The Directors' Festival

Total Page:16

File Type:pdf, Size:1020Kb

The Directors' Festival The Directors’ Festival The UK’s biggest celebration of screen directing talent The Queen Elizabeth II Conference Centre, Saturday 1st July 2017 #DUKFest17 @Directors_UK Welcome to The Directors’ Festival 2017 Contents Message from Chair Steve Smith 5 Message from CEO Andrew Chowns 7 History of Directors UK 10 Programme 12 Biographies 16 “The ALEXA Mini is the perfect camera for drone aerials, it’s cleverly designed, intuitive to operate and allows us to create beautiful images in the air that match seamlessly with the ARRI cameras on the ground.” The Helicopter Girls And Then There Were None (BBC); Mission Impossible 5 (Paramount); McDonalds: We Are Awake (Tantrum), Detectorists (BBC) www.arri.com/alexamini “The ALEXA provides a canvas that gives you total creative confi dence to use di erent optics for di erent projects, safe in the knowledge that the core quality is already outstanding.” Cinematographer John Conroy, ISC Penny Dreadful (S-2+3), Jamestown, The Tunnel (S-2), Fortitude, Broadchurch (S-2), Luther (S-3+4), The Smoke, The Sea, Parked, Upstairs Downstairs, Silent Witness www.arri.com/alexa “Most of my documentary work is about capturing human emotion in the moment. No retakes, no second chances. With perfect ergonomics, killer sensor, and simple functionality, my AMIRA gives me complete confi dence and control.” Cinematographer Johann Perry David Beckham: For the Love of the Game; Stephen Fry: Out There; JK Rowling: Who Do You Think You Are; Till Death Do Us Part “Quite simply, the ARRI AMIRA is the best documentary camera I have had on my shoulder in over 20 years.” Cinematographer Neil Harvey (One Direction: Where We Are Tour; Fullwell73) www.arri.com/amira www.arri.com Inspiring your Vision. Creative Skillset’s High End TV Council congratulates Directors UK on its 25th Anniversary… ...and all the participants of our director training programmes with Directors UK and BBC Writersroom, supported by funds from the High End TV Levy - developing world-class TV drama skills. Keep up with opportunities by signing up for our newsletter at www.creativeskillset.org/newsletter @SkillsetTV #HETV creativeskillset.org Message from Directors UK Chair Steve Smith Hello and welcome joined by feature film director, Simon West, who to the fourth annual will be closing the day and take us through his Directors’ Festival! incredible career. Dougal Shaw will enlighten us on the perks and pitfalls of filming on mobile phones; As the new Chair We will hear from embedded directors who have of Directors UK, I am lived and worked in some of the world’s harshest extremely pleased to and most hostile environments; We will find out be able to welcome you how to successfully plan and address any issues in all to this year’s Festival. pre-production for a low-budget film; How to successfully work with – and direct – actors; What it It’s such an honour and privilege to be taking over is like to work in high end drama; And hear tips on as Chair from the talented Beryl Richards – who how to gain political access for documentaries. has stepped down after serving two and a half years in the post, having reached the maximum This year, we are also celebrating the 25th term of six years on the Board. Beryl has done anniversary of Directors UK – we have grown incredible work over the years and she will be considerably since we began in 1992, as a a tough act to follow. Whilst I know Beryl will collecting and distribution society. If you’re curious continue to be actively involved with Directors UK, to find out just how different things were back then, I hope you will join me in thanking her for her years one session this afternoon will look back at what of dedication to the Board, and wish her all the the film and TV industry was like in the 90s. With best for the future. years of experience between them, our panel will discuss how much directing has changed over the This will be my first Directors’ Festival as Chair, last two decades and if we really are better off with but my fourth as a Board member, and each year the advances in technology. this event has always been the highlight of the Directors UK social and events calendar. If you In my next few years as Chair, I hope to continue have never attended the event before, you are the great work of the previous years, championing in for a real treat. The Festival is an exclusive directors and our work, lobbying for a better members-only one-day event dedicated to the craft working environment and conditions, driving of directing, celebrating the work we do with a campaigns that challenge and encourage community of directors, colleagues and friends, change for all, and building a strong united packed with knowledge and ideas to help develop directing community to ensure our voices are your craft. Today’s sessions include exclusive Q&As, heard and needs are met. panel discussions, networking opportunities, tips and techniques from some of the UK’s most If we haven’t had the chance to meet yet, please respected practitioners to stimulate and inspire you. do come over and say hello. Whether you direct factual, animation or features, and regardless of your background and Today is a day of celebration. I hope the sessions experience, there is something here for everyone. and conversations you have will be ones of This year we are lucky enough to have a range great value. of established industry influencers and new talent participating in our events. Legendary Hi - this is a scan of my signature that Victoria wanted for some thank you letters. SteveHave a fantastic day! documentary director and producer Roger Graef will be our keynote speaker, sharing insight into his work and life as a factual director. We’ll also be The Directors’ Festival programme 5 Message from Directors UK CEO Andrew Chowns Welcome to the We look forward to many more years championing 2017 Directors’ and supporting you, and I encourage you all to Festival, a celebration participate and become more involved in the work of the craft of directing we do. Please take advantage of the events and and directors. This services available to you. year, we are also celebrating the Our strength is in numbers and together we will 25th anniversary continue to shape the industry for the better. Whilst of Directors UK. we celebrate our past 25 years we are also looking firmly to the future and how we can improve your We’ve come a long way since our early beginnings rights in an ever-changing digital world. as a collecting society with 2,000 members. 25 years on we are proud to be the professional Our new Board members have been elected, and association for directors representing over 6,500 many are here today. The Directors UK team are members. Over that time our UK distributions have also on hand – we all look forward to meeting you. grown from zero to over £13million each year and we have expanded the range of services We really hope you have a great day – this event and support we offer to include events, career is here for you all to enjoy and to inspire. development and training, legal advice, industrial relations and campaigning. Most of the time we are focussed on the nuts and bolts of Directors UK – managing your distributions and delivering these services to support you as freelance directors in your working lives. What’s so great about the Directors’ Festival is that it’s a chance for us all to come together and simply celebrate the work and creativity of our talented directors. Directors UK Team, Dec 2016 The Directors’ Festival programme 7 THE BFI IS PROUD TO SUPPORT NEW FILMS FROM AMMA ASANTE ANDREW HAIGH ANDREW HULME ANDY SERKIS CLIO BARNARD D E B O R A H HAYWOOD HAIFAA AL-MANSOUR JIM HOSKING KATE MCLARNON LUCY COHEN LYNNE RAMSAY MATTHEW HOLNESS MICHAEL PEARCE NEIL BISWAS PAWEL PAWLIKOWSKI RICHARD BILLINGHAM RUNGANO NYONI SAUL DIBB SKY NEAL SOPHIE FIENNES STEVE MCLEAN TINGE KRISHNAN TOBY MACDONALD #BFIBacked #NationalLottery bfi.org.uk/filmfund Film Fund Ad Directors Festival 148x210 2017-05_FINAL.indd 1 22/05/2017 16:07 THE BFI IS PROUD TO SUPPORT NEW FILMS FROM AMMA ASANTE ANDREW HAIGH ANDREW HULME ANDY SERKIS CLIO BARNARD D E B O R A H HAYWOOD HAIFAA AL-MANSOUR JIM HOSKING KATE MCLARNON LUCY COHEN LYNNE RAMSAY MATTHEW HOLNESS MICHAEL PEARCE NEIL BISWAS PAWEL PAWLIKOWSKI RICHARD BILLINGHAM RUNGANO NYONI SAUL DIBB SKY NEAL SOPHIE FIENNES STEVE MCLEAN TINGE KRISHNAN TOBY MACDONALD #BFIBacked #NationalLottery bfi.org.uk/filmfund Film Fund Ad Directors Festival 148x210 2017-05_FINAL.indd 1 22/05/2017 16:07 History of Directors UK We are the professional association for screen directors in the UK, working to ensure that directors and their work are recognised at every level. But where did it all begin? 1992 1996 Directors UK’s origins began with the formation of the For the first time in UK law a director became Directors and Producers Rights Society (DPRS). Originally an owner of copyright, when an amendment was part of the Directors Guild of Great Britain (DGGB), for the made to the 1988 Copyright, Designs and Patents purpose of collecting payments due to directors under Act to make “the principal director of a film an European legislation. In 1992, DPRS split off from the DGGB author for copyright purposes”. This gave directors to become a separate organisation, collecting and a legal case for UK residual payments.
Recommended publications
  • Sep - Dec 2017 Breweryarts.Co.Uk | 01539 725133 | @Lakescinema
    Cinema Sep - Dec 2017 breweryarts.co.uk | 01539 725133 | @lakescinema The Killing of a Sacred Deer | 8-11 Dec 01 The Brewery Cinema | September - December 2017 Cinema specials SEASON TICKETS In this Corner of the World | 14 Oct See 3 Films Save 15% See 5 Films Save 25% USEFUL INFO Tickets must be purchased at the same time. T&Cs apply. Selected films only. Doors open 15 minutes prior to start time, which includes adverts & trailers All our cinema screenings have allocated seating, THE REEL DEAL choose your preferred view when booking Enjoy a Movie & a Pizza You are welcome to enjoy alcoholic drinks in our for only £15 | Sun-Thu | 5-8pm cinema screens - served in plastic glasses only Only food & drink purchased at the Brewery may be taken into the cinemas. All profits from the food Student TICKETS & drink concessions help fund our arts programme. Please note hot drinks are not permitted in Screen 3 Any film anytime only £7.50 Screens 1 & 2 are equipped with an infra-red assistive listening system FAMILY TICKETs Tickets are available online www.breweryarts.co.uk/ Admit 4 for just £28 cinema and from our box office 01539 725133 Box office is open Noon - 8.30pm daily (programme dependent) MATINEE MOVIES Ticket Prices: All films listed in this brochure with confirmed times and dates £7.50 Silver Screenings only £7.50 (unless otherwise stated) See website for special offers, information and T&Cs. Visit our website for more fantastic All our venues are available for private hire; contact offers and terms and conditions.
    [Show full text]
  • Rts Announces Winners for the Programme Awards 2009
    P R E S S R E L E A S E Tuesday16 March 2010 RTS ANNOUNCES WINNERS FOR THE PROGRAMME AWARDS 2009 The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for the RTS Programme Awards 2009. The ceremony, held at Grosvenor House on Tuesday 16 March, was hosted by actor, comedian and radio presenter Rob Brydon and the awards were presented by RTS Chair, Wayne Garvie. The RTS Programme Awards celebrate all genres of television programming, from history to soaps, children's fiction to comedy performance. Covering both national and regional output, as well honouring the programmes themselves, they aim to recognise the work of exceptional actors, presenters, writers and production teams. The Winners: Scripted Comedy The Thick of It BBC Productions for BBC Two “An acerbic, intelligent and sweeping comedy which attained new heights. Faultless ensemble acting, meticulous writing and intricately contrived comedy climaxes combined to make this a series we didn‟t want to end.” Nominees Miranda BBC Productions for BBC Two The Inbetweeners A Bwark Production for E4 Entertainment Newswipe with Charlie Brooker Zeppotron for BBC Four “Right on the money... Refreshingly polemical and with real authenticity.” Nominees Britain's Got Talent A talkbackTHAMES and SYCO TV Production for ITV1 The X Factor A talkbackTHAMES and SYCO TV Production for ITV1 2-6 Northburgh Street, London EC1V 0AY +44 (0) 20 7490 4050 www.franklinrae.com Daytime and Early Peak Programme Come Dine With Me ITV Studios for
    [Show full text]
  • Marji Campi Photo: Helen Craig
    1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Marji Campi Photo: Helen Craig Other: Equity Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Auburn Height: 5'3" (160cm) Hair Length: Short Weight: 10st. (64kg) Voice Character: Friendly Playing Age: 56 - 70 years Voice Quality: Warm Appearance: White Television 2020, Television, Barbara (Regular), Cold Feet (Series 9), ITV, Various Directors 2018, Television, Barbara (Regular), Cold Feet (Series 8), ITV, Various Directors 2017, Television, Doreen, Moving On, BBC Television, LA Productions, Reece Dinsdale 2017, Television, Barbara (Regular), Cold Feet (Series 7), ITV, Various Directors 2016, Television, Barbara, Cold Feet, ITV, Juliet May 2015, Television, Suzie Tunnacliff, Doctors, BBC, Simon Gibney 2012, Television, Aunt Charlotte, Way to Go, BBC, Catherine Moorhead 2011, Television, Ma Bishop, The Impressions show, BBC, Angie de Chastelai-Smith 2008, Television, Grace Turnbald, Doctors, BBC, Sean Gleeson 2007, Television, Margaret Carmichael, The Bill, Talkback Thames, Matthew Whiteman 2006, Television, Evie Brown, Eastenders (4 Eps), BBC, Various Directors 2005, Television, Casualty, BBC, Murilo Pasta 2005, Television, Doctors, BBC, Burt Caesar 2005, Television, The Last Laugh, BBC3, Paul Holms 2002, Television, Jessie Shadwick (Regular 1998-02), Brookside, Mersey Television, Various Directors 1998, Television, Picking Up The Pieces, Carlton Television 1997, Television, Joyce, Heartbeat, Yorkshire Television,
    [Show full text]
  • Shelley King
    14 City Lofts 112-116 Tabernacle Street London EC2A 4LE offi[email protected] +44 (0) 20 7734 6441 SHELLEY KING Coronation Street Television Role Title Production Company Director Yasmeen Nazir (Series Regular) CORONATION STREET ITV Various Awards for her performance in this role * Best Show-Stopper (Inside Soap * Favourite Soap Star (TV Times include: Awards 2020) Awards 2020) * Best Soap Actress (TV Choice Awards 2020) Head of State CRACKANORY Tiger Aspect Richard Pengelley Celadine ATLANTIS BBC Alice Troughton Mrs Kayani EASTENDERS BBC Clive Arnold Nalira Kapur THE BILL Talkback Thames Paul Wroblewski Fadwar Butt HOLBY CITY BBC Carl Hindmarch Dr Ibrahim SILENT WITNESS BBC Maurice Philips Nazreen (Lead) BANGLATOWN BANQUET BBC Hettie MacDonald Mrs Dewan THE BILL Talkback Thames Robert Gabriel Larissa THE MAGISTER BBC Susan Tully Mrs Juttla SILENT WITNESS BBC Renny Rye Nina Pargetter SEE HOW THEY RUN BBC / ABC Television Graeme Harper Bubbly Sharma TANDOORI NIGHTS (SERIES 1 & Channel 4 Jon Amiel 2) Dr D’Cruze REAL WOMEN BBC Phil Davis Kumari A SECRET SLAVE BBC Sally George Nazreen KING OF THE GHETTO BBC Roy Battersby Jay Harper (Series Regular) ANGELS (SERIES 1 & 2) BBC Julia Smith Stage Role Title Production Company Director Rani THE WISDOM CLUB Jenny King Simeilia Hodge-Dallaway Cherise Ventakaram CITY OF THE BLIND Fire Exit Tim Licata Zehrunisia BEHIND THE BEAUTIFUL National Theatre Studio Rufus Norris FOREVERS Stage (cont) Role Title Production Company Director Sylvie CALCUTTA KOSHER Arcola Theatre Janet Steel Aunty 5 THE USUAL AUNTIJIES
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd AMY ROBERTS - Costume Designer THE CROWN 3 Director: Ben Caron Producers: Michael Casey, Andrew Eaton, Martin Harrison Starring: Olivia Colman, Tobias Menzies and Helena Bonham Carter Left Bank Pictures / Netflix CLEAN BREAK Director: Lewis Arnold. Producer: Karen Lewis. Starring: Adam Fergus and Kelly Thornton. Sister Pictures. BABS Director: Dominic Leclerc. Producer: Jules Hussey. Starring: Jaime Winstone and Samantha Spiro. Red Planet Pictures / BBC. TENNISON Director: David Caffrey. Producer: Ronda Smith. Starring: Stefanie Martini, Sam Reid and Blake Harrison. Noho Film and Television / La Plante Global. SWALLOWS & AMAZONS Director: Philippa Lowthorpe. Producer: Nick Barton. Starring: Rafe Spall, Kelly Macdonald, Harry Enfield, Jessica Hynes and Andrew Scott. BBC Films. AN INSPECTOR CALLS Director: Aisling Walsh. Producer: Howard Ella. Starring: David Thewlis, Miranda Richardson and Sophie Rundle. BBC / Drama Republic. PARTNERS IN CRIME Director: Ed Hall. Producer: Georgina Lowe. Starring: Jessica Raine, David Walliams, Matthew Steer and Paul Brennen. Endor Productions / Acorn Productions. Gable House, 18 –24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 AMY ROBERTS Contd … 2 CILLA Director: Paul Whittington. Producer: Kwadjo Dajan. Starring: Sheridan Smith, Aneurin Barnard, Ed Stoppard and Melanie Hill. ITV. RTS CRAFT & DESIGN AWARD 2015 – BEST COSTUME DESIGN BAFTA Nomination 2015 – Best Costume Design JAMAICA INN Director: Philippa Lowthorpe Producer: David M. Thompson and Dan Winch. Starring: Jessica Brown Findlay, Shirley Henderson and Matthew McNulty. Origin Pictures. THE TUNNEL Director: Dominik Moll. Producer: Ruth Kenley-Letts. Starring: Stephen Dillane and Clemence Poesy. Kudos. CALL THE MIDWIFE (Series 2) Director: Philippa Lowthorpe.
    [Show full text]
  • Hetherington, K
    KRISTINA HETHERINGTON Editor Feature Films: THE DUKE - Sony/Neon Films - Roger Michell, director BLACKBIRD - Millennium Films - Roger Michell, director Toronto International Film Festival, World Premiere RED JOAN - Lionsgate - Trevor Nunn, director Toronto International Film Festival, Official Selection CHRISTOPHER ROBIN (additional editor) - Disney - Marc Forster, director MY COUSIN RACHEL - Fox Searchlight Pictures - Roger Michell, director DETOUR - Magnet Releasing - Christopher Smith, director TRESPASS AGAINST US - A24 - Adam Smith, director LE WEEK-END - Music Box Films - Roger Michell, director JAPAN IN A DAY - GAGA - Philip Martin & Gaku Narita, directors A BOY CALLED DAD - Emerging Pictures - Brian Percival, director SUMMER - Vertigo Films - Kenny Glenaan, director YASMIN - Asian Crush - Kenny Glenaan, director BLIND FIGHT - Film1 - John Furse, director LIAM - Lions Gate Films - Stephen Frears, director Television: SITTING IN LIMBO (movie) - BBC One/BBC - Stella Corradi, director THE CHILD IN TIME (movie) - BBC One/BBC - Julian Farino, director THE CROWN (series) - Netflix/Left Blank Pictures - Stephen Daldry & Philip Martin, directors MURDER (mini-series) - BBC/Touchpaper Television - Iain Forsyth & Jane Pollard, directors BIRTHDAY (movie) - Sky Arts/Slam Films - Roger Michell, director THE LOST HONOUR OF CHRISTOPHER JEFFERIES - ITV/Carnival Film & TV - Roger Michell, director RTS of West England Award Winner, Best Editing in Drama KLONDIKE (mini-series) - Discovery Channel/Scott Free Productions - Simon Cellan Jones, director
    [Show full text]
  • Bronagh Gallagher
    BRONAGH GALLAGHER Eyes: Green/Grey Hair: Dark Brown FILM includes (most recently) Director A BUMP ALONG THE WAY Shelly Love Bump Films THE PERSONAL HISTORY OF DAVID COPPERFIELD Armando Iannucci Filmnation RETURN TO MONTAUK Volker Schlondorff Max Films SHOOTING FOR SOCRATES James Erskine New Black Films THE FOOD GUIDE TO LOVE Dominic Harari / Teresa de Pelegri MADE IN BELFAST Paul Kennedy KGB Films ALBERT NOBBS Rodrigo Garcia Chrysalis Films GRABBERS Jon Wright Forward Films TAMARA DREW Stephen Frears Ruby Films SHERLOCK HOLMES Guy Ritchie Warner Bros MALICE IN WONDERLAND Simon Fellowes Future Films THE BIG I AM Nic Auerbach Cinematic Prods LAST CHANCE HARVEY Joel Hopkins Overture Films FAINTHEART Vito Rocco Vertigo Films LECTURE 21 Alessandro Baricco Lecture 21 Ltd 13 Christopher Ryan Madigan Films MIDDLETOWN Brian Kirk Gabriel Films TARA ROAD Gilles McKinnon Noel Pearson Prods TRISTAN & ISOLDE Kevin Reynolds Scott Free SPIN THE BOTTLE Ian Fitzgibbon Grand Pictures SKAGARRAK Soren Kragh-Jacoobsen Piggy Bank Prods THUNDERPANTS Peter Hewitt Dragon Pics THANKS FOR THE MEMORIES Declan Lowney Scala THE MOST FERTILE MAN IN IRELAND Dudi Appleton Samson Films STAR WARS – The Phantom Menace George Lucas JAK Prods THIS YEAR’S LOVE David Kane This Years Love Ltd DIVORCING JACK David Caffrey Scala Film PAINTED ANGELS Jon Sanders Prairie Doves UK Ltd MARY REILLY Stephen Frears Cpolumbia TriStar PULP FICTION Quentin Tarrantino Miramax THE COMMITMENTS Alan Parker Beacon Prods cont 24 Adelaide Street, Dun Laoghaire, Co. Dublin T: 1 663 8646 www.macfarlane-chard.ie
    [Show full text]
  • The Political in Bosnia and Herzegovina
    Hunger & Fury: The Political in Bosnia and Herzegovina Jasmin Mujanović A Dissertation Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Re- quirements for the Degree of Doctor of Philosophy Graduate Program in Political Science York University Toronto, ON May 2016 © Jasmin Mujanović, 2016 Abstract This text is an attempt to (re)approach the process of political and social transfor- mation in Bosnia-Herzegovina (BiH) over the past century and a half through the prism of popular agency. The primary research question of this dissertation asks why given nearly uni- formly catastrophic social indicators across virtually all socio-economic categories there are so few instances of overt popular dissatisfaction (e.g. protests and/or energetic voter turnout) with the prevailing political order in BiH? In addressing this question through an analysis that straddles political theory, international relations, and political economy literatures I focus on the role played by the specific local variant(s) of the nation-state form in essentially depoliti- cizing the majority of the population in this polity. My central argument is that rather than creating the conditions for rational-legal public administration and multi-party competition, the state in BiH has historically served to deny political agency to would-be citizens. The state in BiH has actively sought to eliminate civil society, in other words, and that therefore the de- fining political and social crises in contemporary BiH must be understood in the context of nearly two centuries of this particular and peculiar state (and nation) formation process. I ar- gue that the historic evolution of the BiH polity has been characterized by a form of elastic authoritarianism; the process of seemingly persistent ideological mutation contrasted by static political and economic patterns.
    [Show full text]
  • Fighting the Giants: Castro's Revolution Vs the World
    FIGHTING THE GIANTS: CASTRO'S REVOLUTION VS THE WORLD Fighting the Giants: The Castros' Revolution vs the world 120318 TABLE OF CONTENTS SYNOPSIS ................................................................................................................. 3 CONTRIBUTORS ......................................................................................................... 15 NORMA PERCY – SERIES PRODUCER .................................................................................. 18 DELPHINE JAUDEAU – DIRECTOR ..................................................................................... 19 MICK GOLD – DIRECTOR ................................................................................................ 21 BROOK LAPPING ........................................................................................................ 22 TEMPS NOIR ............................................................................................................. 24 2 Fighting the Giants: Castro’s revolution vs the world On 16 December 2014, Barack Obama got on the phone to Cuba’s President Raúl Castro. One of the President’s aides in the Oval Office has told us that Obama’s account of how he saw the situation went on for 15 minutes. When Raúl could get a word in he said ruefully: “I thought I was listening to my brother!” Then he proceeded to talk for 25 minutes. This phone call was one of the many critical turning points in the tortured relationship between Cuba and the rest of the world. For more than half a century, Fidel Castro’s
    [Show full text]
  • Black and Asian Theatre in Britain a History
    Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation.
    [Show full text]
  • For Immediate Release Simon West to Helm
    FOR IMMEDIATE RELEASE SIMON WEST TO HELM THE BLOB GOLDCREST FILMS, TAEWON ENTERTAINMENT & A-LIST CORPORATION TO CO-FINANCE London, UK – (22/21/15) Pascal Degove, Managing Director of Goldcrest Films (Goldcrest) today announced that Goldcrest will co-produce sci-fi thriller The Blob alongside producers Richard Saperstein and Brian Witten and co-financiers Taewon Entertainment & A-List Corporation. A remake of the 1958 sci-fi classic about an alien life-form that threatens a small town, the film will be directed by Simon West with principal photography set to begin this summer. Taewon Entertainment & A-List Corporation, based in Korea, will co-finance as their first major English-language project. Goldcrest, which is also handling global sales and distribution, will launch the film at the upcoming European Film Market in Berlin. Director Simon West’s films include Con Air starring Nic Cage, The General's Daughter starring John Travolta, Lara Croft: Tomb Raider starring Angelina Jolie. All made over $100 million domestically, opened at number 1, or both. West also served as an executive producer on the Oscar nominated Black Hawk Down and his television company has produced acclaimed series such as Fox's Keen Eddie, the CBS series Close To Home, Fox's Human Target and the NBC series The Cape. West most recently directed the action packed remake of The Mechanic starring Jason Statham and Ben Foster and Expendables 2, starring Statham, Stallone, Willis and many others. Goldcrest Post (home to Todd Haynes' Carol) under Managing Director Tim Spitzer will be providing picture and sound post production services and visual effects under supervisor Chris Haney (Avatar, Avengers Assemble).
    [Show full text]
  • Faculty, Students, Administrators Spill the Beans
    The $800,000 Football Coach * Another Crawley Budget Deficit *Football Recruitment and the Abuse of General Studies *Dave Rice Dreams of Greatness and Checking Accounts Pages 4,5 THURSDAY, MARCH 2, 1978 VOL. 60 U Bronx, NY. AM NO. 7 Permit No'7608 FORDHAM UNIVERSITY, NEW YORK NonProfit Org. s Breaking It Open: Faculty, Students, Administrators Spill the Beans by Carol Coyne SABC ran out of money. On 3:30 Wednesday, the day The noted Crawley's absence, Moore explained that he had sug- Ram goes to press, Kelly received a letter from Fr. Dunn, gested that Crawley not come to the meeting. "I thought it Nearly 200 students jammed into Bishop's Lounge to threatening Kelly and the staff on the Ram if they put out the better," Moore explained to prevent..." As he stumbled for a express their concern for conditions at Fordham which have paper. word, someone in the audience suggested "...to prevent a driven them to the points many described as "frustation and "1 was responsible for 30 staff members, but we had infor- riot?" • despair." mation which was important to communicate to the campus. Student Communications The tense and emotional meeting moved quickly as stu- This intimidation by the administration has got to stop." Most of the speakers, especially the faculty and ad- dent after student expressed complaints. Although some of • Yet another R.A., Mary Fran Evans (FC 78) said, "A ministrators, expressed the need for better communication the faculty and administrators present replied directly to stu- father and son came to look at Fordham the other day and I with the students.
    [Show full text]