DOCSLIB.ORG

Cultural Contact Point Serbia Office Ministry of Culture and Media of The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cultural Contact Point Serbia Office Ministry of Culture and Media of The Cultural Contact Point Serbia Office Ministry of Culture and Media of the Republic of Serbia YUropa Conference & Šporet Workshops 11th – 14th Septembar 2013 September 11th The Cultural Centre of Belgrade / KCB — ARTGET Gallery 6, Knez Mihailova Street Balkan-Arab Exchange Platform Roberto Cimetta Fund and Cultural Contact Point Serbia Office with the support of the Ministère de la Culture et de la Communication de la République Française and Institut français de Serbie 14.00 – 19.00 Enlightening hidden passes: the reality of cultural mobility between Balkans, Europe and the Arab world Welcome words Angie Cotte, General Secretary RCF Lola Joksimović, Head of office CCP Introductory word Encounter of two “diverse” world cultural regions Prof. Dr Milena Dragićević-Šešić, UNESCO Chair for Cultural Policy and Management/ University of Arts in Belgrade Ferdinand Richard, Chairman of the Roberto Cimetta Fund Jean-Luc Goester, Cultural Counselor & Director of the Institut français de Serbie Nicolaus Keller, Director, Austrian Cultural Forum Belgrade, President EUNIC Participating experts from Arab countries: ABI AZAR Lamia [Zoukak Theatre Company] Lebanon • ACHOUR Lotfi, Theatre Director, Tunisia / France • BOUDOU Karima, Curator [L’Appartment 22] Rabat, Morocco • EVAZZADEH Vahid, Theatre Director [Goossun Art-illery] Iran / Denmark • MARTHA Samar, Director [Art School] Palestine • SALEM Alma, Programme Manager for the Arts [British Council] Beirut, Lebanon • SALIH Kamel, Director [Pop in Djerba] Tunisia • SOLIMAN Abeer, Writer and Project manager [Noon Foundation for Culture and Arts] Egypt • YAYINTAS Arzu, Curator, Istanbul, Turkey Participating experts from Serbia: DANILOVIĆ Vesna, Programme Manager and member of the RCF Board of Directors [Cultural Center Belgrade — KCB] Belgrade, Serbia • ĐORĐEVIĆ Bojan, Director [Ring Ring festival] Belgrade, Serbia • AMBROZIĆ Dragan, Programme Editor [Cultural Center DOB] Belgrade, Serbia • VODALOV Vladimir, Manager [Exit Festival] Novi Sad, Serbia • MOGOROVIĆ Miroslav, Director [Film in Serbia] Belgrade, Serbia • PETROVIĆ Rajko, Art Director [Slobodna Zona Film Festival] Belgrade, Serbia • KNEŽEVIĆ Jelena, Executive Director [Bitef Theater] Belgrade, Serbia • KARAJOVIĆ Bojana, Director [Duško Radović Theater] Belgrade, Serbia • LALIĆ Ivan, Manager [Mixer Festival] Belgrade, Serbia • ERIĆ Zoran, Curator [Museum of Contemporary Art, Belgrade — MSUB] Belgrade, Serbia • VRAČAR Milan, President [Association KulturaNova] Novi Sad, Serbia • MILOVIĆ Nataša, Artistic Director [Scena Carina] Belgrade, Serbia • NOSOV Andrej, Director [Heartefact Fund] Belgrade, Serbia 16.30 – 16.45 Coffee break 16.45 – 18.00 Interactive session followed by conclusions and proposals 18.00 – 19.00 Speed-dating session September 12th Cultural centre Dom omladine Belgrade / DOB – Americana Hall 22, Makedonska Street 09.30 – 10.00 Registration of participants 10.00 – 10.10 Official addressing The Minister, Ministry of Culture and Media of the Republic of Serbia (tbc) 10.10 – 10.25 Creative Genetics of Cultural Administration Katarina Živanović, Secretary, Secretariat for Culture City of Belgrade 10.25 – 10.45 External Cultural Relations — MORE EUROPE? Gottfried Wagner, Special envoy for international cultural-political projects Ministry for Education, Arts and Culture Vienna, Austria 10.45 – 11.00 Pathways and Gatekeepers Ferdinand Richard, Chairman, Fund Roberto Cimetta 11.00 – 12.45 What we have learned and how we can work Moderator: Lola Joksimović, Head of CCP Serbia Office Nina Trifunović, EUNIC cluster representative, Belgrade, Serbia • Bojana Matić, Programme Manager, Art Angle – Balkans Arts and Culture Fund (ECF), Sarajevo, B&H • Dea Vidović, Direktor Kultura Nova Fundation, Croatia • Jasminka Keser, Head of Department, Impuls Fond, Ministry for Entrepreneurship, Croatia 12.45 – 13.00 Q & A 13.00 – 14.00 Brunch 14.00 – 14.45 Media literacy — who needs it? Case study Quindo: an experimental media-platform for playing and learning Tom Christiaens, coordinator, Quindo project — HOWEST / Lid van Associatie Universiteit Gent, Kortrijk 14.45 – 15.00 Coffee break 15.00 – 15.45 World War I Centenary in Belgium War Tourism in Flanders Fields 1914–2014 — the thin line between remembrance and exploitation Bregt Vermeulen, Departmental Coordinator of Internationalization, HOWEST — campus RDR / Lid van Associatie Universiteit Gent, Kortrijk 15.45 – 16.00 Q & A September 13th Cultural centre Dom omladine Belgrade / DOB — Club and Debate room 22, Makedonska Street 10.00 – 12.30 Workshop Šporet (Club DOB, Yuropa Regional Group) Peđa Cvetičanin, Director, Center for Empirical Cultural Studies of South-East Europe 10.00 – 12.30 Workshop Šporet 2 (Debate room, Working Group) Geoffrey Brown, director EUCLID 12.30 – 13.30 Brunch 13.30 – 16.00 Workshop Šporet (Club DOB, Yuropa Regional Group) Geoffrey Brown, director EUCLID 13.30 – 16.00 Workshop Šporet 2 (Debate room, Working Group) Peđa Cvetičanin, Director, Center for Empirical Cultural Studies of South-East Europe September 14th Cultural centre Dom omladine Belgrade / DOB — Americana Hall 22, Makedonska Street 11.00 – 13.30 CREATIVE EUROPE 2014–2020 Presentation of project ideas of all Šporet Workshops participants 13.30 – 14.00 Q & A.
Load more

Recommended publications
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
    The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project PHILIP C. BROWN Interviewed by: Charles Stuart Kennedy Initial interview date: January 18, 2012 Copyright ADST 2016 TABLE OF CONTENTS Background Born in Massachusetts; raised primarily in Pennsylvania College of Wooster, Ohio; Fletcher School of Law and Diplomacy Operation Crossroads Africa Marriage Washington, DC; Voice of America; Africa news room 1965 Entered the Foreign Service, USIA 1965 State Department: Foreign Service Institute (FSI): 1965 French language training Dakar, Senegal: USIA: Junior Officer Trainee 1966-1967 President Leopold Senghor French presence Lebanese Festival of Negro Arts John McKesson Ambassador William R. Rivkin Environment Cultural Center operations Recreation Islam Douala, Cameroon: Branch Public Affairs Officer 1967-1968 Environment Cultural Center operations Religions French “cooperants” French influence Institute of International Education Biafra War 1 Voice of America Birth of daughter Yaoundé, Cameroon: Cultural Affairs Officer 1968-1970 Environment President Ahmadou Ahidjo Tribal influence French presence Relations Political climate Ambassador Robert Payton Embassy staff Living arrangements Jim Bishop Recreation Visitors Program Ambassador Lewis Hoffacker Secretary and Mrs. Rogers visit Algiers, Algeria: Cultural Affairs Officer 1970-1972 American Interests Section, Embassy of Switzerland 1967 Six Day War Economic relations Political relations US Export-Import Bank loans El Paso Natural Gas William Eagleton Scholarship/Visitors’
    [Show full text]
  • Bosnia and Herzegovina Country Handbook 1
    Bosnia and Herzegovina Country Handbook 1. This handbook provides basic reference information on Bosnia and Herzegovina, including its geography, history, government, military forces, and communications and transportation networks. This information is intended to familiarize military personnel with local customs and area knowledge to assist them during their assignment to Bosnia and Herzegovina. 2. This product is published under the auspices of the U.S. Department of Defense Intelligence Production Program (DoDIPP) with the Marine Corps Intelligence Activity designated as the community coordinator for the Country Handbook Program. This product reflects the coordinated U.S. Defense Intelligence Community position on Bosnia and Herzegovina. 3. Dissemination and use of this publication is restricted to official military and government personnel from the United States of America, United Kingdom, Canada, Australia, NATO member countries, and other countries as required and designated for support of coalition operations. 4. The photos and text reproduced herein have been extracted solely for research, comment, and information reporting, and are intended for fair use by designated personnel in their official duties, including local reproduction for training. Further dissemination of copyrighted material contained in this document, to include excerpts and graphics, is strictly prohibited under Title 17, U.S. Code. Contents KEY FACTS. 1 U.S. MISSION . 2 U.S. Embassy. 2 U.S. Consulate . 2 Entry Requirements . 3 Currency . 3 Customs . 3 GEOGRAPHY AND CLIMATE . 4 Geography . 4 Topography . 5 Vegetation . 8 Effects on Military Operations . 9 Climate. 10 TRANSPORTATION AND COMMUNICATION . 13 Transportation . 13 Roads . 13 Rail . 15 Air . 16 Maritime . 17 Communication . 18 Radio and Television . 18 Telephone and Telegraph .
    [Show full text]
  • Soros Foundations Network Report
    2 0 0 7 OSI MISSION SOROS FOUNDATIONS NETWORK REPORT C O V E R P H O T O G R A P H Y Burmese monks, normally the picture of calm The Open Society Institute works to build vibrant and reflection, became symbols of resistance in and tolerant democracies whose governments SOROS FOUNDATIONS NETWORK REPORT 2007 2007 when they joined demonstrations against are accountable to their citizens. To achieve its the military government’s huge price hikes mission, OSI seeks to shape public policies that on fuel and subsequently the regime’s violent assure greater fairness in political, legal, and crackdown on the protestors. Thousands of economic systems and safeguard fundamental monks were arrested and jailed. The Democratic rights. On a local level, OSI implements a range Voice of Burma, an Open Society Institute of initiatives to advance justice, education, grantee, helped journalists smuggle stories out public health, and independent media. At the of Burma. OSI continues to raise international same time, OSI builds alliances across borders awareness of conditions in Burma and to support and continents on issues such as corruption organizations seeking to transform Burma from and freedom of information. OSI places a high a closed to an open society. more on page 91 priority on protecting and improving the lives of marginalized people and communities. more on page 143 www.soros.org SOROS FOUNDATIONS NETWORK REPORT 2007 Promoting vibrant and tolerant democracies whose governments are accountable to their citizens ABOUT THIS REPORT The Open Society Institute and the Soros foundations network spent approximately $440,000,000 in 2007 on improving policy and helping people to live in open, democratic societies.
    [Show full text]
  • Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Harvard University - DASH Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Lee, Toby Kim. 2013. Public Culture and Cultural Citizenship at Citation the Thessaloniki International Film Festival. Doctoral dissertation, Harvard University. Accessed April 17, 2018 4:23:11 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11181137 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival A dissertation presented by Toby Kim Lee to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts April 30, 2013 © 2013 Toby Lee All rights reserved. Dissertation Advisor: Professor Michael Herzfeld Toby Lee Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival Abstract This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe’s staunchest social-welfare states.
    [Show full text]
  • Fully Automatic Espresso Machine
    Register your new device on MyBosch now and get free benefits: bosch-home.com/ welcome Fully automatic espresso machine CTL636E.6 CTL836E.6 [de] Gebrauchsanleitung Kaffeevollautomat 2 [en] Instruction manual Fully automatic espresso machine 33 [fr] Mode d’emploi Machine à expresso entièrement automatique 62 [nl] Gebruiksaanwijzing Volautomatische espressomachine 94 A Lieferumfang (siehe Seite 2) Included in delivery (see page 33) Contenu de l’emballage (voir page 62) Leveringsomvang (zie pagina 94) b c d e f g h 110° 155° 92° № 00636455 a 155° 110° 92° B 2 normal hoch Caffe Crema 130 ml aus 2a 2b 2c C normal hoch Caffe Crema 130 ml aus 1 1b 3 1a 21 21c 3a 21b 21a D 6c 18 6d 6b 8a 6a 18a 6 8 11 5 10 9 12 17 13 20 19 ENr ……… …… 4 4d 7a 16a16b 4c 16a 4a 4b 21 7 16 E 14 14b 2. 15 1. 13 14a 1. 2. de Lieferumfang (für Gebrauch) Inhalt Lieferumfang (für Gebrauch) Lieferumfang (für Gebrauch) ����������������������2 (Siehe Bild A auf den Ausklappseiten) Herzlichen Glückwunsch…�������������������������3 a Kaffeevollautomat Bestimmungsgemäßer Gebrauch���������������4 b Gebrauchsanleitung Wichtige Sicherheitshinweise ���������������������4 c Kurzanleitung Auf einen Blick ��������������������������������������������6 d Pulverlöffel Bedienelemente������������������������������������������6 e Wasserhärtestreifen Inbetriebnahme�������������������������������������������7 f Milchschlauch (Set) Bedienfeld���������������������������������������������������9 g Milchbehälter Getränkezubereitung ����������������������������������9 h Ansaugrohr Zubereitung
    [Show full text]
  • Funding Festivals: Bringing the World to Sarajevo*
    DOI https://doi.org/10.2298/MUZ1722133H UDC 338.48-611(497.6 Сарајево) 78.091.4 Funding Festivals: Bringing the World to Sarajevo* Erica Haskell1 University of New Haven, Connecticut, USA Received: 15 February 2017 Accepted: 1 June 2017 Original scientific paper Abstract The focus of this article is on the “festivalization” of Sarajevo, the capital city of Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the donor environment during that time that largely supported foreign rather than local performances. I chronicle a shift – from socialist-era regional festivals before the war to post-war period staged multi-day multi-performance events with foreign programming – and highlight the tendency of donors to de-emphasize local difference as a way of creating politically safe aiding strategies. I unpack why the “festival model” was attractive to local and foreign cultural organizers during this period. Specifically I discuss the reorganization of the Sarajevo Winter Festival as well as other festivals that existed before the war and continued to produce such events after the war. Keywords: Bosnia-Herzegovina, Sarajevo, music, post-conflict, festivals, post- socialist, applied ethnomusicology “[I]t is possible to organize a concert at a high professional level without entertainers’ charity, which all kinds of humanitarians from around the world dumped on this city over the last four years.”2 * Portions of this article were included in my dissertation “Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo” with support from the American Councils Central Europe Research Scholar Program. https://repository.library.brown.edu/studio/item/bdr:11298/ 1 [email protected] 2 From an article in Dani (August 1996) titled “Mladen Vojičić Tifa,” describing Tifa’s upcoming concert in Sarajevo.
    [Show full text]
  • Bosnia and Herzegovina Investment Opportunities
    BOSNIA AND HERZEGOVINA INVESTMENT OPPORTUNITIES TABLE OF CONTENTS BOSNIA AND HERZEGOVINA KEY FACTS..........................................................................6 GENERAL ECONOMIC INDICATORS....................................................................................7 REAL GDP GROWTH RATE....................................................................................................8 FOREIGN CURRENCY RESERVES.........................................................................................9 ANNUAL INFLATION RATE.................................................................................................10 VOLUME INDEX OF INDUSTRIAL PRODUCTION IN B&H...............................................11 ANNUAL UNEMPLOYMENT RATE.....................................................................................12 EXTERNAL TRADE..............................................................................................................13 MAJOR FOREIGN TRADE PARTNERS...............................................................................14 FOREIGN DIRECT INVESTMENT IN B&H.........................................................................15 TOP INVESTOR COUNTRIES IN B&H..............................................................................17 WHY INVEST IN BOSNIA AND HERZEGOVINA..............................................................18 TAXATION IN BOSNIA AND HERZEGOVINA..................................................................19 AGREEMENTS ON AVOIDANCE OF DOUBLE TAXATION...............................................25
    [Show full text]
  • History Festival 17–21/October War Or Peace
    WAR OR PEACE CROSSROADS OF HISTORY #warorpeace HISTORY FESTIVAL 1918 / 2018 17–21/OCTOBER WAR OR PEACE: An event by CROSSROADS OF In cooperation with HISTORY 1918 2018 2018 marks the centenary of the end of the First World War. On the special occasion of its remembrance, we are very pleased to invite you to explore the enthralling question of “War or Peace” throughout time and space. Cooperation cultural programme 1918 not only marks a In short, for you. You are cordially invited to significant crossroads As one of about 400 young take part and explore! of global history. It can international participants, I believe that memory and also teach us much about this is an opportunity for you mutual understanding the – sometimes diverging to take part in the festival’s strongly affect our current – notions of peace and CAMPUS. A diverse political and civic activity. democracy today. Learning programme of events has So let us actively engage Supported by about history might not been created to explore in rich conversations and give us answers to all of narratives and discuss have an exciting time at today’s challenges. But long-term global trends, WAR OR PEACE in Berlin! engaging with it can help as well as past and current us to understand each threats to democracy. This Thank you for joining! other’s narratives, fears includes in-depth workshops and hopes in order to find using innovative and common solutions. unexpected methods, as Special thanks to our contributing partners: The Federal Agency for well as numerous Side Civic Education (bpb) and Activities.
    [Show full text]
  • Community Reflects on the Cyprus Problem Celebrating His 25Th Year
    O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans A WEEKLY GREEK AMERICAN PUBLICATION c v www.thenationalherald.com VOL. 10, ISSUE 511 July 28, 2007 $1.00 GREECE: 1.75 EURO Community Islamist Erdogan Re-Elected by a Landslide in Turkish Elections Reflects On What does his victory mean for Greeks in The Cyprus Turkey? How are Greeks Viewing the Results? By Mark Frangos Greeks still living in Turkey gen- Special to the National Herald erally supported AKP because secu- Problem lar Turkish governments have been NEW YORK – Turkish Prime Minis- harsh on minorities in their efforts ter Recep Tayyip Erdogan’s Islamist to create a strong Turkish state. Ap- After 33 years, some Justice & Development Party (AKP) proximately 3,000 Greeks still live scored a commanding victory over in Constantinople (present-day Is- still fight, but feel the its secular rivals in parliamentary tanbul), down from hundreds of elections held last Sunday, July 22, thousands just a few decades ago. issue is at a standstill which was met by a reserved ap- Demetris Frangopoulos, former plause by most Greeks. director of the Zografio elementary By Stavros Marmarinos The Islamists increased their school in Constantinople, said that Special to the National Herald share by more than 12 points from secular governments made it very the last election in 2003 to 46.6 difficult to teach the small number NEW YORK – In the hope and percent of the popular vote. It is the of students (some 50 today) still at- seemingly never-ending quest for a largest percentage for any single tending the school.
    [Show full text]
  • Contributors' Guide. 23Rd Internationale Kurzfilmtage
    I . E . : C Industry Events: . C Gontributors’ Guide. 2 3 rd Internationale Kurzfilmtage Winterthur The Short Film Festival of Switzerland 5–10 November 2019, kurzfilmtage.ch Main Sponsor Media Partners We thank the partners of our Industry Events Table of Contents for their support and for sharing their knowledge. Swiss Film School Day 4 Industry Lab 6 Film School Day Swiss Industry Information (de/fr) 8 Market Meetings 9 Organized by Keynote Speech: Ewa Puszczy´nska (en) 15 Industry Afternoon 16 Master Class: Ewa Puszczy´nska (en) 16 Roundtable: Defining the Potential of Blockchain Distribution In collaboration with for the Film Industry (en) 17 Workshop: How to Achieve Gender Equality in Filmmaking (en) 19 Panel: The Future of Shorts – Festivals on VoD (en) 20 Short Pitching & FOCAL Script Coaching 22 SWISS FILMS Market Preview 23 Industry Lab Writers’ Room 24 Keynote Talk: Digital Storytelling – From Ideas to Projects (de/en) 26 Organized by Master Class: Immersive Storytelling through Altered Realities (en) 27 Panel: Repurposed – Computer Games in Short Films and Performances (en) 28 Case Study: From «SKAM» to «DRUCK» – How Do International Adaptations Work? (en) 29 In collaboration with Supported by Contacts Writers’ Room Organized by In collaboration with Supported by Lotte Kircher Head of Industry Events Anita Magni industry@kurzfilmtage.ch Industry Coordinator industry@kurzfilmtage.ch 2 3 Swiss Film School Day Thursday, 7 November 11:00–13:30, 14:30–18:00 Casino 2, Stadthausstrasse 119, Winterthur Every year, Switzerland’s top five
    [Show full text]
  • Sia Kyriakakos E-Mail: [email protected]
    Sia Kyriakakos e-mail: [email protected] EDUCATION: MFA The School of the Art Institute of Chicago; Chicago, IL. Full Tuition Merit Scholarship. 2000. CT Certification Central Connecticut State University; New Britain, CT, Major: Art Education, K – 12. 1994 BFA Maryland Institute, College of Art; Baltimore, MD. Major: Sculpture. 1991 Studio Arts Center International; Florence, Italy, Concentration: Renaissance Art. 1988 SELECTED AWARDS & SCHOLARSHIPS: UNESCO Foundation. First Prize Award. The 4th Citenje Biennale, Montenegro 2002 Fulbright. Student award to Greece. 2000-2001. J.F. Costopoulos Foundation. Artist’s Grant. 2002 Full Tuition Merit Scholarship, $ 40,000. School of the Art Institute of Chicago, (1998 - 2000) H.B. Harvey Merit Scholarship (1989) $5,000 Maryland Institute Scholarship (1987) Four Year Tuition Merit Based Scholarship TEACHER CERTIFICATION: State of Maryland: Art Education Pre –K to 12, pending State of Connecticut: Art Education Pre – K to 12 WORK EXPERIENCE: Artist in Residence, Orebro Art School, Orebro, Sweden. 2007 and 2008 Art Educator, Green Hill International School. American High School. Athens, Greece 2001 – 2004 Art Educator, Colchester Intermediate School, Jack Jackter Elementary School, Colchester, CT 1994 - 1998 Head of Art Department at Colchester Intermediate School and art teacher at Jack Jackter Elementary School. -Developed an art education curriculum for CIS -Collaborated with colleagues in developing a district wide art education program Videographer. Educational video (1 hr ) Ecological and environmental studies for Gourlandri, Museum of Natural History, Athens, GR in collaboration with Aegean University, Mitilini, GR Professor’s Assistant, School of the Art Institute of Chicago, Chicago IL. Sept. 1999 – May 2000. Sculpture First Year Program, and Fiber Department RESIDENCIES: KIBLA.
    [Show full text]