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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire -
Immerse Song List.Xlsx
Immerse 2014 Song List *Highlighted songs have been JUST ADDED* Song Title Made Popular By Song Title Made Popular By Above All Michael W. Smith Praise His Name Ashmont Hill All Around Me David Crowder Band Proof of Your Love King & Country All I Need is You Adie Reaching for You Lincoln Brewster All of Creation Mercy Me Redeemed Big Daddy Weave At Your Name Phil Wickham Revelation Song Gateway Worship/Kari Jobe Awakening Chris Tomlin Revive Me Jeremy Camp Beautiful Kari Jobe Rise Shawn McDonald Beautiful Things Gungor Run Addison Road Before The Throne of God Shane & Shane Run to You Kari Jobe Above Blessed Rachel Lampa Rushing Waters Dustin Smith Blessings Laura Story Safe and Sound Mercy Me Broken Hallelujah The Afters Savior to Me Kerrie Roberts Call On Jesus Nicole C. Mullen Say Amen Finding Favor Called To Be Jonathan Nelson Shout to the Lord Darlene Zschech Can't Live A Day Avalon Sing Josh Wilson Carry Me Josh Wilson Something Beautiful Needtobreathe Christ is Risen Matt Maher Son of God Starfield Courageous Casting Crowns Song to the King Natalie Grant Empty My Hands Tenth Avenue North Starry Night Chris August For Every Mountain Kurt Carr Steady My Heart Kari Jobe For My Love Bethany Dillon Strong Enough Matthew West Forever Kari Jobe Stronger Mandisa Forever Reign Hillsong Strong Enough Stacie Orrico Glorious Day Casting Crowns Strong Tower Kutless God of Wonders Third Day Stronger Mandisa God's Not Dead Newsboys Temporary Home Carrie Underwood Great I Am Phillips, Craig & Dean/Jared That Great Day Jonny Lang Anderson He Wants -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
New from Hillsong! New Release!
pg0144v2_Layout 1 3/30/2018 3:44 PM Page 45 40th Anniversary Spring/Summer 2018 New Release! NEW CD by Smitty on back cover and backlist on pages 2 & 3 $ Deal!5 page 2 New from Hillsong! page 6 More than 15,000 albums and 215,000 downloads available at Christianbook.com! page 7 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 3/30/2018 3:40 PM Page 2 Price good Deal! through 5/31/18, then $9.99! Paul Baloche: Ultimate Collection For three decades, Baloche has helped believers world- wide praise the “King of Heav- en.” Worship along with “Open the Eyes of My Heart,” “Glori- ous,” “Offering,” “Above All,” “My Hope,” and more. UECD71072 Retail $13.99 . .CBD $7.99 NEW! NEW! Country Faith Love Songs Celebrate love with some of the biggest names in country music! Enjoy “Thank You” (Keith Ur- ban); “Don’t Take the Girl” (Tim McGraw); “When I’m Gone” (Joey & Rory); and more. UECD83315 Retail $13.98 . .CBD $11.99 Michael W. Smith Surrounded A brand-new soul-stirring offering to the worldwide church! This Table of Contents powerful live recording includes “Your House”; “Light to You”; “Reckless Accompaniment Tracks . .24–27 Love”; “Do It Again”; “Great Are You, Lord”; the title track; and more. Bargains . .3 UECD25509 Retail $13.99 . .CBD $9.79 Black Gospel . .35 Have you heard . Contemporary & Pop . .36–41 UECD16827 Decades of Worship . 11.99 9.99 UECD11535 Worship . 9.99 8.49 Favorite Artists . .42, 43 UECD9658 Worship Again . 9.99 8.99 Hymns . -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Influential Women
Spring Break! the forest March 27 - April 3 B����� Issue 5 Forest Lake Area Senior High School March 17, 2006 Influential women Jump, Jive March is National Womens’ History Month and Wail! The NHS held a swing dance on by Tash Thompson March 3, complete with lessons for Womens’ History Month began in 1978 serve as nurses on the Civil War battlefront. the students wishing to break away as “Womens’ History Week” in response to Ella Fitzgerald from more modern dancing styles. the Womens’ Movement. In 1987, Congress One may hear Ella Fitzgerald referred Several students showed up in their expanded the celebration and declared March to as the First Lady of Jazz. She became Sunday best to jump, jive and wail to as Womens’ History Month. When many people revered by fans and fellow artists by singing the tunes of the FLHS Jazz Band. think about Womens’ History Month, they think her fine art. Through her career, she won 13 The NHS raised money for the local about Rosa Parks, Amelia Earhart, Helen Keller, Grammy awards and innumerable honors. LifeLinks Care Center. Harriet Tubman, and Susan B. Anthony. Some Billie Holiday photos by Katie Walker of the lesser-known , but equally important Billie Holiday women who are often pushed to the sidelines. was another fine Joan of Arc jazz singer. From Joan of Arc was one of the first women to 1933 to 1943 Billie die for religious recorded over 200 nationalism. She led sides and never a 12 thousand strong made a penny in army across enemy royalties. -
The Impact of Social Media on a Movie's Financial Performance
Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Ask People to Describe Mandisa and You'll Hear Words Like Talented
Ask people to describe Mandisa and you’ll hear words like talented, gracious, beautiful, strong, loving and joyful, but the title of her new album offers an especially apt description of the artist---Overcomer. However, Mandisa sees it as more than her song, but an anthem for all and she’s happy to launch the battle cry. “I’m in a new place and I want to proclaim some things to my listeners and one of them is that they are overcomers,” says Mandisa. “Whether or not you feel it, it’s a fact. We are overcomers.” Overcomer brings a lump to Mandisa’s throat as she speaks of her friend Kisha fighting breast cancer during her recent pregnancy and surviving. It reminds her of Good Morning America’s Robin Roberts, whose journey encouraged Mandisa in hers. Mandisa herself is an overcomer. It’s only natural that she sings about the experience. Since finishing in the top ten of American Idol’s fifth season, Mandisa has forged a successful recording career and has lost over 100 lbs, inspiring women everywhere to strive for a healthy lifestyle and to reach for their dreams. “Overcomer” anchors Mandisa’s fourth studio album, a stunning collection of songs percolating with energy and passion all driven by her amazingly powerful voice. “I came in really knowing exactly what I wanted to say,” she states. “The difference with this album is just where I am. I’ve never been better. I feel like I’m definitely walking in a new level of freedom. I’m walking with more authority and because all of my albums reflect my life, that is reflected in this album.” Mandisa’s newfound confidence manifested itself in her songwriting, and she penned seven of the 12 songs on the Overcomer iTunes Deluxe album. -
Holiday Guide to Review All of Our Holiday Offerings
INTRO Music is a powerful and essential part of the Customer Experience, but during the holiday season, music becomes even more critical, putting customers, guests and visitors in the Christmas spirit and a holiday frame of mind. One of the most exciting elements about the Mood holiday music catalog is the wide range of options available to our customers. We offer 13 exclusive 100% holiday programs spanning all genres, in addition to 7 unique mixes and blends. It’s all about creating the perfect Customer Experience for every brand and business during the most significant season of the year! We invite you to browse our holiday guide to review all of our holiday offerings. Also, visit our holiday website at http://us.moodmedia.com/holiday and listen to samples. TABLE OF CONTENTS PAGE 3: Holiday Programs PAGE 6: Quick Reference Grid, Program Availability by Platform CONTACT Ready to get started on your holiday experience? The Mood Holiday team is here to help! If you’re new to Mood, contact your Account Representative. If you’re an existing customer and would like to discuss your current holiday options or selections, contact us at [email protected]. HOLIDAY PROGRAMS Holiday Favorites (100% Holiday Music) FM1 Holiday Mix (25% Holiday Music) Traditional and Contemporary Holiday standards (Runs Adult contemporary hits infused with Holiday 11/1/21 - 1/7/22) Sample Artists: Gwen Stefani, Hanson, U2, Sia, Jason Mraz, Sample Artists: The Ronettes, Harry Connick, Jr., Nat King Rod Stewart, The Eurythmics, Michael Buble, Mariah Carey, Cole, Wham, -
Analyse Ludique De La Franchise Saw
Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles.