AUGUST 15, 1968 Graduate Student
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Ctod;I~ ~--• and • ~ The~~ for ANIMALS
ctod;i~ ~--• and • ~ the~~ FOR ANIMALS OFFICERS & DIRECTORS JoAnne Worley, President loretta Swit, 1st. Vice President Paul Jolly, 2nd. Vice President/Treasurer Cory Carter, Secretary Maria Dales March 17, 2014 Jackie Joseph Sherry Miller Susan Taylor Personnel and Animal Welfare Committee Claro Tortomasi Attn: Councilman Paul Koretz, Chair Betty White Councilman Felipe Fuentes, Member Mary Willard Councilman Mitch O'FarreU, Member EXECUTIVE DIRECTOR Susan Taylor los Angeles City Council PRESIDENT EMERITUS 200 N. Spring Street Earl Holliman Los Angeles, CA 90012 DIRECTORS EMERITUS Jodie Mann Maurice Tubin Re: CFll...Q473- March 18, 2014 Agenda Item No.6 HONORARY BOARD Support Motion Made on March 23, 2011 in Support of Cardenas/Rosendahl Motion to Add OF GOVERNORS Dog Licensing Funds to Animal Sterilization Fund and in Opposition to Animal Welfare Trust Denise Alexander Fund lucie Arnaz Clint Black lisa Hartman Black Actors and Others for Animals was founded in 1971 and is one of the oldest and Joe Bologna Christie Brinkley most respected animal welfare organizations in Los Angeles. Our main mission is to James Brolin curb the pet overpopulation problem through subsidizing spay and neuter Carol Burnett surgeries. We are strong advocates of dog licensing and differentials that allow dog Dick Carlson, Past President Angie Dickinson "owners" who sterilize their pet to receive a reduced license fee and equally Rosemary Forsyth support the City providing financial aid to pet .. owners" to spay/neuter their pets. Zsa Zsa Gabor Arlene Golonka Eydie Gorme We urge you to support the original March 23, 2011 motion by Councilman Veronica Hamel Harry Hamlin Cardenas to cap the licensing revenue and place any excess revenue collected into Mariette Hartley the Animal Spay and Neuter Trust Fund. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
September 2013
WHO’S WHAT / WHAT’S WHERE SEPTEMBER 2013 A Non-Profit Fraternal Organization of Radio and Television Broadcast Professionals Michael Feinstein Honored at May OORDER YOUR LUNCHEON TICKETS NOW! Celebrity Luncheon Friday September 20, 2013 RADIOR TALK SHOW HOSTS ulti-platinum-selling, Emmy and Grammy Award- nominated entertainer MICHAEL FEINSTEIN lit up •BILL HANDEL Mthe Empire Room at the Sportsmen’s Lodge as friends •DOUG McINTIRE paid tribute to the entertainer known as the “Ambassador of •DENNIS PRAGER the Great American Songbook.” •More Surprise Guests! PPB President CHUCK STREET began the festivities by introducing a video of the highlights of Michael’s illustrious The Diamond Circle Award Recipient will be Actor career which included a rarely seen duet with ROSEMARY CHRISTOPHER THOMAS CLOONEY. Entertainment Chair JEANNE DeVIVIER BROWN read congratulatory notes from KAY STARR, DEBBIE REYNOLDS, as well as PAULA KERGER, President and CEO of PBS. Ever-enthusiastic songstress FLORENCE HENDERSON (center) spent time with students studying broadcasting at Columbia College in Tarzana. At each celebrity luncheon, RALPH EDWARDS Productions hosts a group of students and faculty members to further their interests in future broadcasting careers. (Photo: David Keeler) (Text: Gerry Fry) Milt Larsen Receives PPB’s Diamond Circle Award PB’s First Vice President LARRY VANDERVEEN Ppresented the Diamond Circle Award to MILT LARSEN. In part, Larry said in his intro- Front Row: ALAN BERGMAN, MARILYN BERGMAN, MICHAEL FEINSTEIN, duction that “... Milt first learned MYRA JANCO DANIELS, JEANNE DEVIVIER BROWN. Back Row: CHUCK about entertainment as a young SOUTHCOTT, PAUL JAN ZDUNEK, BILL MORAN, DEBBY BOONE, SAUL LEVINE, CHUCK STREET, PATRICIA KELLY, HERB EISEMAN. -
Hollywood Representations of the Suburban Housewife, 1960-1975
Big Screen, Little Boxes: Hollywood Representations of the Suburban Housewife, 1960-1975 Kara Peruccio Wake Forest University 55 Following the post-World War II flight from the city to the suburbs, Hollywood frequently produced films representing life in the suburbs during the late 1950s and early 1960s. The female roles restricted actresses to play sweet, feminine housewives, often lacking interests outside the home. The publication of Betty Friedan’s The Feminine Mystique in 1963 provided at least one forum for a discussion of the middle-class housewife’s inner secrets: boredom, disappointment, and loneliness. Studios, however, ignored new gender developments in society until 1967 when some movies started to portray housewives rebelling against their suburban surroundings: women having affairs, seeking therapy (whether with a psychiatrist or a bottle of vodka), and experiencing mental breakdowns. Films attempted to articulate women’s frustrations but often failed to provide prescriptions for the housewives’ turmoil. These movies presented new views with women questioning their societal roles as opposed to following traditional models from the 1950s and early 1960s. By the mid-1970s, some movies openly discussed feminist goals and issues, presenting women’s concerns to a wide audience. These changes culminated in 1975 when The Stepford Wives infuriated feminists and signaled the decline of housewife-focused films. These suburban stories faded into the background of Hollywood despite enjoying financial and critical success. From 1960 to 1975, Hollywood belatedly tried to address the issues and concerns of the suburban housewife by breaking away from stereotypes perpetuated in earlier domestic humor roles, but ultimately forcing these women into suburban boxes. -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -
Hollywoodghg "Ihكmmne
World of Suzi Wong.” Mr. THE EVENING STAR I feels Town's Movie Mason sentimental about THIS SUNr—3:OO P.M. 808 MAYINH.TOMMY 2 9.M. WasAingtpn, D. C. B-13 oriental girls who get emotion- IN CONSTITUTION HALL Friday, March It, 1960 SNEAK "A Maier Statement . Fascinating!" ally entangled with handsome Carmody. Star westerners. VIENNA Tearful Tale "Our Finest Dramatist . Sterling PREVUE . HOLLYWOODgHg This time the girl is played playing." ON PARADE Coe, Post By SHEILAH GRAHAM by Yoke Tanl, her suitor by "You should . depth and Exclusive Os Love of 60 from Austria go HSKj Awry Dirk Bogarde. They “farr in Company TONIGHT fascination." AAarchot, Waltzes, Folk Songs by th« DonnoUy, New, Washington Premiere rove” when they meet in a Deutschmeister Band, Chorus end So- "THB WIND CANNOT RIAD." * loists, Ensembles and —JKMHIi 20th Century. Fox releu* of * Rank wartime intelligence school String Leading AT 8:30 P.M. 2nd RECORD Organisation production, produced by where she .teaches Japanese Dancers of the Vienna State Opera Ralph Thoma, and Bettr X. Box. Ballot • directed by Thomas, music by Anaelo and he is a student attracted GOOD SEATS AVAILABLE PIUS BREAKING WK. Another for Muni Lavasnlno. screenplay by Richard Ma- son from his novel. In color at the by the sadness in. not the al- Town Theater. HAYES CONCERT BUREAU HOLLYWOOD (NANA) Os- I Montevecchl, "seven hours a mond shape of, her eyes. (in Compb.ll'.) 110 S G St. N.W. A “NEW 1 V QulnJ** NAtional 1-7111 SMnwsy Fiune Jy-'- Paul Muni will be of discipline and Michael Bogarde The romance is beset by the car-nominee day ballet, "Sabby" IBuluklBam Yoko Tanl Lewis the Fenwick . -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
NATIONAL REGISTER of HISTORIC PLACES INVENTORY -- NOMINATION FORM •It
•vo-1 zorm No. 10-300 DATA UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM •it SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Pasadena Playhouse AND/OR COMMON Pasadena Playhouse LOCATION STREET & NUMBER 39 South El Molino Avenue _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Pasadena __ VICINITY OF 22nd STATE CODE COUNTY CODE California 91101 06 Los Angeles 037 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT —PUBLIC —OCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) —PRIVATE —UNOCCUPIED —COMMERCIAL —PARK V —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE y —SITE PUBLIC ACQUISITION ACCESSIBLE tLENTERTAINMENT —RELIGIOUS V —OBJECT X_IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION MOTHER:V cneauref-Vi p o f TP —NO —MILITARY flTi-S (OWNER OF PROPERTY NAME City of Pasadena (in escrow) STREET & NUMBER 100 North Garfield Avenue CITY. TOWN STATE Pasadena VICINITY OF California 91101 LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. Bank of , pasadena City Center STREET & NUMBER 111 South Marengo CITY. TOWN STATE Pasadena California 91101 REPRESENTATION IN EXISTING SURVEYS TITLE State Historical Landmark - Reg. #887 DATE July 11, 1975 —FEDERAL X—STATE _COUNTY _LOCAL DEPOSITORY FOR SURVEY RECORDS state Historic Resources Commission, Dept. of Parks and RecHation CITY. TOWN Sacramento DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED -ORIGINAL SITE —GOOD —RUINS ^-ALTERED —MOVED DATE ________ X_FAIR —UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Built in 1925 and designed by architect Elmer Grey, the Pasadena Playhouse is of Spanish Colonial Revival architecture. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
2020 Annual Report Democratic Republic of the Congo
2020 ANNUAL REPORT DEMOCRATIC REPUBLIC OF THE CONGO INTERNATIONAL MEDICAL CORPS 2020 ANNUAL REPORT 05 ANNUAL MESSAGE 07 ABOUT US Our Mission Our Approach Our Programs Training 16 INTERNATIONAL MEDICAL CORPS IN 2020 By the Numbers Where We Work In the Media Milestones Partnerships COVID-19 Response 34 LEADERSHIP 38 FINANCIALS 42 ANNUAL SUPPORT 62 HOW YOU CAN HELP INTERNATIONAL MEDICAL CORPS 2020 2 3 2020 INTERNATIONAL MEDICAL CORPS TO OUR SUPPORTERS: We are extremely proud to report on our accomplishments in 2020—one of the most intense and challenging years in our history, dominated by the COVID-19 pandemic. This worldwide public health emergency tested us at every level. Drawing on our extensive experience in more than needs for maternal and child healthcare, nutrition, 80 countries and supported by the unprecedented clean water, mental health—and so much more. generosity of our donors, we prepared early In the Democratic Republic of the Congo (DRC), and—despite worldwide shelter-in-place we helped end two separate Ebola outbreaks orders, travel bans and fast-closing borders— in 2020, including the world’s second-largest managed to provide lifesaving assistance and outbreak of the disease. Yet despite this victory, training to those in need on five continents. in the early months of 2021, we confronted further outbreaks of the deadly disease in the DRC and But in this year like no other, our biggest task was in West Africa. Our work clearly is not done. right here at home in the United States. We supported scores of hospitals, nursing homes, healthcare clinics In early August 2020, when a massive warehouse and community centers in nine states and Puerto explosion at the Port of Beirut ripped through the Rico, as the pandemic threatened to overwhelm Lebanese capital, killing more than 220, injuring major parts of our health system. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Waterways Film List
Water/Ways Film List This film resource list was assembled to help you research and develop programming around the themes of the WATER/WAYS exhibition. Work with your local library, a movie theater, campus/community film clubs to host films and film discussions in conjunction with the exhibition. This list is not meant to be exhaustive or even all-encompassing – it will simply get you started. A quick search of the library card catalogue or internet will reveal numerous titles and lists compiled by experts, special interest groups and film buffs. Host series specific to your region or introduce new themes to your community. All titles are available on DVD unless otherwise specified. See children’s book list for some of the favorite animated short films. Many popular films have blogs, on-line talks, discussion ideas and classroom curriculum associated with the titles. Host sites should check with their state humanities council for recent Council- funded or produced documentaries on regional issues. 20,000 Leagues under the Sea. 1954. Adventure, Drama, Family. Not Rated. 127 minutes. Based on the 1870 classic science fiction novel by Jules Verne, this is the story of the fictional Captain Nemo (James Mason) and his submarine, Nautilus, and an epic undersea exploration. The oceans during the late 1860’s are no longer safe; many ships have been lost. Sailors have returned to port with stories of a vicious narwhal (a giant whale with a long horn) which sinks their ships. A naturalist, Professor Pierre Aronnax (Paul Lukas), his assistant, Conseil (Peter Lorre), and a professional whaler, Ned Land (Kirk Douglas), join an US expedition which attempts to unravel the mystery.