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Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
FOR IMMEDIATE RELEASE CONTACT: Ashley Berke Senior Public Relations Manager 215.409.6693 [email protected]
FOR IMMEDIATE RELEASE CONTACT: Ashley Berke Senior Public Relations Manager 215.409.6693 [email protected] NATIONAL CONSTITUTION CENTER ANNOUNCES 2009 JOURNALIST FELLOWS TO PARTICIPATE IN THE PETER JENNINGS PROJECT FOR JOURNALISTS AND THE CONSTITUTION Fellows include international reporters from Afghanistan, Brazil, Kenya, Sri Lanka, and Zimbabwe Philadelphia, PA (February 6, 2009) – Thirty-six journalists from across the country and around the world have been selected to participate in the 2009 Peter Jennings Project for Journalists and the Constitution at the National Constitution Center from February 27 through March 1, 2009. Named in honor of the late, award-winning news anchor and friend of the National Constitution Center, this annual conference gives journalists the opportunity to explore the constitutional dimension in the news today and acquire a deeper understanding of the Constitution and its important role in the lives of all Americans. This year, for the first time, the Center is pleased to have seven non-US journalists joining the conference from overseas: - Pedro Doria, O Estado de Sao Paulo (Brazil) - Gibbs Dube, freelance journalist (Zimbabwe) - Nasim Fekrat, Afghan Press (Afghanistan) - Grace Githaiga, EcoNews Africa (Kenya) - Masuma Ibrahimi, Association of Afghan Blog Writers (Afghanistan) - Rosangela Malachias, freelance journalist (Brazil) - Namal Perera, Sri Lanka Press Institute (Sri Lanka) 2009 Peter Jennings Project Fellows also include: - Maud Beelman, Dallas Morning News - Jami Brinton, KCRG TV-9 News, Cedar Rapids, Iowa - Charles Cieri, Philadelphia City Paper - Babak Dehghanpisheh, Newsweek - Benjamin Domenech, The City - Johnny Dwyer, freelance journalist - Raymund Flandez, Wall Street Journal -MORE- ADD ONE/2009 FELLOWS - Beth Frerking, Politico.com - E.J. -
Things Centering in the News All Things Centering on Social Media
view in web browser All things Centering in the News All things Centering on Social Media Save Get Connectedff All things Centering in the News to the top For some, going to the doctor is a group activity June 8, 2018 - The Berkshire Eagle 33, from Campbell, Calif., was hesitant when offered a "CenteringPregnancy" appointment. She was very excited and very scared about being a Read MORE Expecting moms help one another in Richmond County group June 8, 2018 - WFXG FOX 54 for expecting moms to help one another. The program is called Centering Pregnancy and it’s available for all expecting mothers, not just Read MORE Centering� Healthcare Institute Launches Groundbreaking Health Outcomes Reporting System June 6, 2018 - HealthTechnologyNet collects data from CenteringPregnancy� and CenteringParenting�, two unique programs offered through CHI. CenteringPregnancy� group care Read MORE Centering® Healthcare Institute Launches Groundbreaking Health O - Fox29 WFLX TV, West Palm Beach, FL-news & weather June 6, 2018 - WFLX Fox 29-TV Read MORE Centering(R) Healthcare Institute Launches Groundbreaking Health Outcomes R June 6, 2018 - Sogotrade - Barchart.com collects data from CenteringPregnancy(R) and CenteringParenting(R), two unique programs offered through CHI. CenteringPregnancy(R) group Read MORE Centering® Healthcare Institute Launches Groundbreaking Health Outcomes Reporting System June 6, 2018 - Sector Publishing Intelligence collects data from CenteringPregnancy® and CenteringParenting®, two unique programs offered through CHI. CenteringPregnancy® group care Read MORE Going to the doctor in a group means better health for some patients June 2, 2018 - The Washington Post Walter Gardner knew his life was at risk: Nearly 100 pounds overweight, he had developed Type 2 diabetes and needed several prescriptions. -
Obamacare, the News Media, and the Politics of 21St-Century Presidential Communication
International Journal of Communication 9(2015), 1275–1299 1932–8036/20150005 Obamacare, the News Media, and the Politics of 21st-Century Presidential Communication JENNIFER HOPPER1 Washington College, USA Studies of presidential framing and the media lead to contrary expectations of whether the president would be able to reframe a pejorative name for a major legislative achievement and alter its news coverage. The case of President Obama and the use of the term “Obamacare” to refer to the Affordable Care Act requires rethinking what we know about presidential communication strategies and contemporary news norms. Obama’s embrace of the Obamacare moniker spread among supporters and led to its appearance with more positive/neutral depictions of the policy in the media. The term also has become more prominent in the news over time, raising questions about loosening standards of news objectivity and the future of this contested term. Keywords: presidency, news media, Affordable Care Act, Obamacare, presidential communication U.S. presidents face formidable challenges in attempting to frame policies and shape political debates, particularly in the 21st-century media environment. Given that presidential attempts to positively frame their positions for the media and the public require substantial time and effort with no guarantee of success, working to co-opt and reframe the established language of the president’s opponents is an even more daunting project. Yet this is precisely the endeavor President Barack Obama and his surrogates embarked on in late March 2012, when they embraced the term “Obamacare” and sought to use it in service of promoting and defending the Patient Protection and Affordable Care Act of 2010. -
Debiutanci Pressbook
DEBIUTANCI (Beginners) W KINACH OD 15 LIPCA 2011 DYSTRYBUCJA W POLSCE ul. Wojska Polskiego 41/43, 01-503 Warszawa tel.: (+4822) 536 92 00, fax: (+4822) 635 20 01 e-mail: [email protected] http://www.gutekfilm.pl DEBIUTANCI BEGINNERS Re żyseria i scenariusz Mike Mills ( Rodzinka ) Muzyka Roger Neill Dave Palmer Brian Reitzell Zdj ęcia Kasper Tuxen W rolach głównych : Ewan McGregor („Autor Widmo”) Oliver Melanie Laurent („B ękarty wojny”) Anna Christopher Plummer („Parnassus”) Hal Producent Focus Features USA rok produkcji: 2010 czas trwania: 105 min. 35 mm – Dolby Digital Kolor 2 W miło ści ka żdy jest debiutantem. „Debiutanci” to oparty na autentycznej historii, entuzjastycznie przyj ęty przez światow ą krytyk ę komediodramat z Ewanem McGregorem ("Autor widmo") w roli głównej. Partneruje mu nowa gwiazda francuskiego kina Melanie Laurent ("B ękarty wojny") oraz Christopher Plummer ("Parnassus"). Główny bohater, Oliver, kilka miesi ęcy po śmierci ojca, przypadkowo poznaje i zakochuje si ę w nieprzewidywalnej, pełnej ekscentrycznych pomysłów Annie. Ich zwi ązek - zgodnie z życiow ą filozofi ą ojca Olivera - udowadnia, że życie zawsze potrafi nas zaskoczy ć i okaza ć si ę zabawne nawet w najbardziej powa żnych momentach. „Debiutanci” to film o uczuciach i zwi ązkach - zarówno tych, które rodz ą si ę zupełnie przypadkowo, jak i tych, które towarzysz ą nam całe życie, cho ć cz ęsto dorastamy do nich dopiero po wielu latach. Prasa o filmie Pełna energii opowie ść o tym, że zawsze jest dobry czas na zmian ę swojego życie, tak by zrobi ć w nim miejsce na szcz ęś cie. Entertainment Weekly Cudownie świe ża komedia romantyczna. -
Without Maternity Coverage the Need for Special Enrollment in the Health Insurance Marketplaces During Pregnancy
Without Maternity Coverage The Need for Special Enrollment in the Health Insurance Marketplaces during Pregnancy Christina Postolowski December 2014 Christina Postolowski Table of Contents Introduction .................................................................................................................................................................................... 4 Women Need Maternity Care ..................................................................................................................................................... 4 Preeclampsia .................................................................................................................................................................................... 5 Placental Abruption .................................................................................................................................................................... 5 Complications from Diabetes ..................................................................................................................................... 5 Complications from Heart Disease ..................................................................................................................................... 6 Graves’ Disease .................................................................................................................................................................... 6 Health Plans Without Maternity Coverage .................................................................................................................... -
Conceptualizing Containment: the Iranian Threat and the Future of Gulf Security
Conceptualizing Containment: The Iranian Threat and the Future of Gulf Security ZACHARY K. GOLDMAN MIRA RAPP‐HOOPER “MAKE NO MISTAKE,” DECLARED U.S. PRESIDENT Barack Obama before the 2012 session of the United Nations General Assembly, “anuclear‐ armed Iran is not a challenge that can be contained.”1 In his Senate confir- mation hearing, Secretary of State John Kerry echoed that sentiment: “We will do what we must do to prevent Iran from obtaining a nuclear weapon, and I repeat here today, our policy is not containment. It is prevention….”2 As part of his confirmation process as Secretary of Defense, Chuck Hagel was 1“President Obama’s 2012 Address to UN General Assembly (Full Text),” 25 September 2013, accessed at http://articles.washingtonpost.com/2012‐09‐25/politics/35497281_1_libyan‐people‐benghazi‐diplomatic‐ facilities, 25 February, 2013. 2Joe Sterling, Jessica Yellin, and Hollya Yan, “Kerry Says Iran Must Come Clean on Nuclear Program,” 25 January 2013, accessed at http://edition.cnn.com/2013/01/24/politics/kerry‐nomination/index.html, 24 February 2013. ZACHARY K. GOLDMAN is the Executive Director of the Center on Law and Security. He has previously served as a policy advisor in the U.S. Department of the Treasury’s Office of Terrorist Financing and Financial Crimes, and as a Special Assistant to the Chairman of the Joint Chiefs of Staff. His publications have appeared in Cold War History, Foreign Affairs, The Atlantic, The Diplomat, The National Interest, and others. MIRA RAPP-HOOPER is a doctoral candidate in political science at Columbia University and a Stanton Nuclear Security fellow at the Council on Foreign Relations. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Hollywood Representations of the Suburban Housewife, 1960-1975
Big Screen, Little Boxes: Hollywood Representations of the Suburban Housewife, 1960-1975 Kara Peruccio Wake Forest University 55 Following the post-World War II flight from the city to the suburbs, Hollywood frequently produced films representing life in the suburbs during the late 1950s and early 1960s. The female roles restricted actresses to play sweet, feminine housewives, often lacking interests outside the home. The publication of Betty Friedan’s The Feminine Mystique in 1963 provided at least one forum for a discussion of the middle-class housewife’s inner secrets: boredom, disappointment, and loneliness. Studios, however, ignored new gender developments in society until 1967 when some movies started to portray housewives rebelling against their suburban surroundings: women having affairs, seeking therapy (whether with a psychiatrist or a bottle of vodka), and experiencing mental breakdowns. Films attempted to articulate women’s frustrations but often failed to provide prescriptions for the housewives’ turmoil. These movies presented new views with women questioning their societal roles as opposed to following traditional models from the 1950s and early 1960s. By the mid-1970s, some movies openly discussed feminist goals and issues, presenting women’s concerns to a wide audience. These changes culminated in 1975 when The Stepford Wives infuriated feminists and signaled the decline of housewife-focused films. These suburban stories faded into the background of Hollywood despite enjoying financial and critical success. From 1960 to 1975, Hollywood belatedly tried to address the issues and concerns of the suburban housewife by breaking away from stereotypes perpetuated in earlier domestic humor roles, but ultimately forcing these women into suburban boxes. -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -
9–30 August 2017 Nziff.Co.Nz
NELSON 9–30 AUGUST 2017 NZIFF.CO.NZ NZIFF0517_Nelson-1_1.indd 1 11/07/17 2:29 PM TICKET PRICES GENERAL INFORMATION ✪ OPENING FILM – My Year with Helen WEBSITE – www.nziff.co.nz Doors open at 7.30 pm. Film starts at 8.00 pm. Register on our website to customise your view of NZIFF, select your favourite films, send films to your friends, and create your own schedule. The site also features an at-a-glance » All tickets $25.00 planner that shows you exactly when each movie is scheduled to start and finish. A CODED SESSIONS Sessions starting after 5.00 pm weekdays and all weekend sessions. www.facebook.com/nzfilmfestival » Adults $16.50 www.twitter.com/nzff » Film Society/Students* $13.50 » Children (15 and under)/Senior Citizens (65+) $11.50 www.youtube.com/nzintfilmfestival B CODED SESSIONS Sessions starting before 5.00 pm weekdays. www.instagram.com/nziff » Adults/Film Society/Students $13.50 GENERAL ENQUIRIES » Senior Citizens (65+) $11.50 For daily screening times, phone State Cinemas Nelson Festival Information Line » Children (15 and under) $11.50 (03) 548 0808 *CONCESSION DISCOUNTS (Students/Film Society) CENSORSHIP CLASSIFICATION Students and Film Society members are entitled to purchase one ticket per session at the discount rate. Student/ Membership ID is required – please ensure you bring it with you to the venue to present to staff on request; failure to G – Suitable for general audiences do so will result in the full price being charged for attendance. The concession price is not available to those holding PG – Parental guidance recommended for younger viewers Film Society three-film sampler cards. -
N E W S L E T T
Harvard University Department of M usic MUSICnewsletter Vol. 21, No. 1 Winter 2021 Community Building and Social Justice Through Music Harvard University “This is my favorite way to Department of Music teach—and learn,” says Professor 3 Oxford Street of the Practice Claire Chase of her Cambridge, MA 02138 Freshman Seminar, Community Building and Social Justice through 617-495-2791 Music. “In my own music education, music.fas.harvard.edu the transformative moments for me always took place when an elder invited me to do work alongside them—not just for them—and when INSIDE they invited me into their practice, assuming that I would rise to the 3 Faculty News occasion. I wanted to invite these 4 Ask the Experts: How Ford, freshmen into the process of making Rockefeller, and the NEA work alongside some of the greatest artists of our time. They have more Changed American Music than risen to the occasion.” 5 BLM: an open letter from the Chase commissioned the Hous- Department of Music ton composer, percussionist, and 6 Alumni News sound artist Susie Ibarra to create an interactive, virtual musical score with 8 Spring Events: Laurie Anderson, the fifteen students in her seminar. Miranda Cuckson, Parker “Susie has done a number of 9 Library News virtual soundwalk projects—in the 10 Graduate Student News Philippines, New York and Pitts- burgh, to name a few—but never 11 Undergraduate Student News with students on a college campus. She completely embraced the notion that many of these students would be composing music for the first time.” The result: Digital Sanctuar- ies Harvard, a soundwalk app that We have a new YouTube chan- invites the public to take a virtual nel.