Colby Runners Finish Second Basketball Team Loses

Total Page:16

File Type:pdf, Size:1020Kb

Colby Runners Finish Second Basketball Team Loses FREE PRE ss Page 8 Colby Free Press Wednesday, November 3, 2010 SSPORTPORT SS Colby runners Take it to the hoop Basketball team finish second loses first game The Colby College men’s cross “We went out and had a good The Colby Community College with 15 and Joshua Brown had country team came within nine day, but Garden City went out and men’s basketball team lost their 13. seconds of taking first in their con- had a great day,” Ortiz said. Ku- season opener 73-67 on Tuesday Pfeifer said the Trojans fell be- ference and second in their region dos to them, but I have a feeling at Trinidad State Junior College in hind in the first half by about 11 and freshman Edward Limo took nationals is going to be a little dif- Colorado. points in the first, but they cut the first in the conference and second ferent.” Ortiz said. Coach Dustin Pfeifer said in lead to 30-24 by halftime. He said in the region at the 2010 Region The coach said the competition order to be successful on the road several of his players had to sit VI Cross Country Championships at the race was different than any- teams need to make their free out for the most of the first half. on Saturday. thing he’s ever been a part of. Or- throws, get rebounds and value Sophomore Terrell Bruce had two The meet took place at the tiz said you had five of the top 10 the ball. He said the Trojans failed points and sophomore Michael Quaker Haven in Arkansas City. teams in the nation duking it out to do these things. Morris had three. While the Trojans had to settle for second place. Trojans’ freshman Hurley John- Pfiefer said Johnson was the for second in the Kansas Jayhawk Freshman Tim Cude came in son had a team-high 20 points. catalyst for the Trojans’ comeback Community College Conference 12th in the region and seventh in Johnson also made two of four in the second half. He said he hit with 48 and third in Region with the western division with 26:09. three pointers. Freshman Kevin two three pointers and made a lay- 84, it was the highest Colby has Limo and Cude both qualified for Jefferson scored 15, dished out up to help Colby overtake Trini- placed since joining division I in the all-conference and all-region three assists and had five steals. dad’s lead. Pfeifer said Morris had 2004. Ortiz said the Trojans’ pre- teams by placing in the top 7 and Freshman Corey Billingslea fin- leg cramps and had to leave the vious best finish since joining di- the top 15. ished with nine points and 10 re- game during the second half. He vision I was last season when they Other Trojans’ time include bounds. Morris had a team-high said the team went on a scoring finished third in the conference freshman Abraham Leija, 12 and four blocks drought after Morris’ exit. Mor- and fifth in the region. 21, 26:04; freshman Raymond Ve- Colby shot 43 percent from the ris returned to action later in the Limo took first out of 43 runners lazquez, 13 and 22, 26:39; sopho- field, making 26 of 60. They hit half. The coach said his team just in the conference and second out more Anthony Luna, 15 and 28, five of 15 from beyond the arc. couldn’t get over the hump in the of 92 runners in the region with a 26:53.30; sophomore Trey Dun- The Trojans had 26 rebounds, but final minutes of the game. time of 25 minutes and 1 second. sirn, 16 and 29, 26:53.63; sopho- only five of them were offensive. Colby will hold the Western Josh Garcia from Cowley County more Alfredo Arellano, 19 and 28, “We have to rebound well on Sprinklers Classic on Friday and Community College from Wichita 27:20; sophomore Garrett Jones, the offensive glass to be success- Saturday at the Community Build- took finished first with 24:35. 36 and 20, 27:25; sophomore Rob- ful,” Pfeifer said. ing. The Trojans play Kansas Wes- “In the end you can’t be mad a ert Robledo, 37 and 21, 27:26; and The Trojans were 10 for 21 from leyan University from Salina at 7 Garcia,” coach James Ortiz said. sophomore Wes Toews, 28:10. the free-throw line and they com- p.m. and Friday and they take on “The guy worked his butt off. Ed- The National Junior College mitted 21 turnovers. Northeastern Junior College from ward ran a good race, but Garcia Athletic Association National Trinidad States’ Ryan Gesia- Sterling, Colo., at 7 p.m. on Sat- ran a great race.” Championships will take place kowski led his team in scoring urday. Garden City took first in the on Saturday, Nov. 13, at Spartan- western division with 40 and burg, S.C. The women will run at Cowley County Community Col- 10 a.m. and the men will run at 11 lege from Wichita took first in the a.m. Bulldogs win rout region with 35. Garden City took By Judy Rogers second in the region with 67. a 49-yard catch. Spresser caught a Golden Plains High Plains couple of two-point conversions [email protected] and Christensen caught one. The Golden Plains High School Volleyball squad football team trounced the Wheat- land/Grinnell Thunderhawks 56-6 under the cloudy skies in Grain- field on Thursday, Oct. 22. loses on the road The Bulldogs took an early lead in the first quarter, posting 22 The Lady Trojans’ volleyball “She gave every thing she had,” points and holding the Thunder- season came to an end after they Jones said. hawks scoreless. The ’Dogs added NOW SHOWING were swept by Barton County Jones said she was really proud another 26 in the second quarter Digital/3D Cinema Community College (28-26, 26- of her team, despite the early exit and the game would have ended Oct.29th - Nov. 4th 24, 25-23) in the first round of the from the tournament. early except for a single touch- JACKASS 3D Division 1, Region VI volleyball “They have a lot to be proud of, ANDY HEINTZ/Colby Free Press down by the ’Hawks. The tournament on Tuesday at Great but they still have a lot to learn,” Colby College freshman Christina Anderson went up for a Bulldogs scored their final Starring: Johnny Knoxville, Bend. she said. layup during practice at gym on campus on Tuesday. Ander- touchdown early in second half. Steve O Coach Carey Jones said she told Colby fell to Pratt on the road in son and the rest of the Lady Trojans play their season open- Their two-point conversion was R 1 Hour, 35 Minutes her team the tournament was going four sets in the last match of their er tonight at Lamar Community College from Colorado. good and Golden Plains won the Friday & Saturday 7:00 & 9:00 to be 90 percent about who wants regular season last Wednesday. game 56-6. Sunday -Thursday 7:00 it more and 10 percent about tal- Colby started strong, beating the Senior quarterback Rilee Spress- SAW 3D ent. She said Barton County want- Beavers in the first set 25-22. But er completed six of nine passes ed it a little more last night. The Pratt rebounded and won the next Junior varsity team loses for 112 yards and rushed for 64 Starring: Cary Elwes; Tobin Bell R 1 Hour, 30 Minutes coach said the Lady Trojans strug- set 27-25. The Beavers pulled out yards, including a touchdown. Ju- gle with matching their opponents a 25-23 victory in the third and By Chance Hoeting “Every year, it’s a learning experi- nior running back Kalyn Weber Friday & Saturday 7:00 & 8:45 desire to win and executing at the won the fourth 25-18. Golden Plains High School ence, and I’m looking forward to rushed for four touchdowns and Sunday -Thursday 7:00 end of close sets. Jones said her team gave up learning more and playing more 161 yards. Senior tight end Tate COMING SOON Jones said Colby had a 6, 7 or a little bit in the fourth set. The The Golden Plains junior varsity football,” freshman Chance Hoet- Preston rushed for a touchdown 8 point lead in the first set, but coach said her team went to the football team lost to the Northern ing said. 3.5 in. and caught five passes for 109 Secretariat they allowed the Lady Cougars outside hitters too much and didn’t Valley Huskies at 84-6 on Mon- yards, including a touchdown and Megamind to come back and win the set. She use their middle hitters enough. day, Oct. 25, at Almena. Paranormal Activity 2 said the Lady Trojans mounted a Colby had to play without Lub- Andrew Luna scored the only * Starting Nov. 2nd * rally that erased a seven or eight bers, who was sidelined with a points for Golden Plains as the The government wears many hats. point deficit in third, but Barton sickness. Freshman setter Rachel defense struggled to stop the Hus- We put them all in one place. Free Ticket Tuesday was still able to win the set. Montgomery filled in for Lubbers. kies. in. Jones said sophomore Emily The coach said Montgomery did “We ran our plays right and we Buy One get One Free Admission Lubbers played excellent through- the best she could.
Recommended publications
  • Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
    NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-25-2011 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2011). The George-Anne. 29. https://digitalcommons.georgiasouthern.edu/george-anne/29 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ANGELA DAVIS GILBERT TO. SPEAK PERFORMS THURSDAY SATURDAY PAGE 2 PAGE 9 Tuesday, January 25, 2011 Georgia Southern University www.thegeorgeanne.com Volume 86* issue 48 ™G EOI RGI Georgia Southern earns two top ten national rankings By PATRICK STOKER from the fall 2009 class, where 68.7 percent of students accepted by Another list by Forbes Magazine ranked GSU 10th in a ranking Staff reporter GSU decided to attend. of the best schools in the United States for minorities in the fields "This is the latest example of Georgia Southern University's of science, technology, engineering and math (STEM). The list Georgia Southern University has gained national recognition continued climb in enrollment, academic quality and national ranked schools based on their quality of education and graduation recently as a result of being named in the top ten of two different reputation and proves what thousands of Georgia Southern rates for minorities in those fields.
    [Show full text]
  • Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
    Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009).
    [Show full text]
  • The Impact of Social Media on a Movie's Financial Performance
    Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]
  • Analyse Ludique De La Franchise Saw
    Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles.
    [Show full text]
  • 3D FILMS Report September 2011
    3D FILMS Report September 2011 Philip Newman: [email protected] | Tel: (+44) 07779788553 © 2011 Brandwatch | www.brandwatch.com 1 CONTENTS SECTION 1: 3D: weight of discussion, identification & measure of public criticism and approval SECTION 2: Key Film Focus: analysis of pre-film and post-film discussion Harry Potter and the deathly Hallows part 2 3D Green Lantern 3D Pirates of the Caribbean: on Stranger Tides 3D SECTION 3: Blogs: key posts from the most influential blogs SECTION 4: Review of key findings Methodology: Identifying and Analyzing the Data © 2011 Brandwatch | www.brandwatch.com 2 EXECUTIVE SUMMARY • It is 2 years since the latest attempt to launch 3D films and it still remains a a pivotal talking point. • Sentiment is generally positive – at least for those anticipating the latest film in 3D. • However, there is a worrying amount of discontent about 3D: • In comment made after the film has been seen, negative reaction increases dramatically • The more influential the person, the more likely they are to be anti-3D, or at least air reservations • The 3 biggest 3D films of the Summer (Harry Potter, Pirates of the Caribbean, Green lantern) show a clear swing from positive anticipation to negative post-viewing reflection • Specific complaints include: high prices, uncomfortable glasses, inappropriate use of 3D, underwhelming 3D effects, heavy-handed 3D use, headaches and a growing understanding that some 3D films are not filmed in 3D at all, but added as part of post-production • Overall, dedicated film bloggers feel that 3D
    [Show full text]
  • 1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3
    1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3. 10,000 BC 4. 101 Dalmatians 5. 102 Dalmations 6. 10th Kingdom 7. 11-11-11 8. 12 Monkeys 9. 127 Hours 10. 13 Assassins 11. 13 Tzameti 12. 13th Warrior 13. 1408 14. 2 Fast 2 Furious 15. 2001: A Space Odyssey 16. 2012 17. 21 & Over 18. 25th Hour 19. 28 Days Later 20. 28 Weeks Later 21. 30 Days of Night 22. 30 Days of Night: Dark Days 23. 300 24. 40 Year Old Virgin 25. 48 Hrs. 26. 51st State 27. 6 Bullets 28. 8 Mile 29. 9 Songs 30. 9 ½ Weeks 31. A Clockwork Orange 32. A Cock and Bull Story 33. A Very Harold & Kumar 3D Christmas 34. A-Team 35. About Schmidt 36. Abraham Lincoln: Vampire Hunter 37. Accepted 38. Accidental Spy 39. Ace Ventura: Pet Detective 40. Ace Ventura: When Nature Calls 41. Ace Ventura, Jr. 42. Addams Family 43. Addams Family Reunion 44. Addams Family Values 45. Adventureland 46. Adventures of Baron Munchausen 47. Adventures of Mary-Kate & Ashley: The Case of the Christmas Caper 48. Adventures of Mary-Kate & Ashley: The Case of the Fun House Mystery 49. Adventures of Mary-Kate & Ashley: The Case of the Hotel Who-Done-It 50. Adventures of Mary-Kate & Ashley: The Case of the Logical Ranch 51. Adventures of Mary-Kate & Ashley: The Case of the Mystery Cruise 52. Adventures of Mary-Kate & Ashley: The Case of the SeaWorld Adventure 53. Adventures of Mary-Kate & Ashley: The Case of the Shark Encounter 54.
    [Show full text]
  • LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Vertical Restraints in the Movie Exhibition Industry∗
    Vertical Restraints in the Movie Exhibition Industry∗ Krzysztof Wozniaky NYU Stern November 21, 2012 Abstract This paper analyzes vertical restraints imposed by distributors on movie theaters in the movie exhibition industry: minimum run length and no screen-sharing. These restraints, a form of exclusive dealing, help prevent hold-up when distributors provide exhibitors with costly analog movie copies; however this efficiency effect disappears as exhibitors switch to digital projection. The paper poses two questions: without an efficiency effect what is the welfare cost of these restraints, and is lifting the restraints an equilibrium outcome for the distributors? A structural model of industry demand and supply is estimated using a uniquely detailed panel data set of attendance and movie rental contracts collected directly from a sample of US exhibitors. Coun- terfactual results indicate lifting the restraints for digital movie theaters result in an increase in consumer welfare, exhibitor and distributor profits of 3.9% to 17.1%, 5.6% to 20.3% and 1.8% to 10.1%, respectively. However, despite this overall increase in profits it is not an equilibrium for distributors to lift restraints, suggesting a policy banning them would be welfare increasing. ∗PRELIMINARY AND INCOMPLETE. PLEASE DO NOT RE-DISTRIBUTE WITHOUT PERMISSION yE-mail: [email protected] 1 1 Introduction Although it is a tenant of free-market thinking that giving economic agents freedom to make de- cisions is welfare-improving, efficiency-enhancing restrictions can be justified in markets where a laissez-faire approach generates inefficiencies e.g. in presence of externalities, or in cases of monopoly.
    [Show full text]
  • Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013
    Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 1434 Top-grossing Movies Released in the Domestic Market (Canada and US), 2004-2013, in Alphabetic Order by Year Movie Title (Alpha Order) OFRB MPAA Tobacco Ontario, OFRB Detail OFRB Detail OFRB Rating Rating Incidents In-Theatre Observation Observation Content Bold = tobacco incidents at at Bracket Tobacco "Tobacco "Illustrated" Advisory Shaded = lower rating in Ontario Releasea Releasea (TUTD)b Impressionsc Use" d "Tobacco Use" 2004 13 Going on 30 PG PG-13 1-9 1,722,000 50 First Dates PG PG-13 0 0 After the Sunset PG PG-13 10-29 2,959,000 Against the Ropes 14A PG-13 30-49 1,229,000 Agent Cody Banks 2: Destination London G PG 10-29 1,569,000 Alamo, The PG PG-13 10-29 3,029,000 Alexander 14A R 0 0 Alfie 14A R 50+ 14,074,000 Alien vs. Predator PG PG-13 0 0 Along Came Polly PG PG-13 0 0 Anacondas: The Hunt for the Blood Orchid PG PG-13 1-9 387,000 Anchorman PG PG-13 50+ 53,243,000 Around the World in 80 Days PG PG 10-29 2,212,000 Aviator, The 14A PG-13 50+ 65,960,000 Barbershop 2: Back in Business PG PG-13 30-49 12,771,000 Big Fish PG PG-13 1-9 1,628,000 Blade: Trinity 18A R 10-29 7,726,000 Bourne Supremacy, The PG PG-13 1-9 5,408,000 Breakin' All the Rules PG PG-13 10-29 1,235,000 Bridget Jones: The Edge of Reason 14A R 50+ 21,736,000 Butterfly Effect, The 14A R 50+ 24,794,000 Calendar Girls PG PG-13 1-9 1,715,000 Catch that Kid G PG 0 0 Ontario Tobacco Research Unit 1 Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 Movie Title (Alpha Order) OFRB
    [Show full text]
  • Locations in Toronto for Horror Movies
    Locations in Toronto for Horror Movies The films on this list feature locations in and around Toronto. Where a specific site has been identified by the IMDb database or other sources, it is listed, but there could be additional unidentified sites as well. There are dozens of other horror films with unspecified locations in Toronto, which I have included on my other list, “Horror Films in Toronto with Unspecified Locations.” Note: It’s not easy to draw a hard line to distinguish what is and isn’t horror. These films span a number of genres that intersect with horror, the supernatural, dark fantasy, or comedic horror. American Psycho (2000) dir. Mary Harron starring Christian Bale, Justin Theroux, Josh Lucas • The Senator Restaurant, 249 Victoria Street – DOWNTOWN TORONTO MAP • Phoenix Concert Theater, 410 Sherbourne Street – UNIVERSITY OF TORONTO AREA MAP • The Ballroom, 145 John Street (formerly Montana Restaurant Bar) – DOWNTOWN TORONTO MAP • Biff’s Bistro, 4 Front Street E. (formerly Boston Club) – DOWNTOWN TORONTO MAP • Fune Japanese Restaurant, 100 Simcoe Street (formerly Monsoon Restaurant) – DOWNTOWN TORONTO MAP • Cabbagetown neighbourhood (unspecified location) – UNIVERSITY OF TORONTO AREA MAP • Pearl Street (unspecified location) – DOWNTOWN TORONTO MAP American Pyscho II: All American Girl (2002) dir. Morgan J. Freeman starring Mila Kunis, William Shatner, Geraint Wyn Davies • unspecified Toronto locations Anonymous Rex (2004) dir. Julian Jarrold starring Sam Trammell, Daniel Baldwin, Stephanie Lemelin, Tamara Gorski • Cloud Forest Conservatory, 14 Temperance Street – funeral scene – DOWNTOWN TORONTO MAP The Believers (1987) dir. John Schlesinger starring Martin Sheen, Helen Shaver, Harley Cross, Robert Loggia • Toronto City Hall, 100 Queen Street W.
    [Show full text]