The Development of Art in the Fourth Dynasty: the Eastern and Gis Cemeteries at Giza
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Cambridge Archaeological Journal 15:2, 2005
Location of the Old Kingdom Pyramids in Egypt Miroslav Bârta The principal factors influencing the location of the Old Kingdom pyramids in Egypt are reconsidered. The decisive factors influencing their distribution over an area of c. eighty kilometres were essentially of economic, géomorphologie, socio-political and unavoidably also of religious nature. Primary importance is to be attributed to the existence of the Old Kingdom capital of Egypt, Memphis, which was a central place with regard to the Old Kingdom pyramid fields. Its economic potential and primacy in the largely redistribution- driven state economy sustained construction of the vast majority of the pyramid complexes in its vicinity. The location of the remaining number of the Old Kingdom pyramids, including many of the largest ever built, is explained using primarily archaeological evidence. It is claimed that the major factors influencing their location lie in the sphere of general trends governing ancient Egyptian society of the period. For millennia, megaliths and monumental arts were pyramids see Edwards 1993; Fakhry 1961; Hawass commissioned by the local chieftains and later by the 2003; Lehner 1997; Stadelmann 1985; 1990; Vallogia kings of Egypt. The ideological reasons connected 2001; Verner 2002; Dodson 2003). The reasons that may with the construction and symbolism of the pyra be put forward to explain their location and arrange mids were manifold, and in most cases obvious: the ment are numerous but may be divided into two basic manifestation of power, status and supremacy over groups: practical and religious. It will be argued that the territory and population, the connection with the whereas the general pattern in the distribution of the sacred world and the unlimited authority of the rulers pyramid sites may be due mainly to practical reasons, (O'Connor & Silverman 1995). -
The Actions and Effects of Dr. Zahi Hawass
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2011 Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass Bonnie Jean Roche Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Roche, Bonnie Jean, "Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass" (2011). Browse all Theses and Dissertations. 1049. https://corescholar.libraries.wright.edu/etd_all/1049 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MUSEUMS AND RESTITUTION: THE ACTIONS AND EFFECTS OF DR. ZAHI HAWASS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By BONNIE JEAN ROCHE Bachelors of Liberal Arts Bowling Green State University, 2008 2011 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 10, 2011 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Bonnie Jean Roche ENTITLED Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Donovan Miyasaki, Ph.D. Project Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination: __________________________________ Dawne Dewey, MA. __________________________________ Karla Huebner, Ph.D. __________________________________ Andrew Hsu, Ph.D. Dean, School of Graduate Studies ABSTRACT Roche, Bonnie Jean. -
The Mysterious Pyramid on Elephantine Island: Possible Origin of the Pyramid Code
Archaeological Discovery, 2017, 5, 187-223 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 The Mysterious Pyramid on Elephantine Island: Possible Origin of the Pyramid Code Manu Seyfzadeh Lake Forest, CA, USA How to cite this paper: Seyfzadeh, M. Abstract (2017). The Mysterious Pyramid on Ele- phantine Island: Possible Origin of the After the step pyramids of the Third Dynasty and before the true pyramids of Pyramid Code. Archaeological Discovery, the Fourth Dynasty, seven mysterious minor step pyramids were built by King 5, 187-223. Sneferu1 and a predecessor. None of them were tombs. Clues as to why they https://doi.org/10.4236/ad.2017.54012 were built emerged from analyzing their orientation to objects in the sky Received: August 26, 2017 worshiped by the ancient Egyptians and hinted at a renewed preoccupation Accepted: September 19, 2017 with measuring time and the flow of the Nile. The first of the seven was built Published: September 22, 2017 on the Island of Elephantine, Egypt. Its orientation suggests that an aspect of Copyright © 2017 by author and the star Sirius was being enshrined. This paper proposes that this aspect per- Scientific Research Publishing Inc. tained to the different timings of its annual invisibility period observable from This work is licensed under the Creative either the capital at Memphis in Lower Egypt or from Upper Egypt at Ele- Commons Attribution International License (CC BY 4.0). phantine. I argue that these periods, measured in days, were converted to di- http://creativecommons.org/licenses/by/4.0/ mensions in cubits, and consequently these numbers and the resulting geo- Open Access metric relationships between them became important. -
The Gazelle in Ancient Egyptian Art Image and Meaning
Uppsala Studies in Egyptology - 6 - Department of Archaeology and Ancient History Uppsala University For my parents Dorrit and Hindrik Åsa Strandberg The Gazelle in Ancient Egyptian Art Image and Meaning Uppsala 2009 Dissertation presented at Uppsala University to be publicly examined in the Auditorium Minus of the Museum Gustavianum, Uppsala, Friday, October 2, 2009 at 09:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Strandberg, Åsa. 2009. The Gazelle in Ancient Egyptian Art. Image and Meaning. Uppsala Studies in Egyptology 6. 262 pages, 83 figures. Published by the Department of Archaeology and Ancient History, Uppsala University. xviii +262 pp. ISSN 1650-9838, ISBN 978-91-506-2091-7. This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the motifs characteristic for the gazelle are found in this context. Chapter 5 gives a typological analysis of the images of the gazelle from offering processions scenes. In this material the image of the nursing gazelle is given particular importance. Similar images are also found on objects, where symbolic connotations can be discerned (Chapter 6). -
Essential Design of the Great Pyramid Encoded in Hemiunu's Mastaba At
Archaeological Discovery, 2018, 6, 162-172 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 Essential Design of the Great Pyramid Encoded in Hemiunu’s Mastaba at Giza Manu Seyfzadeh Independent Researcher, Lake Forest, CA, USA How to cite this paper: Seyfzadeh, M. Abstract (2018). Essential Design of the Great Pyra- mid Encoded in Hemiunu’s Mastaba at The architect of the “Great Pyramid”1 at Giza is believed to have been Khufu’s Giza. Archaeological Discovery, 6, 162-172. half-nephew Hemiunu. While it is possible that Hemiunu conceived its design https://doi.org/10.4236/ad.2018.62008 because he was both vizier and head of this king’s works, there is no direct Received: March 23, 2018 proof of it to date. Absent the unlikely discovery of unequivocal written evi- Accepted: April 17, 2018 dence, whether he was involved may never be known with certainty. Here, I Published: April 20, 2018 present evidence that Hemiunu himself was the likely brain behind the essen- Copyright © 2018 by author and tial features of the Great Pyramid. The side length, height, the small indent Scientific Research Publishing Inc. into the core masonry on all four side centers, and even the factors five and This work is licensed under the Creative eight which relate this pyramid with its smaller version at Meydum and which Commons Attribution International License (CC BY 4.0). had significant theological meaning at the time are all embedded in the two http://creativecommons.org/licenses/by/4.0/ original side lengths of Hemiunu’s rectangular mastaba G4000 in the west Open Access cemetery. -
Efrem Piccin GREAT PYRAMID EXPLANATION a Scientific
Efrem Piccin GREAT PYRAMID EXPLANATION A Scientific Approach to the Great Pyramid explanation 1 2 To my wife, Who redeemed the savage in me And gave me a family. 3 I Preamble Just like Emilio Salgari, I am writing this book without stirring away from my home, without ever having been to Egypt, and never having had an opportunity to visit the Pyramid of Cheops. However, we live in the age of global communication, which can result in unexpected fruits. My curiosity about the Great Pyramid has origins in distant times: I was very young when one evening my father told me about this monument describing it as a treasure chest of infinite secrets. There were no other incidents, but that single episode was enough. My experience as a teacher of physics has taught me that if you want to grab the attention of the often-restive minds of your students, you must first pique their curiosity in your explanations: if you succeed in this, you have arrived. In order to accomplish my research, I was lucky enough to have good plans and numerous photographs taken on site by friends and acquaintances. The rest of the material I found on the Internet. In particular, many of the photos that accompany my work come from the excellent website, www.egyptarchive.co.uk, owned by Jon Bodsworth. I also exchanged e-mails with him, and he was kind enough to take photos and measurements at Giza for me. I do not know why, but recently Jon has closed his website. However, since the images I had downloaded at the time were absolutely necessary for me, I am still mentioning the URL of his discontinued website as the source of my photos. -
An Inventory List from “Covington's Tomb” and Nomenclature For
001-a Contents vol. 1 Page i Thursday, July 22, 2004 1:55 PM Studies in Honor of William Kelly Simpson ¡%¢ …d¢ i 001-a Contents vol. 1 Page ii Thursday, July 22, 2004 1:55 PM William Kelly Simpson 001-a Contents vol. 1 Page iii Thursday, July 22, 2004 1:55 PM tudies in onor of illiam elly impson Volume 1 Peter Der Manuelian Editor Rita E. Freed Project Supervisor Department of Ancient Egyptian, Nubian, and Near Eastern Art Museum of Fine Arts, Boston 1996 001-a Contents vol. 1 Page iv Thursday, July 22, 2004 1:55 PM Front jacket illustration: The Ptolemaic Pylon at the Temple of Karnak, Thebes, looking north. Watercolor over graphite by Charles Gleyre (1806–1874). Lent by the Trustees of the Lowell Institute. MFA 161.49. Photograph courtesy Museum of Fine Arts, Boston Back jacket illustration: Palm trees at the Temple of Karnak, Thebes. Watercolor over graphite by Charles Gleyre. Lent by the Trustees of the Lowell Institute. MFA 157.49. Photograph courtesy Museum of Fine Arts, Boston Endpapers: View of the Giza Pyramids, looking west. Graphite drawing by Charles Gleyre. Lent by the Trustees of the Lowell Institute. MFA 79.49. Photograph courtesy Museum of Fine Arts, Boston Frontispiece: William Kelly Simpson at the Museum of Fine Arts, Boston, 1985 Title page illustration: A document presenter from the Old Kingdom Giza mastaba chapel of Merib (g 2100–1), north entrance thickness (Ägyptisches Museum Berlin, Inv. Nr. 1107); drawing by Peter Der Manuelian Typeset in Adobe Trump Mediaeval and Syntax. Title display type set in Centaur Egyptological diacritics designed by Nigel Strudwick Hieroglyphic fonts designed by Cleo Huggins with additional signs by Peter Der Manuelian Jacket design by Lauren Thomas and Peter Der Manuelian Edited, typeset, designed and produced by Peter Der Manuelian Copyright © Museum of Fine Arts, Boston, 1996 All rights reserved. -
The Ancient Egyptian Pyramid Texts"
CRITICAL ANALYSIS OF J. P. ALLEN’S "THE ANCIENT EGYPTIAN PYRAMID TEXTS" by Timofey T. Shmakov PRELIMINARY RESULTS Edited by A. K. Eyma Omsk-Tricht, 2012 2 source: http://www.ancient-egypt.org/ swt jrr nTrw.f m zSA nj zjn.f "He is the one who put his gods in a writing1 that cannot be erased" (painted plaster from the mastaba of Nefermaat and his wife Itet) 1 i.e. recorded them. 3 To my mom, Elena Leonidovna, who had patience with me making long hours, and to my friend, Marina Sokolova, who taught me a lot of things. 4 TABLE OF CONTENTS Dedication 4 Foreword 6 Lexicon 7 Part I: Unis’s PT corpus [W] 12 Part II: Teti’s PT corpus [T] 175 Part III: Pepi Merire’s PT corpus [P] 241 Part IV: Nemtiemzaf Merenre’s PT corpus [M] 345 Part V: Pepi Neferkare’s PT corpus [N] 354 Part VI: Neith’s PT corpus [Nt] 379 Supplemental Notes 391 Bibliography 402 Copyright © 2012 Timofey T. Shmakov All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means without reference to the work and the author. 5 Foreword The Pyramid Texts constitute the most ancient written text corpus of such a size to have reached us. They reflect the images of the ancient Egyptians about the life of a king after physical death and present a rich source of philological material still in need of urgent study. The correct reading of these monumental texts is necessary for an integral understanding of the funerary cult of a king. -
Analysing the Dynamics Among the Social Groups and the Mechanisms of Social Promotion in the Provinces in the Late Old Kingdom
Analysing the Dynamics among the Social Groups and the Mechanisms of Social Promotion in the Provinces in the late Old Kingdom: SNA Methods and New Research Approaches Emilie Martinet To cite this version: Emilie Martinet. Analysing the Dynamics among the Social Groups and the Mechanisms of Social Promotion in the Provinces in the late Old Kingdom: SNA Methods and New Research Approaches. Addressing the Dynamics of Change: Complex Network Analysis in Ancient Egypt, BÁRTA (M.); DULÍKOVÁ (V.), 2018, Prague, Czech Republic. pp.260-273. halshs-02907433 HAL Id: halshs-02907433 https://halshs.archives-ouvertes.fr/halshs-02907433 Submitted on 28 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ADDRESSING THE DYNAMICS LYSIS GYPT: A E OF CHANGE IN ANCIENT EGYPT: N A COMPLEX NETWORK ANALYSIS NCIENT NCIENT A Veronika Dulíková and Miroslav Bárta, eds. NETWORK NGE IN IN NGE A OMPLEX C OF CH OF MICS A ADDRESSING THE DYN THE ADDRESSING Charles University Faculty of Arts ISBN 978-80-7308-986-3 ISBN 978-80-7308-986-3 ADDRESSING THE DYNAMICS OF CHANGE IN ANCIENT EGYPT: Complex network analysis ADDRESSING THE DYNAMICS OF CHANGE IN ANCIENT EGYPT: Complex network analysis Veronika Dulíková and Miroslav Bárta, eds. -
Smith, William Stevenson. “The Stela of Prince Wepemnofret.”
ARCHAEOLOGY SPRING 1963 VOLUME 16 NUMBER 1 $1.25 , ARCHAEOLOGY A MAGAZINE DEALING WITH THE ANTIQUITY OF THE WORLD VOLUME 16 NUMBER 1 MARCH 1963 CONTENTS FOR SPRING 1963 The Stela of Prince Wepemnofret 2 WILLIAMSTEVENSON SMITH Exploration in Lake Peten Itta, Guatemala 14 STEPHANF. DE BORHEGYI Late Hellenistic Portraiture 25 GISELAM. A. RICHTER Deities and Shrines of Neolithic Anatolia: Çatal Huyiik 1962 29 JAMESMELLAART Textiles from Çatal Hüyük 39 HANSHELBAEK Building and Sculpture Techniques in India: Part II 47 HERMANNGOETZ Masterpieces of Neolithic Art from Rumania 54 MARIJA GIMBUTAS Archaeological News 57 Reviews of Recent Books 65 Brief Notices (Books) 76 COVER: Slab-stela of Prince Wepemnofret (detail). Color plate courtesy Department of Egyptian Art, Museum of Fine Arts, Boston. ARCHAEOLOGYis indexed in the ARTINDEX EDITOR, Gladys Davidson Weinberg; ASSOCIATE EDITOR, Winifred Smeaton Thomas ASSISTANT EDITOR, Elizabeth L. Courtney EDITORIAL ADVISORY BOARD, Linda S. Braidwood, Oscar Broneer, John L. Caskey, Lionel Casson, J. Walter Graham, J. Alden Mason, Elizabeth Riefstahl, Richard C. Rudolph, Margaret Thomp- son, A. W. Van Buren, Richard B. Woodbury ART DIRECTOR, Paul L. Fisher ARCHAEOLOGYis published quarterly in March, June, September and December by the ARCHAEO- LOGICAL INSTITUTEOF AMERICA, 5 Washington Square North, New York 3, New York. Publication Office: 73 Main Street, Brattleboro, Vermont. Second class postage paid at Brattleboro, Vermont. Subscriptions and advertisements should be addressed to the Business Manager at 5 Washington Square North, New York 3, New York (Telephone ALgonquin 4-5710). Subscription, $5.00 per volume. Single numbers, $1.25. No extra charge for foreign subscriptions. Members of the ARCHAEO- LOGICAL INSTITUTEOF AMERICAmay choose ARCHAEOLOGYas a perquisite of membership. -
The Satellite Pyramid of Meidum and the Problem of the Pyramids Attributed to Snefru
The Journal of Ancient Egyptian Architecture vol. 3, 2018 The satellite pyramid of Meidum and the problem of the pyramids attributed to Snefru Franck Monnier Cite this article: Fr. Monnier, ‘The satellite pyramid of Meidum and the problem of the pyramids attributed to Snefru’, JAEA 3, 2018, pp. 1-23. JAEA www.egyptian-architecture.com ISSN 2472-999X Published under Creative Commons CC-BY-NC 2.0 JAEA 3, 2018, pp. 1-23. www.egyptian-architecture.com The satellite pyramid of Meidum and the problem of the pyramids attributed to Snefru Franck Monnier Since1 their partial clearance by Ernest Mackay in 1910,2 the insubstantial remains of the satellite pyramid at Meidum have invoked only occasional comment, which usually only repeats the original excavation report. Fifty years after its excavation, architects Vito Maragioglio and Celeste Rinaldi did propose a reconstruction, but since then no one has focused on the monument, which now lies under the sands once again.3 A new analysis of the data collected by the British archaeologist, however, raised some questions which led me to revise and correct aspects of the reconstruction. To better understand the situation of the satellite pyramid within the complex, I was then forced to review opinions regarding the probable identity of the owner of the main Meidum pyramid itself. Fig. 1. The remains of the satellite pyramid of Meidum (on the right in the photograph) are located at the foot of the larger monument, and are now completely covered by sand (Photo: Franck Monnier). 1 I would like to thank Felix Arnold and Hana Navrátilová for helping me to improve this article. -
The Household of an Egyptian Dignitary – the Case of Ptahshepses
PES XIX_2017_studied_90-136_PES 14.12.17 9:47 Stránka 95 THE HOUSEHOLD OF AN EGYPTIAN DIGNITARY PES XIX/2017 9 5 Fig. 1 Figure of Ptahshepses in the decoration of the funerary chapel with three niches (photo M. Zemina) The household of an Egyptian dignitary – the case of Ptahshepses Věra Nováková Tomb reliefs primarily inform us of the means the tomb owner employed to secure his eternal existence. The titles present provide information about the social status of the tomb owner. In a much similar manner, the subordinates depicted on the walls are also of particular importance. These individuals constitute an integral part of the specific decorative pattern depicted on the tomb’s walls, in which the tomb owner is surrounded by his family, dependents, functionaries or servants who were embodied in his household. As Seidlmayer (2007: 356) stated, one can understand the relief decoration as a pictorial map of the social matrix within which the tomb owner was conceptualized. The aim of this article is to focus upon the sociological perspectives of the tomb reliefs. On the grounds of identified individuals, distinguished by titles and/or names, the present author would like to describe and analyse what the household of one high-ranking dignitary from the time of Nyuserre – Vizier Ptahshepses (fig. 1) – looked like.1 PES XIX_2017_studied_90-136_PES 14.12.17 9:47 Stránka 96 9 6 PES XIX/2017 THE HOUSEHOLD OF AN EGYPTIAN DIGNITARY Introduction sixty years. At the same time, it is one of the largest and ar- chitecturally most complicated non-royal tombs dated to The prevailing view of ancient Egypt, especially during the Old Kingdom (fig.