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Annual2018 Review. Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical 4 Chief Executive’s Welcome theatrical experiment. 6 Inspired and informed by the unique historic 6 The Globe playing conditions of two beautiful iconic 14 The Playhouse , our diverse programme of work harnesses the power of performance, 20 Beyond the Globe cultivates intellectual curiosity and excites 21 Learning for all learning to make Shakespeare accessible 25 Widening access for all. 26 Exhibition & Tour ‘And let us… on your imaginary 27 Behind the scenes forces work’ 28 How we made it , Prologue 29 How we spent it #Globe2018 30 Looking forward 020 7401 9919 32 Learning for all shakespearesglobe.com 34 Financial Stability 34 Project Prospero 36 Thanks, thanks and ever thanks 38 Staff 41 Trustees and Globe Councillors 42 Cast members and Creatives 2018

The Shakespeare Globe Trust. Registered in and Wales No. 1152238. Registered charity No. 266916.

2 3 Welcome to this year’s Shakespeare’s Globe review, celebrating a few of the highlights from spring 2018 to spring 2019. Our cause is to celebrate and interrogate Shakespeare’s transformative impact on the world, while our two theatres allow us to experience the architectural playing conditions under which Shakespeare’s plays were originally performed. 2018 was a year of artistic leadership change and further strategic development. Our 2017 review looked forward to a new era of artistic endeavour on , one closely integrated with our other activities, but creatively distinct; historically aware, but radically contemporary. This year saw those ambitions joyously realised, with Michelle Terry’s first and second seasons as Artistic Director and the return to a programme in the around shared light and unamplified actors. As a public space and a workplace, 2018 also saw us explore racial and gender inequality in our artistic and educational programmes, achieve gender balanced casting on and trial family friendly working behind the scenes. Our year-long programme of theatre performances on Bankside and on tour was as always combined with an exciting and varied programme of educational and cultural activities, helping to make Shakespeare accessible to all and maintaining our position as the foremost destination for many visitors to begin a lifelong relationship with Shakespeare. One common barrier to this relationship is, of course, financial and, although we continue to operate without public subsidy, 40% of tickets for the Globe Theatre season still cost only £5 – a price held since 1997. We experienced some macro-economic challenges this year, including the general uncertainty around Brexit and the significant drop in education visits following the severe cuts made to the support of arts in schools, which affected the numbers of visitors we welcomed on Bankside. Although we are making some organisational changes in the next financial year to ensure our future resilience and sustainability, we are confident that, thanks to the enormous contribution made by its hugely loyal staff, volunteers, audiences and donors - including Merian, our principal partner for the 2019 Globe season – the Globe will continue to go from strength to strength in helping people enjoy Shakespeare and playing a major role on the UK’s cultural stage.

Neil Constable CEO

Emilia (The Emilia Company) Photo Helen Murray

4 5 Theatre. The Globe One feast, one house, one mutual happiness. Michelle Terry’s first season as Artistic Director marked a return to shared light and unamplified actors in the Globe Theatre. It opened with the creation of a new resident ensemble, whose work found ways to echo the approaches that Shakespeare’s company would have taken over 400 years ago. Their productions of (with Michelle Terry in the title role) and ran in tandem in the Globe Theatre and explored the plays as if for the first time. The Globe season also included – a welcome return to Bankside after a gap of 18 years – a moving production of The Winter’s Tale and a sell-out run of , directed by Senior Research Fellow , with André Holland in the title role and former Artistic Director as . We also opened up the to Shakespeare this season, with an ebullient, highly musical production of Love’s Labour’s Lost. xxx We were also thrilled to present two newly commissioned plays. Eyam by Matt Hartley was a bold account of the impact of plague on a 17th-century village in Derbyshire. Emilia by Morgan Lloyd Malcolm told the story of the early modern poet and feminist, Emilia Bassano, and was one of the most warmly received plays of the year. We are delighted to extend its life on the stage with a transfer to the in March 2019. In both our new work and our productions of Shakespeare, we have explored our response to the #metoo movement and taken a lead in gender-balanced casting, achieving a 50/50 gender split in our acting companies. In addition, we curated a number of special events in the course of the season. Shakespeare Within the Abbey helped to launch the Globe season with an intimate promenade performance of drama, poetry and song led by former artistic director Mark Rylance at Westminster Abbey. Shakespeare & Race, devised in association with the Folger Shakespeare Library and complementing our production of Othello, brought international scholars to Bankside and highlighted the importance of race to the consideration of Shakespeare not only in his time, but more importantly in our own. We contributed to the United Nations-led Refugee Week with a collection of one-off performances, discussions and storytelling sessions, exploring Shakespeare’s response to refuge and refugees – a moving and timely programme that opened what we expect to be a long conversation on Bankside. We followed this later in the summer with Sonnet Sunday, when all Shakespeare’s sonnets were performed by Globe actors, volunteers, community groups and staff across the whole site in a celebration of Shakespeare, the Globe and the people who make it what it is.

As You Like It (The Globe Ensemble) Photo Tristram Kenton

6 7 Hamlet «««« ‘There’s formidable wit and pain in Terry’s delivery of the soliloquies … Shubham Saraf’s portrayal of Ophelia… is truly haunting in its pained dignity.’ «««« The Arts Desk

As You Like It «««« ‘Spreads the kind of joy that only the Globe, with its matchless sense of inclusiveness, can generate.’ Independent «««« ‘The casting is revolutionary… this works, rather brilliantly.’

Nadia Nadarajah (Celia in As You Like It) was awarded Best Supporting Actress in a New Production of a Play in the 2018 BroadwayWorld UK Awards

As You Like It (Richard Katz as Second Lord, Nadia Nadarajah as Celia and James Garnon as First Lord) Photo Tristram Kenton Hamlet (Shubham Saraf as Ophelia) Photo Tristram Kenton The Two Noble Kinsmen Othello «««« «««« ‘A witty, ebullient staging.’ ‘It has the greatest concentration of acting firepower in town and whumps you in the guts at its most emotional points … kinetic and vivacious.’ «««« Time Out ‘Turns a play that’s usually difficult to love into one that’s impossible to resist.’ «««« The Times ‘Hauntingly good.’

The Times The Winter’s Tale «««« «««« ‘A lively and unsettling production.’ ‘A superb cast deliver striking performances.’ The Guardian Aaron Pierre (Cassio in Othello) is a nominee «««« for the 2018 Award. ‘A delight: Shakespeare at his most sad, his most human and his most joyful.’ WhatsOnStage

Ellora Torchia (Emilia in The Two Noble Kinsmen) is a nominee for the 2018 Ian Charleson Award.

Across a total of 11 productions and 272 performances we welcomed 364,422 theatre-goers to the Globe, which represents 89% of maximum capacity,

The Two Noble Kinsmen (Andy Cryer as Jailer, Jon Trenchard as Wooer, Jos Vantyler as Schoolmaster and Francesca Mills as Jailer’s Daughter) Photo Nobby Clark The Winter’s Tale (Rose Wardlaw as Dorcas) Photo Marc Brenner Othello (Andre Holland as Othello and Mark Rylance as Iago) Photo Simon Annand

10 11 Eyam Love’s Labour’s Lost «««« «««« ‘Theatre that intoxicates the imagination.’ ‘Enchantingly daft and dexterous.’

The Upcoming Independent ««« ««« ‘Remarkable and moving.’ ‘A twinkling fantasy world.’

Financial Times The Stage ««« ‘The story is so genuinely fascinating.’ The Stage

Emilia (Shiloh Coke, Sarah Seggari, Nadia Albina, Sophie Stone, Amanda Wilkin, Sophie Russell and Charity Wakefield as the Muses) Photo Helen Murray

Emilia «««« «««« ‘You’re sent out into the night with your head ‘This is a landmark moment in the spinning and fire in your belly. Incendiary.’ history of Shakespeare’s Globe.’ The Times The Independent

(S Eyam am Crane as Rev. William Mompesson) Photo Marc Brenner Love’s Labour’s Lost (Paul Stocker as King of Navarre) Photo Marc Brenner

12 13 The Sam Wanamaker Playhouse What’s past is prologue. The pairing of Shakespeare and his great, older contemporary, , led the 2018/19 season in the Sam Wanamaker Playhouse. The autumn was dominated by ‘ambitious fiends’, thrilling productions of two of the darkest plays in the early modern theatre: and Doctor Faustus. Macbeth in particular met with a very warm critical reception. In the new year, myth yielded to history with complementary productions of Marlowe’s Edward II and Shakespeare’s Richard II, exploring some highly contemporary notions of identity, sexuality, desire and power. This was a great season for new work, too. Continuing the season’s aim to explore the past in order to question the present, we commissioned our first verbatim drama: Oliver Chris’sRalegh: The Treason Trial, a fascinating dramatisation of the 1603 trial and sentence of Sir Walter Ralegh. Dark Night of the Soul, a collection of five short plays by six female playwrights (Lily Bevan, Lisa Hammond, Rachael Spence, Katie Hims, Athena Stevens and Amanda Wilkin), was a hugely varied call-and-response to Marlowe’s Doctor Faustus. The season closed with Tom Stuart’s After Edward, a brilliantly contemporary engagement with Marlowe’s Edward II.

Macbeth ««««« ‘A show so beautifully thought through that nearly every line feels new.’ The Telegraph ««««« ‘The most potent theatrical moment of the year.’ The Metro ««««« ‘Hastie’s Macbeth fully, wonderfully gets the measure of the play […] This is the one to see.’ Financial Times

Macbeth (Michelle Terry as Lady Macbeth and Paul Ready as Macbeth) Photo Johan Persson Macbeth (Jospeh Marcell as Porter) Photo Johan Persson

14 15 Ralegh: The Treason Trial Doctor Faustus ‘The candlelight in the Globe’s wood-panelled [Sam] ‘There’s a modern MeToo feel to Faust’s Wanamaker Playhouse beautifully helps to recreate the pomposity-pricking subterfuge.’ claustrophobia of Jacobean court life.’ The Telegraph The Guardian ‘It’s a very enjoyable staging, making much ‘A fascinating mixture, both more and less than a play, of Marlowe’s keen wit.’ a “verbatim” account which daringly offers members Financial Times of the audience the opportunity to act as jurors.’ The Arts Desk ‘Pauline McLynn is cool, calculating and downright sinister as the acid-tongued demon Mephistopheles.’ Broadway World

Ralegh: The Treason Trial (The Ralegh company) Photo Tristram Kenton

Doctor Faustus (Pauline McLynn as Mephistopheles) Photo Marc Brenner

16 17 Edward II Richard II After Edward «««« «««« «««« ‘An exhilarating production.’ ‘A reminder that Shakespeare is available ‘Director Brendan O’Hea brilliantly orchestrates The Stage to everyone … pioneering.’ the bonkers cerebral mayhem … you feel Marlowe The Guardian must be grinning in his grave.’ «««« The Telegraph ‘A highly involving work that gallops «««« along at the right pace.’ ‘Powerfully resonant ... a blessed plot for our time.’ «««« WhatsOnStage The Observer ‘Tom Stuart’s affecting and funny new play.’ «««« «««« The Stage ‘Completely immersive theatre ... ‘Passionate and courageous.’ «««« masterful direction by Nick Bagnall.’ The Evening Standard ‘After Edward explores what it means to be a gay man Boyz today – a different world, and yet one where sexuality can still be a source of shame.’ Time Out

Richard II (Ayesha Dharker as Aumerle, Adjoa Andoh as Richard II Edward II (Richard Bremmer as Archbishop of Canterbury, Beru Tessema as Gaveston) Photo Marc Brenner and Leila Farzad as Queen) Photo Ingrid Pollard After Edward (Tom Stuart as Edward) Photo Marc Brenner

18 19 Beyond the Globe. 2018 was another great year for taking our work further afield – whether into the commercial theatre, on tour, on screen or online. A single small ensemble company took three comedies – , and – from the Globe stage to six countries and 20 cities. For the first time, we offered a number of highly Learning popular ‘voters’ choice’ performances, giving the audience the chance to decide on the day which play to see. and the King, Claire van Kampen’s play first performed in the Sam There were fewer schools’for visits forall. workshops this year owing Wanamaker Playhouse in 2014 and starring Mark Rylance as the King of Spain, to ever increasing budgetary pressures and cuts to creative enjoyed a highly successful run at the on Broadway. The education, but we nevertheless had great success in widening production, which we co-produced with Sonia Friedman Productions and participation in our educational work, and in total welcomed Paula Marie Black, garnered five Tony Award nominations, including Best 139,248 students and participants. New Play, and for a time was the best-selling play on Broadway. In March our twelfth Playing Shakespeare with Deutsche Bank In cinemas, The Winter’s Tale, our second live broadcast from the Globe, was production for schools (of ) played to screened in over 300 cinemas across the UK. The Two Noble Kinsmen and over 24,000 students, of whom 20,000 were given free tickets Hamlet were also captured on film and released on the Globe Player, our to the show. As usual, for many this was their first experience online digital platform, bringing the number of titles available to 68. We continue of a Shakespeare performance. to be represented by a total of nine past productions, in addition to numerous The Harris Foundation for Lifelong Learning enabled us to documentaries and interviews, on iQiyi, China’s fast-growing video platform. renew and refashion our 20-year-old Our Theatre project for . The fruits of this bore fruit in June, when 69 students from four Southwark schools and 25 adults from The People’s Company, a drama group for over 25s in Southwark, staged As You Like It in the Sam Wanamaker Playhouse. The third Shakespeare’s Telling Tales festival included a haunting performance of Michael Morpurgo’s The Elephant in the Garden as well as a storytelling version of Othello. Two perennially controversial topics provided the themes of our long-running public events this year: Shakespeare and Race (mentioned above) and Shakespeare and Censorship, a series of staged readings, talks and discussions, marking the half-century since the Theatres Act began its official journey towards overturning censorship on the UK stage. As always, our work extended overseas this year – notably to China, where a programme of teachers’ workshops in a number of cities were very well received. The workshops formed the basis of an on-going teacher training initiative and a research project to be undertaken by a professor at Beijing University.

The Taming of the Shrew Shakespeare’s Globe on Tour: (Colm Gormley as Petruchio) Photo Marc Brenner Playing Shakespeare with Deutsche Bank: Much Ado About Nothing (Tyler Faose as Don Pedro) Photo Cesare de Giglio

21 Our Theatre showcase. Photo Cesare de Giglio

22 23 Widening access. Although we rely on external providers for much of our access provision for audiences, which limits the quantity of work we can do, we are proud of what we achieved this year. This included being placed first in the list of the capital’s top ten accessible theatres in Visit ’s official visitor guide. Assisted performances for those with sensory requirements increased from 18 (2017 Globe season) to 38 (2018 Globe season), and the Shakespeare’s Telling Tales literary festival was supported with sign language for the first time. We continued our Relaxed Performances this year and look forward to developing this further by building firm relationships with groups who would benefit from such assistance. We also aim to reflect the diversity of the UK in our work amongst our creative teams and performers. In our acting companies, we achieved a 50 / 50 gender split and increased the number of Deaf and disabled audiences performing on our stages from 0% to 5%.

Shakespeare’s Telling Tales. Photo Cesare de Giglio As You Like It (James Garnon as Audrey) Photo Tristram Kenton

24 25 Behind Exhibition & Tour. the scenes. We welcomed 290,405 visitors to the Exhibition and Tour this We were busy developing our organisational year. To complement our permanent exhibition, we presented a number of culture this year, enhancing our customer temporary exhibitions in the course of the year – notably the ‘Munro’ First relationships, improving our employment Folio of Shakespeare’s plays, on long-term loan from an anonymous donor, practices and reviewing our leadership team. and Othello, Shakespeare and Race, which, in conjunction with other activities on We launched a new customer relationship management system site, showed the influence that the multicultural world of 17th-century Venice and audience database to help us better understand our had on the production of Othello in the Globe Theatre. audiences, visitors and supporters – one outcome of which The Globe receives no public subsidy and we continue to fund our activities has been an improved online booking process. The new brand from a variety of sources, including our on-site and online shop and our and visual identity we announced in last year’s review has catering partner, Swan. This year, these commercial operations contributed brought a new focus to our marketing activities and won a over £3.5million towards the running of the project. This income was affected number of prestigious international awards, including a D&AD by the fewer number of visitors we welcomed to the Exhibition and Theatre ‘pencil’ and two Cannes Lions. Tour during the quieter months of the year. We are now proud to employ some 293 salaried and hourly In response to the financial challenges we faced at the close of this year, we staff and in the region of 100 actors, musicians and other made the difficult decision to close the permanent exhibition. We will now theatre makers. Our new People Plan set objectives to reduce use this space to complement our artistic and educational programmes and the gender pay gap, establish new policies for respectful for new commercial purposes. Our much-loved guided tours of the Globe working – including a new harassment policy and clearer Theatre and the Sam Wanamaker Playhouse will continue. reporting channels – and creating staff-led diversity and Inclusion forums. We also became strategic partners with In total, 1,005,003 people visited our two PIPA (Parents in Performing Arts) and trialled new rehearsal theatres, education events and Exhibition schedules to provide more flexible working conditions for and Tour, and we engaged another 4.5 million families. In order to encourage openness on the subject of digitally through our films and website. mental health, we engaged staff in a programme of advice and events for Mental Health Awareness at Work, and recruited our first cohort of Mental Health First Aiders. Our first apprenticeship training programme, supported by a Pathways Co-Ordinator and funding from ICAP, led to four apprentices graduating in September from the year-long programme. The leadership team was restructured in April 2018 following an externally-led governance and leadership review. In response to the growth of the Globe in recent years, the former Chief Finance and Operating Officer role has been split into two – a Chief Operating Officer and a Director of Finance and Business Administration. We also created a new role of Director of Exhibition, Tour and Visitor Experience and a new Senior Leadership Group, which, among other things, works with the Executive on the next five-year business plan.

Photo Clive Sherlock Photo Clive Sherlock

26 27 INTEREST 132 FUNDRAISING 1,928

OTHER TRADING ACTIVITIES 3,533

TOTAL INCOME 24,176

How we made it. Figures in £000. We delivered a surplus of £374,000 in 2018, which we are reinvesting in our activities and projects this year. CHARITABLE ACTIVITIES 18,583 INTEREST 132 FUNDRAISING 1,928 How we spent it.

FUNDRAISING 688 CHARITABLE ACTIVITIES 19,963 OTHER TRADING ACTIVITIES 2,118

OTHER TRADING ACTIVITIES 3,533

TOTAL INCOME 24,176 TOTAL EPENDITURE 23,409

CHARITABLE ACTIVITIES Key financial information derived from our Annual Report and Financial 18,583 Statements for the year ended 31 * Comprising Theatre, Education October 2018, available online: and the Exhibition and Tour shakespearesglobe.com/about-us

28 29 FUNDRAISING 688 CHARITABLE ACTIVITIES 19,963 OTHER TRADING ACTIVITIES 2,118

TOTAL EPENDITURE 23,409 Looking forward. In the Globe Theatre, we look forward to offering a broad and eclectic artistic programme devised around our ‘scepter’d isle’. Our resident ensemble will continue the history cycle begun by Richard II in the Sam Wanamaker Playhouse in the spring with Shakespeare’s great series of history plays – Henry IV, parts 1 & 2, and Henry V. The ensemble will build on the artistic foundations laid in 2018, creating work bespoke to our players and playhouses. The Globe season will continue with The Merry Wives of Windsor, A Midsummer Night’s Dream and ’s Bartholomew Fair. The joyous 2018 production of As You Like It will also return for a limited run. Our international touring ensemble will offer, as closely as possible, the special experience that the Globe creates with three plays based around the ideas of refuge, home and belonging. We will continue our voters’ choice nights, inviting audiences to choose from Twelfth Night, and Pericles. Combined with a host of festivals, events, debates and discussions, the season will represent a celebration and an interrogation of our multinational island, conducted on the stages of our two unique theatres. More generally, we will continue to co-create projects across the entire Globe site, developing our talents, resources and expertise to increase the diversity of our audiences and extend the reach of all that the Globe has to offer – not least in our local community. Above all, we will continue to operate as One Globe, collaborating with all departments to develop Photo Clive Sherlock Diversity, Equality and Access in our work. We are delighted to receive the support of Merian Global Investors, our sole principal partner for the 2019 Globe Theatre season.

30 Learning for all. We look forward to a busy period of teaching schools and undergraduates and expect to work with approximately 140,000 people over the course of the year. We will continue to develop work within Southwark. Our Southwark Youth Theatre will participate in the annual Our Theatre production with three local school groups and an Elders Company from Southwark Playhouse. We will support the Southwark Teachers’ Alliance in an important two-year project funded by Paul Hamlyn for Southwark Primary Schools and teachers. will be our 13th Playing Shakespeare with Deutsche Bank production and promises to attract over 25,000 people. We expect to give 18,000 free tickets to state secondary schools in London and Birmingham. Outreach programmes will take our work across the world in 2019 – in particular in China and the USA. Work with teachers in China will culminate with a conference in Beijing and Zhengzhou. The Center for Teaching Shakespeare in Diverse Classrooms will be launched at UC Davis in California. We will build on our popular family programme of half-term and summer activities. The Shakespeare’s Telling Tales festival will include story-telling performances of The Merry Wives of Windsor – a co-production with Windsor Castle Education. Our first children’s book, an illustrated re-telling ofThe Tempest, will be published by Walker Books. And 2019 will be a rich year of public events. Our Read Not Dead series will stage six plays featuring Robin Hood to complement the Theatre season. A Women and Power festival will spotlight the work and voices of women of all backgrounds. Shakespeare and Poland will explore Poland’s fascination with Shakespeare and include two world premieres. We will also mark the centenary of Sam Wanamaker’s birth and the 400th anniversary of the death of the actor with two programmes of special events and talks.

Photo Cesare de Giglio. Artwork by Premm Design.

32 33 AlthoughFinancial the Globe’s financial position remains Stability.secure, it faces significant financial challenges, not least the macro-economic environment. London’s experience of terrorism in 2017 (with a major incident within walking distance of Bankside), combined with the uncertainty created by the prospect of Brexit, contributed to a reduced footfall on the this year. We find ourselves at the start of the 2019 Globe Theatre season with a much reduced surplus, reduced income from audiences and visitors, and increased costs. Having examined a wide range of options, we have decided to implement a number of income-generating and cost-saving measures to secure our future financial stability. The most significant among these is the closure of the exhibition component of the Exhibition & Theatre Tour. This will include repurposing currently occupied by the exhibition for a range of alternative commercial and cause-led activities. The highly popular guided tours of the Globe Theatre, Sam Wanamaker Playhouse and Southwark will continue.

Project ProsperoProject is our major capital development, Prospero. realising the final stage of Sam Wanamaker’s vision for Shakespeare’s Globe, a vibrant new facility transforming the Globe campus. We believe it will be the most transformative project envisaged since the creation of the Globe itself, enabling all our audiences to engage at every level with the world’s greatest writer. A new library will house the Globe’s collection of rare books, archive material and special collections, creating a dedicated repository specialising in Shakespeare in performance A new exhibition will maintain a lively dialogue between performance and the historical and scholarly context in which that performance is made. The new building will be a hub for theatrical exploration, creating a suite of rehearsal rooms onsite and world-class backstage production facilities to support the current operation. It will also provide up to six additional education studio spaces, allowing us to greatly increase the quantity of teaching on site, while new events spaces will provide additional commercial income to balance the additional mission-led costs and help us to maintain our financial independence. Stage 4 of the RIBA design process is complete and full planning permission has been received from Southwark Council. Following the completion of the final integrated designs, we undertook a pre-construction review with Sir Robert McAlpine Special Projects in order to minimise project risk and form a solid construction and business interruption programme. Although the review reinforced the feasibility and benefits of the project, it also identified a higher total cost than had previously been anticipated. In order to raise the balance of funds, the Trustees agreed to a slight delay to the start of the project of not less than two years. Thank you to all those who have contributed to Project Prospero.

Photo Johann Persson

34 35 Circle Elizabeth Banner Marcia Whitaker The Harris Foundation for The Blakey Foundation Dr Nick Benson David Whitley Lifelong Learning Andrew & Elizabeth Brown The Bettridge Family The Wilken Family The Harold Hyam Wingate Kate Birch & Dominic Christian Simon Bolland Samantha William Foundation Bruce & Jane Carnegie-Brown Miriam & Richard Borchard Martin Williams The John and Ruth Howard Marcus Coles David & Jane Butter Andrew & Jacqueline Wright Charitable Trust JMT Callaghan The John Coates Charitable Trust Dr Martin Clarke USA Patrons Jean Hawkins Mr & Mrs B Cheshire Nan H Altmayer Charitable Trust Anonymous Supporters Dina & Stephen Lucas Nance Coleman Noël Coward Foundation Christopher Andreas Glenys Palmer Neil Constable & Chris Martin PF Charitable Trust Jennifer Ashworth Alan & Lyn Williams Robert & Lynette Craig The Radcliffe Trust Barbara J. Crossley Patricia Begley The Richard Reeves Foundation Printer’s Circle Phil and Ellie Cunningham Nancy & David Blachman Foundation Robert & Sara Erith Irving & Olya David Alice Boyne Royal Victoria Hall Foundation Alys Garman Anthony & Lawrie Dean Mark & Simone Bye The Pilgrim Trust James Harvey Jon Dear Audre D Carlin Schroder Charity Trust David & Eleanor Holloway Leland Dobbs Gerald H Cromack II St Olave’s & St Saviour’s Foundation Marion G Jagodka Jeanne & Peter Fellowes Jack & Sandra Davis Stephen & Carla Hahn Foundation Karen Minto Deborah Fisher Laura DeMarco & Neil Allen Steel Charitable Trust Amelia Lady Northbrook Andrew & Jane Fraser Sally Dyk United St Saviour’s Charity Janet Rodenhouse Kiki and David Gindler Bradford Edgerton The Worshipful Company Philippa Seal & Philip Jones QC Ros & Alan Haigh Amy Falls of Launderers Davis L Taggart Malcolm Herring John Forlines III Summer Season 2019 Kit & Anthony van Tulleken Tracy Hofman Ella M. Foshay Principal Partner Robert & Hollie Holden Charles & Jane Goldman Illustrator’s Circle John & Pauline Hunter Leslie, Claire & John Goosey Merian Global Investors Anonymous Supporter Ian Jones & Virginia Crum-Jones Jim & Conway Henderson Major Partners Adrian Babbidge & Rosemary Ewles Peter & Sarah King Maxine Isaacs Gail Beer Clive & Julia Lampard Alan Jones & Ashley Garrett Deutsche Bank Richard Buxton Jessica Lee Wayne Kabak & Marsha Berkowitz Official London Hotel Partner Iain Clark & Jan Share John Leonida David Kavanaugh Edwardian Hotels Dr Diana Devlin Michael & Catherine Loubser Michael Lebovitz & Ana Paludi Media Partner David Dutton & Mave Turner Hyacinth V Lund Roy & Jill Levien Financial Times Tim Everett Lori Lucas Cheryl Mathieu In-kind Supporters David Fein & Liz Oestreich Douglas McCallum Ken Ludwig Unlike many other UK charitable arts organisations, the Ed and Alexia Fishwick Philip & Laura Mickelborough Peter Macon Ford Globe receives no annual Government subsidy. We rely on Margaret Ford Brian & Sheila Morris Laurie Anne Marie M.A.C Cosmetics individual philanthropists, leading cultural grant-makers and our Martin Gill White & Case LLP Mr S & Dr H Morris Sara Miller McCune audiences, visitors, friends, patrons and volunteers for support. Calvin & Patricia Linnemann Lady Northampton Richard & Pamela Mones Season Partners AIG The Loveday Charitable Trust Lord Northampton Halsey & Alice North We extend our thanks to everyone who has made this Molly Lowell & David Borthwick Martin Payne & Trudy Lowe Daniel L Rabinowitz & Ann F Thomas Corporate Members Ms M Mahan & Mr K Berezov Lynn & Lionel Persey Cynthia Rapp another significant year in the Globe’s history. We are Bates Wells & Braithwaite London LLP Georgia Oetker William Pidduck Carolyne Roehm hugely grateful to all our loyal supporters and partners Delancey Rhona & Tim Pearson Andrew Pitt Susan Schwab IG whose generosity is crucial to our success during Steven & Emma Penketh Trevor Price George B Stauffer Levison Meltzer Pigott challenging times throughout the creative industries. Sir Michael & Lady Perry Arlene Rabin Donald & Norma Stone SAGE Publishing Patricia Ranken Alison Reeve Christie-Anne Weiss Globe Education Centre China Dyrk Riddell Michael Rich Jo Weiss Arts Council England Yann Samuelides Jaqueline Roe George & Patti White Jeremy & Kiran Sandford Brian Rudd Alan & Irene Wurtzel Project Supporters Andrew Simmonds & Kathy Moyse Leonie Rushforth John Yarmick Brian Symons Tony Swinnerton Lou Sadler Trusts & Foundations Haddenham Healthcare Ltd Robert & Temple Anna, Josh and Ethan Sarphie Anonymous Trusts Spotlight John & Madeleine Tucker William Saward Foundation Celina Dunlop Chris & Vanessa Turpin Christopher Shawdon The Brian Mitchell Charitable X N C Villers Colin & Brenda Soden Legacy Gifts Settlement Ailsa White Joshua Spoerri The Chear Foundation Valerie Ann Anderson Jo Windsor Brian Symons The Deborah Loeb Brice Foundation Marian Jolowicz Susan Witherow & Jeffrey Culpepper Bryan J Taylor The D’Oyly Carte Charitable Trust Robert Maddocks Danny & Spinny Witter Sandi Toksvig The Ernest Cook Trust Margaret Nicholson Harriet Tyce Scribe’s Circle The Foyle Foundation Harry Smith Toby Wallis The Gladys Kieble Delmas Robert Daglish Smith Anonymous Supporters Gail Weigman Foundation Jonathan Taylor A M J Aubry Simon Weil David & Beverley Banks The Golden Bottle Trust

36 37 Human Resources Assistant Visitor Welcome Manager FOR Claire Reeves Junior Group Bookings Officer Craig Ritchie Higher Education Coordinator Louise Chui Alexandra Joseph HR Systems & Payroll Head of Security Nicholas Robins Head of Periodicals Nina Romancikova Research Administrator Samantha Gordon Richard Latham SHAKESPEARE’S GLOBE Specialist Front of House Volunteer Manager Karen Simon Group Bookings Officer Claire Shenfield Events Assistant Rosie Lawton Human Resources Manager Content & Collection Manager Executive Team (maternity leave) Paul Shuter Head of Business Development Kate Hamlin Pete Le May (maternity leave) Head of Visitor Experience Chief Executive Martha Stone Marketing Assistant Jennifer Smith Higher Education Coordinator Natasha Nardell Neil Constable Head of Human Resources Visitor Welcome Manager Chief Operating Officer Ryo Tabusa Digital Manager Dr Will Tosh Lecturer & Research Fellow Andrew Lawson Tony Peck Ian Dixon Visitor Welcome Manager Director of Development Sophie Wells Multimedia Production Officer Emma Woodhouse Learning Projects Coordinator Ian Pettitt Anthony Hewitt Retail Front of House Volunteer Director of Visitor Hannah Yates Design Manager Jon Greenfield, Prof. , Prof. Franklin J. Jenny Reeves Sandra Lynes Timbrell Meghan Cole Head of Retail Coordinator Experience Development Hildy, Peter McCurdy, Sir Mark Rylance, Claire van Stock Controller Senior Research Fellows Alex Covell Tasha Saxby Front of House Volunteer David Lyon Director of Finance & Business Kampen, Prof. Martin White Retail Supervisor Bob Barker Friends Volunteer Coordinator Paul Elwick Coordinator Administration Hailey Bachrach, Alexander Mason, Regine Vital Retail Supervisor Amy Cody Head of Capital Campaigns Research Assistants Cheree Johnstone Nicola Slaughter Joint Visitor Experience Patrick Spottiswoode Director, Globe Education Retail Manager Jacqueline Chambers US Development Officer Raj Mahay Manager Mark Sullivan Director of Communications Bill Buckhurst, Philip Bird, Dickon Tyrrell, Yolanda Jennifer Ebrey Capital Campaign Coordinator Higher Education Consultants Rowanne Anderson, Emma Bower, Ryan Clark, Ewen Stratton Visitor Welcome Manager Michelle Terry Artistic Director Vazquez Anthony Hewitt Director of Development Emma Dowley, Tom Evans, Paul Murphy, Milly Anderson, Angela Bain, Lawrence Bennie, Chief of Staff Dr Shanyn Altman, Joseph Atkins, Emily Baines, Retail Assistants Sarah Mannion Emma Howell Events Assistant Francesca Rignanese Simon Bradshaw, Emma Bown, Vivienne Brown, Assistant to the Chief Executive Hattie Barsby, Kevin Bennett, Philip Bird, Giles Katy Mitchell Jo Matthews Trusts & Foundations Associate Llyr Carvana, Natalia Clarke, Callum Coates, Assistant to the Chief Block, Michael Brown, Sarah Case, Clarke, Theatre Penny Sherburn Claire Morris Membership Officer Mel Coghlan, Allie Croker, Maria Domenica Operating Officer Simone Coxall, Tom Davey, Dr Callan Davies, Tess Assistant to Artistic Director Partnerships Coordinator Monica Bakir Arcuri, Heather Everitt, Kaja Franck, Tim Frost, Charlie Nicholson Dignan, Simon Dormandy, Dr Jennifer Edwards, Head of Casting Membership Administrator Karishma Balani Susie Freeman, Janette Froud,Gerard Gilroy, Box Office George Somers Michael Fry, James Garnon, Peter Hamilton Dyer, Director of Music Membership Manager Bill Barclay Matthew Greenhough, Vanessa Hammick, Jon Box Office Deputy Manager Holly Vickers Anna Healey, Federay Holmes, Joanne Howarth, Globe Associate – Text Peter Bradshaw Head of Revenue Fundraising Giles Block Kaneko-James, Thomas Jobson, Ffion Jones, Box Office Deputy Manager Charlotte Wren Mary Howland, Colin Hurley, Nick Hutchison, Deputy Company Manager Rachael Dodd Kristy Bloxham Tracy Keeling, Tony Kirwood, Anthony Lewis, Box Office Deputy Manager Education Emily Jenkins, Glynn MacDonald, Dr Katrina Props Manager Philip Dunning Katy Brooks Jane Loftin, Rosanna Moore, Hannah Morley, Box Office Manager Archives Recording Coordinator Marchant, Dr Tristan Marshall, Dr Gemma Miller, Director of Theatre Justin Giles Mathilde Blum Lotte Buchan Javier Perez Opi, David Pearce, Nicola Pollard, Higher Education Assistant Gabrielle Moleta, Yvonne Morley, Anna Morrissey, Head of Wardrobe Simon Bradshaw, Rosie Brookes, Phillipe Bosher, Georgia Botros Megan Cassidy Jan Poole, Emmeline Prior, Dominic Riley, Mark Deputy Head of Learning Brendan O’Hea, Michael Pavelka, Huw Prall, Craig Head of Film Distribution Olivia Calman, Maeve Campbell, Zac Danvers, Charlotte Bourne Chui-Yee Cheung Rowland, Joe Saunders, Jeremy Sheffer, Ruth Events Manager Ritchie, Matthew Romain, Simon Scardifield, Senior Producer Jess Davies, Katie Jones, Sarah Mackenzie, Rebecca Casey Sophie Curtis Sillers, Joe Solomon, Steph Tickner, Michael Learning & Teaching Assistant Christine Schmidle, Salvatore Sorce, Philip Head of Voice Lewis Mackinnon, David Maule, Jonny Muir, Edward Clark Stafford, Rob Swain, Dickon Tyrrell, Anita-Joy Tess Dignan Tilling, Alice Trickey, Janet Walker, Simon Webb, Senior Learning & Teaching Deputy Company Manager Tour Guides David Palmstrom, Claire Reeves, Jack Spencer, Alice Dhuru Uwajeh, Timothy Walker, Jonathan Waller Higher Ciara Fanning Emma Woodhouse Box Office Coordinator (interim) Producer Mariah Wakefield & Nicola Westwood Education Faculty Claire Godden Sylvie Brasier, Karen Hooper, Jenny Kiek, Assistants Outreach Coordinator General Manager Emily Dixon Adam Coleman, Tom Davey, Jacky Defferary, Jo Hawkes Annette Franklin, Ailis Garner, Edward Haines Learning Projects Assistant Associate Artistic Director Visitor Welcome Building Operations Chryshelle Ducusin Fiona Drummond, Tas Emiabata, Margo Gunn, Sean Holmes Benjy Ogedegbe, Ben Vercesi Research Coordinator Rosie Howell Senior Production Coordinator Team Members Head of Building Operations Dr Jennifer Edwards Colin Hurley, Conor Short, Mary McNulty, Chris Paul Mullins Learning Projects Coordinator Pam Humpage Head of Wigs, Hair & Make Up Building Facilities Coordinator Rosie Fenning Nayak, Deborah Newbold, Chu Omambala Juned Ahmed, Dave Bayes, Robert Bowker, Sarah Millen Assistant to the Director, Learning Consultants Matilda James Producer Security Team Interim Project Manager Gregory Forrest Les Chave, Vincent Mabo John Withall Globe Education Hanna Lingman Touring & Events Assistant Nadia Albina, Fay Barrett, Kevin Bennett, Simon Theatre Assistant Swan at Shakespeare’s Globe Communications Anna Franek Operations Coordinator Sharni Lockwood Bridge, Scott Brooksbank, Hal Chambers, Literary Manager Jenny Greeley Learning & Teaching Manager Jessica Lusk Sandeep Atwal Financial Controller Head of Digital Alasdair Craig, Philip Cumbus, Adam Cunis, Kate Globe Associate – Movement Jordan Ahmadzadeh (maternity cover) Glynn MacDonald Clement Bernard Restaurant Manager Access Manager Elliot, Mike Fenner, Susie Freeman, Dominic Music Associate Executive Chef David Bellwood Emma Hayes Senior Events Coordinator James Maloney Brian Fantoni Head of CRM & Brand Gerrard, Lori Hopkins, Joanne Howarth, Mark Company Manager Head of Bar Doug Buist Craig Hanlon-Smith Head of Learning Marion Marrs Alice Gardner Press & PR Manager Kane, Alex Kaye, Tracy Keeling, Tom Latham, Candlelit Playhouse Technician Commercial Director Lucy Butterfield Isabelle Hetherington Senior Higher Education Cleo Maynard Jess Harris Press & Publications Officer Pieter Lawman, Nick Limm, Sarah Llewellyn- Touring & Events Manager Phoebe Coleman Coordinator (maternity leave) Helena Miscioscia Sandra Kiauleviciute Head of Outlets Sales Manager Shore, Kate McGregor, Olivia Mace, Gabi Film Distribution Assistant Senior Operations Manager Marcia Clement Laura Hill Learning & Teaching Assistant Raquel Morais Benoit Massonneau Zac Danvers Junior Group Bookings Officer Higher Education Manager MacPherson, Brian Martin, Simon Muller, Joanna Deputy General Manager Back of House Operations Marketing & Internal Daniel Hutchinson Nevin, Sam Oatley, Jim Parkes, Carlyss Peer, Sarah Murray Francisco Ramos Julia Dorrington (maternity Cover) Production Operations Manager Manager Emily Plumtree, Arne Pohlmeier, Emmeline Prior, Harry Niland Communications Officer Outreach Manager Casting Associate Outlets Assistant Manager Melissa Hutchinson Jack Stigner, Geoffrey Towers, Susan Vidler, Becky Paris Gabriele Sabonaite Claire Fleet Bookings Officer (maternity cover) Library & Archive Assistant Head of Stage Owner Jon Kaneko-James Kate Webster, Rachel Winters, Jonathan Woolf, Bryan Paterson Diccon Wright Sarah Fox Communications Assistant Head of Higher Education Deputy Head of Production Group Bookings Officer Dr Farah Karim-Cooper Amanda Wright Globe Education Practitioners Fay Powell-Thomas Catherine Giles & Research Annique Reynolds Music Administrator (maternity leave) Head of Business Development Finance Deputy Head of Wigs, Hair Digital Content & Social Madeline Knights Hayley Thompson Miki Govedarica Library & Archive Manager Robert Ferguson Finance Officer & Make-Up Media Officer Victoria Lane International Outreach Coordinator Olga Govor Assistant Management Accountant Theatre Business Officer Head of Theatre Marketing Sarah Low Charlie Titterrell Ariel Haber Senior Coordinator, Higher Lee Heather Finance Officer Head of Production Creative Artworker (maternity cover) Jessica Lowery Wills Scott Harvey Education (maternity cover) Justin Hicks Finance Officer Deputy Head of Wigs, Hair Systems Manager Victoria Young Matthew Hodson Higher Education Manager Anita Horn Credit Controller & Make-up Senior Marketing Officer Joanne Luck Clemmie Hill (maternity leave) Head of Finance Joel Molesley Visitor Experience Rona Kelly Digital Producer Learning & Teaching Coordinator Finance Officer Hannah Mayblin Katie Monks Tour Manager Tania Newman Graphic Designer Learning Projects Manager Finance Officer Chris Costa Nyree Mellersh Michael Prewer Joint Visitor Experience Manager Irene Omodeo Zorini Creative Artworker Higher Education & Events Finance Officer Carly Davies Elspeth North Amaia Ugarte Eizmendi Security Manager (maternity leave) Coordinator Mark Ford Human Resources Tour Manager Julia Padfield Press & Publications Assistant Operations Manager Lauren Holden Joe O’Neill Human Resources Manager Assistant Front of House Volunteer Javier Perez Opi Access Assistant Learning & Teaching Manager Judy Brown Kate Hill Marketing Manager Becky Rathkey (maternity cover) Manager Emma Pizzey (maternity leave)

38 39 As reported in last year’s review, in January 2018 the Board of Stenning. Deputy Chair Iraj Ispahani was reappointed for a Trustees was delighted to welcome Margaret Casely-Hayford final term of one year to support the induction of our new Chair. CBE as its new Chair, following the retirement of Lord Bichard, Our independent US fundraising charity, Shakespeare Globe after a nine-year term. Centre USA, also saw Jo Weiss step down as Chair after a A number of Trustees also retired this year, having served highly effective six years in the role. Ms Weiss was succeeded their allotted times or moved from the UK, including Lord in October 2018 by current Board Director Daniel Rabinowitz. Blair, Dame Rachel de Souza and joint Deputy Chair Emma

The Globe Trust Neil Constable CEO Joe Dowling Prof. Gordon McMullan Shakespeare’s Globe Mark Engelman Joseph Marcell Shakespeare’s Globe is the vision of Robert Erith Valerie Mitchell Sam Wanamaker CBE, 1919 – 1993 Campaign Board Patron Rosemary Ewles Dominic Muldowney HRH The Duke of Edinburgh Dr Martin Clarke Chair Rt Hon Lord Falconer of Thoroton Maureen Murdock Zoë Wanamaker CBE Honorary President Marcus Coles Paul Farnsworth Philip Murphy Margaret Ford Anton Franks Heather Neill Trustees Michael Hoffman Andrew Fraser CMG Lady Rupert Nevill Chair Edite Ligere Barbara Gaines Hon.OBE Richard Olivier Margaret Casely-Hayford Leslie Macleod-Miller Celia Gilbert Roger Parry CBE Iraj Ispahani Deputy Chair Treasurer Mervyn Metcalf Peter Gill OBE Sir Michael Perry GBE Danny Witter Amelia, Lady Northbrook Anne Gilmour David Pickard Alex Beard Kit van Tulleken Emma Gilpin-Jacobs Ian Plenderleith CBE David Butter Michael Willcox Natalie Pray Dr Martin Clarke Chief Executive The Shakespeare’s Globe Council Charles Goldman Prof. Richard Proudfoot Neil Constable Kenneth Grange CBE Velma Pursehouse Deputy Chair Lady Cynthia Hall Dr Diana Devlin Jon Greenfield Dr Martin P Read CBE Convenor Patrick Figgis Lyn Williams Prof. Andrew Gurr Dame Mary Richardson Daniel Heaf Mrs Gene Andersen Daniel Hahn Nelson Skip Riddle Philip Kirkpatrick Adrian Babbidge Jackie Haighton Sue Robertson Gaurav Kripalani Patrick Haighton John Rodwell Nell Leyshon Merrick Baker-Bates CMG Anne Rowley Joanna Mackle Robert Banks Sue Harrison Dawn Sanders ONZM, QSM Prof. Laurie Maguire Keith Baxter Sandra Hepburn Prunella Scales CBE Dame Anne Pringle Linda Beaney Prof. Frank Hildy Stuart Sessions MBE Jenny Topper OBE Lucy Beevor Valerie Hill-Archer Barry Shaw Shakespeare’s Globe USA Trustees Henry Beltran Anastasia Hille Lord Bichard of Nailsworth KCB Peter Hilton Robert D Smith CMG Audre D Carlin Life President Christina Blair CBE Emma Stenning Daniel L. Rabinowitz Chair Lord Blair of Boughton Jeffrey Horowitz Tom Stephens John Forlines III Lyle Blair Rt. Hon. Lord Howell of Guildford Prof. Ann Thompson Michael Hoffman Rudi Bogni Lady Clare Howes Alan Jones Liz Brewer Sir Simon Hughes Patrick Tucker Michael Lebovitz Tony Britton Graham Jackson Claire van Kampen Steve McGrath Robert Brooke Lennie James Yolanda Vazquez Joseph Marcell CBE Jean Jayer Abby Wanamaker Sarah Miller McCune Alan Butland Peter Jolly Zoë Wanamaker CBE Tom Smedes Lord Butler of Brockwell GCB CVO Michael Kahn Neil Constable CEO Deborah Callan Ken Kelling Jo Weiss Shakespeare’s Globe Audre D Carlin Peter CMG Prof. CBE SGC New Zealand Trustees Bruce Carnegie-Brown Norbert Kentrup Martin Westwood Jeremy Child Alan King G. Warren Whitaker Bill Sheat CNZM OBE Chair Alan Cox Geoffrey King Prof. Martin White Dawn Sanders ONZM QSM CBE Peter Kyle OBE Spencer Wigley Shane Bartle Michael Willcox Johan Barton Jonathan David Robert Leaf Alan Williams Janice Campbell QSO JP Gordon Davidson Jerome Link OBE Annie Wolfe This year’s Globe stewards. Photo Pete Le May Keith Hales Barry Day OBE Christopher Luscombe CBE Colin Macintosh QSO Sir Evelyn de Rothschild Peter McCurdy Neil Strom Prof. Alan Dessen John McEnery Vivienne Thomson All current Trustees are also Tom Deveson Prof. Stuart Young members of the Council Stephen Dingle

40 41 Cast & Creatives 2018 Le Beau / Amiens / Hymen Petruchio Jailer’s Daughter Brabantio / Montano Lady Anne Clifford / Lord Collins / Assistant Director Globe Sonnet Ensemble Francesca Mills Tanika Yearwood Colm Gormley William Chubb Muse / Man at the Globe 2 / Anna Holmfeld Nadia Albina, Jessica Baglow, THE GLOBE ENSEMBLE Tranio Third Queen Roderigo River Woman Costume Supervisor Omar Baroud, Scott Brooksbank, Musical Director / Percussion Russell Layton Kat Rose-Martin Steffan Donnelly Shiloh Coke Lydia Crimp Oliver Chris, Saffron Coomber, Hamlet Phil Hopkins Josh Fish, Peter Hamilton Dyer, Katherina Palamon Othello Emilia 1 Love’s Labour’s Lost Horatio Percussion Rhianna McGreevy Paul Stocker André Holland Leah Harvey Leah Harvey, Paul Jenkins, Richard Catrin Aaron Louise Anna Duggan Gremio / Vincentio Emilia Chorus Countess of Kent / Mary / Muse / Katherine Katz, Emma King, Rosalind Lailey, Claudius Guitars Jacqueline Phillips Ellora Torchia Micah Loubon Leaphia Darko Jimena Larraguivel, Sue MacLaine, James Garnon Man at the Globe 1 / Simon Forman Chris Green Jenni Maitland Natasha Magigi, Nadia Nadarajah, Twelfth Night Wooer Chorus Dumaine / Sir Nathaniel Ghost / Gravedigger / Player Trombone / Bass Trombone Jon Trenchard Ira Mandela Siobhan Tom Kanji Enyi Okoronkwo, Marianne Oldham, Colin Hurley Richard Henry Emilia 3 Schoolmaster Cassio Clare Perkins Boyet Ellie Piercy, Helen Schlesinger, Laertes / Player Clarinet / Bass Clarinet / Saxophone Luke Brady Jos Vantyler Aaron Pierre Charlotte Mills Sarah Seggari, Kudzai Sitima, Jethro Bettrys Jones Lord Henry Carey / Muse / / Flute Skinner, Tok Stephen, Lucie Sword, Dai Pritchard Iago Judith / Priest Berowne Polonius / Priest Steff an Cennydd Musical Director / Multiple Mark Rylance Carolyn Pickles Dharmesh Patel Michelle Terry, Ben Thompson, Anita Richard Katz Instruments Joy Uwajeh, Linden Walcott-Burton, Directors Olivia Andy Moore Chorus Emilia 2 King of Navarre / Holofernes Francisco / Player / Fortinbras Federay Holmes & Elle While Cynthia Emeagi Clemmie Sveaas Paul Stocker Tanika Yearwood, Kit Young Jack Laskey Guitar / Tenor Banjo Lodovica Lord Thomas Howard / Hester / Don Armado Designer Sarah Finigan David Delarre Jos Vantyler Eyam Guildenstern Ellan Parry Badria Timimi Lady Helena / Muse Nadia Nadarajah Double Bass Sophie Russell Composer / Antonio David Donnelly Desdemona Rosaline Mr Thomas Stanley Rosencrantz Colm Gormley Jessica Warbeck Pearce Quigley James Maloney Lady Cordelia / Muse / Flora Percussion / Violin Sarah Seggari Princess of France Choreographer Russell Layton Doe Mehmet Kirsty Woodward Elizabeth Hancock / Elizabeth Sheldon Ophelia / Osric Siân Williams Band Leader / Cornett / Trumpet Lady Margaret Clifford / Midwife / Zora Bishop Shubham Saraf Trombone Adrian Woodward Duke Drunk Man 1 / Muse / Priest 2 / Costard Fight Director Rhianna McGreevy Abigail Newman Played by members of the company Philip Sheldon / John Wilson Gertrude Yarit Dor Percussion River Woman Adrian Bower Helen Schlesinger Emma Arden Sophie Stone Globe Associate – Text Maria / Sebastian Director Katherine Mompesson Hamlet Giles Block Jacqueline Phillips Barrie Rutter OBE Percussion Musical Director / Cello / Voice Michelle Terry Beth Higham-Edwards / Drunk Man 2 Laura Moody Priyanga Burford Globe Associate – Movement Designer / Valentine Simmes / River Woman Marcellus / Reynaldo / Player Director Cornett / Trumpet Percussion Rev. Shoreland Adams / John Hancock Glynn MacDonald Brendan O’Hea Jessica Worrall / Muse Joley Cragg John Paul Connolly Tanika Yearwood Darren Moore Charity Wakefield Globe Associate – Voice Composer Rev. William Mompesson Musical Director / Trumpet Designer Eliza Carthy MBE Harp Adrian Woodward Martin McKellan Andrew D Edwards Alphonso Lanier / Muse / River Louisa Duggan Sam Crane Director & Composer Othello Deputy Text Associate Choreographer Claire van Kampen Woman / Emilia in Elizabeth Sydall / Mary Talbot Percussion Composer Ewan Wardrop Amanda Wilkin Louise Anna Duggan Christine Schmidle Bill Barclay Designer Director Becci Gemmell Nick Bagnall Costume Supervisor Fight Director Jonathan Fensom John Sydall Trombone Choreographer Kevin McCurdy Musical Director / Shawms / Hilary Belsey Lorraine Ebdon-Price Siân Williams Choreographer Designer Will Keen Recorders / Dulcians / Bagpipes Katie Sykes Globe Associate – Text Antonia Franceschi Emily Baines Emmott Sydall Trombone TOURING COMPANY Fight Director Giles Block Stephanie Dyer Kevin McCurdy Music Director Co-Composers Norah Lopez-Holden The Merchant of Venice Sackbut / Guitar James Fortune, Laura Moody Globe Associate – Movement Bill Barclay Elinor Chambers Edward Cooper / Rowland Torre Bass Trombone Globe Associate – Text Glynn MacDonald Luke MacGregor Adam Crighton Bassanio Giles Block Fight Directors Choreographer Luke Brady Rachel Bown-Williams and Ruth Drums / Percussion Wayne Parsons Globe Associate – Movement Voice Coach Calie Hough Francis Bockinge / George Viccars As You Like It Glynn MacDonald Sarah Case Cooper-Brown of Rc-Annie Ltd Fight Director Jordan Metcalfe Old Gobbo / Duke / Lorenzo / Prince Shawms / Recorders Kevin McCurdy Corin / Phoebe / Duke Senior’s of Arragon Voice Assistant Director Globe Associate – Text Sarah Humphrys Unwin Steff an Cennydd Sarah Case Chloe France Giles Block Globe Associate – Text Oliver Ryan Second Lord Shawms / Recorders / Bagpipes / Giles Block Catrin Aaron Deputy Text Associate Globe Associate – Movement Mary Cooper Jessica / Prince of Morocco Assistant Director Christine Schmidle Violin Cynthia Emeagi Isabel Marr Glynn MacDonald Sharon Lindo Globe Associate – Movement Sirine Saba Audrey / Duke Senior’s First Lord Glynn MacDonald James Garnon Costume Supervisor Globe Associate – Voice Marshall Howe Deputy Text Associate Anna Josephs Sarah Finigan Christine Schmidle Martin McKellan Writer Globe Associate – Voice Howard Ward Touchstone Morgan Lloyd Malcolm Martin McKellan Colin Hurley Gratiano Costume Supervisor Nanjing Assistant Director Harriet Stubbs Colm Gormley Laura Rushton Cat Robey Director Assistant Director Rose Wardlaw Orlando Nicole Charles Chris Tomlinson Bettrys Jones Antonio / Launcelot Gobbo Writer / Performer Deputy Text Associate Russell Layton The Two Noble Kinsmen Jude Christian Christine Schmidle Musical Director / Voice / Percussion Charles the Wrestler / Duke Designer Deputy Text Associate Jeremy Avis Director Joanna Scotcher Christine Schmidle Frederick’s Second Lord / Silvius Nerissa Hippolyta Costume Supervisor Moyo Akandé Elayce Ismail Lorraine Ebdon-Price Voice / Percussion Richard Katz Rhianna McGreevy Composer Costume Supervisor Rebecca Askew Designer / Lighting Designer Bill Barclay Sydney Florence Rosalind Portia Theseus Wigs, Hair & Make-up Jude Akuwudike Joshua Pharo Carole Hancock for HUM Writer Jack Laskey Jacqueline Phillips Choreographer Candle Consultant Matt Hartley Producer Anna Morrissey Paul Russell Celia The Taming of the Shrew Jailer Laura Collier Emilia Nadia Nadarajah Andy Cryer Fight Directors Sonnet Sunday Rachel Bown-Williams and Ruth Director Lucentio First Queen / Doctor Design Associate Lady Katherine Howard / Adele Thomas Jaques Luke Brady Dan Saggars Cooper-Brown of Rc-Annie Ltd Pearce Quigley Sue Devaney Desdemona / Muse / River Woman Director Designer Nadia Albina Federay Holmes Hortensio / Merchant Arcite Othello Physical Comedy Director Hannah Clark Oliver / Duke Frederick’s First Lord Steff an Cennydd Joe Dieffenbacher Shubham Saraf Bryan Dick Lady Mary Sidney / Margaret Composer & Music Director Composer Baptista Emilia Johnson / Eve / Muse Tayo Akinbode Orlando Gough Duke Senior / Duke Frederick / Pirithous Globe Associate – Movement Cynthia Emeagi Matt Henry MBE Anna Andresen Glynn MacDonald Sir Oliver Martext Community Concert Directors Choreographer Helen Schlesinger Bianca / Grumio Bianca / Doge of Venice Athena Stevens, Craig Ritchie, Emma Woods Second Queen Catherine Bailey Voice Coach Sarah Finigan Melissa James Tess Dignan Emma Gersch, Darren Raymond Adam / William / Jaques de Boys Michelle Terry 42 43 Globe Associate – Movement Raleigh: The Treason Trial Director Archbishop of Canterbury / John of Gaunt After Edward Glynn MacDonald Paulette Randall Spenser Senior Dona Croll Coke Richard Bremmer Errol Voice Coach Nathalie Armin Designer Aumerle Seyi Andes-Pelumi Sarah Case Libby Watson Earl of Lancaster / Earl of Ayesha Dharker Ralegh Richard Cant Gertrude Stein Assistant Director Simon Paisley Day Composer Bagot / Ross / Exton / Gardener’s Help Annette Badland Hila Ben-Ari Joseph Roberts Earl of Kent Lourdes Faberes Heale Polly Frame Errol Fight Director Fiona Hampton Dramaturg Queen Brian Bartle Kevin McCurdy Jude Christian Mortimer Junior Leila Farzad Popham Jonathan Livingstone Archbishop of Canterbury / Dialect Coach Pooky Quesnel Choreographer Duke of York Salvatore Sorce Paradigmz Earl of Warwick / Sir John of Hainault Shobna Gulati Leather Man Sanchia McCormack Richard Bremmer Costume Supervisor Cecil Associate Choreographer Duchess of Gloucester / Bushy / Laura Rushton Simon Startin for Doctor Faustus Quentin Crisp Bishop of Coventry / Spenser Willoughby / Gardener Richard Cant Howard Jackie Guy Junior / Prince Edward Sarah Lam Macbeth Tim Steed Colin Ryan Harvey Milk Fight Directors Bolingbroke Polly Frame Dyer Rachel Bown-Williams and Ruth King Edward II Sarah Niles Lennox Jay Varsani Cooper-Brown of Rc-Annie Ltd Tom Stuart Catrin Aaron Mowbray / Northumberland Jonathan Livingstone Clerk Indra Ové Banquo Amanda Wright Globe Associate – Movement Gaveston / Lightborn Philip Cumbus Glynn MacDonald Beru Tessema Musical Director / Flute / Bassoon Margaret Thatcher Lois Au Sanchia McCormack Ross Compiled, Edited, Dramatised Globe Associate – Voice Queen Isabella Marc Elliott Martin McKellan Katie West Percussion Cowboy & Directed by Rosie Bergonzi Colin Ryan Duncan / Porter Oliver Chris Deputy Text Associate Joseph Marcell Christine Schmidle Musical Director / Percussion / Vocals / Shruti Box / Percussion Edward Designer Dulcimer Sarah Sayeed Tom Stuart Macduff Jessica Worrall Assistant Director Rob Millett Anna-Maria Nabirye Grace Joseph Percussion Gaveston Globe Associate – Movement Contra Alto Clarinet / Recorder Elaine So Beru Tessema Macbeth Glynn MacDonald Costume Supervisor Sarah Homer Paul Ready Lorraine Ebdon-Price Dorothy Gale / Maria Von Trapp Voice Cello / Kora Director Katie West Tess Dignan Assistant Costume Supervisor Tunde Jegede Adjoa Andoh Lady Macduff / Fleance / Janet Spriggs Musical Director / Cello / Singer Gentlewoman Assistant Director Flutes / Bagpipes / Nyatiti Costume Supervisor Laura Moody Kirsty Rider Martin Leonard Magic Consultant Paul Johnson Rianna Azoro Costume Supervisor / Wardrobe Peter Clifford Keyboard Instruments / Double Lady Macbeth Globe Associate – Text Bass / Percussion Michelle Terry Assistant Dark Night of the Soul Director Giles Block Fred Thomas Nick Bagnall Donalbain / Son of Macduff Rosie Hodge Assistant Designer Philippine Velge Players Designer Ella Callow Writer Doctor Faustus Lily Bevan Jessica Worrall Malcolm Movement & Fight Director Tom Stuart Lisa Hammond Kit Young Composer Yarit Dor Director Valdes / Martino / Carter Wendy Kweh Bill Barclay Musical Director / Singer / Percussion Sarah Amankwah Specialist Media Consultant Brendan O’Hea Louis Maskell Laura Moody Movement Director Juanne Fuller Designer Scholar 2 / Beelzebub / Horse- Pauline McLynn Wayne Parsons Singer / Percussion Voice Jessica Worrall Courser / Duke of Saxony Rachael Spence Natasha Lohan Lily Bevan Fight Director Hazel Holder Composer Athena Stevens Kevin McCurdy Singer / Percussion Music Supervisor Laura Moody Doctor Faustus Lucie Sword Héloïse Werner Jocelyn Jee Esien Globe Associate – Text Midori Jaeger Choreographer Mandi Symonds Giles Block Historical Advisor Siân Williams Cornelius / Scholar 1 / Robin / Alistair Toovey Director Globe Associate – Movement Delia Jarrett–Macauley Globe Associate – Movement Robert Hastie Frederick Jay Villiers Glynn MacDonald John Leader Composer Glynn MacDonald Amanda Wilkin Designer Head of Voice Dominique Le Gendre Voice Peter McKintosh Good Angel / Dick / Benvolio Tess Dignan Louis Maskell Writers Director Sarah Case Lily Bevan Composer Voice Lynette Linton Dialect Laura Moody Mephistopheles Lisa Hammond & Rachael Spence Sarah Case Pauline McLynn Globe Associate – Movement Jan Haydn Rowles Katie Hims Fight Directors Deputy Text Associate & Alexander Technique Assistant Director Rachel Bown-Williams and Ruth Evil Angel / Hostess / Duchess Athena Stevens Christine Schmidle Glynn MacDonald George Nichols Cooper-Brown of Rc-Annie Ltd of Vanholt / Helen of Troy Amanda Wilkin Lucie Sword Assistant Director Candle Consultant Costume Supervisor Globe Associate – Text Director George Nichols Prema Mehta Anna Josephs Giles Block Wagner / Old Woman Jude Christian Mandi Symonds Costume Supervisor Production Photographer Candle Consultant Globe Associate – Movement Globe Associate – Movement Anna Josephs Ingrid Pollard Paul Russell Glynn MacDonald Lucifer / Pope / Emperor / Duke Glynn MacDonald of Vanholt Music Instrument Consultant Deputy Text Associate Globe Associate – Voice Jay Villiers Assistant Director Matt Samolis Christine Schmidle Martin McKellan Grace Joseph Richard II Designer Assistant Director Musical Director / Percussion Costume Supervisors Rajha Shakiry Isabel Marr Phil Hopkins Megan Cassidy, Felicity Langthorne King Richard II Assistant Director Costume Supervisor Bass Adjoa Andoh Monique Touko Laura Rushton Joseph Roberts Edward II Green / Percy / Groom / Text Workshops Candle Consultant Mortimer Senior / Earl of Arundel Simon Trinder Paul Russell Guitars Queen’s Attendant Rob Updegraff / Abbot Nicholle Cherrie Annette Badland Trumpet / Recorders Adrian Woodward The Winter’s Tale (Will Keen as Leontes) Photo Marc Brenner

44 Shakespeare Within the Abbey (Photo Marc Brenner)

46 47 shakespearesglobe.com 48