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Why the Legal Strategy of Exploiting Immigrant Families Should Worry Us All
\\jciprod01\productn\H\HLP\14-1\HLP101.txt unknown Seq: 1 30-JAN-20 10:17 Why the Legal Strategy of Exploiting Immigrant Families Should Worry Us All Jamie R. Abrams* This article applies a family law lens to explore the systemic and traumatic effects of modern laws and policies on immigrant families. A family law lens widens the scope of individuals harmed by recent immigration laws and policies to show why all families are affected and harmed by shifts in state power, state action, and state rhetoric. The family law lens reveals a worrisome shift in intentionality that has moved the state from a by- stander to family-based immigration trauma to an incendiary agent perpetrating family trauma. Modern immigration laws and policies are deploying legal and political strategies that intentionally sever the parent-child relationship and demonize immigrant families. The family law lens brings into focus how the state is acting under the parens patriae power, which positions the state as the “parent of the nation.” For the state to intervene using its parens patriae power to perpetrate the exact kinds of harms that would be con- sidered abusive if deployed by a parent, suggests a deep dissonant injustice in the use of state power in certain families. This shift in intentionality exacerbates longstanding dif- ferences in government family interventions by race, class, and immigration status. Laws and policies that exploit the hardships of families as political pressure should worry all families under the law because we entrust the state to intervene to protect fami- lies. These political strategies threaten the constitutional norms that are the foundation of modern family law. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-25-2011 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2011). The George-Anne. 29. https://digitalcommons.georgiasouthern.edu/george-anne/29 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ANGELA DAVIS GILBERT TO. SPEAK PERFORMS THURSDAY SATURDAY PAGE 2 PAGE 9 Tuesday, January 25, 2011 Georgia Southern University www.thegeorgeanne.com Volume 86* issue 48 ™G EOI RGI Georgia Southern earns two top ten national rankings By PATRICK STOKER from the fall 2009 class, where 68.7 percent of students accepted by Another list by Forbes Magazine ranked GSU 10th in a ranking Staff reporter GSU decided to attend. of the best schools in the United States for minorities in the fields "This is the latest example of Georgia Southern University's of science, technology, engineering and math (STEM). The list Georgia Southern University has gained national recognition continued climb in enrollment, academic quality and national ranked schools based on their quality of education and graduation recently as a result of being named in the top ten of two different reputation and proves what thousands of Georgia Southern rates for minorities in those fields. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
The Impact of Social Media on a Movie's Financial Performance
Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011. -
Journalism Awards
FIFTIETH FIFTIETHANNUAL 5ANNUAL 0SOUTHERN CALIFORNIA JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 50 Annual Awards for Editorial Southern California Journalism Awards Excellence in 2007 and Los Angeles Press Club A non-profit organization with 501(c)(3) status Tax ID 01-0761875 Honorary Awards 4773 Hollywood Boulevard Los Angeles, California 90027 for 2008 Phone: (323) 669-8081 Fax: (323) 669-8069 Internet: www.lapressclub.org E-mail: [email protected] THE PRESIDENT’S AWARD For Impact on Media PRESS CLUB OFFICERS Steve Lopez PRESIDENT: Chris Woodyard Los Angeles Times USA Today VICE PRESIDENT: Ezra Palmer Editor THE JOSEPH M. QUINN AWARD TREASURER: Anthea Raymond For Journalistic Excellence and Distinction Radio Reporter/Editor Ana Garcia 3 SECRETARY: Jon Beaupre Radio/TV Journalist, Educator Investigative Journalist and TV Anchor EXECUTIVE DIRECTOR: Diana Ljungaeus KNBC News International Journalist BOARD MEMBERS THE DANIEL PEARL AWARD Michael Collins, EnviroReporter.com For Courage and Integrity in Journalism Jane Engle, Los Angeles Times Bob Woodruff Jahan Hassan, Ekush (Bengali newspaper) Rory Johnston, Freelance Veteran Correspondent and TV Anchor Will Lewis, KCRW ABC Fred Mamoun, KNBC-4News Jon Regardie, LA Downtown News Jill Stewart, LA Weekly George White, UCLA Adam Wilkenfeld, Independent TV Producer Theresa Adams, Student Representative ADVISORY BOARD Alex Ben Block, Entertainment Historian Patt Morrison, LA Times/KPCC PUBLICIST Edward Headington ADMINISTRATOR Wendy Hughes th 50 Annual Southern California Journalism Awards -
Rauma at the Border: the Human Cost of Inhumane Immigration Policies
U.S. COMMISSION ON CIVIL RIGHTS TRAUMA AT THE BORDER THE HUMAN COST OF INHUMANE IMMIGRATION POLICIES BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business OCTOBER 2019 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an Catherine E. Lhamon, Chairperson* independent, bipartisan agency established Patricia Timmons-Goodson, Vice Chairperson by Congress in 1957. It is directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. U.S. Commission on Civil Rights 1331 Pennsylvania Avenue, NW • Appraise federal laws and policies with respect to Washington, DC 20425 discrimination or denial of equal protection of the laws because of race, color, religion, sex, age, disability, or (202) 376-8128 voice national origin, or in the administration of justice. TTY Relay: 711 • Serve as a national clearinghouse for information www.usccr.gov in respect to discrimination or denial of equal protection of the laws because of race, color, religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
US Summer Reading and Assignments
North Shore Country Day Upper School 2021 Summer Reading and Assignments Page 1 of 115 AP Studio Art, 2D 3 Photo-Based/Assignments 3 Mixed Media Portfolio/Assignments 3 AP Studio Art, 3D 5 3D Portfolio/Assignments 5 AP Studio Art, Drawing 7 AP Human Geography 9 Required Reading 9 About the Book 9 Your Assignment 9 Enrichment 11 Optional Reading 11 AP United States History 12 The Assignment 12 PART I 12 PART II 12 AP French Language and Culture 13 But du travail d’été 13 Lisez bien tout ce document pour comprendre ce que vous devez faire 13 Tableau des choix de films et liens aux sources d’information 14 Cours AP Français - Vos premières présentations 15 Liens aux sites à utiliser pour faire vos recherches: 16 AP Spanish Language and Culture 18 AP Spanish Literature 19 AP Music Theory 20 AP English 21 Critical Reading Journals 21 AP US Government & Politics 23 English 9 25 English 10 26 Part 1 26 Part 2 26 Part 3 26 English 11 27 English 11 Book Options 27 English 12 110 English 12 Summer Reading 111 Page 2 of 115 AP Studio Art, 2D Below are suggestions for 2D summer assignments. If you are in AP you must complete at least 4 pieces over the summer. If you are in AOS 1 semester, complete 1 assignment; 2 semesters, complete 2 assignments. Those pieces will be due the 2nd day of class, during which we will review your work in a group critique. If you are unsure which portfolio you will complete, you may choose from the Drawing, 3D or 2D lists. -
Targeted Sampling from Massive Block Model Graphs with Personalized Pagerank∗
Targeted sampling from massive block model graphs with personalized PageRank∗ Fan Chen1, Yini Zhang2, and Karl Rohe1 1Department of Statistics 2School of Journalism and Mass Communication University of Wisconsin, Madison, WI 53706, USA Abstract This paper provides statistical theory and intuition for Personalized PageRank (PPR), a popular technique that samples a small community from a massive network. We study a setting where the entire network is expensive to thoroughly obtain or maintain, but we can start from a seed node of interest and \crawl" the network to find other nodes through their connections. By crawling the graph in a designed way, the PPR vector can be approximated without querying the entire massive graph, making it an alternative to snowball sampling. Using the degree-corrected stochastic block model, we study whether the PPR vector can select nodes that belong to the same block as the seed node. We provide a simple and interpretable form for the PPR vector, highlighting its biases towards high degree nodes outside of the target block. We examine a simple adjustment based on node degrees and establish consistency results for PPR clustering that allows for directed graphs. These results are enabled by recent technical advances showing the element-wise convergence of eigenvectors. We illustrate the method with the massive Twitter friendship graph, which we crawl using the Twitter API. We find that (i) the adjusted and unadjusted PPR techniques are complementary approaches, where the adjustment makes the results particularly localized around the seed node and (ii) the bias adjustment greatly benefits from degree regularization. Keywords Community detection; Degree-corrected stochastic block model; Local clustering; Network sampling; Personalized PageRank arXiv:1910.12937v2 [cs.SI] 1 Jul 2020 1 Introduction Much of the literature on graph sampling has treated the entire graph, or all of the people in it, as the target population. -
When Cruelty Is the Point: Family Separation As Unconstitutional Torture
\\jciprod01\productn\H\HLC\56-1\HLC107.txt unknown Seq: 1 8-APR-21 11:06 When Cruelty Is the Point: Family Separation as Unconstitutional Torture Jenny-Brooke Condon1 The Trump Administration separated migrant children from their parents at the southern U.S. border in 2017 and 2018 knowing and intending that the fami- lies would suffer grievous harm. The President and other Administration offi- cials candidly acknowledged that they intended the threat of separation under the “zero tolerance” policy to deter migration. In other words, the cruelty of separation was the very point of the plan. In June 2018, a district court con- cluded that the policy violated parents’ due process right to family unity and association, enjoined the practice, and directed the reunification of families. That framing of the constitutional violation, however, failed to fully capture the scope of the government’s abuse of power and the depth of the harm that family separation inflicted upon parents and children. This Article draws upon Eighth Amendment and Due Process doctrine to articulate why the policy’s intentional cruelty and infliction of grievous harm constituted unconstitutional torture. This understanding of family separation as torture recognizes the intentional violence and abuse of power at the core of the policy and sharpens the claim to broad and meaningful remedies and accounta- bility. Emphasizing the defining cruelty of family separation resists its minimiza- tion within legal discourse and secures against similar abuses of migrants in the future. TABLE OF CONTENTS INTRODUCTION .................................................. 38 R I. THE MOTIVE AND HARM OF FAMILY SEPARATION .......... 43 R A.