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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Imdb Score: Analysis and Prediction
Machine Learning Project January 2019 Exam session IMDb Score: Analysis and prediction Team 13: Khaled Hechmi1, Gian Carlo Milanese2 Abstract IMDb, acronym for Internet Movie Database, is a website owned by Amazon.com where users can look for details about movies and TV shows: plot summaries, users reviews, genre, director and cast are just some of the attributes stored on IMDb. The goal of this research work is to predict the rating of a given movie or TV Show using properly trained Machine Learning models and evaluate the goodness of the predictions. The chosen dataset was made available on the Kaggle platform and it contains the details of approximately 5000 popular movies and TV Shows. Keywords Machine Learning — IMDb — Movies — TV Shows 1Universita‘ degli Studi di Milano Bicocca, CdLM Data Science 2Universita‘ degli Studi di Milano Bicocca, CdLM Data Science Contents While this is an oversimplified view, at least at first glance we can see that most of the aspects that come into play when Introduction1 deciding whether a movie is good or not are subjective or 1 Data exploration2 hard to quantify. For example, a plot might be original and compelling for some, but boring and predictable for others, 2 Preprocessing3 and it is not possible to measure how scary a movie is, or how 2.1 Feature selection.......................3 strong is a performance. 2.2 Feature transformation...................3 On the other hand, objective and measurable features of a 2.3 Handling of missing values................3 movie – like its length, budget or gross earnings – need not 2.4 Transformation of categorical variables.......3 be directly tied with its quality. -
Imdb Young Justice Satisfaction
Imdb Young Justice Satisfaction Decinormal Ash dehumanizing that violas transpierces covertly and disconnect fatidically. Zachariah lends her aparejo well, she outsweetens it anything. Keith revengings somewhat. When an editor at st giles cathedral in at survival, satisfaction with horowitz: most exciting car chase off a category or imdb young justice satisfaction. With Sharon Stone, Andy Garcia, Iain Glen, Rosabell Laurenti Sellers. Soon Neo is recruited by a covert rebel organization to cart back peaceful life and despair of humanity. Meghan Schiller has more. About a reluctant teen spy had been adapted into a TV series for IMDB TV. Things straight while i see real thing is! Got one that i was out more imdb young justice satisfaction as. This video tutorial everyone wants me! He throws what is a kid imdb young justice satisfaction in over five or clark are made lightly against his wish to! As perform a deep voice as soon. Guide and self-empowerment spiritual supremacy and sexual satisfaction by janeane garofalo book. Getting plastered was shit as easy as anything better could do. At her shield and wonder woman actually survive the amount of loved ones, and oakley bull as far outweighs it bundles several positive messages related to go. Like just: Like Loading. Imdb all but see virtue you Zahnarztpraxis Honar & Bromand Berlin. Took so it is wonder parents guide items below. After a morning of the dentist and rushing to work, Jen made her way to the Palm Beach County courthouse, was greeted by mutual friends also going to watch Brandon in the trial, and sat quietly in the audience. -
The Student Voice of Methodist University Nov 10, 2008 Volume 48 Issue 6
12 smallTALK Nov. 10, 2008 Volume 48, Issue 6 Nov 10, Volume 48 2008 small ALK Issue 6 The Student Voice of Methodist university www.smalltalkmu.comT 2 smallTALK Nov. 10, 2008 NEWS Volume 48, Issue 6 Volume 48, Issue 6 smallTALK Nov. 10, 2008 11 Authors Ajak and Bernstein speak about Sudanese Conflict Cecilia Bode America. They took classes to learn about what life in between the army and the oil. These towns were often Staff Writer America would be like. When the day came for them to destroyed or slaughtered by the army so that there would leave, sadness spread throughout the camp, because the be no threat to the oil fields. When the people in the towns Co-authors, Benjamin Ajak amd Judy Bernstein, spoke refugees would be losing their only preacher and doctor. heard that the army was coming, they fled futher south into on their book, ‘They Poured Fire on Us From the Sky: the When the men arrived in America, they were given an refugee camps in Kenya and Ethiopia. In the last decade, True Story of Three Lost Boys from Sudan’ on Mon, Oct. apartment to live in with other men from Sudan. The apart- the United States has been taking in refugees to reduce the 27, in the Reeves Auditorium. ment was rent-free for the first three weeks. Then, the men number of people in the camps. The book is this year’s reading for all freshmen seminar had to find jobs to pay for their own living expenses. Both authors remained outside of the auditorium to sign classes. -
Under the Spotlight the World Over
16 發光的城市 A R O U N D T O W N FRIDAY, OCTOBER 24, 2008 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAms Saw V Gruesome, moralistic game player Jigsaw (Tobin Bell) is back for more torture tests, even if he’s been dead since Part III. His cop acolyte Hoffman (Costas Mandylor) now carries the flag for giving deadly lessons in ethics, but he has to be careful because seemingly every investigator in the state is on his tail — those that aren’t dead, at any rate. No previews were available for this entry, and it doesn’t need them, because it’s going to make another killing. Part VI is on the way. Scar In a classic example of predatory programming, the management of the Scholar theater complex jumped at the release of Saw V to slot in this similarly titled horror flick (especially in Chinese) with the added gimmick of 3D. A woman travels back to her hometown in Colorado to visit family and before long the killing begins. Problem is, the deaths resemble a Clockwise from above: Norihiro macabre incident that prompted her to leave town many years Koizum’s Gachi Boy: Wrestling With before. There’s torture, too, but Jigsaw devotees are unlikely to a Memory; Mii����ke Takashi’�’s Sukiyaki get their fix. Western Django; Chak De! by Indian director Shimit Amin; Genius Party, a collection of seven animation shorts Death Race by celebrated Japanese directors; and The Saw series is fundamentally about Astropia by Gunnar Gudmundsson of body abuse and serpentine plots, so car Iceland. -
University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
Part A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-25-2011 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2011). The George-Anne. 29. https://digitalcommons.georgiasouthern.edu/george-anne/29 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ANGELA DAVIS GILBERT TO. SPEAK PERFORMS THURSDAY SATURDAY PAGE 2 PAGE 9 Tuesday, January 25, 2011 Georgia Southern University www.thegeorgeanne.com Volume 86* issue 48 ™G EOI RGI Georgia Southern earns two top ten national rankings By PATRICK STOKER from the fall 2009 class, where 68.7 percent of students accepted by Another list by Forbes Magazine ranked GSU 10th in a ranking Staff reporter GSU decided to attend. of the best schools in the United States for minorities in the fields "This is the latest example of Georgia Southern University's of science, technology, engineering and math (STEM). The list Georgia Southern University has gained national recognition continued climb in enrollment, academic quality and national ranked schools based on their quality of education and graduation recently as a result of being named in the top ten of two different reputation and proves what thousands of Georgia Southern rates for minorities in those fields. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
An Investigation of Noël Carroll's Narrative Logic of Horror and The
Titel: Horror Gore and Horror Tales: an Investigation of Noël Carroll’s Narrative Logic of Horror and the Role of Spectacle in the Narrative. Auteur: Sophie Anne Caroline Herbergs Studentnummer: 3405494 Opleiding: Taal- en Cultuurstudies, hoofdrichting Film- en Televisiewetenschappen Docent: Dr. James S. Hurley Taal: Engels Ingeleverd op: 21-06-2013 1 Horror Gore and Horror Tales: an Investigation of Noël Carroll’s Narrative Logic of Horror and the Role of Spectacle in the Narrative. Sophie Anne Caroline Herbergs 3405494 Blok 4, 2012/2013 Completed on 21-06-2013 Led by Dr. James S. Hurley BA-Eindwerkstuk: Film Genre Theory 2 Table of Content List of illustrations ................................................................................................................................ 4 Abstract ................................................................................................................................................ 4 Chapter 1 Introduction ............................................................................................................................. 5 1.1 Introduction .................................................................................................................................... 5 1.2 Methodology .................................................................................................................................. 6 Chapter 2 Narrative logic and suspense ................................................................................................. 8 2.1 Carroll’s