Conway Ambassador Theatre group, RENT Joanne William Baker Duke of Yorks Theatre Phil McIntyres TONIGHT'S THE NIGHT DeeDee & Mary U/S C Jay Ranger Entertainment INTO THE WOODS Lucinda Ken Caswell New Players Theatre Phil McIntyres TRANSWORLD ORCHESTRA Soloist C Jay Ranger Entertainment LTD ELEGIES FOR ANGELS, PUNKS AND RAGING QUEENS Principle Sean McLevy Cameron Mckintosh LTD,
    [Show full text]
  • Black and Asian Theatre in Britain a History
    Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation.
    [Show full text]
  • The Directors' Festival
    The Directors’ Festival The UK’s biggest celebration of screen directing talent The Queen Elizabeth II Conference Centre, Saturday 1st July 2017 #DUKFest17 @Directors_UK Welcome to The Directors’ Festival 2017 Contents Message from Chair Steve Smith 5 Message from CEO Andrew Chowns 7 History of Directors UK 10 Programme 12 Biographies 16 “The ALEXA Mini is the perfect camera for drone aerials, it’s cleverly designed, intuitive to operate and allows us to create beautiful images in the air that match seamlessly with the ARRI cameras on the ground.” The Helicopter Girls And Then There Were None (BBC); Mission Impossible 5 (Paramount); McDonalds: We Are Awake (Tantrum), Detectorists (BBC) www.arri.com/alexamini “The ALEXA provides a canvas that gives you total creative confi dence to use di erent optics for di erent projects, safe in the knowledge that the core quality is already outstanding.” Cinematographer John Conroy, ISC Penny Dreadful (S-2+3), Jamestown, The Tunnel (S-2), Fortitude, Broadchurch (S-2), Luther (S-3+4), The Smoke, The Sea, Parked, Upstairs Downstairs, Silent Witness www.arri.com/alexa “Most of my documentary work is about capturing human emotion in the moment. No retakes, no second chances. With perfect ergonomics, killer sensor, and simple functionality, my AMIRA gives me complete confi dence and control.” Cinematographer Johann Perry David Beckham: For the Love of the Game; Stephen Fry: Out There; JK Rowling: Who Do You Think You Are; Till Death Do Us Part “Quite simply, the ARRI AMIRA is the best documentary camera I have had on my shoulder in over 20 years.” Cinematographer Neil Harvey (One Direction: Where We Are Tour; Fullwell73) www.arri.com/amira www.arri.com Inspiring your Vision.
    [Show full text]
  • Writing the Empire Windrush (Critical Thesis) and Chan (Poetry Collection) Hannah Lowe
    Writing the Empire Windrush (critical thesis) and Chan (poetry collection) Hannah Lowe Thesis submitted for the degree of Doctor of Philosophy School of English Literature, Languages and Linguistics March 2016 i ii Abstract This doctorate is comprised of a critical thesis (30%) and a creative submission of poetry (70%). The critical thesis examines representations of the arrival of the Empire Windrush at Tilbury on 22 June 1948, interrogating how it became symbolic shorthand for the beginnings of the post-war Caribbean diaspora to Britain, with a central place in the national historical imagination. Critics argue that the representation of the Windrush has undergone a dramatic transformation in its 65- year history, from its deployment in media discourses highlighting the problems of immigration, to its reclamation as a positive symbol of Black Britain at the turn of the century. The 1998 commemorations of the fiftieth anniversary were instrumental in this re-appropriation. This thesis examines depictions of the Windrush from the moment of its arrival to the present day, to argue that the ongoing centrality of the Windrush in the story of the Caribbean–British diaspora has obscured a longer, richer history of black presence in Britain while overlooking the imperial history which prompted the diasporic movements of Caribbean people to the imperial centre. The critical work of Chapters One and Two provides the context for my poetry collection Chan, which is discussed in Chapter Three. The Ormonde sequence of Chan responds to my interrogation of the Windrush creatively, by reconstructing the 1947 voyage of its predecessor, the Ormonde. The remaining sections are thematically linked by their engagement with suppressed or unknown histories, writing from personal and public archives and their exploration of migration, diaspora and mixed-race identities.
    [Show full text]
  • Nahant Overwhelmingly Rejects Northeastern Lynn Again Waives
    MONDAY, MAY 17, 2021 Lynn again waives graduation requirements By Tréa Lavery required to earn 100 total cred- able to complete the required 25 trict’s core values of high ex- The committee voted unan- ITEM STAFF its— 25 per year — to graduate credits, despite nishing all of pectations,” Tutwiler said. “All imously to approve Tutwiler’s high school. the other requirements to grad- students who graduate from suggestion to waive the credit LYNN — For the second year in a row, the School Commit- Superintendent of Schools uate. Students who participated Lynn Public Schools must have requirement for students who tee has decided to waive grad- Patrick Tutwiler said in Thurs- in the district’s remote learn- the equivalent of four years of have completed those core re- uation credit requirements for day’s School Committee meeting ing academy only completed 20 English, four years of math, quirements and the state’s com- high school seniors due to the that because of the dif culties of credits during the 2020-2021 four years of history, two years petency requirements. COVID-19 pandemic. remote learning during the pan- school year. of world language, and so forth. According to the district’s demic, approximately 67 current “Waiving the policy would not All of these students meet those Tréa Lavery can be reached graduation policy, students are high school seniors were not be a departure from the dis- requirements.” at [email protected]. Saugus Swampscott to meet considers about redesign of waste Walker Road By Tréa Lavery water ITEM STAFF SWAMPSCOTT — The town will By Elyse Carmosino begin collecting traf c data on Walker ITEM STAFF Road Monday as part of the prepara- SAUGUS — The town tion for a redesign of the street and its will hold a public meeting intersection with Banks Road.
    [Show full text]
  • Recount Flips Council Race
    •South Columbus pulls Coming Thursday out a 2-A overtime play- The Nov. 19 issue of The News Reporter off win over Red Springs while Whiteville falls will include the Fall/Winter 2015 edition to Mt. Airy in the 1-AA of 954 Magazine. Sports playoffs. ThePublished News since 1890 every Monday and Thursday Reporterfor the County of Columbus and her people. Monday, November 16, 2015 Recount flips Volume 125, Number 40 Whiteville, North Carolina council race n Power outage at Election office 75 Cents blamed for error. By ALLEN TURNER Inside Staff Writer The outcome of Chadbourn’s Nov. 3 town 2-A council race changed Saturday after a recount • Council votes to was held at the Columbus County Board of keep fence require- Elections in Whiteville. James Green now has a one-vote win over ment at shopping challenger Jay Suggs Jr. center. Following the official canvass last Tuesday, Suggs had a 202-197 lead over Green. The new 5-A vote count gives Green a 197-196 lead over • ‘A Vineland Christ- Suggs. Brunswick’s totals after the recount did mas’ planned for Dec. not change what was reported on canvass day. 3-12. Green requested the recount because the canvass tally showed Suggs receiving 15 absen- All in the family tee votes but only 10 absentee ballots actually Sam Leder, left, son of Whiteville City Council member Robert Leder, won a seat on the Concord City were cast. Council Nov. 3 with 64 percent of the vote in his first effort at elected office. This is Robert Leder’s sixth Elections director Carla Strickland said term.
    [Show full text]
  • Spat with Qatar, Envoys to Return
    SUBSCRIPTION SUNDAY, AUGUST 31, 2014 THULQADA 5, 1435 AH www.kuwaittimes.net Farwaniya gov Pressure California Chelsea win calls to restudy on Pakistan lawmakers goalfest, demographics leader to quit pass first US City crash, of expats2 amid protests7 plastic bag9 ban Man20 Utd held GCC ‘resolves’ spat with Max 45º Min 30º Qatar, envoys to return High Tide 02:37 & 15:14 Gulf states ready to help counter IS jihadists Low Tide 09:16 & 21:23 40 PAGES NO: 16271 150 FILS JEDDAH: Kuwaiti Foreign Minister Sheikh Sabah Al- Khaled Al-Sabah yesterday said that the Gulf monar- Kuwaiti man chies have resolved a six-month spat with Gulf Cooperation Council partner Qatar, which they had kidnapped accused of supporting the Muslim Brotherhood. Sheikh Sabah said after a GCC meeting in the Saudi Red Sea resort of Jeddah that differences were settled because in Lebanon unity was needed to face the common threat posed by radical Islamic State jihadists. BEIRUT: The Kuwaiti Embassy in Beirut said it is in contact with the Lebanese security bodies over reports on the Saudi Arabia, along with the United Arab Emirates abduction of a Kuwaiti citizen in east Lebanon. “The and Bahrain, withdrew their ambassadors from Qatar in embassy is closely following the issue to verify the report- March in an unprecedented public protest largely ed kidnap and determine the circumstances of the abduc- believed to be spurred by the tiny nation’s support for tion, and will work for the safe release of the Kuwaiti citi- Islamist groups in Egypt, Libya, the Gaza Strip and else- zen,” it said in a statement to KUNA.
    [Show full text]
  • Burt Caesar Photo: Pen International
    59 St. Martin's Lane London WC2N 4JS Phone: 0207 836 7849 Email: [email protected] Website: www.nikiwinterson.com Burt Caesar Photo: Pen International Greater London, England, United Eye Colour: Brown Location: Kingdom Hair Colour: Black Height: 5'10" (177cm) Hair Length: Short Weight: 11st. (70kg) Facial Hair: Beard Playing Age: 51 - 60 years Voice Character: Authoritative Other: Equity Voice Quality: Warm Stage Stage, Leonard Ardsley, For Services Rendered, Jermyn Theatre Company, Tom Littler Stage, Hornby, A Kind of Alaska, Rapture Theatre Company, Jamie Lloyd Stage, Gloucester, King Lear, Shakespeare's Globe Theatre, Nancy Meckler Stage, The Plague, Arcola Theatre, Neil Bartlett Stage, Pandulph, King John, Rose Theatre Kingston, Trevor Nunn Stage, James, Jefferson's Garden, Watford Palace Theatre, Brigid Larmour Stage, Old Mack, Moon On A Rainbow Shawl, National Theatre, Michael Buffong Stage, Lophakin, The Cherry Orchard, Johannesburg & Birmingham Th, Janet Suzman Stage, Capulet, Romeo and Juliet, Hammersmith Lyric Theatre, Neil Bartlett Stage, TK, Serious Money, Royal Court/ West End/ New York, Max Stafford Clark Stage, Macduff, Macbeth, NY Int. Festival of Theatre, Stephen Rayne Stage, Meridian, Blues for Mr Charlie, Sheffield Crucible Theatre, Clarke Peters Stage, Father, Eden, Riverside Studios, Alby James Stage, Brutus, Julius Caesar, English Shakespeare Company, Tim Carroll Stage, Morocco, Merchant of Venice, Chichester Festival Theatre, Patrick Garland Stage, Othello, Othello, Royal Lyceum Theatre Edinburgh, Ian Wooldridge
    [Show full text]
  • Nigerian Writers
    Society of Young Nigerian Writers Chris Abani From Wikipedia, the free encyclopedia Jump to: navigation, search Chris Abani The poem "Ode to Joy" on a wall in the Dutch city of Leiden Christopher Abani (or Chris Abani) (born 27 December 1966) is a Nigerian author. He is part of a new generation of Nigerian writers working to convey to an English-speaking audience the experience of those born and raised in "sthat troubled African nation". Contents 1 Biography 2 Education and career 3 Published works 4 Honors and awards 5 References 6 External links Biography Chris Abani was born in Afikpo, Nigeria. His father was Igbo, while his mother was English- born.[1] He published his first novel, Masters of the Board (1985) at the age of sixteen. The plot was a political thriller and it was an allegory for a coup that was carried out in Nigeria just before it was written. He was imprisoned for 6 months on suspicion of an attempt to overthrow the government. He continued to write after his release from jail, but was imprisoned for one year after the publication of his novel, Sirocco. (1987). After he was released from jail this time, he composed several anti-government plays that were performed on the street near government offices for two years. He was imprisoned a third time and was placed on death row. Luckily, his friends had bribed government officials for his release in 1991, and immediately Abani moved to the United Kingdom, living there until 1999. He then moved to the United States, where he now lives.[2] Material parts of his biography as it relates to his alleged political activism, imprisonments and death sentence in Nigeria have been disputed as fiction by some Nigerian literary activists of the period in question.
    [Show full text]
  • Black British Poetry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by York St John University Institutional Repository 12 SARAH LAWSON WELSH Black British Poetry ‘Mekin Histri’: Black British Poetry from the Windrush to the Twenty-First Century The arrival in 1948 of the SS Windrush, a ship carrying more than 280 Jamaicans to Britain marks a foundational, if also a fetishized 1 place in any understanding of post-1945 Black British poetry. Whilst Windrush was not strictly the ‘beginning’ of black migration to Britain, the 1948 British Nationality Act did enable New Commonwealth and Pakistani citizens to enter and settle in Britain with greater freedom than ever before, and Windrush has become a convenient label for this fi rst post-1945 generation of black migrant writers in Britain. This generation’s ‘arrival’, the accelerat- ing endgame of empire, the rise of anti-colonial independence movements and the cultural activity and confi dence which accompanied them, created the conditions for an extraordinary period of literary creativity in Britain, as black and Asian writers came to England to work, to study and to be published. Mainstream presses showed unprecedented interest in publishing Black migrant writers and the beginnings of organized association between writers from different territories in Britain can be also traced to this time. An early forum was the BBC radio programme, Caribbean Voices , conceived by Una Marson in 1943 and subsequently edited by Henry Swanzy (and later V. S. Naipaul) between 1946 and 1958. Caribbean Voices broadcast weekly, live from London to the Caribbean and enabled regular cultural exchanges between Britain and the Caribbean, as well as forging a sense of common black literary endeavour in Britain.
    [Show full text]
  • Annual Review. 2017 Shakespeare’S Globe OUR CAUSE We Celebrate Shakespeare’S Transformative Impact on the World by Conducting a Radical Theatrical Experiment
    Annual Review. 2017 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical theatrical experiment. 4 Chief Executive’s Welcome Inspired and informed by the unique 6 Theatre historic playing conditions of two 6 Wonder Noir beautiful iconic theatres, our diverse programme of work harnesses the 11 The Summer of Love power of performance, cultivates 16 The Winter Selection intellectual curiosity and excites learning to make Shakespeare 19 Beyond the Globe accessible for all. 21 Inspiring young – and not so young – people ‘And let us… on your imaginary 23 Learning for all forces work’ Henry V, Prologue 29 Widening access #Globe2018 30 Exhibition & Tour 020 7401 9919 31 Behind the scenes shakespearesglobe.com 32 How we made it 33 How we spent it 35 Looking forward 36 Learning for all 38 Project Prospero 40 Thanks, thanks and ever thanks 40 Supporters 42 Staff 45 Trustees and Globe Councillors 46 Cast members and Creatives 2017 The Shakespeare Globe Trust. Registered in England and Wales No. 1152238. Registered charity No. 266916. 2 3 2017 marked 20 years since the royal opening of the Globe. We marked that anniversary with a special Reconstructing the Globe exhibition, but we also celebrated it by simply doing what we do every year: which is to offer year-round, whether on the stage, or in the exhibition, or as part of an education programme, the best possible experience of Shakespeare and the theatre of his time. Over 923,000 visited the Globe site this year, including a record 138,000 students (of all ages), while Emma Rice’s last Globe season achieved an overall capacity of 92% – or a share of approximately 11% of London’s play-going audience.
    [Show full text]