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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Cold War Fever As 1950S Spies, Romance Lead Bafta Picks
SATURDAY, JANUARAY 9, 2016 (From left) Director/writer Alejandro Gonzalez Inarritu, actors Tom Hardy and This photo provided by Open Road Films shows, (from left) Michael Keaton, as Walter “Robby” Robinson, Liev Leonardo DiCaprio arrive at the world premiere of “The Revenant” at the TCL Schreiber as Marty Baron, Mark Ruffalo as Michael Rezendes, Rachel McAdams, as Sacha Pfeiffer, John Slattery Chinese Theatre, in Los Angeles. as Ben Bradlee Jr., and Brian d’Arcy James as Matt Carroll, in a scene from the film, “Spotlight.” The main Bafta Cold War fever as 1950s spies, nominations Best film romance lead Bafta picks “The Big Short” “Bridge of Spies” “Carol” teven Spielberg spy thriller “Bridge of Spies” known for his leading role in television hit “The Revenant” and “Carol”, a story of romance between two “Breaking Bad”. “Spotlight” Swomen, led the nominations on Friday for Britain’s Bafta film awards, seen as a tip for later Outdoor epic Outstanding British film Oscar success. The two Cold War-era stories set in In the best director category, Spielberg is up “45 Years” the United States in the 1950s have nine nomina- against Mexico’s Alejandro Gonzalez Inarritu, “Amy” tions each and are both nominated in the best Britain’s Ridley Scott, and US directors Adam “Brooklyn” film category. McKay and Todd Haynes. “I’m so pleased to see a “The Danish Girl” They are up against financial drama “The Big great wide sweep of films represented, both inti- “Ex Machina” Short” and survival tale “The Revenant”, which has mate portraits-if you might call them that-like eight nominations. -
My Grandparents'
PERIODICALS 825 Eighth Avenue New York, NY 10019-7435 thirteen.org VOL 30, ISSUE 4 / APRIL 2021 Ready to enjoy THIRTEEN Passport? If your contribution to THIRTEEN is $60+ annually or $5 monthly and you haven’t yet activated your account, visit thirteen.org/passport and use the four-word activation code on this label, located above your name. COURTESY OF MCGEE MEDIA My Grandparents’ War Four Families, Four Remarkable WWII Stories. PREMIERES SUN 4TH, 8 P.M. Finding Your Roots: On Broadway Tue 27th, 8 p.m. Join Henry Louis Gates, Jr. as he investigates the family histories of Broadway stars Audra McDonald and Mandy Patinkin. thirteen.org 1 Sun 4th-25th, 8 p.m. FAMILY HISTORIES EVENING AND NIGHT My Grandparents’ War To view the monthly program guide on our website, visit thirteen.org/schedule and click on “Program Guide.” LADY VIOLET BONHAM CARTER, actress Mark Rylance (Sun 11th, 8 p.m.) delves Helena Bonham Carter’s paternal grand- into the story of his grandfather, Osmond mother, was a woman ahead of her time. Skinner, who spent nearly four years as a 10:30 Bright Lights Little to three decades as A mother of four and liberal politician, she Japanese prisoner of war. A banker with SYMBOL KEY City The history of bandleader to The Tonight volunteered as an air raid warden, cam- no military training, Skinner joined the Hong Tennessee’s Cumberland Show Starring Johnny County Playhouse. Carson. REPEATS 6TH, 4AM. paigned for women’s rights, took a stand Kong Volunteer Defence Corps, was shot Premiere REPEATS 4TH, 11PM. -
Twelfth Night
Character Study of Malvolio in Twelfth Night Malvolio, Olivia’s steward in Twelfth Night, is self-important, pompous, and even a little puritanical (he is accused of being a ‘puritan’ by the other characters). But he is also alienated. Indeed, his alienation from the other characters – from Olivia’s affections and favours which he so craves, and from Sir Toby Belch, Sir Andrew Aguecheek, and Fabian and their drunken and riotous antics – is his saving grace, and what prevents him from being an insufferable bore. We take delight in laughing at him when he dons yellow stockings and makes a fool of himself, believing his mistress wants him to dress in such a ridiculous fashion; but Shakespeare encourages to laugh as much at Malvolio’s human frailty and weakness as at his pomposity and delusions of grandeur. His (deluded) belief that Olivia may indeed favour him is only too understandable, especially in Twelfth Night, a play with no shortage of characters who have deluded beliefs about other characters’ affections. We enjoy seeing him taken down a peg or two, but Shakespeare wants our mockery to be gentle, rather than gleefully triumphant. Indeed, this is the clever masterstroke of that key scene, II.5, in which Malvolio finds the letter (really written by Maria, Olivia’s gentlewoman, but imitating her mistress’ handwriting) in which Olivia supposedly declares, anonymously, her fondness for her steward, and Sir Toby Belch, Sir Andrew Aguecheek, and Fabian all hide in the tree and watch as Malvolio prances his way about the place, his breast positively swelling with misplaced pride at the prospect of Olivia liking him. -
Actes Des Congrès De La Société Française Shakespeare, 39 | 2021 Re-Defining the Shakespearean Actor: Casting and Diversity at Shakespeare’S G
Actes des congrès de la Société française Shakespeare 39 | 2021 Shakespeare et les acteurs Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s Globe under Emma Rice and Michelle Terry Miranda Fay Thomas Electronic version URL: https://journals.openedition.org/shakespeare/6048 DOI: 10.4000/shakespeare.6048 ISSN: 2271-6424 Publisher Société Française Shakespeare Electronic reference Miranda Fay Thomas, “Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s Globe under Emma Rice and Michelle Terry”, Actes des congrès de la Société française Shakespeare [Online], 39 | 2021, Online since 17 May 2021, connection on 23 August 2021. URL: http:// journals.openedition.org/shakespeare/6048 ; DOI: https://doi.org/10.4000/shakespeare.6048 This text was automatically generated on 23 August 2021. © SFS Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s G... 1 Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s Globe under Emma Rice and Michelle Terry Miranda Fay Thomas 1 A common notion in early modern society was that “totus mundus agit histrionem”: “everyone is an actor”.1 But as theatre history and criticism since the Renaissance era have shown, not everyone is given the privileged moniker of being a “Shakespearean actor”. So what is this distinction; when, and why is it bestowed upon particular individuals? This essay considers how different actors and casting practices help to construct the way audiences view Shakespeare, his texts, his characters, and most importantly, his actors. My thinking is prompted by a variety of vexed and interconnected questions. What is a Shakespearean actor, and how is one defined? Who has traditionally been allowed to be one, and how has this term changed over time? And how is the process of being considered a “Shakespearean actor” different and more difficult for non-British, non-white, non-cisgender male, and/or disabled practitioners? These questions do not, of course, have clear answers. -
SPECIAL THANK YOU Mo V I E B:11” S:10” Gu I D E T:11” 2017 MOVIE GUIDE
SPECIAL THANK YOU Mo v i e B:11” S:10” Gu i d e T:11” 2017 MOVIE GUIDE - Amityville: The Awakening (1/6) Directed by Franck Khalfoun - Starring Bella Thorne, Jennifer Jason Leigh, Jennifer Morrison - Mena (1/6) Directed by Doug Liman - Starring Tom Cruise, Jesse Plemons - Underworld: Blood Wars (1/6) Directed by Anna Foerster - Starring Theo James, Kate Beckinsale, Charles Dance, Tobias Menzies - Hidden Figures (1/13) JANUARY Directed by Theodore Melfi -Starring Taraji P. Henson, Octavia Spencer, Kirsten Dunst, Jim Parsons, Kevin Costner - Live By Night (1/13) Directed by Ben Affleck - Starring Zoe Saldana, Scott Eastwood, Ben Affleck, Elle Fanning, Sienna Miller - Monster Trucks (1/13) Directed by Chris Wedge - Starring Jane Levy, Amy Ryan, Lucas Till, Danny Glover, Rob Lowe B:11” S:10” T:11” - The Founder (1/20) Directed by John Lee Hancock - Starring Michael Keaton - The Resurrection of Gavin Stone (1/20) Directed by Dallas Jenkins - Starring Nicole Astra, Brett Dalton - Split (1/20) Directed by M. Night Shyamalan - Starring James McAvoy, Anya Taylor Joy - Table 19 (1/20) Directed by Jeffrey Blitz - Starring Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow - xXx: The Return of Xander Cage (1/20) Directed by D.J. Caruso - Starring Toni Collette, Vin Diesel, Tony Jaa, Samuel L. Jackson - Bastards (1/27) Directed by Larry Sher - Starring Glenn Close, Ed Helms, Ving Rhames, J.K. Simmons, Katt Williams, Owen Wilson - A Dog’s Purpose (1/27) Directed by Lasse Hallstrom - Starring Peggy Lipton, Dennis Quaid, Britt Robertson - The Lake (1/27) Directed by Steven Quale - Starring Sullivan Stapleton - Resident Evil: The Final Chapter (1/27) Directed by Paul W.S. -
Annual Review. 2018
Annual Review. 2018 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical 4 Chief Executive’s Welcome theatrical experiment. 6 Theatre Inspired and informed by the unique historic 6 The Globe playing conditions of two beautiful iconic 14 The Sam Wanamaker Playhouse theatres, our diverse programme of work harnesses the power of performance, 20 Beyond the Globe cultivates intellectual curiosity and excites 21 Learning for all learning to make Shakespeare accessible 25 Widening access for all. 26 Exhibition & Tour ‘And let us… on your imaginary 27 Behind the scenes forces work’ 28 How we made it Henry V, Prologue 29 How we spent it #Globe2018 30 Looking forward 020 7401 9919 32 Learning for all shakespearesglobe.com 34 Financial Stability 34 Project Prospero 36 Thanks, thanks and ever thanks 38 Staff 41 Trustees and Globe Councillors 42 Cast members and Creatives 2018 The Shakespeare Globe Trust. Registered in England and Wales No. 1152238. Registered charity No. 266916. 2 3 Welcome to this year’s Shakespeare’s Globe review, celebrating a few of the highlights from spring 2018 to spring 2019. Our cause is to celebrate and interrogate Shakespeare’s transformative impact on the world, while our two theatres allow us to experience the architectural playing conditions under which Shakespeare’s plays were originally performed. 2018 was a year of artistic leadership change and further strategic development. Our 2017 review looked forward to a new era of artistic endeavour on Bankside, one closely integrated with our other activities, but creatively distinct; historically aware, but radically contemporary. -
Getting Personal with Tom Oppenheim : on the Stella Adler Studio of Acting, Community, Embracing the Fluidity of Identity and Nurturing Humanity
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 14 | 2017 Early American Surrealisms, 1920-1940 / Parable Art Getting Personal with Tom Oppenheim : On the Stella Adler Studio of Acting, Community, embracing the fluidity of Identity and Nurturing Humanity. Interview with Tom Oppenheim Céline Nogueira Electronic version URL: http://journals.openedition.org/miranda/10082 DOI: 10.4000/miranda.10082 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Céline Nogueira, “Getting Personal with Tom Oppenheim : On the Stella Adler Studio of Acting, Community, embracing the fluidity of Identity and Nurturing Humanity.”, Miranda [Online], 14 | 2017, Online since 18 April 2017, connection on 16 February 2021. URL: http://journals.openedition.org/ miranda/10082 ; DOI: https://doi.org/10.4000/miranda.10082 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Getting Personal with Tom Oppenheim : On the Stella Adler Studio of Acting, ... 1 Getting Personal with Tom Oppenheim : On the Stella Adler Studio of Acting, Community, embracing the fluidity of Identity and Nurturing Humanity. Interview with Tom Oppenheim Céline Nogueira The Stella Adler Studio of Acting : Website 1 HYPERLINK "http://www.stellaadler.com/ Biography of the Interviewee: Miranda, 14 | 2017 Getting Personal with Tom Oppenheim : On the Stella Adler Studio of Acting, ... 2 [Figure 1] Tom Oppenheim 2 Tom Oppenheim is the artistic director and president of the Stella Adler Studio of Acting. He studied acting at the National Shakespeare Conservatory and with his grandmother Stella Adler. Acting credits include the title role in Shakespeare’s Macbeth as well as Michael in Buzz McLaughlin’s Sister Calling My Name, both with the Harold Clurman Laboratory Theater Company. -
Speaking Flyer for November 2013
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN PROUD ASSOCIATION WITH THE NATIONAL ARTS CLUB AND THE NEW YORK HEADQUARTERS OF THE ENGLISH-SPEAKING UNION TOASTING A NEW ERA Thursday, November 21 Founded in 1979 by JEFFREY HOROWITZ, and chaired for most of its rich history by THEODORE C. ROGERS, THEATRE FOR A NEW AUDIENCE has earned dozens of honors and provided a congenial home for directors like Arin Arbus, Bartlett Sher, and Darko Tresnjak and for actors like Kathleen Chalfant, Mark Rylance, and John NATIONAL ARTS CLUB Douglas Thompson. It was the first American troupe to 15 Gramercy Park South present the Bard in Stratford’s Royal Shakespeare Theatre, Manhattan and its powerful rendering of The Merchant of Venice, with F. Murray Abraham as Shylock, was featured in the Program 6:00 p.m. RSC’s recent Complete Works Festival. Two Julie Taymor Reservations Requested films, Titus and The Tempest, were preceded by stage productions at Theatre for a New Audience, and Ms. Taymor’s interpretation of A Midsummer Night’s Dream is inaugurating the Theatre’s new Polonsky Shakespeare Center in Brooklyn. Please join us for a festive salute to Jeffrey Horowitz and Ted Rogers. ADAM GOPNIK Friday, November 22 Best known for Paris to the Moon, a touching account of the years he and his family spent in the City of Light, ADAM GOPNIK has also enriched our lives with Americans in Paris, an anthology of New World responses to the French capital, and The Table Comes ENGLISH-SPEAKING UNION First: France, Family, and the Meaning of Food. -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory