Vol. 2 No. 1 Oct.-Dec.195
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Republic of Guinea Bissau • Zi111bab\Ne ·Na111ibia • South Africa
WINTER. 1975 SOUTHERN AFRICA TODAY •. angola, • IIIOZa111bique ·republic of guinea bissau • zi111bab\Ne ·na111ibia • south africa - the africa fu~ (associated with the American Committee on Africa) 164 Madison Ave. New York, N.Y. 10016 WINTER. 1975 LITERATURE I,IST . ' '~ Please Return Thf.• Order Fo~ With Y~~r Remfttance<,, :J:. $_ Enc:losed is l'lfY remittance (t~C:tudtng 15~ of the total to cover postage and handling charges)· · Please bill us (organf.~t.ions_,_ libraries,. ~kshops) Please send the follOwing --indicate quantity-- 1_ 2 3_ 4_ 5_:_ 6--- 7_ 8~ 9_ 10___ lt_ 12.:.._ 13_ 14_ 15_ 16_ 17 18_ 19_ 20_ 21_ 22 34_ 35_ 36_ 37_ 38_ 39_ 40_ 41 42_ 43_ 44_ 45_ 46 47_ 48_ 49 so_ st_ 52_ 53_ 54 55_ 56_ 57_ 58 59 60 61 62 63_ 64_ 65 66_ 67_ 68_ 69_ 70_ 71_ 72___;_ 73' 74_ 75.;._ 76_ l7.__ 18_;_, 19 80_ 81_ 82_ 83_ 84_ 85_ 86_ 87_ ';., .. To: The Africa Fund 164 Madison Avenue New 'fork, ·NY 10016 · c/o Literature Departaent affiliatioa: ------------------------------------------------- address: _______.__ ________~---------------------~.~"~----~---- city: ___..___....._ _ _.__ state: ------ zip.· cC)cfe: ----- 11: D Enclosed is my contribution of$ ___ for the·work of the committee. ' .,: . The American Committee on Africa, formed in 1953, is the oldest U.S. organization effectively and responsibly supporting African J>eople in th~ir heroic struggie for dignity and freedom. ACO.A is a non-profit organization, ·· with its main purposes being: · · · . • to support policies furthering freedom, self-government and equal rights in Africa • to support projects in Africa promoting these policies • to interpret the meaning of African issues to the American people • to be of assistance to African representatives a,nd students in the U.S. -
Famouscharacters
F A M O U S C H A R A C T E R S O R L A N D O B L O O M Orlando Jonathan Blanchard Bloom is an known celebrities. In 2002, he was chosen as English actor. He was born in Canterbury, Kent one of the Teen People "25 Hottest Stars Under on 13 January 1977. During his childhood, 25" and was named People's hottest Hollywood Bloom was told that his father was his mother's bachelor in the magazine's 2004 list. Bloom has husband, Jewish South African-born anti- also won other awards, including European Apartheid novelist Harry Saul Bloom, but when Film Awards, Hollywood Festival Award, he was thirteen (nine years after Harry's death), Empire Awards and Teen Choice Awards, and Bloom's mother revealed to him that his has been nominated for many others. biological father was actually Colin Stone, his mother's partner and family friend. Stone, the Bloom has said that he tries "not to exclude principal of the Concorde International language [himself] from real life as much as possible" .He school, was made Orlando Bloom's legal has been married to Miranda Kerr, an guardian after Harry Bloom's death. Australian model. She gave birth to a son, Flynn Christopher Blanchard Copeland Bloom, on 6 As a child, he managed to get through The January 2011 in Los Angeles. He is King's School Canterbury and St Edmund's a Manchester United fan and likes sports. School in Canterbury despite his dyslexia. He was encouraged by his mother to take art and drama classes. -
(LECSA)/Paris Evangelical Missionary Society (PEMS) in Meadowlands, Soweto, In
THE STRUGGLE OF THE LESOTHO EVANGELICAL CHURCH IN SOUTHERN AFRICA (LECSA)/PARIS EVANGELICAL MISSIONARY SOCIETY (PEMS) IN MEADOWLANDS, SOWETO, IN BECOMING A MISSIONAL ECCLESIA IN A LOCAL CONTEXT BY L.T. KGANYAPA SUBMITTED IN FULFILLMENT OF MASTER OF ARTS IN THEOLOGY IN MISSIOLOGY UNIVERSITY OF PRETORIA SUPERVISOR: PROF. S.T. KGATLA 29 APRIL 2016 1 © University of Pretoria DECLARATION I declare that ‘The Struggle of the Lesotho Evangelical Church in Southern Africa (LECSA)/Paris Evangelical Missionary Society (PEMS) in Meadowlands, Soweto, in becoming a missional ecclesia in a local context’ is indeed my original work and all sources employed are duly indicated and acknowledged by means of references and a bibliography. Date: …………………………………………….2016 Signature: ……………………………………………. Leonard Tsidiso Kganyapa 2 © University of Pretoria ACKNOWLEDGEMENTS My sincere gratitude goes to Prof. S.T. Kgatla, my supervisor at the University of Pretoria (UP), for the supportive role he played throughout this research endeavour. I also extend a big thank you to the UP Bursary Fund for the bursary they awarded to me to study at the University. I would also like to thank Ms Brenda Nsanzya, faculty librarian at UP, for helping me obtain information from the library and search for books and articles pertaining to my research topic. Thanks also go to Ms Doris Mokgokolo, faculty administration at UP, for her assistance and patience with all of the changing dates and delays regarding the final submission of my dissertation. Thanks to Ms Mirriam Mabalane, faculty librarian at the University of Johannesburg (UJ) Soweto Campus, for helping me with access and space in the Research Commons. -
Collaboration and Conflict in Transnationally-Dispersed
Syracuse University SURFACE Dissertations - ALL SURFACE December 2017 Collaboration and Conflict in rT ansnationally-Dispersed Zimbabwean Families William John Suk Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Suk, William John, "Collaboration and Conflict in rT ansnationally-Dispersed Zimbabwean Families" (2017). Dissertations - ALL. 822. https://surface.syr.edu/etd/822 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract Approximately one quarter of Zimbabwean adults left their country of birth during the past twenty years. These sojourners are increasingly dispersed as tightening immigration regimes in preferred destinations and fluctuating global opportunities lead them to places with fewer historical links to Zimbabwe. This dispersive process fractures many families between multiple international locations. Nevertheless, the idea of family remains centrally important to diasporans, who work with relatives around the world to care for children and elders, to acquire important documents like passports, and to prepare for an eventual return home. Following from performative and relational theorizations of kinship, this dissertation argues that collaborative projects are crucibles in which families are forged and reconfigured. This exploration of how dispersion shapes family life deploys three analytical lenses: history, space and technology. Contemporary journeys are historically linked to a century of dispossession and labor-migration in Southern Africa. Colonial governments used onerous “bioinformational regimes” to subjugate Africans and profit from their labor. -
Orlando Bloom Biography - Life, Family, Childhood, Children, Name, Story, School, Mother, Young
3/5/2020 Orlando Bloom Biography - life, family, childhood, children, name, story, school, mother, young World Biography (../in… / A-Ca (index.html) / Orlando Bloom Bi… Orlando Bloom Biography January 13, 1977 • Canterbury, England Actor Bloom, Orlando. AP/Wide World Photos. Reproduced by permission. Orlando Bloom is best known for playing the elf warrior Legolas Greenleaf in the epic film trilogy The Lord of the Rings. His ability as an actor was appreciated by critics, but the bigger story was that over the course of the three films Bloom attracted an enormous number of fans. Although his naturally dark features were disguised by a waist-length blonde wig, blue contact lenses, and pointy ears, young girls the world over discovered a new heartthrob. Bloom's success as Legolas opened doors for the classically trained English actor, who has gone on to appear in a number of other critically acclaimed movies. In addition, he became one of the hottest young properties in Hollywood, making Entertainment Weekly 's "It list" in 2003. Early bloomer Orlando Bloom was born on January 13, 1977, in Canterbury, England. His mother, Sonia, ran a foreign language school; his father, Harry, was a human rights activist, lawyer, and author. Before moving to Canterbury the elder Blooms lived in South Africa, where Harry Bloom (1913–1981) was a fierce fighter in the struggle against apartheid, a policy of racial segregation. When Orlando was only four years old, his father died after suffering a stroke. He and his older sister, Samantha, were raised by their mother, who had a profound effect on her children. -
A3393-E5-01-Jpeg.Pdf
IN MEMORIAM ALEX. HEPPLE 1904-1983 Photo: Eli Weinberg And we, shall we too, crouch and quail, Ashamed, afraid o f strife, And lest our lives untimely fail Embrace the death in life? Nay; cry aloud, and have no fear, We few against the world; Awake, arise! the hope we bear Against the curse is hurled. William Morris, No Master ALEX. HEPPLE 1904-1983 Alex. Hepple died peacefully in Canterbury on 16 November 1983, aged 79. He was leader o f the South African Labour Party (1953—58), founder and chairman o f the Treason Trial Defence Fund (1956—61), and o f the South African Defence and Aid Fund (1960—64). With his wife, Girlie, who was his close comrade in all his activities, he established the International Defence and Aid Fund’s Information Service in 1967 in London, and together they managed the Service until their retirement at the end o f 1972. He was the author o f Verwoerd (Pelican, 1967) and South Africa: a political and economic history (Pall Mall, 1966) as well as numerous pamphlets and articles on political and trade union affairs in South Africa. Alex. Hepple was born in Johannesburg on 28 August 1904. His father, an immigrant from Sunderland, was a militant member and branch secretary o f the Amalgamated Society o f Engineers, and his mother was a strong supporter o f the suffragettes. They were founding members o f the Labour Party, o f which Alex, became a lifelong member in South Africa and later, Britain. Among the formative experiences o f his youth were the victimisation o f his father for his part in the 1913 and 1914 Rand strikes, and the sight o f workers being fired on by Smuts’ troops during the general strike in 1922. -
A3393-E6-5-5-01-Jpeg.Pdf
^HK,fLRS UNbER l\?hKXtfe\ D INTERNATIONAL LABOUR REVIEW Published monthly by the International Labour Office ,e 100 November 1969 Number 5 BOOKS RECEIVED General H epple, Alex. South Africa: workers under apartheid. Published for the International Defence and Aid Fund. London, Christian Action Publica tions Ltd, 1969. vi+86 pp. Tables, bibliographical references. 6s. This pamphlet on the application of the policy of apartheid in the labour field covers essentially the same ground as the ILO’s Special Reports on apartheid. It provides a good general introduction to the subject and includes particularly useful data on wages, job reservation and trade unionism in the Republic of South Africa. The first part outlines the political background of the Government’s policy. This is followed by three parts dealing respectively with the labour force, its racial grading and the various laws designed to control African labour; the labour laws applying to collective bar gaining, wage fixing, the right to strike and the reservation of jobs on a racial basis; and trade unionism and the methods used to curb the unionisation of Africans. The final part refers to the steps taken by the ILO and the United Nations to deal with the labour and trade union situation in the Republic of South Africa. 'TUs- /<J2x/ve^. /t/y/Cf _ Labour dilemma for S may be known, Hepple entitled “South A certain jobs in South Africa: Workers under Africa are reserved for apartheid” and pub whites only—particularly lished by th e Inter racists skilled jobs. But the national Defence and trouble is that there is Aid Fund at six shillings. -
African South Vol. 4, No. 2
African South Vol. 4, No. 2 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.ASJAN60 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org African South Vol. 4, No. 2 Alternative title Africa South Author/Creator Ronald M. Segal; David Marais; Senator Dr. the Hon Leslie Rubin; Stanley Uys; Professor Leo Kuper; Anthony Delius; John Nieuwenhuysen; Phyllis Ntantala; Alex. Hepple; David Miller; Arnold Benjamin; Terence Ranger; John Reed; Vella Pillay; J. M. Nazareth, M.L.C; Philippee Decraene; Lord Altrincham; James Cameron; Dr. A. C. Jordan; Miriam Koshland; -
Hugh Masekela: the Long Journey 1959-1968
HUGH MASEKELA: THE LONG JOURNEY 1959-1968 By RICARDO CUEVA A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ Newark, New Jersey October 2020 © 2020 Ricardo Cueva ALL RIGHTS RESERVED Abstract of the Thesis Hugh Masekela: The Long Journey By Ricardo Cueva Thesis Director: Henry Martin This thesis chronicles Masekela's transition from African refugee to Grammy nominated artist while also encompassing a musical analysis of his work before and including The Promise of the Future. This thesis will provide brief biographical information of Masekela’s life as well as a sociological analysis to give context to his place in US pop culture. This study discusses Masekela’s upbringing in South Africa and explores his transition into 1960s America. This thesis argues that Masekela faced an authenticity complex when breaking into the US market because he defied the expectations of what US audiences thought Africans to be. Masekela overcame this obstacle with the release of The Americanization of Ooga Booga (1966). A musical analysis and critique of the first three albums with an emphasis on Masekela’s breakthrough compositions will be part of this thesis. This thesis concludes with a brief analysis of the cultural and racial impact of Masekela’s work both in the United States and South Africa. ii Acknowledgements I would first and foremost like to thank my parents for their constant support and sacrifice. -
Class of Their Own: the Bantu Education Act (1953) Revisited
IN A CLASS OF THEIR OWN: THE BANTU EDUCATION ACT (1953) REVISITED. by NADINE LAUREN MOORE Submitted as requirement for the degree MAGISTER HEREDITATIS CULTURAEQUE SCIENTIAE (HISTORY) in the Faculty of Humanities University of Pretoria Pretoria 2015 Supervisor: Professor Karen L. Harris Abstract Various political parties, civil rights groups, ministerial spokespeople and columnists support the view that one of South Africa's leading challenges is overcoming the scarring legacy that the Bantu Education Act of 1953 left on the face of the country. In the light of this a need arises to revisit the position and place of Bantu Education in the current contested interpretation of its legacy. It is apparent from the vast literature on this topic that academics are not in agreement about whether or not the 1953 education legislation was the watershed moment for ensuring a cheap labour force. On the one hand it would seem that the general consensus is that 1953 was indeed a turning point in this regard – thus a largely traditional view. However, on the other hand, another school of thought becomes apparent, which states that securing a cheap, unskilled labour force was already on the agenda of the white electorate preceding the formalisation of the Bantu Education Act. This latter school of academics propose that their theory be coined as a “Marxist” one. In examining these two platforms of understanding, traditional and Marxist, regarding Bantu Education and the presumption that it was used as a tool to ensure a cheap, unskilled labour force, the aim of this study is two-fold. First, to contextualise these two stances historically; and second to examine the varying approaches regarding the rationalisation behind Bantu Education respectively by testing these against the rationale apparent in the architects of the Bantu Education system. -
Ivan Vladislavić and the Postcolonial Metropolis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UWC Theses and Dissertations Imagining and Imaging the City – Ivan Vladislavić and the Postcolonial Metropolis KUDZAYI M. NGARA (2618559) A thesis submitted in partial fulfilment of the requirements for the degree of Doctor Philosophiae, in the Department of English, University of the Western Cape. Supervisor: Prof Wendy Woodward Co-supervisor: Prof Loes Nas Co-supervisor: Prof Kristiaan Versluys 11 November 2011 Imagining and Imaging the City – Ivan Vladislavić and the Postcolonial Metropolis Kudzayi M. Ngara KEYWORDS Johannesburg Ivan Vladislavić Postcolonial metropolis Post-apartheid Representation Identity Urbanity Flâneur Irresolvability Dialogic Postcolonialism II ABSTRACT Imagining and Imaging the City – Ivan Vladislavić and the Postcolonial Metropolis Kudzayi M. Ngara PhD Thesis, Department of English, University of the Western Cape This thesis undertakes an analysis of how six published works by the South African writer Ivan Vladislavić form the perspective of writing the city – Johannesburg – into being. Beginning from the basis that Vladislavić’s writing constitutes what I have coined dialogic postcolonialism, the thesis engages with both broader contemporary urban and postcolonial theory in order to show the liminal imaginative space that the author occupies in his narrations of Johannesburg. Underlining the notion of postcolonialism being a “work in progress” my thesis problematises the issue of representation of the postcolonial city -
Interview with Hilda Watts and Rusty Bernstein Part 1
Ruth First Papers project I Interview with Hilda Watts and Rusty Bernstein part 1 An interview conducted by Don Pinnock c. 1992. Part of a series carried out at Grahamstown University and held at the UWC/Robben Island Mayibuye Archive. Republished in 2012 by the Ruth First Papers Project www.ruthfirstpapers.org.uk RB: ... that's right, I saw that term - somebody wrote an article about the when-we's that I was reading recently. Can't remember where. HW: Yes, there was a wonderful little play about Rhodesians on the television. I can't remember the name of the man who wrote it. RB: It was called something Road ... Salisbury Road. HW: Salisbury Road, that's right. It was about a white Rhodesian left in his job when the when-we's have gone because he's older and hasn't any real alternatives, and a black boss is appointed above him. He and his - one son has left the country, and the other son was killed or something – RB: The other son was called up for military service at the end of the play and refused to go. HW: No, he was the one who left ... DP: I want to put this together this morning. I wanted to get a feeling of when you were involved in the CP so I know how far back to ask you questions. Before the war, or during? RB: Before the war. I think Hilda probably earlier than me. HW: Ja, I joined the Communist Party in 1935 in Britain. I went to South Africa about 1937.