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Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
SP Location Map New 16.08.12
ND RA ST OW Y R S O A AV V S O Y A301 S T IET London: Savoy Place Map Savoy Hotel S A AY V Barbican Y W O AVO Y S H IL L Walking Distance C 29 mins A R T IN G E L C Holborn N LA Y P T VO EN SA M T NK Walking Distance EN BA Tottenham M M 7 mins K E Court Road N IA BA R M TO E IC IA V Oxford Circus Walking Distance R TO D ST 17 mins IC St. Paul’s OXFOR V Walking Distance Walking Distance 27 mins 22 mins ET ST The Gherkin Covent FLE Garden City Thameslink St. Paul’s R E G Cathedral Mansion E Walking Distance N Blackfriars House T 9 mins Leicester S T Square Temple Walking Distance Walking Distance Monument 15 mins UPP 28 mins Walking Distance ER THA Piccadilly MES S Circus 11 mins A4 Walking Distance T Tower Hill 10 mins Blackfriars Pier Walking Distance Leicester 32 mins ND Walking Distance RA W E Walking Distance Square Nelson’s T A G S T D L 17 mins I OW 40 mins E ER TH Column R R AMES ST B L O K O R Savoy Pier B Bankside Pier A Charing R London W A4 Cross ID H Charing Cross Embankment G T Green Park E U O Tower Millenium Pier S Tower Of Walking Distance Oxo Tower Tate Modern 7 mins T Walking Distance Festival Pier London L N Walking Distance AL D London Bridge City Pier M E 6 mins L R S E 25 mins L A3212 M OU A S G P K T R H D N W I A A A I RK R B B R S LY L T DI AL M F R E K E A M C E C A W C H I I T A P O R L T London B O T Waterloo Waterloo East C I The Shard V St. -
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley, -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
It's Better on the Inside
001 Front 21 March 2019_Layout 1 21/03/2019 12:44 Page 1 N o. 7 5 THE MAGAZINE A P R 1 9 JOIN THE CLUB OUR NEW MEMBERS’ PROGRAMME WILL OPEN THE DOOR TO RESTAURANTS, BARS AND SHOPPING EXPERIENCES IN THE CITY AND BEYOND – SEE P36 TRAVEL LIVING FOOD&BOOZE How climate change is challenging Nap rooms and fermenting clubs in the Top chef Tom the decades-old rules of the industry chic new office of design agency Fjord Kitchin invites Olympic superstar Chris Hoy for lunch THE BIG INTERVIEW: PAUL WHITEHOUSE to discuss eating The Fast Show star talks about the BBC’s war on comedy and the simple joys of fishing and winning IT’S BETTER ON THE INSIDE How to get the most from City life, from the best new restaurants to our exclusive City AM Club for savvy professionals 002-003 DPS 21 March 2019_Layout 1 21/03/2019 13:09 Page 1 002-003 DPS 21 March 2019_Layout 1 21/03/2019 13:10 Page 2 THE PERFECT DESTINATION FOR TOWN & COUNTRY LIVING 10:59 004-005 DPS 21 March 2019_Layout 1 21/03/2019 13:11 Page 1 119 New Bond Street · Westfield, White City · Harrods · Cabot Place, Canary Wharf Royal Exchange · Selfridges, Oxford Street and Birmingham · Tel. 03455 040111 P P I 004-005 DPS 21 March 2019_Layout 1 21/03/2019 13:12 Page 2 Creating new heights The new Montblanc 1858 Geosphere. Spirit of Mountain Exploration. montblanc.com/1858 Royal Exchange · Selfridges, Oxford Street and Birmingham · Tel. 03455 040111 C C P 006 contents 21 Mar 2019_Layout 2 21/03/2019 11:35 Page 1 E D I TO R ’ S I N S I D E LETTER T H I S I S S u E ity A.M. -
Exploring London from the Thames Events & Corporate Hire Welcome to London’S Leading Riverboat Service
UNFORGETTABLE EXPERIENCES EXPLORING LONDON FROM THE THAMES EVENTS & CORPORATE HIRE WELCOME TO LONDON’S LEADING RIVERBOAT SERVICE Thank you for organising such a great event. Prosecco was flowing, great hosts and the sun even came out WELCOME for the sunset! We’re London’s leading riverboat service, providing With a choice of 18 vessels ranging from 12 to 220 our passengers a unique way to get around the capital. capacity we offer transport for sports stars and As well as catering for sightseers and commuters, rock stars to events and concerts, wedding parties, we also offer a deluxe and highly versatile corporate company functions and even a location for filming and private hire service for those wishing to explore and photoshoot. London in comfort and style. Let us show you what we can do CONTENTSEXPLORE On Board Experience 4 Catering & Hospitality 5 Branding, Corporate & Filming 6 Cruise & Excursions 7 Our Fleet 8 Rates 16 Our Route 17 Contact Details 18 4 ONBOARDLOVE EXPERIENCE IT! Thames Clippers are the fastest and most frequent fleet on the river, with 18 vessels available for private hire. Each of our catamarans are spacious, stylish and staffed by a friendly and experienced crew. For our corporate and private clients we offer seven different sizes of vessel with the option of carrying between 12 and 222 guests. The route, length and speed of journey, stop off locations, style of catering, use of facilities on board and time of travel are flexible. This means we can deliver a vast range of events; from business meetings, presentations, networking days, conferences, celebrity parties and product launches to marriage transfers and excursions for family and friends. -
Dredging Alternative Use Sediment
Alternative use of dredge material in the north east, north west, south east and south west marine plan areas (MMO1190) MMO1190: Alternative use of dredge material in the north east, north west, south east and south west marine plan areas June 2019 Report prepared by: Royal HaskoningDHV Project funded by: European Maritime and Fisheries Fund, grant number ENG3603 Version Author Note 0.1 Courtney Clemence First draft 1.0 Chris Graham MMO Comments 1.1 Courtney Clemence Second draft 2.0 Chris Graham MMO Comments 3.0 Courtney Clemence, Georgina Cutler & David Brew Final © Marine Management Organisation 2019 You may use and re-use the information featured on this publication (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. Visit www.nationalarchives.gov.uk/doc/open-government- licence/ to view the licence or write to: Information Policy Team The National Archives Kew London TW9 4DU Email: [email protected] Information about this publication and further copies are available from: Marine Management Organisation Lancaster House Hampshire Court Newcastle upon Tyne NE4 7YH Tel: 0300 123 1032 Email: [email protected] Website: www.gov.uk/mmo Disclaimer This report contributes to the Marine Management Organisation (MMO) evidence base which is a resource developed through a large range of research activity and methods carried out by both MMO and external experts. The opinions expressed in this report do not necessarily reflect the views of MMO nor are they intended to indicate how MMO will act on a given set of facts or signify any preference for one research activity or method over another. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes. -
The Lady in the Van
BBC Films THE LADY IN THE VAN Directed by Nicholas Hytner Written by Alan Bennett from his memoir 103 min East Coast Publicity West Coast Publicity Distributor Springer Associates PR Block-Korenbrot Sony Pictures Classics Gary Springer Eric Osuna Carmelo Pirrone 1501 Broadway, Suite 506 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 550 Madison Ave. 212-354-4660 tel 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CREDITS CAST Maggie Smith MISS SHEPHERD Alex Jennings ALAN BENNETT Jim Broadbent UNDERWOOD Frances De La Tour MRS VAUGHAN WILLIAMS Roger Allam RUFUS DIRECTED BY Nicholas Hytner WRITTEN BY Alan Bennett from his memoir EXECUTIVE PRODUCERS Christine Langan, Ed Wethered, Charles Moore, Miles Ketley PRODUCERS Kevin Loader, Nicholas Hytner, Damian Jones DIRECTOR OF PHOTOGRAPHY Andrew Dunn PRODUCTION DESIGNER John Beard EDITOR Tariq Anwar COMPOSER George Fenton COSTUME DESIGNER Natalie Ward HAIR AND MAKE UP DESIGNER Naomi Donne CASTING DIRECTOR Toby Whale SYNOPSIS Alan Bennett’s story is based on the true story of Miss Shepherd (played by a magnificent Maggie Smith), a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives. Filmed on the street and in the house where Bennett and Miss Shepherd lived all those years, acclaimed director Nicholas Hytner reunites with iconic writer Alan Bennett (The Madness of King George, The History Boys) to bring this rare and touching portrait to the screen. -
@Mongrelmedia Mongrelmedia
Presents NARCOPOLIS A film by Justin Trefgarne (96 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 N a R c o p o l I s __________________________________________________ TSquared Films’ “Narcopolis” is the debut feature film of writer-director Justin Trefgarne. 2022: London. The world’s economic outlook is still precarious and to appease a restless population the authorities have decriminalised all classes of recreational drugs. The ‘Drecks’ are an elite unit created by an over- stretched police force to keep the black market dealers off the streets and the licensed drug companies rich. Dreck and recovering addict Frank Grieves is called to investigate an unidentifiable corpse out in the Kindle District, an industrial wasteland beyond the teeming Central City. The victim had been injected through the eye socket with a substance that cannot be traced on any of the licenced databases. As he starts to dig deeper, Grieves soon suspects that Ambro, the largest and most profitable of all the licensed drugs companies, is behind the new, experimental drug. When his superiors promptly warn him off any further investigation, Grieves soon learns that Ambro’s influence runs deep within the establishment. Nonetheless, Grieves returns to the crime scene for another look, where he discovers a young woman being attacked by a masked assailant. Grieves fails to apprehend the attacker, but soon learns that the young woman, Eva, has also been using this mysterious drug. -
Rolling Stones London Med Fredrik Strage För Dig Som Är DN-Prenumerant
Rolling Stones London med Fredrik Strage för dig som är DN-prenumerant Rolling Stones London DATUM 27 – 29 mars 2020 Följ med till Rolling Stones London! En tidsresa där vi under tre intensiva dagar färdas tillbaka till sextio- och sjuttiotalet och upplever de avgörande ögonblicken i Rolling Stones PRIS PER PERSON historia. del i dubbelrum 14.900 :- SEK per person Historien om världens största rockband är historien om drömmar, triumfer, katastrofer, myter, sex, droger och rock ’n’ roll, från debutspelningen på 1962 på Marquee Club till i enkelrum gruppens senaste studioalbum ”Blue & Lonesome” från 2016. 18.600 :- SEK Under resan besöker vi platserna i och runt London där bandet förvandlades från skolpojkar till rockgudar. Vi ser gatorna i Dartford där Mick Jagger och Keith Richard växte upp och tågstationen där de pratade med varandra första gången. Vi besöker studior och barer runt Soho där karriären började, adresser där de bott, platser som präglat dem. Det här är en resa för dig med passion för musik och rockhistoria. Resan är exklusiv för DN:s prenumeranter. Är du inte redan DN-prenumerant tecknar du enkelt en prenumeration på DN:s hemsida innan du reser. Projektledare Jesper Fästh [email protected] 08-20 55 00 Tel: 08 – 20 55 00 Postadress: Besöksadress: Box 45405, 104 31 Stockholm Saltmätargatan 8, Stockholm Email: [email protected] T-bana Rådmansgatan www.cluberiks.se Rolling Stones London med Fredrik Strage för dig som är DN-prenumerant I PRISET INGÅR • 3 dagars program under ledning av Fredrik Strage DATUM 27 – 29 mars 2020 • Värd som assisterar Fredrik Strage • Flyg t/r Stockholm – London inkl.