DOCSLIB.ORG

Melody-Maker-1958-09

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Melody-Maker-1958-09 RACE• RIOTS SEIIOUSLY dis- tul'Nfll»rtherec.nt Over 114,000 C111l11 Wf:ekly outfweakoflnt••NICle rioting in London and other parts of the country-m3CI equallr disturbed at the absence of anr ~ 1plrftual, inclultrial • political move-meni­ ben of the ent.rtaln­ ment profession on Wednesday issued the following appeal to their audience, the public: AT a time• when rea.ioR hcu given roar to ofol­ tmee fn parts o BHtafn. we, people of all races tn 6.5 _enters with. Carnegie stars arrive the toorld of entertain­ ment, appeal to the pub­ Uc to re/ect racfal dfl­ crvnfnatfon fn an11 1hape big-band talent ; . or form. Violence wfll 1ettle noth­ ing: ft urlll onlv cause 1111..1 EXT Saturday is 1uf/mna to Innocent people and crf!ate fresh grleua nee&. I~ D-Day in the big TV We ap-pm l to our atUU­ ence~ evtTJtwhere to lofn battle for 15,000,000 ru fn opJ)Ol'f ng ani and (!VflTJI a,-,,ect of colour teenage teleview,ers. pre-f udlce whereuer U mav appear. Poised for adion in their respective comers are ABC­ The eppN.I• wu fl9IHHi TV~ producer Jack Good and lty 27 pt'oainetlt .-... BBC-TV's Russell Turner. "'8 of the profeulon. They w.,.: 6.5 • Broadside• Lorry ADI.Ell ChmllABH Jack Goocl is bidding for teenage l'ecrt CAIIII A.IMa COGAN attention with his fast·-moving Johnny OANCWO111N "Oh Boy I " series, whlle Russell . Lenl\le DP.. GAN CharG• ORAKI Turner aims to collect an even Ray £WNGTON bigger audience for his "new-look" 1 Tubby HAYIS Ted HEATH "SiJE.five Special" transmissions. Teddy JOHNSON A broadside in the war of the TV aeo uu.. Humphrey LYTTRTON ••••• wa1 , fired on Wednesday by Matt MONRO lu11eU Turner. He ha1 recruited top MJck MUUJGAN big-band talent •• hi• maJor attraction. Oltnl• PAJT'DSOH Marfon RYAN Music with a· beat Ron.ni• scon Han-y SECOMaa In an exclusive statement to t.he M1:1.0ov 1 Peter SlUHI MllER, Russell Turner saJd : "We have given •She-Five' a new big-band look. As I Tommy STIii.i resident groups, ..J!e have signed up Tony Eric SYKES Oaborne and his ora.ss Hats and Tlt.o Burrus Olde.le VAUNnN8 and hlJI Slx-Flvers. Franlde VAUGHAN " And each week we 1hall spotug11t Member, o/ tile all••tar "Jo:.• .' From :arn~le Hall " u nll hare been a,rtdno In Kent WALTON ltar name band., of the calfb•re of Ted LOn.don rt, t, u:eek /or t he ,,on: o/ t hdr tour a, t he NeUJ Victoria Cinema ro­ DaYkl WHITFIELD Heath, Bric Delaney, Jol\nnv Dank1oorth, m01"ro10 fSaturdai,). The Jlr,t arrl11a_l_J u-e,... drumm rr Kenn11 Clark e and Zoot Marty WIU>a Sim, . 111/10 •planed, In /tom. Ptuil on T11~1dou fO "tok,:: a 1001, around London." K en !tfacklntosh., Reg Owen, and Ronnie ThctJI ore 111Ctt1red I Obollt l In Pfocod lllv Clr,•111. T he remainder o/ t t,e unll-altoi.tt Lee Konlt:, 1ro111bol1f~ta J. J , Jolln1on and Aldric/& and the Squadronalres .. See also back p~ Kat Winding. pfanlat, Phlnea, Newl>Ona and R«! G11r "'"' <1nd basmr 3o,car • 9 Back Page, Col. 3 Pcttl/ori1-V1nc duo 10 a.rrfoe uu tertlo11 C '1'h-urlda11). See pp. 2 and • LOTIS TO -STAR WITH HEATH AS BRITTON LEAVES be heard wllh Ted tomorrow TED HEATH has captured (Saturday) in b l1 Light. Pro­ o new 1ln1•, and 11 al10 gramme airing {rom l.45 t.o 2.30 p,m, losing one. New girl Bobble Brltlon told the MM : Tbls week, Ted slgned " t feel I~ 15 time I brnnched out on my own. I a m itolna to up a glrl vocal dlscove.ry have a crack at TV and from the Midlands. She ts chosen cabaret. n Is entirely mr ov.n 23-year-old Tricia Payne, decision to leave." who has sung under the lqb Efford joins r-... P..x.,E_C---... IA- .....- L- ... -G•u"'-E-S_T.. -----1 na me or Pat Marian with Another newcomer to the S Midlands bandleader Ken Heath ranks Js tenor nnd clnr­ ESSIS tons, ro,mu • Rattenbury, and also lnetust Bob Efford, who Joins D slnrtnr star wU b Ted appeared on TV. on Seplffll.ber 11. }(e ta.Ices H~ tb. u r•Jolnln1 the b:and Bobble Britton. who h ns Mt-n over from Red Prtcc, ,,ho plays u a special ium arUt t for wtlh Ted Heath for nvc ,·ears. hls lt\St date wlUl the band to­ Ted's .8. lour. 1s le.avin" the bend jusl pr ior to morrow tSaturday) at Oxford. Dennll left the b11nd In it., Btnteslde tTlp In Oclober. Ni p reviously reported. Red April, 1955. His place w:u Tricia Joins Ted Heath P rice will be featured In ABC­ tllken by bis brother, Peu:r through aeelna the story front• TV's " Oh 'Boy !" series. Lowe. -paged ln lhe MEI.OD\' MAl<CR, Bob Eltord has played with Comments Dennis: " I dated J uly 19, when Ted &aid mo.ny name banda. and l\ppenrs .J,.LII look forwacd lo ar,- he was looldar ror a new irl rl In Town with the Tonv Kinsey oarfQ.( In Use Sbtet "1th vocallst. Qui ntet at the Flamtniio Club 'r~. We 1rol on well lo- Triola made her ftrsl apl)Ur- Hts v.·lfe Is Jonn Brnolt. who l'elhrr." aoce walh the band ln a 'BBC Sin(!& With Arnold Balle)' at lb.II i~...-. 1 record lnir laat. F riday. She will FAmundo ROI Club. Aeker Bilk (P.4) ••. Connie Franeu (P.6) ••• Tomm~ Steele (P.S) r I ,Oge 2-MELODY MAKER. Septambel I, 1851 WOR-LD TOUR FOR 05car Pettiford J. J. Johnson Red Gari ar.d i+MIW K~, Windin~ lee Konitz Ph ineas New born ~t,p MILLER OR rom hom BEN GRBVAff p,.,,,> NEW YOIK, Weclnesdar.-The lay McKlnler•Glenn MID•._. wll leave the States earlr in Jrm••v fo, tta aost •mlt1tiom worlcl toa. The trip wlJI encompoa aoae 15,000 mlleL 1J.~,f. I caught the Miller Band-sounding better than ever NEW YORK -at its opening on the swank StarUght Roof Garden • of the Waldorf Astoria here. McKinley told me the HOLLYWOOD band would cover Italy, France, Germany, Ute Scandi­ -eight 1azz stars n avian oountrtes, AustraUa, Manila and Japan on the forthcoming safari .. We're oot I o l n c to Pat Boone England thJs time," McKin­ WnH the • Jen& fro• Ccts•II• Hall" podcage • • ley said. "We reel It may ALL ABOARD! about to dart a lrltllh tour, tile AnNrican, be a bit too soon af~ our sw1ng1ng your way whlrlecl )mlz l&st visit. But we do want IJB Unite.• llt&t.el 1a.u ha•• Into our Mblt •._..of aot.tlltes talks to T Fest!ftl, to be h t l4 In a, n,m9ln9 a1 anJ that Men lttunched under to go back, and It may well New York tJw autumn ha•• be tt. the ex.change ache... Here .,. th• ja.n ,tars the Jazz-in 1~7 and In late 1952. with Ventura, Gene Ammons, we can make some •Ill be held OD I Unu and 'rhe second Ume be was out Parker and D11111eron. ln 19t0. Ume next Sprt.n• - pe.rbaps a p ltr-fiimuJtAneoUlb'I fa:m wlU be teldng about ua tlte Mit few d•r• :- Wlndlnl and J ohnson a lt.er­ teenagers April." A nouaJ Jaa conctrt for nearly t.wo years before Join• trill be held 011 tbe 4 odl Probably the moat ramooa or the mNlJ Jazz Johnaons tnir Kai Winding ln an .. lmpos­ na~ wllh the hlSLortc MIies wbJle a smullt r eoncert ln a alb{e .. two-trombone unit. thnt Davia n ine-piecer. and were to­ ....... Sl)fflnc lleld of Jau­ ls trombonist .James, known to us aa J. J. JOHNSON. gether · B om 34 years ago Jn lndJanapolls, h e made bfs a.st.oundcd the Jazz world. ln Lhe no.moovant BOWARD WCIIAH DORSEY IAIID modun, trail.. or main• name An admirer. close frte,nd and Chubby Jackson big bGnd of the i.t~W be beld OD with Beony Carter and Oount Bute at the end or the same year. AT BOONE'S book lS lloard tbe llDl'I' dockell frequ.ent musical 14'10C1Dte or new Cha Cha hit war. 1nd won the ftnt of uumy poll honours when h e J ohnson la DanhrJ•bom KAI Ar ter the P called - Pat. Boone Talks aJo"51de.-am irora.u. 1954-56 •• J Gy to Teenqers." • . • Bassist BE t.ttmeodoua aucce88 of .,....,.~,.~~-...... ~_....,"' was named &,quire New WINDL'iG, who went to the OSCO PmlfOllD T the Niller Band baa gparktd S tar or J 946. S t.ates 11-1 a 12-,ear-old. Twelve and Kal ­ R~ Mitchell U1S or J ohn baDda. ,----- --------!- ----- - ----, p b enomen on. Mandel's Jazz bacqround for renewed lnt.ereal. ln blg The ftm man to adapt the yea. rs Int.er. a(ter service v.'ith tocludlnr one with Sugar Ray Now the NIOJ'l(an l,8d Tommy early bop t.eclmlquea to Ute Bonny Dunham. Alvlno Rev, lw.l took the the B IU'baro. Graham StorY II Idea Mike ·uawker Robinson>, Is maln ly known to m ovie (now called " I Wo.nt Dorr.ey Band la also .scoring WHILE IACI BRITAII • . trombo.ne, Johnson baa lllu• Benny OoodmllJ\ and the OS.
Load more

Recommended publications
  • Post-World War II Jazz in Britain: Venues and Values 19451970
    University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre).
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
    Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297).
    [Show full text]
  • ART FARMER NEA Jazz Master (1999)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
    [Show full text]
  • It's Better on the Inside
    001 Front 21 March 2019_Layout 1 21/03/2019 12:44 Page 1 N o. 7 5 THE MAGAZINE A P R 1 9 JOIN THE CLUB OUR NEW MEMBERS’ PROGRAMME WILL OPEN THE DOOR TO RESTAURANTS, BARS AND SHOPPING EXPERIENCES IN THE CITY AND BEYOND – SEE P36 TRAVEL LIVING FOOD&BOOZE How climate change is challenging Nap rooms and fermenting clubs in the Top chef Tom the decades-old rules of the industry chic new office of design agency Fjord Kitchin invites Olympic superstar Chris Hoy for lunch THE BIG INTERVIEW: PAUL WHITEHOUSE to discuss eating The Fast Show star talks about the BBC’s war on comedy and the simple joys of fishing and winning IT’S BETTER ON THE INSIDE How to get the most from City life, from the best new restaurants to our exclusive City AM Club for savvy professionals 002-003 DPS 21 March 2019_Layout 1 21/03/2019 13:09 Page 1 002-003 DPS 21 March 2019_Layout 1 21/03/2019 13:10 Page 2 THE PERFECT DESTINATION FOR TOWN & COUNTRY LIVING 10:59 004-005 DPS 21 March 2019_Layout 1 21/03/2019 13:11 Page 1 119 New Bond Street · Westfield, White City · Harrods · Cabot Place, Canary Wharf Royal Exchange · Selfridges, Oxford Street and Birmingham · Tel. 03455 040111 P P I 004-005 DPS 21 March 2019_Layout 1 21/03/2019 13:12 Page 2 Creating new heights The new Montblanc 1858 Geosphere. Spirit of Mountain Exploration. montblanc.com/1858 Royal Exchange · Selfridges, Oxford Street and Birmingham · Tel. 03455 040111 C C P 006 contents 21 Mar 2019_Layout 2 21/03/2019 11:35 Page 1 E D I TO R ’ S I N S I D E LETTER T H I S I S S u E ity A.M.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Georgie Fame
    Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes.
    [Show full text]
  • Francy Boland & the Orchestra 3. White Heat Mp3
    Francy Boland & The Orchestra 3. White Heat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: 3. White Heat Country: Netherlands Released: 1978 Style: Contemporary Jazz, Big Band MP3 version RAR size: 1442 mb FLAC version RAR size: 1561 mb WMA version RAR size: 1322 mb Rating: 4.4 Votes: 113 Other Formats: AC3 XM AIFF MP1 DTS TTA MPC Tracklist A1 Daffodils 5:22 A2 Everything I Have Is Yours 9:13 A3 As Long As There Is Music 4:38 B1 Nargileh 6:24 B2 East Of The Sun 6:58 B3 A Gal In Calico 5:29 Companies, etc. Manufactured By – EMI Records Holland B.V. Distributed By – EMI Records Holland B.V. Licensed From – MPS Records GmbH Recorded At – Cornet Studio Published By – Edition Cawoo Published By – Stratford Music Published By – Edition Swington Published By – Francis, Day & Hunter Published By – Remich Published By – Neue Welt Musikverlag Published By – Chappell Credits Alto Saxophone, Clarinet, Soprano Saxophone, Tenor Saxophone – Tony Coe Arranged By – Francy Boland Artwork, Design, Photography By – Heinz Bähr Baritone Saxophone, Flute, Soprano Saxophone – Sahib Shihab Bass – Ron Mathewson Conductor, Piano, Mellophone – Francy Boland Coordinator – Adi Stammel, Nora Campi-Pavlovic, Rolf Braza Drums – Kenny Clare Flute, Clarinet – Heinz Kretschmar, Kurt Aderholt* French Horn – Christoph Brandt - Lindbaum, Heinrich Alfing, Konrad Alfing, Peter Ludes, Tom Baken Photography By – Bobby Richards Producer, Supervised By – Gigi Campi Recorded By – Wolfgang Hirschmann Supervised By – Willi Fruth Tenor Saxophone – Ronnie Scott Tenor Saxophone,
    [Show full text]
  • Rolling Stones London Med Fredrik Strage För Dig Som Är DN-Prenumerant
    Rolling Stones London med Fredrik Strage för dig som är DN-prenumerant Rolling Stones London DATUM 27 – 29 mars 2020 Följ med till Rolling Stones London! En tidsresa där vi under tre intensiva dagar färdas tillbaka till sextio- och sjuttiotalet och upplever de avgörande ögonblicken i Rolling Stones PRIS PER PERSON historia. del i dubbelrum 14.900 :- SEK per person Historien om världens största rockband är historien om drömmar, triumfer, katastrofer, myter, sex, droger och rock ’n’ roll, från debutspelningen på 1962 på Marquee Club till i enkelrum gruppens senaste studioalbum ”Blue & Lonesome” från 2016. 18.600 :- SEK Under resan besöker vi platserna i och runt London där bandet förvandlades från skolpojkar till rockgudar. Vi ser gatorna i Dartford där Mick Jagger och Keith Richard växte upp och tågstationen där de pratade med varandra första gången. Vi besöker studior och barer runt Soho där karriären började, adresser där de bott, platser som präglat dem. Det här är en resa för dig med passion för musik och rockhistoria. Resan är exklusiv för DN:s prenumeranter. Är du inte redan DN-prenumerant tecknar du enkelt en prenumeration på DN:s hemsida innan du reser. Projektledare Jesper Fästh [email protected] 08-20 55 00 Tel: 08 – 20 55 00 Postadress: Besöksadress: Box 45405, 104 31 Stockholm Saltmätargatan 8, Stockholm Email: [email protected] T-bana Rådmansgatan www.cluberiks.se Rolling Stones London med Fredrik Strage för dig som är DN-prenumerant I PRISET INGÅR • 3 dagars program under ledning av Fredrik Strage DATUM 27 – 29 mars 2020 • Värd som assisterar Fredrik Strage • Flyg t/r Stockholm – London inkl.
    [Show full text]
  • Jazzletter 93024--024-0 April 1993 V01
    » » G606 L665 P.O. Box 240 Ojai, Calif. Jazzletter 93024--024-0 April 1993 V01. 12 Na 4 Carl Barriteau, born in Trinidad February 7, 1914, grew up Come Back Last Summer in Maracaibo, Venezuela. He moved to London in the late Part Two 1930s and played with Ken (Snake Hips) Johnson’s West Indian Swing Band. He formed his own recording group in the middle ‘By this time it was Christmas, the end of ’52,‘ Kermy said. ‘I of World War II and entertained British and American troops left Canada atthe end of September or early October. after the war, in Europe, North Africa, and Southeast Asia. ‘I read that they needed helpers in the post office for the ‘I’m not sure when I went with that band,‘ Kenny said. Christmas mail. So I got a job doing that. But meanwhile I’d ‘Wait a minute, I can pin it, because it was the year I came met Doreen on the telephone. The young Scotsman used to go over to visit,‘ I said. ‘You were with that band in 1954.‘ with Doreen’s girlfriend, tmbeknown to the guy he was living ‘Carl was great,‘ Kenny said. ‘I loved working for him. I 'rith. Doreen rang up one day to say that her girlfriend couldn’t really shouldn’t have taken the job, because I didn’t have the make this date with the Scotsman. So being young and stupid, chops for it. It was a really hard book. There was a front line I suppose, I started to kid around with her on the phone, and of about five people.
    [Show full text]
  • Thesis University of London
    THESIS UNIVERSITY OF LONDON COPYRIGHT This is a thesis accepted for a higher degree of the University of London. It has been made available to the Institute of Education library for public reference, photocopying and inter-library loan. The copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of this thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. `I drum, therefore I am'? A study of kit drummers' identities, practices and learning Gareth Dylan Smith Institute of Education, University of London Submitted for PhD 1 ABSTRACT Drummers have largely been neglected in scholarly literature on music and education, despite being active in large numbers in popular music and having an increasing presence in the music education arena. The study explores the identities, practices and learning of kit drummers in the UK from an emic perspective, using a mixed methodological approach with a focus on qualitative sociological enquiry drawing on interpretative phenomenological analysis and grounded theory. Semi-structured interviews were conducted with 15 teenage drummers and 12 adult drummers; both age groups were interviewed to allow for consideration of whether adults' reflections on their formative years differ greatly from those of teenage drummers today. Secondary data were gathered from a brief questionnaire conducted with 100 more drummers to support and contextualize the richer interview data. Data were also taken from relevant biographies, audio/visual media and journalistic sources.
    [Show full text]
  • Brian Auger & the Trinity & Julie Driscoll
    a division of BRIAN AUGER & THE TRINITY & JULIE DRISCOLL “The Mod Years” Elisabeth Richter Hildesheimer Straße 83 30169 Hannover GERMANY Tel.: 0049‐511‐806916‐16 Fax: 0049‐511‐806916‐29 Cell: 0049‐177‐7218403 elisabeth.richter@mig‐music.de www.mig‐music.de Release: 24.06.2010 CD Kat. Nr.: MIG 00492 Format: 1 CD Jewel Genre: Rock Brian Auger talks about “The Mod Years” It was in April-May 1965, when Long John Baldry saw me playing in the Manchester club “The Twisted Wheel”. Baldry was already a famous name at that time. He even had his own hour a division of on television, so big deal. I was called to a meeting the following week with John, his manager and agent. John’s Hoochie Coochie Men were breaking up. It was suggested that my trio, the Trinity with bassist Rickey Brown and drummer Mickey Waller would become the rhythm section of the new band. I added Vic Briggs, John wanted his protégé Rod Stewart to sing with us. I suggested adding singer Julie Driscoll, who at that time was working in my manager’s office but waiting to start a career with a band. The Steampacket were a tremendous success live and went on to be called the first Supergroup. I arranged and interpreted stuff for everybody in the band. Because of arguments as what label to record for, we missed recording our own album. After the breakup, Baldry changed the band into The Shotgun Express and The Brotherhood, with Elton John at the piano. This anthology compiles tunes from before 1966.
    [Show full text]